Spread Triadas 1 - Guitar - Nestor Crespo - Free

SPREAD STRING SETS
653 / 643 / 542 / 431
TRIADS 1
GUITAR
TRIADS - SHAPES
(Major - Minor - Augmented - Diminished)
PROGRESSIONS
(Only 8 in major mode & 8 Minor Mode)
FREE VERSION
Does not Contain:
112 Backing Tracks
12 Assignments
Appendix Triads: Sus2 - Sus4 - Phrygian & Lydian
Printable Book without watermark
by Nestor Crespo
Practical and dynamic work methodology for the self-taught
student as well as for the teacher in class
serie20y20.com.ar
MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:
Spread Triadas 1
for Guitar
by Nestor Crespo
If you wish, you can purchase for a very low cost the
complete version, which includes a greater number of
exercises, assignments, backing, tracks, etc. with
the objective of securing the addressed concepts.
As an independent publishing house, we will be so

thankful with your purchase, because in this way you are
helping us to create even more teaching material.
From Buenos Aires, Argentina, we send you the best

wishes for your musical career.
Néstor Crespo
Serie20&20 Director
www.serie20y20.com.ar
CONSIDERTIONS– FREE VERSION
The Free Version DOES NOT CONTAIN:
* It only contains 2 progressions (major mode) and 2 (minor mode) of the 48 and 40 progressions respectively.
* 12 Assignments (Jazz standard themes)
* 112 Backings Tracks (Essential complement for the complete study of the concepts studied)
* 6 audios corresponding to the Rhythmic Patterns for the right hand.
* Appendix Triads (sus2 - sus4 - Phrygian - Lydian)
* Printable Book (without watermark)
If you wish, you can obtain the complete Ebook by purchasing at a low cost the Paid Version at
OBJECTIVES AND PURPOSES
The Spread triads is often used as a tool when we perform a musical arrangement, however, many
instrumentalists and composers use the triads openly, thus achieving a greater expressive weight.
The open triads are obtained by ascending or descending an octave the internal voice of a triad in closed
position, either in root position or inverted, thus achieving a tenth interval between the bass and the upper
voice.
Practicing the different exercises, progressions and works, we will achieve a conscious and dynamic
handling of the different fingerings and sonorities produced.
CONTENTS
We will use four types of open triads: Major - Minor - Diminished and Augmented, both in fundamental
position and in first and second inversion in string sets: 6 5 3 - 6 4 3 - 5 4 2 - 4 3 1
The different strings sets are organized starting from the study of the fingerings of each type of triad,
previously mentioned, in position and across the guitar neck.
We will practice with 44 progressions in the major mode and 40 in the minor mode using concepts of
functional harmony: diatonic chords, secondary dominants, substitutes and modal interchange chords.
It also includes the harmonization of the Major Scale, the Composite Minor Scale, the Circle of fifths and
the third diatonic. The 12 assignments include the jazz standard in 4/4 - 3/4 and ballads.
We will practice the open triads as a chord as well as six different rhythm patterns for the right hand. Also
included are the shapes of the following open triads: Sus2 - Sus4 - Lydian & Phrygian.
AUDIOS
The 112 audios included are a necessary complement for the correct study of this Ebook.
• 88 exercises (with string quartet)

• 12 Practical Works (with string quartet)
• 12 Practical Works (only with melody and double bass)
The audios with string quartet will allow us to take a real dimension of the sound amplitude produced
through the use of open triads and enjoy when practicing the different exercises and practical work.
nestor.crespo@usa.net / www.nestorcrespo.com.ar / www.serie20y20.com.ar

NESTOR CRESPO
(Professor - Guitarist - Composer - Arranger)
Teaching Career
Made guitar studies with professor Armando Alonso and composing with professor Claudio
Schulkin in an autodidact way.
Develops a solid teaching career, both in the private sector and in important institutions from
Argentina and Europe.
Founder professor (1986) of the Escuela de Música Popular de Avellaneda holding the position of
associate professor of the Jazz Guitar professorship, position held today. Also works on the making
of four workbooks for the professorship mentioned.
Professor of the virtual professorship Functional Harmony I & II from the UNA’s (Nacional University
of Art) Departamento de Artes Musicales y Sonoras (Damus) , position held today.
Dictated numerous workshophs about Functional Harmony and Improvisation of Popular Music in prestigious study
centers such as: Hochshule für Musik Karlsruhe (Germany), Conservatorio de Palma de Mallorca and Las Aulas
(Barcelona, Spain), as well as other clinics about Tango elements, in Germany and Switzerland organized by the Deutsch
Akademie des Tango (Stuttgart, Germany)
Created in 2008 "Serie 20 & 20 – workbooks" which contains 20 lessons and 20 exercises about different areas of
musical science. (For more information visit: www.serie20y20.com.ar)
In March of 2013 the editorial of DAMus (Department of Musical Arts) dependent of UNA (Nacional University of Art)
publishes the book Funtional Harmony 1 & 2.
Career Highlights
During the 80s, takes part of different Jazz groups performing in the most prestigious jazz venues and clubs of
Buenos Aires and the inner country.
In 1989 lives in Palma,Mallorca (Spain) working with european musicians among which stands out Ola Calamayer
(pianist of saxophonist Dexter Gordon). Participates in the Mallorca International Jazz Festival, invited by the quintet of the
prestigious trumpeter Woody Shaw.
In the early 90s creats with Juan Dargenton El Tranvía Tango with which records 9 CDs in Argentina and Europe, and
performs continuously over 25 european tours averaging 80 annual concerts, playing in the most impo rtant concert
halls, culturar centers, theaters, etc.
Shared the stage with Sexteto Mayor, Daniel Binelli (bandoneonist of Astor Piazzolla), bandoneonist Alfredo Marcucci,
singers José Ángel Trelles, María Graña, etc.
Received important awards both in Argentina and abroad: ACE Award (Entertainment Writters Association) as Best
Tango Group, Tango Future Award given by Deutsch Akademie der Tango (Stuttgart, Germany). CD Ocre Buenos Aires",
receives an award for Best CD granted by the famous magazine Gränsen (Stockholm, Sweden), etc.
Develops an intense career as an arranger of tango and world music for different record labels in Germany.
Composed the music for the program Visión Siete Internacional (winner of the Martin Fierro 2009 award) which it is
broadcasted since 2005 by TV Pública - Canal 7 - Argentina.
Invited by plastic artist Andrés Zerneri to compose the music of his two documentaries: 900 grados (monument to Che
Guevara) and Monumento a la Mujer Originaria".
In 2006 creats in Germany with Tomas Pérez (Puerto Rico) and Joselo González (Chile) the music group called Sur
Tres, recording their first CD in which performs its musical arrangements.
Also served as arranger and musical director of the Tango singer Omar Mollo, and guitarist of the singer and
bandoneonist Rubén Juárez.

Gratitude's
To my father, Emilio.
Humbly, I hope to be useful to you.
Néstor Crespo
INDEX SPREAD TRIADS 1 - FREE VERSION
Right Hand Fingering Patterns (Only in Pay Version) ............................................................................................................................................ 1
Set 6 5 3 - Shapes of Spread Triads ................................................................................................................................................................................................ 2

Exercise across the neck ...................................................................................................................................................................................................................... 3
Circle of Fifths - Major Triad ................................................................................................................................................................................................ 4
Circle of Fifths - Minor Triad ................................................................................................................................................................................................ 5
Circle of Fifths - Diminished Triad ................................................................................................................................................................................................ 6
Circle of Fifths - Augmented Triad ................................................................................................................................................................................................ 7
Harmonize the Major & Compound Minor Scale (Root Position) ................................................................................................... 8
Harmonize the Major & Compound Minor Scale (First Inversion) ................................................................................................... 9
Harmonize the Major & Compound Minor Scale (Second Inversion) ................................................................................................... 10
Circle of Thirds (Major & Minor Moder) ............................................................................................................................................................................................... 11
Exercise 1 (Major Mode) ...................................................................................................................................................................................................................... 12
Exercise 2 (Only in Pay Version).......................................................................................................................................................................................................................... 13
Exercise 3 (Only in Pay Version)............................................................................................................................................................................................................................ 14
Exercise 4 (Only in Pay Version) ...................................................................................................................................................................................................................... 15
Exercise 6 (Only in Pay Version) ........................................................................................................................................................................................................................ 17
Exercise 7 (Minor Mode) ...................................................................................................................................................................................................................... 18
Exercise 8 (Only in Pay Version)........................................................................................................................................................................................................................ 19
Exercise 11 (Only in Pay Version) .......................................................................................................................................................................................................................... 22
All the things your are (Melodie) (Only in Pay Version) .................................................................................................................................................... 23
All the things your are (Exercise) (Only in Pay Version) ................................................................................................................................................... 24
Someday my prince will come (Melodie) (Only in Pay Version) ........................................................................................................................ 25
Someday my prince will come (Exercise) (Only in Pay Version) ...................................................................................................................... 26
Over the rainbow (Melodie) ....................................................................................................................................................................................................................... 27
Over the rainbow (Exercise) ....................................................................................................................................................................................................................... 28

Circle of Fifths - Major Triad (Only in Pay Version)................................................................................................................................................... 31
Circle of Fifths - Minor Triad (Only in Pay Version)...................................................................................................................................................... 32
Circle of Fifths - Diminished Triad (Only in Pay Version)....................................................................................................................................................... 33
Circle of Fifths - Augmented Triad (Only in Pay Version)...................................................................................................................................................... 34
Harmonize the Major & Compound Minor Scale (Root Position) (Only in Pay Version)............................................................... 35
Harmonize the Major & Compound Minor Scale (First Inversion) (Only in Pay Version).......................................................... 36
Harmonize the Major & Compound Minor Scale (Second Inversion) (Only in Pay Version)......................................................... 37
Circle of Thirds (Major & Minor Moder) (Only in Pay Version) ............................................................................................................................................. 38
Exercise 1 (Major Mode) . (Only in Pay Version) ...................................................................................................................................................... 39
Exercise 2 (Only in Pay Version) .............................................................................................................................................................................................................................. 40
Exercise 3 (Only in Pay Version) ........................................................................................................................................................................................................................... 41
Exercise 7 (Minor Mode) (Only in Pay Version) ........................................................................................................................................................................ 45
Exercise 8 (Only in Pay Version) ......................................................................................................................................................................................................................... 46

Exercise 11 (Only in Pay Version) ......................................................................................................................................................................................................................... 49
Autumn Leaves (Melodie) (Only in Pay Version) .......................................................................................................................................................................... 50
Autumn Leaves (Exercise) (Only in Pay Version) .......................................................................................................................................................................... 51
Sometime Ago (Melodie) (Only in Pay Version) ......................................................................................................................................................................... 52
Sometime Ago (Exercise) (Only in Pay Version) ......................................................................................................................................................................... 53
Darn that Dream (Melodie) (Only in Pay Version) ......................................................................................................................................................................... 54
Darn that Dream (Exercise) (Only in Pay Version) ......................................................................................................................................................................... 55

Circle of Fifths - Major Triad . (Only in Pay Version) .................................................................................................................................................. 58
Circle of Fifths - Minor Triad (Only in Pay Version).................................................................................................................................................... 59
Circle of Fifths - Diminished Triad (Only in Pay Version)...................................................................................................................................................... 60
Circle of Fifths - Augmented Triad (Only in Pay Version)....................................................................................................................................................... 61
Harmonize the Major & Compound Minor Scale (Root Position) (Only in Pay Version)........................................................... 62
Harmonize the Major & Compound Minor Scale (Second Inversion) (Only in Pay Version)....................................................... 64
Circle of Thirds (Major & Minor Moder) (Only in Pay Version)................................................................................................................................................... 65
Exercise 1 (Major Mode) (Only in Pay Version)......................................................................................................................................................................... 66
Exercise 7 (Minor Mode) (Only in Pay Version)........................................................................................................................................................................... 72
My Romance (Melodie) (Only in Pay Version) .......................................................................................................................................................................... 77
My Romance (Exercise) (Only in Pay Version) .......................................................................................................................................................................... 78
Up Jumped Spring (Melodie) (Only in Pay Version) .......................................................................................................................................................................... 79
Up Jumped Spring (Exercise) (Only in Pay Version) ......................................................................................................................................................................... 80
Misty (Melodie) (Only in Pay Version)............................................................................................................................................................................................................... 81
Misty (Exercise) (Only in Pay Version) ............................................................................................................................................................................................................... 82

Circle of Fifths - Major Triad (Only in Pay Version)............................................................................................................................................... 85
Circle of Fifths - Minor Triad (Only in Pay Version)...................................................................................................................................................... 86
Circle of Fifths - Diminished Triad (Only in Pay Version)...................................................................................................................................................... 87
Circle of Fifths - Augmented Triad (Only in Pay Version)....................................................................................................................................................... 88
Harmonize the Major & Compound Minor Scale (Root Position) (Only in Pay Version).......................................................... 89
Harmonize the Major & Compound Minor Scale (Second Inversion) (Only in Pay Version)....................................................... 91
Circle of Thirds (Major & Minor Moder) (Only in Pay Version).................................................................................................................................................. 92
Exercise 1 (Major Mode) (Only in Pay Version) ......................................................................................................................................................................... 93
Exercise 3 (Only in Pay Version) ............................................................................................................................................................................................................................ 95

Exercise 7 (Minor Mode) (Only in Pay Version) ..................................................................................................................................................................... 99
Here's that rainy day (Melodie) (Only in Pay Version) .................................................................................................................................................. 104
Here's that rainy day (Exercise) (Only in Pay Version) .................................................................................................................................................. 105
A child is born (Melodie) (Only in Pay Version) .......................................................................................................................................................................... 106
A child is born (Exercise) (Only in Pay Version) ......................................................................................................................................................................... 107
Old Folks (Melodie) (Only in Pay Version) ................................................................................................................................................................................................. 108
Old Folks (Exercise) (Only in Pay Version) ................................................................................................................................................................................................ 109
Appendix
Shapes of Spread Triads (Sus2) (Only in Pay Version) ................................................................................................................................................... 110

Shapes of Spread Triads (Sus4) (Only in Pay Version) ................................................................................................................................................... 111
Shapes of Spread Triads (Phrygian) (Only in Pay Version) ................................................................................................................................................... 112
Shapes of Spread Triads (Lydian) (Only in Pay Version) ................................................................................................................................................... 113

Right Hand Fingering Patterns
(Néstor Crespo)
Audio: 1
F
Vb c ‰ œ ‰ œ ..
œ œ œ œ
Pattern 1
˙ ˙
Audio: 2
F
> >
Vb c œ œ ..
w
œ œ œ
Pattern 2
œ. œ. œ
w
w
.n
Audio: 3
j
es
F
V b c œœ .. œ ˙ ..
œœ ˙˙
Pattern 3
œ.
to
J
rc
re
Audio: 4
sp
F
Vb c ‰ œ. ˙ ..
Pattern 4
˙ œ. ˙˙
o.
co
m
Audio: 5
.a
F
V b 34 ‰ j œ œ ..
œ œ
Pattern 5
˙.
r
Audio: 6
j
F
Pattern 6 V b 34 ‰ œ
œ
˙
˙
..
˙ œ
Shapes - Set 6 5 3
(Néstor Crespo)
Root 1st 2nd Root

Position Inversion Inversion Position
F x x x F/A F/C F
M
A
I 1 XIII
J 2 1 1 2
O 3 X 3
R
VIII 4
w œ
& œ
œ
& wœ & œ
œ & œ
w
w œ
w
w
Fm Fm/Ab Fm/C Fm
w
x x x
M I 1 1 1 XIII 1
.n
I
N 2
O 3 3
es
X
R
4
to
VIII
w bœ
& bœ & wœ & bœ & wœ
rc
œ bœ œ
w
re
F° F°/Ab F°/Cb F°
sp
x x x
D
I
I 1 1 1 1 XIII 1
2 2
o.
M
I
c
N
I X
om
S VIII 4
H
w bœ
E
D & b b œœ & bwœ & b b œœ & b wœ
bœ
.a
w
r
F+ x x x
F+/A F+/C# F+
A
U I 1 1 XIII
G 2 2
M
X 2
E
N 4 VIII 4 4
T
E
D w œ
& œ & #wœ & œ & # wœ
#wœ œ #œ
nestor.crespo@usa.net / www.nestorcrespo.com.ar / www.serie20y20.com.ar 2
Exercise across the neck
(Néstor Crespo)
Set 6 5 3
Major Triad
q = 120
F F/A wC
F/ F/A
..
F
&c w w
1)
w w w w w
w w w w I w
w w
q = 96
..
F F/A F/C F/A
&c |
2) F
| | | H |
w
Minor Triad
w
q = 120
w
&c |
Fm Fm/Ab Fm/C Fm/Ab
..
1) Fm
| | | H|
.n
es
q = 96
&c |
Fm Fm/Ab Fm/C Fm/Ab
..
2) Fm
| | | H |
to
rc
re
Diminished Triad
sp
q = 120
&c |
F° F°/Ab F°/Cb F°/Ab
.. F°
1)
| | | H|
o.
c om
q = 96
&c |
F° F°/Ab F°/Cb F°/Ab
..
2) F°
| | | H |
.a
r
Augmented Triad
q = 120
&c |
1) F+ F+/A
|
F+/C#
|
F+/A
| .. F+
H|
q = 96
&c |
F+ F+/A F+/C# F+/A
..
2) F+
| | | H |

Circle of Fifths
(Néstor Crespo)
Set 6 5 3
Major Triad I al VII
q = 120
C/E F Bb/F
& c .. ‰
Eb/G
œ ‰ œ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
œ œ œ œ
Patrón 1 ˙ ˙ simile - - - -
w
Ab Db/F Gb B/F#
&’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
w
w
.n
es
A
& ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ..
E/G# D/F# G
to
rc
re
Major Triad VII al XII

sp
o.
q = 120 C j
œ. œ ˙
& c ..
F/C Bb/D Eb
c
œ .. œ ˙ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
om
œ œ ˙
Pattern 3
J simile - - - -
.a
r
Ab/C Db Gb/Db B
&’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
E/B A/C# D G/B

& ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ..

Circle of Fifths
(Néstor Crespo)
Set 6 5 3
Minor Triad I al VII
q = 120 Cm/G Fm Bbm/F Ebm/Gb

& c .. bœ œ
œ œ
œ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
œ. œ. œ simile - - - -
Pattern 2
w
Abm Dbm/Ab Gbm Bm/F#

&’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
w
w
.n
Am
es
Em/G Dm/A Gm
& ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ..
to
rc
re
Minor Triad VII al XII

sp
o.
q = 120 Cm
‰ œœ .. ˙ Fm/C
& c ..
Bbm/Db Ebm
c
˙ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
om
˙ ˙ simile - - - -
Pattern 4
.a
r
Abm/Eb Dbm Gbm/Db Bm

&’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
Am/C Dm Gm/D
& ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ..
Em/B

Circle of Fifths
(Néstor Crespo)
Set 6 5 3
Diminished Triad I al VII
q = 120
& 43 .. ‰
C°/Gb F° Bb°/Fb Eb°/Gb
j œ œ ’ ’ ’ ’ ’ ’ ’ ’ ’
bœ œ
Pattern 5
b˙ . simile - - - -
w
Ab° Db°/Fb Gb° B°/F

&’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
w
w
.n
A°
es
E°/G D°/Ab G°
&’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ..
to
rc
re
Diminished Triad VII al XII

sp
o.
q = 120
j
& 43 ..
C°
‰ b œ ˙˙
b œ F°/Cb Bb°/Db Eb°
c
’ ’ ’ ’ ’ ’ ’ ’ ’
om
˙ œ simile - - - -
Pattern 6
.a
r
Ab°/Cb Db° Gb°/Dbb B°/D

&’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
A°/C D° G°/Db
’ ’ ’ ..
E°
&’ ’ ’ ’ ’ ’ ’ ’ ’

Circle of Fifths
(Néstor Crespo)
Set 6 5 3
Augmented Triad I al VII
q = 120
C+/E F+ Bb+/F# Eb+/G
& c .. #œ œ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
œ œ œ
Pattern 2 œ. œ. œ simile - - - -
w
Ab+ Db+/F Gb+ B+/F##

&’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
w
w
.n
A+/E#
es
E+/G# D+/F# G+
& ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ..
to
rc
re
Tríada Aumentada VII al XII

sp
o.
q = 120
‰ # œœ .. ˙
C+ F+/C#
& c ..
Bb+/D Eb+
c
˙ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
om
˙ ˙ simile - - - -
Pattern 4
.a
r
Ab+/C Db+ Gb+/D B+

&’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
A+/C# D+ G+/B
& ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ..
E+/B#

Harmonizing the Major Scale
(Nestor Crespo)
Root Position Set 6 5 3 Key of F major
œ œ œ
Dm
œ
E°
œ
F
œ œ
F Gm Am Bb C
&b œ œ œ œ œ wœ w
wœ
œ
w wœ w w w
F Gm Am Bb
I
2 III 1 V 1 VI
3 2
w
3 3 3
w
w
C Dm E° F
.n
VIII X 1 XII 1 XIII

es
2 2 2
3 3 3
to
rc
Harmonizing the Minor Composed Scale

re
Root Position Key of F Minor

sp
bbb œ œ
Db
œ
D°
œ
Eb
œ
E°
œ œ
Fm
œ nœ
Bb C
œ
wœ
Fm G° Ab+ Bbm
b œ b wœ n wœ
o.
&
wœ
nœ b wœ b wœ
œ b wœ n wœ
wœ bw w
c om
Fm G° Ab+ Bbm Bb C
I 1
.a
III 3 IV VI 1 VI VIII
r
3 2 2 2 2
3 3 3
4
Db D° Eb E° Fm
IX X 1 XI XII 1 XIV 1
2 2 2 2
3 3 3

(Nestor Crespo)
First Inversion Set 6 5 3 Key of D Major
## œ wœ wœ
D/F#
œ
Bm/D C#°/E
œ œ
D/F# Em/G F#m/A G/B A/C#
œ w
& wœ w
œ
w
œ
w
œ
w
œ œ œ œ
œ
D/F# Em/G F#m/A G/B
1 1
1 1 2 2 1 1
w
V VII IX X
w
w
A/C# Bm/D C#°/E D/F#

1 1
.n
1
1 1 2 1 1
es
to
XII XIV XVI XVII

rc

re
First Inversion Key of D Minor

sp
wœ n wœ wœ # wœ wœ
C/E C#°/E Dm/F
wœ
#œ wœ
Bb/D B°/D
#œ
Dm/F E°/G F+/A Gm/Bb G/B A/C#
& b wœ wœ
o.
w w œ œ œ œ œ
œ œ œ œ nœ #œ
c om
Dm/F E°/G F+/A Gm/Bb G/B A/C#

1 1 1 1
.a
2 1 2 1 1 1 1
r
V VII VIII X X XII
Bb/D B°/D C/E C#°/E Dm/F

1 1 1 1 1
1 1 1 1 2
XIII XIV XV XVI XVII

(Nestor Crespo)
Second Inversion Set 6 5 3 Key of Bb Major
b w w w w w
A°/Eb
w
Bb/F
w œ
F/C Gm/D
w œ
Bb/F Cm/G Dm/A Eb/Bb
b
& œ œ œ œ œ œ
œ œ œ œ œ œ
œ œ
Bb/F Cm/G Dm/A Eb/Bb
1 1 1 1
III V VII VIII

w
4 4
4 4
w
w
F/C Gm/D A°/Eb Bb/F

1 1 1 1
.n
es
X XII XV
4 XIV
to
4 4 4
rc

re
Second Inversion Key of B Minor

sp
w #w w
A#°/E# Bm/F#
## w w w #w
F# /C# G/D G#°/D# A/E
w w w œ
Bm/F# C#°/G D+/A# Em/B E/B
w œ œ œ œ
o.
& œ œ œ œ #œ #œ œ œ œ #œ œ
œ œ #œ œ œ œ
c om
Bm/F# C#°/G D+/A# Em/B E/B F#/C#

1 1 1 1 1
.a
1
r
IV VII IX IX XI
4 VI 4
4 4 4 4
G/D G#°/D A/E A#°/E Bm/F#

1 1 1 1 1
XII XIV XVI

XIII XV 4
4 4 4 4

Circle of Thirds
(Néstor Crespo)
Set 6 5 3
Major Mode
####
q = 96
E/G# j
C#m/G#
c ..
1 A F#m/A
& œ .. œ ˙ ’ ’ ’ ’
œ œ ˙
œ. œ ˙ simile - - - -
Pattern 3 J
#### D#°/A B G#m/B E/B
..
E/B
& ’ ’ ’ ’ ’ ’ ’ ’ |
w
w
q = 96
### A/C# F#m/C#

œ. ˙
c ..
D/A Bm
w
2
& ‰ œ. ˙ ’ ’ ’ ’
˙ ˙
.n
simile - - - -
Pattern 4
es
### G#° E/G# C#m/E A/E

..
A/E
& ’ ’ ’ ’ ’ ’ ’ ’ |
to
rc
re
Minor Mode
(Melodic Minor Scale)
q = 96
sp
3
b b 3 .. Gm
‰ j œ œ
E°/G Cm/G A°
& 4 œ œ ’ ’ ’ ’ ’ ’ ’ ’ ’
o.
˙. simile - - - -
c
Pattern 5
om
bb
Gm/D
’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ .. |.
F#°/C D Bb+/D Gm/D
&
.a
r
q = 96
Am/C
j
& 43 .. ‰ œœ ˙˙
4 F#°/C Dm/A B°
’ ’ ’ ’ ’ ’ ’ ’ ’
˙ œ simile - - - -
Pattern 6
’ ’ ’ .. |.
G#°/B E/G# C+/E Am/E Am/E
&’ ’ ’ ’ ’ ’ ’ ’ ’
Considerations - Theory
(Néstor Crespo)
All the exercises and assignments included in this ebook are organized according the study of functional
harmony.
So I recommend for a perfect understanding of each of the contents, acquire the ebooks of my authorship:
Functional Harmony 1 and 2 as well as, the Superposition ebook of Triads 1 by Armando Alonso.
With this last work we will also have the possibility of further expanding the search for other sonorities,
using each of the triad superpositions explained by the author in a practical and dynamic way.
w
Below a brief explanation of the use of the triads used in the exercises and assignments.
w
In the cases of the major chords with seventh major, minor with seventh minor, semi-diminished and
w
diminished, we will apply the first triad of each chord species mentioned above.
.n
es
Root Sound
For example:
œœ
1rst Inversipn generated:
Cmaj7 C Position 2nd Inversion
www œœ
to
& w œœœ œ œ C
rc
T 3 5
re
In the case of the chords with dominant structure we will use three possibilities according to the tonal
sp
function that they represent during the progression or song.

o.
Root Sound
Triads with the Position generated:
1rst Inversipn 2nd Inversion
co
œ
fundamental in:
b œœœ b œœ
C7 E°
& b ww b œœ
3 ww œ C7
m
3 5 b7
.a
∫ b b œœœ b ∫ b œœœ
b b ∫ œœœ
( )
r
C7 Bb°
œ
& b www bb œœ
w
b7 C7 (b9)
b7 b9 3
œ
b # œœœ # b œœœ # b œœ
C7
Bb+
& b ww
b7
ww C7 (9 / #11)
b7 9 #11

EXERCISE 1
(Néstor Crespo)
Set 6 5 3 Major Mode
Diatonic Chords
Progression I / IV / V / I
Audio 1a
q = 108
F Bb/F C/E F F
&b c ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ .. H ww
1)
‰ œ ‰ œ
œ œ œ œ
Pattern 1
˙ ˙ w
F/A Bb C/G F/A F/A
& b c ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ .. H ww
w
2)
w
w
w
.n
F/C Bb/D C F/C

w
F/C
b c .
es
’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ . H ww
3)
&
to
rc
re
Diatonic Chords
Progression I / V / IV / I
sp
Audio 1b
o.
q = 108
## c D/F# A/E G D/F# D/F#
’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ .. H ww
1)
& œ œ
c
œ œ œ
om
Pattern 2
œ. œ. œ w
.a
# # c D/A A G/B D/A D/A

r
’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ .. H ww
2)
&
w
## c D A/C# G/D D
w
D
’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ .. H ww
3)
&

EXERCISE 7
(Néstor Crespo)
Set 6 5 3 Minor Mode
Diatonic Chords
Progression Im / IVm / V / Im
Audio 7a
q = 108
bbb c
Fm Fm
’ ’ ’ ’ ’ ’ ’ ’ ’’’’ .. H ww
Bbm/F C/E Fm
b
1)
& ‰ œ ‰ œ
œ œ œ œ
Pattern 1
˙ ˙ w
Fm/Ab Bbm C/G Fm/Ab

b
Fm/Ab
& b b b c ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ .. H ww
w
2)
w
w
w
.n
Fm/C Bbm/Db C Fm/C

bbb c
Fm/C
. w
b
es
3)
& ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ . H ww
to
rc
re
Diatonic Chords
Progression Im / Valt / IVm / Im
sp
Audio 7b
o.
q = 108
bbb c Fm Bb°/Fb Bbm/F Fm

’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ .. H ww
Fm
b
1)
& œ œ
c
œ œ œ
om
Pattern 2
œ. œ. œ C7(b9) w
.a
b b
r
Fm/Ab Bb° Bbm Fm/Ab

& b b c ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ .. H ww
2) Fm/Ab
b b b c
Fm/C Bb°/Db Bbm/Db Fm/C
. w
Fm/C
’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ . H ww
3)
& b

OVER THE RAINBOW Harburg - Arlen
(Nestor Crespo)
q = 78
˙ œ œ œ œ œ
A1
F Dm7 Am7 F7 Bb E7 Am7 D7
˙ w
&b c ˙ ˙
Gm7 Eb7 F D7 Gm7 C7 F C7

&b ˙ ˙ œ œ œ œ œ œ œ œ œ œ w
w
w
A2
˙ œ œ œ œ œ
F Dm7 Am7 F F7 Bb Bø E7 Am7 D7
˙
w
&b ˙ w
˙
.n
es
Bb Eb7 F D7 Gm7 C7 F C7
&b ˙ ˙ œ œ œ œ œ ‰ Jœ
to
œ œ œ œ œ ˙.
rc
re
F D7 Gm7 C7 Am7 D7 Gm7 C7

˙.
B
&b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙ ‰ Jœ
sp
o.
co
˙
F Bø E7 Am7 D7 Gm7 C7
b œ œ œ œ n œ œ œ œ œ œ œ œ ˙ ˙ ˙
& œ œ œ œ
m
.a
r
A3
˙ œ œ œ œ œ
Bø Bbm7 Am7 F7 Bb E7 Am7 D7
˙ w
&b ˙ ˙
Gm7 Eb7 Am7 D7 Gm7 C7 F (C7)

&b ˙ ˙ œ œ œ œ œ œ œ œ œ œ w ..

OVER THE RAINBOW
(Nestor Crespo)
Set 6 5 3 Audio 3
A1 q = 78
F Dm/A Am A° Bb D°/Ab Am C°
&b c | | |. Û | | | |
F7 E7(b9) D7(b9)
Gm/Bb G°/Bb F/A C°/Gb Gm E°/G F/A E°/Bb

&b | | | | | | | |
w
Eb7 D7(b9) C7 C7
w
A2
F/C A°/C Bb
w
F/C Dm Am/C B° D° Am/C C°

&b | | | Û Û | Û Û | |
.n
F7 E7(b9) D7(b9)
es
Bb/D G°/Db F/C C° Gm/Bb E°/Bb F/C E°/Bb

&b |
to
| | | | | | |
rc
Eb7 D7(b9) C7 C7
re
B
F/A C°/Gb Gm E°/G Am C° Gm/Bb E°/Bb
&b |
sp
| | | | | | |
o.
D7(b9) C7 D7(b9) C7
co
F/C F/A B° D° Am/C C° Gm/Bb E°/Bb

&b | | | | | | | |
m
.a
E7(b9) D7(b9) C7
r
A3
B° Bbm Am A° Bb D°/Ab Am C°
&b | | |. Û | | | |
F7 E7(b9) D7(b9)
Gm/Bb G°/Bb F/A C°/Gb Gm E°/G F/A ( E°/G )

&b | | | | | | | | ..
Eb7 D7(b9) C7 C7
MUSICIAN FRIEND
Spread Triadas 1
for Guitar
by Nestor Crespo


Néstor Crespo
Serie20&20 Director
Shapes - Set 6 4 3
(Néstor Crespo)
Root 1st 2nd Root

Ax x x
A/C# A/E A
M 1 1
A
J VII 1
O 2
R
V 2 3 XVII
4 XIV 4
w #œ
& #œ
œ & wœ & #œ
œ & wœ
w #œ
w
w
Am Am/C Am/Eb Am
w
x x x
M
1 1 1
.n
I
N VII
O 2 2
es
R
V 4 3 XVII 4
to
XIV
w œ
œ
& œ & wœ & œ & w
rc
wœ œ œ
re
A°x A°/C A°/Eb A°

sp
x x
D
I
1 1 1
2
o.
M VII
I 2 3
c
N
I
om
S V 4 XVII 4
œ
XIV
H
bwœ w bwœ
E
& œ & & œ &
D bwœ œ bœ
.a
r
A+ x x x
A+/C# A+/E# A+
A
U
G 1 VII 1 1
M
E
N V 3 3 XVII
T
4 4 XIV 4
#œ
E
#wœ w # wœ
& # # œœ
D
& #œ & # œœ
# &
w
(Néstor Crespo)
Set 6 4 3
Major Triad
q = 120
w
A/C# wE
A/
w
A/C#
..
A A
&c w w w
1)
w w w w I w
w w w w
q = 96
..
A A/C# A/E A/C#
&c |
2) A
| | | H |
w
Minor Triad
w
q = 120
w
&c |
Am Am/C Am/E Am/C
.. Am
H|
1)
| | |
.n
es
q = 96
..
Am Am/C Am/E Am/C
&c |
2) Am
| | | H |
to
rc
re
Diminished Triad
sp
q = 120
&c |
A° A°/C A°/Eb A°/C
.. A°
H|
1)
| | |
o.
c om
q = 96
&c |
A° A°/C A°/Eb A°/C
..
2) A°
| | | H |
.a
r
Augmented Triad
q = 120
&c |
A+ A+/C# A+/E# A+/C#
.. A+
1)
| | | H|
q = 96
&c |
A+ A+/C# A+/E# A+/C#
..
2) A+
| | | H |

MUSICIAN FRIEND
Spread Triadas 1
for Guitar
by Nestor Crespo


Néstor Crespo
Serie20&20 Director
Shapes - Set 5 4 2
(Néstor Crespo)
Root 1st 2nd Root

Bb x x
Bb/D Bb/F Bb
x
M
A
I 1 XIII
J 1
O 3 4 2 3 4
R
XI
VIII 4
bw œ
œ œ œ œ
& & bw & & bw
b wœ œ œ
w
w
B bm Bbm/Db Bbm/F Bbm

w
x x x
M I 1 1 XIII
.n
I
N
2 2
O 3 2 3
es
R XI 3
VIII
to
bw bœ
& bœ œ
& bbwœ & b œœ & b wœ
b wœ
rc
re
Bb° Bb°/Db Bb°/Fb Bb°

sp
x x x
D I 1 1 XIII
I
3 4 2 3 4
o.
M
I
c
N
I
om
S VIII XI 3
bw bœ
b bwœ b b wœ
H
E bœ bœ
D & bb wœ & bœ & bœ &
.a
r
B
x
b+ x x
Bb+/D Bb+/F# Bb+
A
U I 1 1 XIII
G
M
E 3 3 XI 3
N 4 VIII 4 4
T
E
bw œ
& # œœ b#wœ œ #b wœ
D
& œ & #œ &
bw
(Néstor Crespo)
Set 5 4 2
Major Triad
q = 120
Bb Bb/D
w bB
w b/F w
Bb/D
..
Bb
w w w
&c bw bw
1)
w w w w I w
bw bw
q = 96
..
Bb Bb/D Bb/F Bb/D
&c |
2) Bb
| | | H |
w
Minor Triad
w
q = 120
w
&c |
Bbm Bbm/Db Bbm/F Bbm/Db
.. Bbm
H|
1)
| | |
.n
es
q = 96
&c |
Bbm Bbm/Db Bbm/F Bbm/Db
..
2) Bbm
| | | H |
to
rc
re
Diminished Triad
sp
q = 120
&c |
1) Bb° Bb°/Db
|
Bb°/Fb
|
Bb°/Db
| .. Bb°
H|
o.
c om
q = 96
&c |
Bb° Bb°/Db Bb°/Fb Bb°/Db
..
2) Bb°
| | | H |
.a
r
Augmented Triad
q = 120
&c |
1) Bb+ Bb+/D
|
Bb+/F#
|
Bb+/D
| .. Bb+
H|
q = 96
&c |
Bb+ Bb+/D Bb+/F# Bb+/D
..
2) Bb+
| | | H |

MUSICIAN FRIEND
Spread Triadas 1
for Guitar
by Nestor Crespo


Néstor Crespo
Serie20&20 Director
Shapes - Set 4 3 1
(Néstor Crespo)
Root 1st 2nd Root

E b
x x x
Eb/G Eb/Bb Eb
M I 1 XIII
A 1
J
O 3 4 2 3 4
R XI
4
œ
VIII
bœ bw bb wœ
œ bw œ
& b wœ
b & œ & bœ &
w
w
E bm
x x x
Ebm/Gb Ebm/Bb Ebm
w
I 1 1 XIII
M
2 2
.n
I
N 3 2 3
O
es
R XI 3
VIII
bw bœ
to
b b wœ
bœ b bwœ bœ
& b wœ
b & bœ & bœ &
rc
re
Eb° x
Eb°/Gb Eb°/Bbb Eb°
x x
sp
D
I 1 1 XIII
I 3 4 2 3 4
o.
M
I
c
N
I VIII XI 3
om
S
bw bœ
H
bœ ∫œ b œ ∫ œ
bw bw
& b wœ
∫ & ∫œ
E
D & bœ &
.a
r
E b+
x x x
Eb+/G Eb+/B Eb+
A I 1 1 XIII
U
G
M 3 3 XI 3
E
N
4 VIII 4 4
T
bw œ
b nwœ
E
D œ œ nb wœ
& b nwœ & œ & nœ &

(Néstor Crespo)
Set 4 3 1
Major Triad
q = 120
bw
Eb/G bEw b/Bb bE
w b/G Eb
wb
E
bw w bw w
& c b b ww
1)
w bw w .. I bw
bw
q = 96
..
Eb Eb/G Eb/Bb Eb/G
&c |
2) Eb
| | | H |
w
Minor Triad
w
q = 120
w
&c |
Ebm Ebm/Gb Ebm/Bb Ebm/Gb
.. Ebm
H|
1)
| | |
.n
es
q = 96
&c |
Ebm Ebm/Gb Ebm/Bb Ebm/Gb
..
2) Ebm
| | | H |
to
rc
re
Diminished Triad
sp
q = 120
&c |
1) Eb° Eb°/Gb
|
Eb°/Bbb
|
Eb°/Gb
| .. Eb°
H|
o.
c om
q = 96
&c |
Eb° Eb°/Gb Eb°/Bbb Eb°/Gb
..
2) Eb°
| | | H |
.a
r
Augmented Triad
q = 120
&c |
1) Eb+ Eb+/G
|
Eb+/B
|
Eb+/G
| .. Eb+
H|
q = 96
&c |
Eb+ Eb+/G Eb+/B Eb+/G
..
2) Eb+
| | | H |

MUSICIAN FRIEND
Spread Triadas 1
for Guitar
by Nestor Crespo


Néstor Crespo
Serie20&20 Director
 LEGAL
Crespo, Néstor Rubén
1st bilingual edition - Buenos Aires: Nestor Crespo, 2017.
EBook, DXReader
Spanish-English Edition
Digital Archive: download online
1. Music. I. Title.
ISBN 978-987-28103-4-4
Date of registration: 12/08/2019

Spread Triads 1 / GUITAR
1st edition
© Nestor Crespo, 2019

nestor.crespo@usa.net
www.nestorcrespo.ar
Date of publication: August 2019

Replication Date: August 2019
The deposit established by Law 11.723
EDITED IN ARGENTINA
Graphic Design: Edgardo Vallarino

Recording Studio: Federico Palmero
The backing tracks belongs to the author of the work.
The content and originality of this document is the sole responsibility of its author.
The content and originality of this document is the sole responsibility of its author. No part of this
publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the
publisher. editor.
Your violation is punishable by laws 11,723 and 25,446.

Audio belongs to the author of the work done
by and in the studies of Prof. Federico Palmero
federicopalmero@gmail.com
Cover Design: Edi Vallarino

www.edivallarino.com.ar
Made in Buenos Aires, Argentina August 2019

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SPREAD STRING SETS

653 / 643 / 542 / 431

As an independent publishing house, we will be so

From Buenos Aires, Argentina, we send you the best

* 12 Assignments (Jazz standard themes)

* 6 audios corresponding to the Rhythmic Patterns for the right hand.

* Appendix Triads (sus2 - sus4 - Phrygian - Lydian)

* Printable Book (without watermark)

• 88 exercises (with string quartet)

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Humbly, I hope to be useful to you.

Set 6 5 3 - Shapes of Spread Triads ................................................................................................................................................................................................ 2

Set 6 4 3 - Shapes of Spread Triads ................................................................................................................................................................................................ 29

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Set 5 4 2 - Shapes of Spread Triads ................................................................................................................................................................................................ 56

Set 4 3 1 - Shapes of Spread Triads ................................................................................................................................................................................................ 83

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Shapes of Spread Triads (Sus2) (Only in Pay Version) ................................................................................................................................................... 110

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Root 1st 2nd Root

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Major Triad VII al XII

E/B A/C# D G/B

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q = 120 Cm/G Fm Bbm/F Ebm/Gb

Abm Dbm/Ab Gbm Bm/F#

Minor Triad VII al XII

Abm/Eb Dbm Gbm/Db Bm

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Ab° Db°/Fb Gb° B°/F

Diminished Triad VII al XII

Ab°/Cb Db° Gb°/Dbb B°/D

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Ab+ Db+/F Gb+ B+/F##

Tríada Aumentada VII al XII

Ab+/C Db+ Gb+/D B+

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Root Position Set 6 5 3 Key of F major

VIII X 1 XII 1 XIII

Harmonizing the Minor Composed Scale

Root Position Key of F Minor

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A/C# Bm/D C#°/E D/F#

XII XIV XVI XVII

Harmonizing the Minor Composed Scale

First Inversion Key of D Minor

Dm/F E°/G F+/A Gm/Bb G/B A/C#

V VII VIII X X XII

Bb/D B°/D C/E C#°/E Dm/F

XIII XIV XV XVI XVII

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III V VII VIII

F/C Gm/D A°/Eb Bb/F

Harmonizing the Minor Composed Scale

Second Inversion Key of B Minor

Bm/F# C#°/G D+/A# Em/B E/B F#/C#

G/D G#°/D A/E A#°/E Bm/F#

XII XIV XVI

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### A/C# F#m/C#

### G#° E/G# C#m/E A/E

function that they represent during the progression or song.

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