You are on page 1of 33

SIGHT READING

FOR GUITAR 1

me ro
ic o Pal
e r
by Fed

8 LESSONS & 8 EXERCISES

2 ASSIGNMENTS

FREE VERSION
(does not contain)

The remaining 12 lessons & exercises


The 8 Assignments remaining
174 Audios
Printable book without watermark
The solutions of the 20 exercises

Practical and dynamic work methodology for the self-taught


student as well as for the teacher in class.
serie20y20.com.ar
MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:

Sight Reading for Guitar


by Federico Palmero

If you wish, you can purchase for a very low cost the
complete version, which includes a greater number of
exercises, assignments, backing, tracks, etc. with
the objective of securing the addressed concepts.

As an independent publishing house, we will be so


thankful with your purchase, because in this way you are
helping us to create even more teaching material.

From Buenos Aires, Argentina, we send you the best


wishes for your musical career.

Néstor Crespo
Serie20&20 Director

www.serie20y20.com.ar
KE^/Zd/KE^

&ŽƌLJŽƵƌĐŽŶƐŝĚĞƌĂƚŝŽŶͬEŽƚĞŽĨƚŚĞĂƵƚŚŽƌ͗


dŚĞƌĞĂƌĞŝŶŶƵŵĞƌĂďůĞƉŽƌƚĂůƐǁŚĞƌĞLJŽƵĐĂŶĨŝŶĚƚŚĞŶŽƚĞŬƐŽĨƚŚĞƐĞƌŝĞƐϮϬΘϮϬ͘


>ŝŬĞ ƚŚĞ ƚĞĂĐŚŝŶŐ ŶŽƚĞŬƐ ĂƌĞ ĂůƐŽ ĚLJŶĂŵŝĐ ĂŶĚ ŵĂLJ ƐƵĨĨĞƌ ƐŽŵĞ ŵŽĚŝĨŝĐĂƚŝŽŶ ƚŚĂƚ ŝƐ ǁŚLJ ǁĞ


ƌĞĐŽŵŵĞŶĚĚŽǁŶůŽĂĚŝŶŐƚŚĞŵĚŝƌĞĐƚůLJ͗ǁǁǁ͘ƐĞƌŝĞϮϬLJϮϬ͘ĐŽŵ͘Ăƌ

dŚĞ&ƌĞĞsĞƌƐŝŽŶ;W&ǁŝƚŚϯϯƉĂŐĞƐʹϮϴDͿĚŽĞƐŶŽƚĐŽŶƚĂŝŶ͗

x dŚĞƌĞŵĂŝŶŝŶŐϭϮůĞƐƐŽŶƐΘĞdžĞƌĐŝƐĞƐ

x dŚĞϴƐƐŝŐŶŵĞŶƚƐƌĞŵĂŝŶŝŶŐ

x ϭϳϰƵĚŝŽƐ;ŽŵƉůĞŵĞŶƚŶĞĐĞƐƐĂƌLJĨŽƌƚŚĞĐŽƌƌĞĐƚƐƚƵĚLJŽĨƚŚĞŽŽŬͿ

x dŚĞƐŽůƵƚŝŽŶŽĨƚŚĞϮϬĞdžĞƌĐŝƐĞƐ

x WƌŝŶƚĂďůĞŽŽŬǁŝƚŚŽƵƚtĂƚĞƌŵĂƌŬ͘

/ĨLJŽƵǁĂŶƚLJŽƵĐĂŶŐĞƚƚŚĞŽŵƉůĞƚĞŬďƵLJŝŶŐƚŚĞƉĂŝĚsĞƌƐŝŽŶ


K:d/s^EWhZWK^^K&d,Z/E'KK<&KZ'h/dZʹsK>hDϭ


tŝƚŚƚŚĞƉƌĞƐĞŶƚǀŽůƵŵĞƚŚƌŽƵŐŚĂƉƌĂĐƚŝĐĂůĂŶĚĚLJŶĂŵŝĐŵĞƚŚŽĚŽůŽŐLJ͕LJŽƵǁŝůůůĞĂƌŶƚŽůŽĐĂƚĞĂŶĚ
ŬŶŽǁƚŚĞŶŽƚĞƐƚŚƌŽƵŐŚŽƵƚƚŚĞŝŶƐƚƌƵŵĞŶƚďĂƐĞĚŽŶĨŝǀĞĨŽƌŵƵůĂƐŽƌĨŝŶŐĞƌŝŶŐƐŽĨƚŚĞŵĂũŽƌƐĐĂůĞ͕
ƌĞŐĂƌĚůĞƐƐŽĨĂůƚĞƌĂƚŝŽŶƐ;ƐŚĂƌƉĂŶĚĨůĂƚƐͿ


ůƚŚŽƵŐŚƚŚĞƚĂďůĂƚƵƌĞŵĂLJƐĞĞŵĂƌĞůĂƚŝǀĞůLJĞĂƐLJǁĂLJƚŽƌĞĂĚĂƐĐŽƌĞ͕ŝƚƉƌĞƐĞŶƚƐĂƐŽŶĞŽĨŝƚƐ
ůŝŵŝƚĂƚŝŽŶƐŶŽŶͲĐŽŵŵƵŶŝĐĂƚŝŽŶǁŝƚŚŽƚŚĞƌŝŶƐƚƌƵŵĞŶƚĂůŝƐƚƐ;ƉŝĂŶŝƐƚƐ͕ƚƌƵŵƉĞƚĞƌƐ͕ĞƚĐ͘ͿǁŚŽƌĞĂĚ
ƚŚƌŽƵŐŚĐŽŶǀĞŶƚŝŽŶĂůŵƵƐŝĐĂůŶŽƚĂƚŝŽŶ͘


dŚĞƉƵƌƉŽƐĞŝƐƚŽĞŶĐŽƵƌĂŐĞLJŽƵƚŽůĞĂƌŶĂŶĚƌĞĂĚŝŶĂƐŚŽƌƚƉĞƌŝŽĚŽĨƚŝŵĞĂŶĚĐŽŶƐĞƋƵĞŶƚůLJƚŽǁƌŝƚĞ
ŝŶĂƉƌĞĐŝƐĞůĂŶŐƵĂŐĞ͘


tĞǁŝůůƵƐĞƚŚĞĨŽůůŽǁŝŶŐŵƵƐŝĐĂůĨŝŐƵƌĞƐ͗ǁŚŽůĞŶŽƚĞ͕ŚĂůĨŶŽƚĞ͕ƋƵĂƌƚĞƌŶŽƚĞĞŝŐŚƚŚŶŽƚĞƐ͕ƐŝdžƚĞĞŶƚŚ
ŶŽƚĞƐ͕ƚƌŝƉůĞƚƐŽĨĞŝŐŚƚŚŶŽƚĞƐ͕ƚŚĞŝƌƌĞƐƉĞĐƚŝǀĞƌĞƐƚƐĂŶĚƚŝĞŽĨĚƵƌĂƚŝŽŶĂŶĚĚŽƚ͘


dŚŝƐǁŽƌŬŬƵƐĞƐƚŚĞĐŽŵƉĂƐƐĚŝǀŝƐŝŽŶϰͬϰĂŶĚϯͬϰƚŽĚĞǀĞůŽƉƚŚĞĂŐĞŶĚĂ͘


tĞǁŝůůĂůƐŽƚĂĐŬůĞĂǀĂƌŝĞĚƌĂŶŐĞŽĨĞdžĞƌĐŝƐĞƐ͕ƌŚLJƚŚŵŝĐĚŝĐƚĂƚŝŽŶƐ͕ĚƵĞƚƐ͕ƌĞĂĚŝŶŐŽĨƚǁŽĂŶĚƚŚƌĞĞ
ƐƚƌŝŶŐƐ͕ĨŝĞůĚƐƚŽĐŽŵƉůĞƚĞ͕ĂŵŽŶŐŽƚŚĞƌƐ͘


/ĨLJŽƵŚĂǀĞĚŽƵďƚƐĂďŽƵƚƚŚĞƚŚĞŽƌĞƚŝĐĂůͬŵƵƐŝĐĂůĐŽŶĐĞƉƚƐŶĞĐĞƐƐĂƌLJĨŽƌƚŚĞŶŽƌŵĂůĚĞǀĞůŽƉŵĞŶƚ
ŽĨƚŚŝƐǀŽůƵŵĞ͕/ƌĞĐŽŵŵĞŶĚLJŽƵƚŽĚŽǁŶůŽĂĚƚŚĞǁŽƌŬŬĨŽƌĨƌĞĞĨƌŽŵƚŚĞ^ĞƌŝĞƐϮϬΘϮϬ͗DƵƐŝĐĂů
>ĂŶŐƵĂŐĞͲ;ƵƚŚŽƌ͗EĠƐƚŽƌƌĞƐƉŽͿ

WhZWK^K&^Z/^ϮϬΘϮϬ

^ĞƌŝĞƐϮϬΘϮϬŝŶĐůƵĚĞƐƐĞǀĞƌĂůǀŽůƵŵĞƐƚŚĂƚŝŶĐůƵĚĞϮϬůĞƐƐŽŶƐĂŶĚϮϬĞdžĞƌĐŝƐĞƐ͕ƌĞůĂƚĞĚƚŽĚŝĨĨĞƌĞŶƚ
ĂƐƉĞĐƚƐŽĨŵƵƐŝĐƐĐŝĞŶĐĞ͘


dŚĞƐĞǁŽƌŬŬƐĂƌĞŝŶƚĞŶĚĞĚƚŽďƌŝŶŐŽƌĞdžƉĂŶĚŬŶŽǁůĞĚŐĞŽĨŵƵƐŝĐĂůĂƌƚŝŶĂĚLJŶĂŵŝĐǁĂLJ͕
ǁŝƚŚŽƵƚĂďƵŶĚĂŶĐĞŽĨƚĞdžƚƐĂŶĚĞdžĞƌĐŝƐĞƐƚŚĂƚĂůůŽǁƵƐƚŚƌŽƵŐŚĞdžĐĞůůĞŶƚŐƌĂƉŚŝĐƐ͕ƌĞƐƚĂƚĞƚŚĞƐĞ
ĐŽŶĐĞƉƚƐ͘


ĨĞĚĞƌŝĐŽƉĂůŵĞƌŽΛŐŵĂŝů͘ĐŽŵͬǁǁǁ͘ƐĞƌŝĞϮϬLJϮϬ͘ĐŽŵ͘Ăƌ
Greetings

To my friend and professor Néstor Crespo who instructed me and opened


almost all my professional doors, for his interminable generosity.

To Cecilia, always by my side.

To my mother Martha for her lifelong unconditional support.

To my father Carlos for taking me by the hand in the first steps of this beautiful profession.

Federico Palmero


)('(5,&23$/0(52
(Educator - Guitarist - Composer – Arranger - Producer)

Studies:3URIHVVRURIPXVLFWKHRU\(Artistic Musical Institute)
5HDGLQJDQGZULWLQJFRXUVHZLWK3URIHVVRU9LUJLOLR(VSyVLWR(Music Popular School
- Avellaneda)

*XLWDUDQG+DUPRQ\6WXGLHVZLWK3URIHVVRU1pVWRU&UHVSR(1985 -1995)


Guitarist:

x )RONORULFJURXS6RORWULRIRUWHQ\HDUVREWDLQLQJLQWKHILUVWSODFHLQWKHLQVWUXPHQWDOPXVLFFDWHJRU\RI
WKH&RVTXtQ)HVWLYDO

x 1XHYR6LJOR7DQJR*URXSGXULQJWKH\HDUV

x &RFR5RPHURDQG/D%ULOODQWH3UHVHQWDWLRQRIWKHDOEXP/DVRSDGH6ROtVDQG

x (VWHEDQ*RQ]iOH]DQGWKHWULWUL5HFRUGLQJRIWKHDOEXP0XGDQ]D

x &RFR5RPHURDQGWKH0DWUDFD5HFRUGLQJDQGSUHVHQWDWLRQRIWKHDOEXP3DFKD0RPR

x &RFR5RPHURDQG-DYLHU9LOODIDxH5HFRUGLQJDQGSUHVHQWDWLRQRIWKHDOEXP/RVFDPLQRVGHO*DOOR3LQWR


x &RFR5RPHUR5HFRUGLQJDQGSUHVHQWDWLRQRIWKHDOEXP/HWWHUVRI0RPR


Educator:
x 7HFKQLFDO6FKRRO1ž'(ž³,QJHQLHUR/XLV$+XHUJR´VLQFHWR



x ,QVWLWXWH³'XOFtVLPR1RPEUH'H-HV~V´VLQFHWR

x 3URIHVVRURIWKH&DWKHGUD)XQFWLRQDO+DUPRQ\DSSOLHGWRWKH*XLWDU '$0XV81$(Department of
Musical Arts of the National University of the Arts)

x $VVLVWDQW7HDFKHURIWKH&DWKHGUD)XQFWLRQDO+DUPRQ\ '$0XV81$(Department of Musical Arts of




the National University of the Arts)



Composer-Arranger-Producer:
x ³/DPRUDGDGHOVRO´'LUHFWRU/DXUD0RQWL WHDWUR/D0iVFDUD ZLQQHURIDVFKRODUVKLSIURPWKH1DWLRQDO


7KHDWHU,QVWLWXWHLQ

x ³+D\TXHHVFRQGHUDOHOHIDQWH´ &HQWUR&XOWXUDOGHOD&RRSHUDFLyQ 'LUHFWRU1HOO\6FDUSLWWR  

x ³(O6HxRU1LFRGHPR´ 7HDWUR(VSDFLR(FOpFWLFR 'LUHFWRU$QGUpV6DKDGH  




x ³8QWLJUHHQHOJDOOLQHUR´ &HQWUR&XOWXUDOGHOD&RRSHUDFLyQ 'LUHFWRU1HOO\6FDUSLWWR)HDWXUHGLQWKH




FDWHJRU\PXVLFDOFUHDWLRQSHUIRUPDQFHRUVRXQGWUDFN7KHDWHURIWKH:RUOG$ZDUG 8QLYHUVLW\RI%XHQRV
$LUHV 

x ³8Q+LSRGHVDILQDGR´ &HQWUR&XOWXUDOGHOD&RRSHUDFLyQ 'LUHFWRU1HOO\6FDUSLWWR  




x ³8QRYLOORFRQ3HOXVD´ &HQWUR&XOWXUDOGHOD&RRSHUDFLyQ 'LUHFWRU1HOO\6FDUSLWWR  




-DYLHU9LOODIDxH1DWLRQDO$ZDUG2ULJLQDOPXVLF

x ³'HVDORMRUHFXHUGRVLQIRWR´ 6DOD3DQ\7HDWUR 'LUHFWRUV&ODXGLD9LOODOYD\'DQLHO6FDUSLWWR  




x ³(OYLDMHGH$]XO´ &HQWUR&XOWXUDOGHOD&RRSHUDFLyQ 'LUHFWRU1HOO\6FDUSLWWR  




-DYLHU9LOODIDxH1DWLRQDO$ZDUG2ULJLQDOPXVLF

IHGHULFRSDOPHUR#JPDLOFRPZZZVHULH\FRPDU

WZK'ZD


>^^KEϭͲ^ŚĂƉĞϭ
x


&ŝŶŐĞƌŝŶŐĂŶĚŶŽƚĞƐŽŶƚŚĞŶĞĐŬĂŶĚŽŶƚŚĞƉĞŶƚĂŐƌĂŵŝŶ^ŚĂƉĞϭ͘



džĞƌĐŝƐĞϭ
x


ŽŵƉůĞƚĞŝŶĚŝĐĂƚŝŶŐ͗EĂŵĞŽĨƚŚĞŶŽƚĞ͕ƐƚƌŝŶŐĂŶĚĨŝŶŐĞƌŶƵŵďĞƌ͘
x ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌƵƐŝŶŐǁŚŽůĞ͕ŚĂůĨĂŶĚƋƵĂƌƚĞƌŶŽƚĞ͘

>^^KEϮ
x


ZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐĞŝŐŚƚŚŶŽƚĞƐ͘



džĞƌĐŝƐĞϮ
x


tƌŝƚĞŵĞĂƐƵƌĞďĂƌůŝŶĞĂŶĚƚŚĞŶƉůĂLJ͘
x ŽŵƉůĞƚĞƚŚĞƌŚLJƚŚŵĂĐĐŽƌĚŝŶŐƚŽƚŚĞĂƵĚŝŽ͘


>^^KEϯ
xZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌŽŶƚǁŽƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐƌĞƐƚƐ͘





džĞƌĐŝƐĞϯ
x


ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌƵƐŝŶŐƋƵĂƌƚĞƌŶŽƚĞƐ͘
x ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌǁŝƚŚŝŶƚĞƌǀĂůƐ͘


>^^KEϰ
xZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐƚŝĞĚĂŶĚĚŽƚƚĞĚŶŽƚĞƐ͘





džĞƌĐŝƐĞϰ
x


tƌŝƚĞĚŽƚƚĞĚŶŽƚĞƐĂĐĐŽƌĚŝŶŐƚŽƚŚĞĂƵĚŝŽĂŶĚƚŚĞŶƉůĂLJ͘
x tƌŝƚĞƚŝĞĚŶŽƚĞƐĂĐĐŽƌĚŝŶŐƚŽƚŚĞĂƵĚŝŽĂŶĚƚŚĞŶƉůĂLJ͘

ƐƐŝŐŶŵĞŶƚƐϭĂŶĚϮ

>^^KEϱͲ^ŚĂƉĞϮ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x&ŝŶŐĞƌŝŶŐĂŶĚŶŽƚĞƐŽŶƚŚĞŶĞĐŬĂŶĚŽŶƚŚĞƉĞŶƚĂŐƌĂŵŝŶ^ŚĂƉĞϮ͘





džĞƌĐŝƐĞϱ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ŽŵƉůĞƚĞŝŶĚŝĐĂƚŝŶŐ͗EĂŵĞŽĨƚŚĞŶŽƚĞ͕ƐƚƌŝŶŐĂŶĚĨŝŶŐĞƌŶƵŵďĞƌ͘
x ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌƵƐŝŶŐǁŚŽůĞ͕ŚĂůĨĂŶĚƋƵĂƌƚĞƌŶŽƚĞ͘

>^^KEϲ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐ͘



džĞƌĐŝƐĞϲ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


tƌŝƚĞŵĞĂƐƵƌĞďĂƌůŝŶĞĂŶĚƚŚĞŶƉůĂLJ͘
x ŽŵƉůĞƚĞƚŚĞƌŚLJƚŚŵĂĐĐŽƌĚŝŶŐƚŽƚŚĞĂƵĚŝŽ͘

>^^KEϳ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐƌĞƐƚ͘ 



ĨĞĚĞƌŝĐŽƉĂůŵĞƌŽΛŐŵĂŝů͘ĐŽŵͬǁǁǁ͘ƐĞƌŝĞϮϬLJϮϬ͘ĐŽŵ͘Ăƌ



džĞƌĐŝƐĞϳ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌƵƐŝŶŐĞŝŐŚƚŚŶŽƚĞƐ͘
x ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐƐŽƌĚĞƌǁŝƚŚŝŶƚĞƌǀĂůƐ͘


>^^KEϴ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
xZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐƚŝĞĚĂŶĚĚŽƚƚĞĚŶŽƚĞƐ͘





džĞƌĐŝƐĞϴ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


tƌŝƚĞƚŚĞĚŽƚƚŽĐŽŵƉůĞƚĞƚŚĞŵĞĂƐƵƌĞĂĐĐŽƌĚŝŶŐƚŽĂƵĚŝŽĂŶĚƚŚĞŶƉůĂLJ͘
x tƌŝƚĞƚŚĞƚŝĞĚŶŽƚĞƚŽĐŽŵƉůĞƚĞƚŚĞŵĞĂƐƵƌĞĂĐĐŽƌĚŝŶŐƚŽĂƵĚŝŽĂŶĚƉůĂLJ͘

ƐƐŝŐŶŵĞŶƚƐϯĂŶĚϰ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ

>^^KEϵͲ^ŚĂƉĞϯ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x&ŝŶŐĞƌŝŶŐĂŶĚŶŽƚĞƐŽŶƚŚĞŶĞĐŬĂŶĚŽŶƚŚĞƉĞŶƚĂŐƌĂŵŝŶ^ŚĂƉĞϯ





džĞƌĐŝƐĞϵ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ŽŵƉůĞƚĞŝŶĚŝĐĂƚŝŶŐ͗EĂŵĞŽĨƚŚĞŶŽƚĞ͕ƐƚƌŝŶŐĂŶĚĨŝŶŐĞƌŶƵŵďĞƌ͘
x ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌƵƐŝŶŐǁŚŽůĞ͕ŚĂůĨĂŶĚƋƵĂƌƚĞƌŶŽƚĞ͘

>^^KEϭϬ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐ͘



džĞƌĐŝƐĞϭϬ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


tƌŝƚĞŵĞĂƐƵƌĞďĂƌůŝŶĞĂŶĚƚŚĞŶƉůĂLJ͘
x ŽŵƉůĞƚĞƚŚĞƌŚLJƚŚŵĂĐĐŽƌĚŝŶŐƚŽƚŚĞĂƵĚŝŽ͘

>^^KEϭϭ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
xZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐƐŝdžƚĞĞŶƚŚŶŽƚĞ͘





džĞƌĐŝƐĞϭϭ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


tƌŝƚĞŵĞĂƐƵƌĞďĂƌůŝŶĞĂŶĚƚŚĞŶƉůĂLJ͘
x ŽŵƉůĞƚĞƚŚĞƌŚLJƚŚŵĂĐĐŽƌĚŝŶŐƚŽƚŚĞĂƵĚŝŽ͘

>^^KEϭϮ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐƌĞƐƚ͘



džĞƌĐŝƐĞϭϮ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌƵƐŝŶŐƐŝdžƚĞĞŶƚŚŶŽƚĞƐ͘
x ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌǁŝƚŚŝŶƚĞƌǀĂůƐ͘

ƐƐŝŐŶŵĞŶƚƐϱĂŶĚϲ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ

>^^KEϭϯͲ^ŚĂƉĞϰ
x&ŝŶŐĞƌŝŶŐĂŶĚŶŽƚĞƐŽŶƚŚĞŶĞĐŬĂŶĚŽŶƚŚĞƉĞŶƚĂŐƌĂŵŝŶ^ŚĂƉĞϰ


džĞƌĐŝƐĞϭϯ
x


ŽŵƉůĞƚĞŝŶĚŝĐĂƚŝŶŐ͗EĂŵĞŽĨƚŚĞŶŽƚĞ͕ƐƚƌŝŶŐĂŶĚĨŝŶŐĞƌŶƵŵďĞƌ͘
x ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌƵƐŝŶŐƋƵĂƌƚĞƌĂŶĚĞŝŐŚƚŚŶŽƚĞƐ͘


ĨĞĚĞƌŝĐŽƉĂůŵĞƌŽΛŐŵĂŝů͘ĐŽŵͬǁǁǁ͘ƐĞƌŝĞϮϬLJϮϬ͘ĐŽŵ͘Ăƌ

>^^KEϭϰ
xZĞĂĚŝŶŐŽŶƚŚƌĞĞƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐƚŝĞĚĂŶĚĚŽƚƚĞĚŶŽƚĞƐ͘


džĞƌĐŝƐĞϭϰ
x


tƌŝƚĞŵĞĂƐƵƌĞďĂƌůŝŶĞĂŶĚƚŚĞŶƉůĂLJ͘
x ŽŵƉůĞƚĞƚŚĞƌŚLJƚŚŵĂĐĐŽƌĚŝŶŐƚŽƚŚĞĂƵĚŝŽ͘

>^^KEϭϱ
x


ZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐͲZŚLJƚŚŵŝĐĐŽŵďŝŶĂƚŝŽŶƐǁŝƚŚŽƵƚƌĞƐƚƐ͘



džĞƌĐŝƐĞϭϱ
x


ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌƵƐŝŶŐƐŝdžƚĞĞŶƚŚŶŽƚĞƐ͘
x ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌǁŝƚŚŝŶƚĞƌǀĂůƐ͘

>^^KEϭϲ
x


ZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐͲZŚLJƚŚŵŝĐĐŽŵďŝŶĂƚŝŽŶƐǁŝƚŚƌĞƐƚƐ͘



džĞƌĐŝƐĞϭϲ
x


ZĞĂĚŝŶŐŽŶƚŚƌĞĞƐƚƌŝŶŐƐ͘



ƐƐŝŐŶŵĞŶƚƐϳĂŶĚϴ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ

>^^KEϭϳͲ^ŚĂƉĞϱ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x&ŝŶŐĞƌŝŶŐĂŶĚŶŽƚĞƐŽŶƚŚĞŶĞĐŬĂŶĚŽŶƚŚĞƉĞŶƚĂŐƌĂŵŝŶ^ŚĂƉĞϱ͘


xZĞĂĚŝŶŐǁŝƚŚƋƵĂƌƚĞƌĂŶĚĞŝŐŚƚŶŽƚĞƐ͘

džĞƌĐŝƐĞϭϳ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ŽŵƉůĞƚĞŝŶĚŝĐĂƚŝŶŐ͗EĂŵĞŽĨƚŚĞŶŽƚĞ͕ƐƚƌŝŶŐĂŶĚĨŝŶŐĞƌŶƵŵďĞƌ͘
x ZĞĂĚŝŶŐƵƐŝŶŐƋƵĂƌƚĞƌĂŶĚĞŝŐŚƚŚŶŽƚĞƐ͘

>^^KEϭϴ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
xZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐĞŝŐŚƚŶŽƚĞƚƌŝƉůĞƚƐ͘


džĞƌĐŝƐĞϭϴ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


tƌŝƚĞŵĞĂƐƵƌĞďĂƌůŝŶĞĂŶĚƚŚĞŶƉůĂLJ͘
x ŽŵƉůĞƚĞƚŚĞƌŚLJƚŚŵĂĐĐŽƌĚŝŶŐƚŽƚŚĞĂƵĚŝŽ͘

>^^KEϭϵ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
xZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐŝŶĐŽƌƉŽƌĂƚŝŶŐĞŝŐŚƚŶŽƚĞƚƌŝƉůĞƚƐƌĞƐƚ͘





džĞƌĐŝƐĞϭϵ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
xZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌǁŝƚŚĞŝŐŚƚŶŽƚĞƚƌŝƉůĞƚƐ͘


x ZĞĂĚŝŶŐĚŝĂƚŽŶŝĐŽƌĚĞƌǁŝƚŚŝŶƚĞƌǀĂůƐ͘

>^^KEϮϬ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ZĞĂĚŝŶŐŽŶƚǁŽƐƚƌŝŶŐƐ͘



džĞƌĐŝƐĞϮϬ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ
x


ZĞĂĚŝŶŐŽŶƚŚƌĞĞƐƚƌŝŶŐƐ͘


ƐƐŝŐŶŵĞŶƚƐϵĂŶĚϭϬ;ŽŶůLJŝŶƚŚĞƉĂŝĚǀĞƌƐŝŽŶͿ




ĨĞĚĞƌŝĐŽƉĂůŵĞƌŽΛŐŵĂŝů͘ĐŽŵͬǁǁǁ͘ƐĞƌŝĞϮϬLJϮϬ͘ĐŽŵ͘Ăƌ

!

" # $

! $ %

% $

&% '

" # ( ) &" " *' $


+ ,-% .

# # $ !

" +

# $ $ / $
% 0, $ + ( 1,

2 3 , 3 & $ '
, + , .

+ , .

* $ ,

# 4

5$ 6
LESSON 1
(Federico Palmero)

FINGERING AND NOTES ON THE NECK AND ON THE PENTAGRAM


Shape 1

1
1 1 1
III 2 2 1 1
3 4 1 3 1 3 4 1 3
4 1 2
4 4 4 3 3 1 4 2 1
5th 4th 3rd 2nd 1st
4 String 5th 6th

m
F

co
B E A
III G C F D G

l.
B

ai
A D G C E A E F G A B C D E F G A
C D B A G
F 5th
F
4th 3rd 2nd 1st

gm
6th
5th

NOTES BY STRING
o@

5th String
er

B C D
m
al

4th String

E F G
op
ric

3rd String
A B C
de
fe

2nd String
D E F

1st String
G A

6th String

F G A

federicopalmero@gmail.com / www.serie20y20.com.ar
EXERCISE 1
(Federico Palmero)
Shape 1

a) Complete indicating: Name of the note, string and finger number.

1)

C -5-2
______________ ______________ ______________ ______________ ______________ ______________ ______________ ______________

2)

m
______________ ______________ ______________ ______________ ______________ ______________ ______________ ______________

l. co
3)

ai
gm
______________ ______________ ______________ ______________ ______________ ______________ ______________ ______________
o@
b) Reading diatonic order using whole, half and quarter note.

Audio 1
er

1)
Strings
6th & 5th
m
al
op

(0)
ric

Audio 2
2)
Strings
de

4th & 3rd


fe

Audio 3
3)
Strings
2nd & 1st

federicopalmero@gmail.com / www.serie20y20.com.ar
LESSON 2
(Federico Palmero)
Shape 1
Reading diatonic scales on two strings incorporating eighth notes.

Audio 4
1)
Strings
6th & 5th

(0)

m
(0)

Audio 5

co
2)
Strings

l.
5th & 4th

ai
gm
o@
Audio 6
3)
Strings
er

4th & 3rd


m
al
op

Audio 7
ric

4)
Strings
de

3rd & 2nd


fe

Audio 8
5)
Strings
2nd & 1st

federicopalmero@gmail.com / www.serie20y20.com.ar
EXERCISE 2
(Federico Palmero)
Shape 1

a) Write measure bar line and then play.

Audio 9

1)

m
co
Audio 10

l.
2)

ai
gm
o@
er

b) Complete the rhythm according to the audio.


m

Audio 11
al
op

1)
ric
de
fe

Audio 12

2)

federicopalmero@gmail.com / www.serie20y20.com.ar
LESSON 3
(Federico Palmero)
Shape 1
Reading diatonic scales on two strings incorporating rests.

Audio 13
1)
Strings
6th & 5th

m
Audio 14

co
2)
Strings

l.
5th & 4th

ai
gm
o@
Audio 15
3)
Strings
er

4th & 3rd


m
al
op

Audio 16
ric

4)
Strings
de

3rd & 2nd


fe

Audio 17
5)
String
2nd & 1st

federicopalmero@gmail.com / www.serie20y20.com.ar
EXERCISE 3
(Federico Palmero)
Shape 1

a) Reading diatonic order using quarter notes.

Audio 18
1)
Strings
6th - 5th & 4th

m
co
Audio 19
2)

l.
Strings
3rd - 2nd & 1st

ai
gm
o@
er

b) Reading diatonic order with intervals.


m

Audio 20
al

1)
Strings
op

6th - 5th & 4th


ric
de
fe

Audio 21
2)
Strings
3rd - 2nd & 1st

federicopalmero@gmail.com / www.serie20y20.com.ar
LESSON 4
(Federico Palmero)
Shape 1
Reading on two strings incorporating tied and dotted notes.
Audio 22
1)
Strings
6th & 5th

m
Audio 23

co
2)
Strings

l.
5th& 4th

ai
gm
o@
Audio 24
3)
Strings
er

4th & 3rd


m
al
op

Audio 25
ric

4)
Strings
de

3rd & 2nd


fe

Audio 26
5)
Strings
2nd & 1st

federicopalmero@gmail.com / www.serie20y20.com.ar
EXERCISE 4
(Federico Palmero)
Shape 1

a) Write dotted notes according to the audio and then play.


Audio 27
1)
Strings
6th - 5th & 4th

m
co
Audio 28
2)

l.
Strings
3rd - 2nd & 1st

ai
gm
o@
er

b) Write tied notes according to the audio and then play.


m

Audio 29
al

1)
op

Strings
6th - 5th & 4th
ric
de
fe

Audio 30
2)
Strings
3rd - 2nd & 1st

federicopalmero@gmail.com / www.serie20y20.com.ar
Assignment 1 Shape 1
(Federico Palmero) Composer: Nestor Crespo

Guitar 1 Audio 2

m
5

l. co
ai
9
B
gm
o@
er
m
al

13
op
ric
de

17
fe

21

federicopalmero@gmail.com / www.serie20y20.com.ar
Assignment 1 Shape 1
(Federico Palmero) Composer: Nestor Crespo

Guitar 2 Audio 1

m
5

l. co
ai
9
B
gm
o@
er
m
al

13
op
ric
de

A
17
fe

21

federicopalmero@gmail.com / www.serie20y20.com.ar
Assignment 1 Shape 1
(Federico Palmero) Composer: Nestor Crespo

Audio

1)

2)

m
l. co
ai
gm
B
o@
er
m
al
op
ric

A
de
fe

federicopalmero@gmail.com / www.serie20y20.com.ar
Assignment 2 Shape 1
(Federico Palmero) Composer: Nestor Crespo

Audio with Audio without


A melodie melodie

C Am7 F G7sus9 G7 C Ab G7sus4 G7

m
co
C E7 F F#ø B7 Em7 Eb9 Ab Bø E7

l.
ai
gm
B
o@
Am Am Am7 Am6 F D7 Dm7 Bø E7
er
m
al
op

Am Am Am7 Am6 F D7 Dm7 G7


ric
de

A
fe

C Am7 F G7sus9 G7 C Ab G7sus4 G7

C E7 F F#ø B7 Em7 Am7 Ab Db C

federicopalmero@gmail.com / www.serie20y20.com.ar
LESSON 13
(Federico Palmero)

FINGERING AND NOTES ON THE NECK AND ON THE PENTAGRAM.


Shape 4

1
1 1
X 2 2 2 1 1

3 1 3 4 1 4
4 4 4 4 3 3 4 1 2 4 1 2 1 4 2
4 4th 3rd 2nd 1st 4th 5th 6th
String

m
C F

co
B E
X D G C F A D

l.
ai
D E F
E A D GB E C D E F G A B C B A G F E D C
C F

gm NOTES BY STRING
o@

4th String
er

B C D
m
al

3rd String
E F G
op
ric

2nd String
A B C
de
fe

1st String

D E F

5th String

F G A

6th String

C D E

federicopalmero@gmail.com / www.serie20y20.com.ar
EXERCISE 13
(Federico Palmero)
Shape 4

a) Complete indicating: Name of the note, string and finger number.

1)

C-4-2
______________ ______________ ______________ ______________ ______________ ______________ ______________ ______________

2)

m
______________ ______________ ______________ ______________ ______________ ______________ ______________ ______________

l. co
3)

ai
gm
______________ ______________ ______________ ______________ ______________ ______________ ______________ ______________
o@
b) Reading diatonic order using quarter and eighth notes.

Audio 91
er

1)
Strings
6th & 5th
m
al
op
ric

Audio 92
2)
Strings
de

4th & 3rd


fe

Audio 93

3)
Strings
2nd & 1nd

federicopalmero@gmail.com / www.serie20y20.com.ar
LESSON 14
(Federico Palmero)
Shape 4

a) Reading on three strings incorporating dotted notes.


Strings 6th - 5th & 4th Audio 94

1)

m
Strings 3rd - 2nd & 1st

co
Audio 95

2)

l.
ai
gm
o@
er

b) Reading on three strings incorporating tied notes.


m

Strings 6th - 5th & 4th


Audio 96
al

1)
op
ric
de
fe

Strings 3rd - 2nd & 1st


Audio 97

2)

federicopalmero@gmail.com / www.serie20y20.com.ar
EXERCISE 14
(Federico Palmero)
Shape 4

a) Write measure bar line and then play.


Audio 98

1)

m
co
Audio 99

l.
2)

ai
gm
o@
er

b) Complete the rhythm according to the audio.


m

Audio 100
al
op

1)
ric
de
fe

Audio 101

2)

federicopalmero@gmail.com / www.serie20y20.com.ar
LESSON 15
(Federico Palmero)
Shape 4
Reading on two strings - Rhythmic combinations without rests.
Strings 6th & 5th Audio 102

1)

m
Strings 5th & 4th
Audio 103

co
2)

l.
ai
gm
o@
Strings 4th & 3rd
Audio 104
3)
er
m
al
op

Strings 3rd & 2nd


Audio 105
ric

4)
de
fe

Strings 2nd & 1st Audio 106

5)

federicopalmero@gmail.com / www.serie20y20.com.ar
EXERCISE 15
(Federico Palmero)
Shape 4

a) Reading diatonic order using sixteenth notes.


Audio 107

1)

m
co
Audio 108

l.
2)

ai
gm
o@
er

b) Reading diatonic order with intervals.


m

Strings 6th - 5th & 4th


Audio 109
al

1)
op
ric
de
fe

Strings 3rd - 2nd & 1st


Audio 110

2)

federicopalmero@gmail.com / www.serie20y20.com.ar
MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:

Sight Reading for Guitar


by Federico Palmero

If you wish, you can purchase for a very low cost the
complete version, which includes a greater number of
exercises, assignments, backing, tracks, etc. with
the objective of securing the addressed concepts.

As an independent publishing house, we will be so


thankful with your purchase, because in this way you are
helping us to create even more teaching material.

From Buenos Aires, Argentina, we send you the best


wishes for your musical career.

Néstor Crespo
Serie20&20 Director

www.serie20y20.com.ar
LESSON 16
(Federico Palmero)
Shape 4
Reading on two strings - Rhythmic combinations with rests.
Strings 6th & 5th Audio 111

1)

m
Strings 5th & 4th
Audio 112

co
2)

l.
ai
gm
o@
Strings 4th & 3rd
Audio 113

3)
er
m
al
op

Strings 3rd & 2nd Audio 114


ric

4)
de
fe

Strings 2nd & 1st Audio 115

5)

federicopalmero@gmail.com / www.serie20y20.com.ar
EXERCISE 16
(Federico Palmero)
Shape 4
Reading on three strings.
Strings 6th 5th & 4th Audio 116

1)

m
co
Strings 5th 4th & 3rd Audio 117

l.
2)

ai
gm
o@
er

Strings 4th 3rd & 2nd


Audio 118
m

3)
al
op
ric
de
fe

Strings 3rd 2nd & 1st Audio 119

4)

federicopalmero@gmail.com / www.serie20y20.com.ar
§ LEGALES

Palmero, Federico

Lectura Musical para Guitarra - Volumen 1 / Federico Palmero.

1a edición bilingüe - Ciudad Autónoma de Buenos Aires : Federico Palmero, 2018.

Libro digital, DXReader


Archivo Digital: Descarga y Online

Edición Bilingüe Español-Ingles


Archivo Digital: descarga y online

1. Educación Música. I. Título.


CDD 780.7

ISBN 978-987-778-129-8

Fecha de catalogación: 23/10/2018

LECTURA MUSICAL PARA GUITARRA

VOLUMEN I
1ª edición

© Federico Palmero, 2018


federicopalmero@gmail.com
www.serie20y20.com.ar

Fecha de publicación: Octubre de 2018


Fecha de replicación: Octubre de 2018
Queda hecho el depósito que establece la Ley 11.723
LIBRO DE EDICIÓN ARGENTINA

Diseño Grafico: Edgardo Vallarino

El audio incorporado pertenece al autor de la obra.


El contenido y la originalidad de este documento es responsabilidad exclusiva de su autor.
El contenido y la originalidad de este documento es responsabilidad exclusiva de su autor. No se permite la
reproducción parcial o total, el almacenamiento, el alquiler, la transmisión de este libro o videos en
cualquier forma o por cualquier medio, sea electrónico o mecánico, mediante fotocopias, digitalización u
otros métodos, sin el permiso previo y escrito del editor.
Su infracción está penada por las leyes 11.723 y 25.446.

federicopalmero@gmail.com / www.serie20y20.com.ar
The incorporated audio copyrights to the author of the work
carried out by and in the studies of Professor:
Federico Palmero
federicopalmero@gmail.com

Editorial proofreader: Néstor Crespo


www.nestorcrespo.com.ar

Cover Photo: Ricky Ridecos

Cover design: Edi Vallarino


www.edivallarino.com.ar

Published in Buenos Aires, Argentina in November 2018

federicopalmero@gmail.com / www.serie20y20.com.ar
OTROS LIBROS DE NUESTRA COLECCION

serie20y20.com.ar

You might also like