Chemical Wedding - Gary Osborn

4/4/2021 Chemical Wedding - Gary Osborn
1. The Kundalini Shakti Goddess

2. The Execution of John the Baptist
Gate of God
3. The Head of the Shining One
Welcome 4. Ishtar's Descent into the Underworld
5. The Seven Tesut
6. The Seven Me and the Seven Kas
Author Bio
Anointment: the Chemical Wedding
7. The Spinal Seed
8. The Serpent Staff and the Tree of Life
9. Serpent Fire
Revelations 10. The Djed Pillar and Kundalini
11. Power Centres
Books Gary Osborn 12. Eye of Horus
13. Sokar
14. The Scarab Beetle god Khepri
Contact Copyright © Gary Osborn 2005. All Rights Reserved. 15. The Djed and Crown of Osiris
17. The Cross, the Cup and Orion
18. Three Rays
19. Chamber-Gland Theory

As mentioned earlier, the term messiah means, ‘anointed one’ and the related term mashach – means, “to anoint,” “to smear,” or
“spread a liquid.”

The word ‘anointed’ or ‘anoint’ makes a reference to ‘oil’ or to certain oils or balms – as in a practical sense, one is “anointed”
(massaged) with oil.

In the spiritual or metaphysical sense, one has been ‘touched’ by the hand (energy) of God, or the Spirit – Holy Ghost – another
term for the neutral, ‘third force’ energy.

“Thou anointest my head with oil; my cup runneth over”.

Psalm 23 5

The anointing ritual where oil is applied to the head (the “cup”) is associated with the secretions of the glands in the brain –
especially the opening of the ‘third eye’, which opens via the union and fusion of the essences related to the pineal and pituitary.

Figure 1 Osiris and Isis as Serpents, 1st century AD.
It would be easy to interpret the serpent-like depiction of these two dieties as each representing the
Hindu pingala and ida opposites associated with the pineal and pituitary glands

The pineal and pituitary glands secrete hormones, which in the ‘Green Language’ could also be referred to as ‘cups,’ ‘grails’ or ‘urns’
and the secretions, ‘oils’ – also ‘drugs’ in the modern term, as these ‘hormones’ are indeed chemical substances – i.e., natural
–

drugs created by the body.

Many urns and vessels of ancient civilisations have been found on archaeological sites and this is not surprising as jars and urns
were used in everyday activities, such as mixing, storing, and transporting.

Many urns served as decorative objects, and sometimes held fragrant oils, which were often used for anointing the body.

Urns also served a sacred or religious purpose as they held oils used in the anointing ritual.

garyosborn.moonfruit.com/chemical-wedding/4573509722 1/19
One becomes ‘anointed’ (touched by God) through the mystical enlightenment experience which is triggered by the alchemical
‘union’ of these glands and their essences – being the ‘Chemical Wedding’ of the King and Queen’ – one’s opposite energies
symbolised by the pineal (male) and pituitary (female.)

The word Christ comes from the Greek word Christos – meaning, “anointed” – so anyone who has been ‘anointed’ – i.e., had the
enlightenment experience via the glands is a Christ.

And now we know why Mary Magdalene “took a litre of costly perfumed oil made from genuine aromatic nard and anointed the feet
of Jesus and dried them with her hair.” John 11 55-57 – 12 1-11.

Againj, the feet of Jesus are symbolised by the two shes of the Astrological sign of Pisces, which in bodily correspondences are
associated with the feet.

These two shes that swim in opposite directions, not only represent the two feet but they also represent the opposites as
associated with the conscious and subconscious, the left and right brain and also the pineal and pituitary glands.

This gesture of anointing and massaging the feet of Jesus is part of the code, which tells us that this anointment takes place
between the glands in the brain, which secrete the oils or chemicals – one of the deepest secrets.

Mary wiping Christ’s feet with her hair completes this part of the code, in that the feet and head come together – as also depicted
in one image of the Dance of Salome where Salome touches her feet with her head. (See gure 00 here):

Again this means that through the ‘trance state’ one also captures this alpha-omega, end-beginning point in the cycle, which
actually triggers this ‘anointment’ and therefore enlightenment.

This is the rst time an explanation has been given to this part of the Jesus story.

Figure 2 Byzantine painting showing Jesus being anointed by God at the same time he is being baptised by John.
Both anointment and baptism are metaphors to the same experience of enlightenment.
Note the three attendants on the right – Its possible that these are the three Magi – representing the "belt stars" of Orion as referenced by the three
pyramids of Giza? The head of Jesus is between two mountain peaks – the open legs of the ‘world mother.’ His feet (two shes)
are swimming in the astral ‘womb waters’ of the owing river.
The picture above of Jesus being anointed expresses the same – in that both feet are in the water – meaning that the conscious is
with the subconscious; both are united together as in the trance state symbolised by the water associated with the female
subconscious.

At the same time, Jesus is experiencing the enlightenment triggered by the trance state – as symbolised by the dove (Phoenix of
rebirth) and the anointing of his head.

John the Baptist acts as mediator (initiator) in Christ's anointing by God the father.

Jesus is attended by three angels – again symbolising the Triad or holy Trinity so we are told.

However, as some of us will know, three wise Kings or Magi attended Jesus, at his birth – being the rebirth of Osiris as Horus.

It’s possible then that these three angels are the three wise men, and if so, then they are also represented by the three belt stars of
Orion and the three pyramids of Giza.

These three symbolise the three power centres in the brain by which one enters into the hypnagogic trance state.

The river in which the reborn shaman god-king is being baptised – his baptism also symbolising his rebirth as regards his initiation
into the mysteries – is the River Jordan; but possibly and esoterically it is also the River Nile, which ows next to the three
pyramids of Giza.

Again this baptism is associated with the thalamus and the glands in the brain – the Triad also represented by the three angels or
three wise kings.

Various “new age” writers have emphasised the point that the pituitary gland secretes a whitish substance, and that the pineal
gland secretes an orange/yellowish substance.

These have been interpreted to be associated with the “milk” and “honey” referred to in the Bible, as well as the myths where they
correspond with the White and the Red respectively.

What about the ‘psychoactive mushrooms’ as used by the shaman?

Following is an extract from The Symbols of Wodhanaz, about the Norse god Odin or Wotan.
‘Wodhanaz [Odin] is said to have slid into the mountain cave of the Etins in the form of a snake. After
Note the three vats charming the female guardian of the three vats in which the mead is stored, he morphs into a falcon (or
and the three drinking horns and also the signi cance of ‘honey’:
eagle) and ies from the mountain cave back to his kingdom. On the way, some of the mead spills from his
beak down to the earth, from where it is believed to manifest itself as hallucinogenic mushrooms.
‘When he arrives home, he expels the mead into three drinking horns for future use by him and his
companions. Thus, in its endlessly resurrecting fungal form, the poetic mead is made permanently
available to man, who henceforth use it to be possessed and inspired by Wodhanaz. One of the best ways
of preserving the active compounds in hallucinogenic mushrooms is by drying and crushing them, and
then mixing them in honey – which is doubtlessly why mead (a drink made of honey) came to represent it’.

The Symbols of Wodhanaz.
Odin turning himself into a serpent, and charming the female guardian, is an allegory for the enlightenment experience.

The three vats are related to the three power centres in the brain – two of which are ‘secreting’ glands – the chemical secretions
represented by the mead. The drops of mead then turning into mushrooms – also associated with the word ‘thalamus’ – reveals
that these psychoactive substances were used to activate the ‘third eye’ associated with these two glands as well as the thalamus.

The mead being expelled into three drinking horns, are again references to the three power centres in the brain – the knowledge
of which is shared with his fellow man.

It is tempting to say that the use of ‘honey’ makes a correspondence with the secretions of the pineal.

From the same article we nd that . . .

‘In his book, ‘Soma: Divine mushroom of immortality’ the late Gordon Wasson has put forward the very
convincing theory that Soma was made from Fly agaric mushrooms. Again, this drink is associated with
honey, with the word ‘mahdu’ – the ancient Sanskrit precursor of the word mead – often being used by the
Aryans to refer to Soma’.

The Symbols of Wodhanaz.
The poem, The Spoils of Annwn is said to have been written by the Welsh bard Taliesin who lived during the 6th century AD.

The poem describes a sacred vessel, which is sought in the Annwn or Annwfn (the Underworld) by a group of mystical adepts –
including Arthur.

This vessel is said to be the Grail. Surely this cauldron would be the head of the archetypal shaman who is able to enter the
Underworld.

The gateway into the Underworld (Annwn) was said to be Glastonbury Tor – a vortex.

This quest by the mystics is an allegory for the ‘seeking of knowledge’ associated with the head and the processes by which one is
able to enter the Underworld. Furthermore, it is said that the cauldron possesses three properties.

In the Celtic-derived Book of Taliesin – a 13th century medieval text, also associated with the Grail legends – we are told that the
Cauldron, (now a clear reference to the head) gives drops of liquid, which provides a person with the ability to see the past, the
present, and the future . . . as if time has ceased and one is in the NOW.

The past and the future are again opposites, and are associated with the male and female opposites – which are again associated
with the uctuations of the pineal and pituitary.

One is at the mid-point centre of these uctuations but doesn’t know it, see it, or realise it.

In other words, in normal everyday consciousness, we cannot capture the present – the NOW – as it is already gone when we
think about it.

We are living in the present all the time, but trying to capture the ‘Now’ is like trying to hold water that seeps through our ngers
and this is why most of the time life seems dull, banal, colourless and lifeless.

This is why the thalamus is spiritually inactive in the normal person – in that it only allows in a certain amount of information.

In other words, we possess the ‘Eternal Now’ (the ‘Primal Mover’) within us and we experience the Now all the time in the cycles,
but we become momentarily unconscious at the point of experiencing it.

Thus, the physical thalamus in the brain, which represents this ‘Eternal Now’ in the cycles, is the ‘stone of the philosophers’, which
is yet to become the Philosopher’s Stone by being made spiritually 'active'.

And through the experiences of the shaman, the ‘Eternal Now’ – otherwise known as one’s own Centre of consciousness – can be
captured.

Capturing the ‘Now’ to some extent is also associated with the so-called ‘Peak Experience’, coined by psychologist, Abraham
Maslow and oft-repeated by author, Colin Wilson.

A ash of Insight, by which one sees the connections between things, is also due to one capturing the ‘Eternal Now’ to some
extent.

This ‘Now’ is experienced in the synchronisation of the two hemispheres – the fusion between conscious and subconscious.

Again, in Hermetic philosophy and alchemy, this is the eclipse between the Sun and the Moon – i.e., male and female.

The ‘Out of Body’ experiencer and OBE proponent, Robert Monroe understood this – hence, Hemi-Sync – the audio-delivered,
‘brain synchronisation’ device which Monroe invented.

A more intense ‘capturing’ of this ‘Eternal Now’ will trigger a synchronicity experience.

All ESP experiences, by which one experiences two or more things separated by time and space, is again a more intense capture of
this ‘Eternal Now’ or Centre.

The ultimate capture, and if one can sustain it, is experienced as ‘enlightenment’ or ‘awakening,’ whereby one experiences the
'Eternal Now' as the Source of everything – being the explosion of bright white light in the head.

The Internal Eclipse
In effect one experiences the “big bang” of the universe . . . the centre-point of all creation.

As said, this experience can awaken and alter and change, quite drastically, the pattern of one’s life, one’s perceptions and beliefs.

There is a curious plate featured on page 225 of David Ovason's book, The Secret Zodiacs of Washington DC. (Figure 205.)

Figure 3 Vignette from Champollion’s Monuments of Egypt and Nubia, vol I, p.xlii.
Thoth is playing the role of the Moon and the subconscious, while Horus is playing
the role of the Sun and the conscious-self. The two vases are the two cruets or urns
associated with the pineal-pingala (red) and the pituitary-ida (white) as traditionally
held by Joseph of Arimathea..
To me it looks like a person being ‘anointed’.

However, I would say that this “anointment” is going on internally and related to the glands in the brain – being the pineal and
pituitary - note the Sun-disk and serpents above the head.

The gods pouring the life and death symbols from the urns is a metaphor for this internal process.

Both these gods – Thoth and Horus represent ‘wisdom’.

Note the life and death symbols in the ankh (life) and the was sceptre of the evil god Set (death).

In other words, the initiate is caught within that midpoint or ‘neutral point’ between “life” and “death” and all related opposites.

His life is in the balance – as what happens during the enlightenment experience – associated as it is with the glands in the brain
and the spinal column, which is why the poured “oils” from the two cruets or urns extend down and around the length of the body
– as if surrounding it like the aura or egg-shaped, aural energy eld.

The Sun-disk above the head is the seventh centre associated with the thalamus being the “egg” to be fertilised by the serpents
(sperm) thereby activating it – i.e., opening its “gateway” wide and awakening it.

This awakening is associated with rebirth.

This Sun-disk – anked by the two serpents – as in the Hindu pingala (male) and ida (female) nerve channels – is the “Inner Sun” –
again, the Hindu sûnya – meaning, ‘zero’ – as in ‘zero-point’ or void.

Again, the ‘void’ “nothing,” “blank” aspect of this source-centre, re ects our general ‘unconsciousness’ of it, and this is symbolised
by the esoteric term, ‘Black Sun’ – as illustrated in the solar eclipse.

This is why the black scarab is associated.

When conscious of this source-centre, it becomes – or is experienced – as the bright white light of the superconscious . . .
everything. So then, this centre is “nothing” and “everything” at the same time, and this is represented by the golden scarab beetle
– the individual "becomes as gold" through an internal alchemical process – the “chemical wedding”.
‘John W. Simons believed that the sound-values of Egyptian hieroglyphics were more closely linked with

the Hebrew language than with Coptic, as was widely believed. When examining the hieroglyphic mst he
The following is from David Ovason’s book:
pointed out that the Hebrew ire means ‘to throw drops of water, to sprinkle, and to teach and instruct.’ He
further pointed out that this hieroglyphic is linked with the Egyptian baptism, with the notion of shedding
celestial dew on the head of the neophyte – that is with initiation. In support of his argument, he
examined a plate which showed an Egyptian initiation scene, where the gods Horus and Thoth pour
sacred waters on the head of the neophyte. The one initiated in this way, by water and re, was called in
Hebrew msche, meaning something like ‘begotten,’ or ‘born again’ a word relevant to the new state of the
neophyte who has been initiated. According to Simons, the Egyptian hieroglyph equivalent of this Moses
incorporated the image for dew, baptism, or celestial tears’.

The Secret Zodiacs of Washington by David Ovason, (Arrow, 1999.) p. 224.
Could the castle of the Grail family, Munsalvaesche, (‘mountain of salvation’) and where they were once empowered by the ‘stone’,
be based on the Hebrew word, msche – meaning ‘born again,’ and through ‘ re’ and ‘water’?

It’s a possibility – especially when we consider that Hebrew scripts do not include vowels nor do they include all of the
consonants. However Munsalvaesche is the German version and in French the castle is known as Montsalvat.

The words of Wolfram von Essenbach:
‘They live from a stone of purest kind. If you do not know it, it shall here be named to you. It is called lapsit
exillis. By the power of that stone the phoenix burns to ashes, but the ashes give him life again.’

Parzival by Wolfram von Essenbach, 13th Century.
Figure 4 Christ on the cross of his cRUci xion. We see Christ being pierced on both sides
with two spears. (male- re-Severity and female-water-Mercy.) Again, these are the ida and
pingala serpents or literally, the two nerve channels, which strike the pineal and pituitary.
This part of the process is symbolised by the two angels either side of his head and who
each hold a cruet, cup or container as if representing these two glands – the “apples” of the tree.
As said, this ‘stone’ being associated with the Phoenix, is the Benben pyramidion capstone, and symbolises the source-centre of
consciousness – metaphorised, as the nucleus, ‘seed stone’ at the centre of a piece of fruit and from which a new fruit-bearing
tree can grow.

However, we now know that it is the ‘corner stone,’ which the builders rejected, otherwise known as the ‘head stone of the corner’.

Again, if the ‘stone’ is also the Benben pyramidion, then this again brings us to the Great Pyramid of Giza – and as is evident, this
pyramid is missing its capstone.

In fact one could say that the capstone of the Great Pyramid would have actually symbolised this zero ‘seed-stone’ – i.e., the whole
of one’s consciousness reduced to a point (point of zero singularity) – the “eye of the storm” – as symbolised further by the (some
say Masonic) “all-seeing-eye” in the capstone.

Which brings me to the central question, could the Grail story – centred as it is, on and around the ‘mountain of salvation’ – be a
medieval allegory which was meant to lead us to the Great Pyramid?

If so, then perhaps the missing capstone is the missing Grail – in that the missing capstone symbolises man’s unconsciousness of
that source-centre and the system of knowledge that surrounds it, and that the recovery of the missing capstone is only possible
when man becomes sentient and consciously aware of that same source within himself and acknowledges this ancient ‘system of
knowledge’. Who art thou, O great mountain? before Zerubbabel thou shalt become a plain: and he shall bring forth the
head-stone thereof with shoutings, crying, Grace, grace unto it!
Zecharia 4 7
It has always been said that the Great pyramid was some kind of initiation temple.
And so again, all the evidence points to my conclusion that the pyramid was once utilised as some kind of “gateway” into the
shamanic Underworld and ‘higher worlds,’ and as we will see, the Great Pyramid itself may have actually represented the head or
skull of this shaman god.

In other words, we are being led to the conclusion that the Great Pyramid was utilised as some kind of ‘alchemical laboratory’
related to the activation of the chakra-related glands in the brain; a place in which one was initiated into the mysteries of
resurrection as told in the story of Osiris-Horus.

I would suggest that the Great Pyramid was also a symbolic place, with all the magical correspondences built into it, which were
believed to aid and facilitate the shamanic trance state and also the enlightenment experience by which one was ‘anointed’ by
God.

After all it was constructed at the centre of the Earth’s landmasses and stands on the borderline between East and West – as if
making a magical correspondence with the centre in-between the opposites as regards the two hemispheres of the Earth and the
brain.

In other words, it was the place where rebirth or resurrection took place – i.e., the Hebrew term, msche – meaning, ‘born again’
and through ‘ re’ (male) and ‘water’ (female) and all related opposites.

One goes in as Osiris and emerges as Horus, and perhaps this person – a shaman – really did exist, and if there is a bloodline issue
to address here, then it’s possibly HIS bloodline which is important as the name Ormus (OR US-Horus) suggests.

The name ORMUS provides more associated meanings: OR in French is, ‘gold’.

"The name Orm is Scandinavian (Old Norse Ormr, literally "snake" or "serpent", corresponding to the Old English wyrm, "worm"),
and was not uncommon in the Danish parts of England".

Source:

MUS in Latin means, ‘mound’ or ‘mountain.’

All together we have ‘gold serpent mountain’ or ‘serpent mountain where one becomes gold’ . . . and there’s more.

ORMUS contains the word RU.

We also notice that the ‘M’ signifying the open legs of the ‘world mother’ is in-between the word RU.

Also, if we remove the central letters RMU we are left with OS – which means ‘god’ – being also indicative of the god Osiris – the
father and former incarnation of Horus.

Now if ‘M’ signi es the virgin – being Isis – and if ORUS is Horus, and OS is Osiris, then the name ORMUS is also providing us with
the ancient Egyptian triad.

Again, the sign of Virgo “the virgin” is made up of the glyph of Aries (the alpha-ram-head) and Pisces (the omega- sh-feet.)

In other words it represents that Alpha-Omega point in the cycle where the head and feet meet – being the RU birth canal
(“gateway”) through which Osiris was reborn as Horus (ORUS) and via the open legs of the virgin, Isis-Mary – hence the ‘M’ – also
the twin peak mountains between the twin-lion god Aker from which the sun-disk (‘sun-god’) emerges.

We can see then that the name ORMUS also provides us with the Alpha-Omega point in the cycle as accessed via the shamanic
technique of trance and which can lead to a rebirth.

As we can see there are so many associative meanings here as there are in the name SION – again, a name I will examine in more
depth elsewhere.

The problem is, these interpretations cannot be proven one way or the other. And unless someone comes along to prove that
these interpretations were intended, then it’s easy to say that we are just “playing around” with letters.

It’s the, “if we take away the . . .” part that makes it a problem, and we can do that with any word. Of course some of it must be true
while other interpretations are at best coincidental.

The problem is, that like the Bible Code, where it is said that ‘coincidence’ or ‘synchronicity’ takes effect due to the mathematical
nature of “letters” or “words”, so too, does synchronicity take effect in symbolism – and especially in letters or words deriving from
or forming the symbolism.

In essence, it means that these symbols or symbolic names end up having many meanings – ‘all-true’ when seen holistically, but at
the same time ‘all incorrect’ when each element is broken down, analysed and taken on its own.

What we have here is the same problem in how the left and right brain interprets things.

To the right brain, which sees the ‘bigger picture,’ it is all highly signi cant and probably ‘all true.’

But to the left-brain, which concentrates on the parts – and usually without any connection being seen between them – such
interpretations are ‘incorrect’ and at best ‘coincidental’.

But in the grand scheme of things, and maybe within that ‘neutral point’ or ‘source-centre’, perhaps these 'coincidences' are really
meaningful synchronicities – i.e., clues as to the processes of consciousness itself, and therefore evidence of some divine plan
associated with our own collective consciousness?

Now, if these meanings were to come out by following the “standards” of cipher and code, such as the famous ‘Atbash cipher’ or
alphanumerical systems, then it’s acceptable because it can be “proven” that this is how secrets were deliberately hidden.
It cannot be proven by altering letters around in a “haphazard way,” so proving the process proves the conjecture.

In any case, I have decided to leave no stone unturned and to keep an open mind, and so at the end of the day I leave it up to my
readers to make of it what they will.

There is much more to come, which provides some proof of what I'm presenting here, but for now the “ re” and “water” are
associated with the male pingala and female ida nerve channels respectively – as symbolised by the two snakes of the Caduceus.
These in turn are associated with the pineal and pituitary glands.

Now we can see that the “celestial tears” and the “drops” from the Norse or Celtic cauldron, (head) which allows one to see the
past, the PRESENT and future, is due to the spiritual activation of the thalamus via the secretions of the glands.

This “seeing” is surely the “second sight” of the ‘third eye’ by which one accesses the ‘Eternal Now’ in the cycles of space and time.

In effect one is therefore transcendent of all restrictions as imposed on the body by its own “ xed”, coordinate positions in space-
time, as we nd by reading the written accounts of Remote Viewers who worked for the US government in the ’70s and ’80s.

Again, such abilities are due to these vortex, chakra-related glands in the brain, which I must say is still not understood clearly and
we only have the esoteric texts and these myths to rely on.

And now I can reveal another part of this 'Grail Code', which brings us again to the constellation of Orion.

Looking at Ovid’s descriptions of the Phoenix we note that frankincense and myrrh are mentioned, being associated with the tree
of the Phoenix – as made from tree resins.

The “tree” represents the human spine and the “resins” are occult references to the glands, which align the spine – especially the
glands in the brain.

Frankincense, Myrrh and Gold were given to Jesus by the three wise men – as referenced in the three belt stars of Orion.

We are told by Laurence Gardner, in his book Genesis of the Grail Kings, that ‘Pine-resin was long identi ed with pineal secretion
and was used to make frankincense (the incense of priesthood)’.

Genesis of the Grail Kings by Laurence Gardner. (Fair Winds Press. 2002.)

It is well-known by complimentary therapists that the oils of frankincense and myrrh are associated with the pineal and pituitary
glands and also the hypothalamus, which works closely with the pituitary.

It is said that myrrh contains high amounts of sesquiterpenes, (compounds) that have direct effects on the hypothalamus, the
pituitary and the andamygdala, considered to be the seat of our emotions.
See Healing Oils by Jim Lynn.

If true, then this knowledge and these associations are again, all part of the code. And I would say that in the Jesus story,
frankincense is associated with the male-related, pineal organ – which represents the male lingam or penis; myrrh, the pituitary,
as associated with the female yoni and also the egg (“egg of myrrh”) and the Gold, (being the inner alchemical ‘gold’) the thalamus,
which becomes awakened through this fusion between the pineal and pituitary and the anointment of the chemical secretions –
i.e., the “chemical wedding” between the two glands.

This part of the story tells us that Jesus was a ‘Christed one’ – an ‘enlightened’ being.

This would also mean that the three belt stars of Orion, as we will see in the next presentation, are not only associated with the
body (torso) of the universal shamanic ‘resurrection god’ (Osiris-Horus) and re ect the three nerve channels in the body
associated with the pingala, ida and sushumna, but that they are also associated with the three organs of the brain – the Triad
consisting of the thalamus and the pineal and pituitary glands.

Again, a crucial part of the 'Grail Code', which keeps leading us to the Great Pyramid of Giza and something secreted therein.

Here's an amusing Hindu illustration of the head and face.

Figure 5 Hindu illustration encompassing many of these themes associated with the enlightenment experience.
Compare with the meaning behind the capstone of the obelisk (spine, phallus, sperm) piercing the globe (yoni, womb, egg) in gure 3 on previous page.
As we can see the Ru “gateway” – being the female vagina – is featured as the two eyes, the mouth and also the centre of the brain
– the Hindu ‘third eye’ – as I had determined.

Further evidence that the Ru “gateway” is the vagina of the “world mother” and that it is represented by the thalamus at the centre
of the brain, is the Lingam, (phallus or penis, doubling as the nose) which is depicted to be penetrating the thalamus and
continually "seeding" it – but here activating it.

Between the thalamus and the penis is the ‘bowl’ – also shaped like the Moon (Bindu) – representing the female ovum or egg,
which is brought by the Phoenix to be put on the phallic pillar of Atum-Ra. Here the Hindu version of Atum-Ra would be Brahma
or Shiva.

The phallus is also the Sushumna channel and also the Reptilian Brain stem.

It is also the Arthurian sword Excalibur, which rises from the Lake in the hand of the Lady of the Lake – the ‘world mother’ and
risen Kundalini goddess – just like the Phallus of Atum-Ra rising out of the primordial mound or the primordial waters of Nun
(meaning " sh") to seed the universe and create a brand new cycle.

The sperm are representing the opposites as symbolised by the two serpents (doubling as a moustache) with heads against the left
and right testicles.

The two rods or staffs with what looks like a eur de lis on each – again, symbolise the opposites associated with both sides of the
brain – each being associated with the pineal and pituitary. As we have seen already, the eur de lis an emblem of the ‘third eye’
triad – consisting of the pineal, the pituitary and the thalamus in the centre.

In any case, we can see that this picture encompasses many of the themes we have been looking at and so provides supporting
evidence for many of my own theories associated with the head, the brain, and the point of enlightenment. The Cross, the Cup,
Click here to go to next page:
and Orion

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4/4/2021 Chemical Wedding - Gary Osborn

1. The Kundalini Shakti Goddess

To me it looks like a person being ‘anointed’.

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