Dreamgirls (film)

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Dreamgirls is a 2006 musical drama film, directed by Bill Condon and jointly produced and released
by DreamWorks Pictures and Paramount Pictures. The film debuted in three special road
show engagements beginning December 15, 2006 before its nationwide release on December 25,
2006.[3] Adapted from the 1981 Broadway musical of the same name by composer Henry Krieger and
lyricist/librettist Tom Eyen, Dreamgirls is a film à clef of the histories of the Motown record label and one of
its acts, The Supremes.[4] The story follows the history and evolution of American R&Bmusic during the
1960s and 1970s through the eyes of a Detroit, Michigan girl group known as "The Dreams" and their
manipulative record executive.

The film adaptation of Dreamgirls stars Jamie Foxx, Beyoncé Knowles, Eddie Murphy, and Jennifer
Hudson. The film also features Danny Glover,Anika Noni Rose, and Keith Robinson. Produced by Laurence
Mark, the film's screenplay was adapted by director Bill Condon from the original Broadway book by Tom
Eyen. In addition to the original Kreiger/Eyen compositions, four new songs, composed by Krieger with
various lyricists, were added for this film.[5]

With a production cost of $80 million, Dreamgirls is the most expensive film to feature an all African
American starring cast in American cinema history.[1] Upon its release, the film garnered acclaim from
critics, and earned $154 million at the international box office.[2] Dreamgirls also received a number
of accolades,[6] including three awards at the 64th Golden Globe Awards ceremony, including Golden Globe
Award for Best Motion Picture – Musical or Comedy,[7] and two Oscars at the 79th Academy Awards. This
film was the debut of Grammy award winning singer and American Idolcontestant Jennifer Hudson as an
actress.

Plot[edit]

As in the original stage musical, the plot of Dreamgirls is broken up into two acts: the first taking place from
1962 to 1966, and the second taking place from 1973 to 1975.

Act I[edit]
Backstage at an amateur talent show at the Detroit Theater in 1962, Cadillac salesman Curtis Taylor, Jr.
(Jamie Foxx) meets a girl group known as "The Dreamettes": lead singer Effie White (Jennifer Hudson), and
back-up singers Deena Jones (Beyoncé Knowles), and Lorrell Robinson (Anika Noni Rose). Curtis presents
himself as the Dreamettes' new manager and arranges for the Dreamettes to become backup singers for
local R&B star Jimmy "Thunder" Early (Eddie Murphy).

With ambitions of making black singers mainstream successes among white audiences, Curtis starts his
own record label, Rainbow Records, out of his Detroit car dealership, and appoints Effie's brother, C.C.
(Keith Robinson), as his head songwriter. However, when their first single fails after a white pop group
releases a cover version, Curtis, C.C., and their producer Wayne (Hinton Battle) turn to payola to make
Jimmy and the Dreamettes pop stars. Offstage, Effie becomes infatuated with the slick-talking Curtis, while
the married Jimmy begins an affair with Lorrell.

Jimmy's manager Marty (Danny Glover) grows weary of Curtis' plans to make his client more pop-friendly
and walks out. However, when Jimmy bombs in front of a mostly white Miami Beachaudience, Curtis sends
Jimmy out on the road alone, keeping the Dreamettes behind to headline in his place. Feeling that Effie's
large figure and voice will not attract white audiences, Curtis appoints the slimmer Deena lead singer and
renames the group "The Dreams".

With the aid of new songs and a new more glamorous image, Curtis and C.C. transform The Dreams into a
top selling mainstream pop act by 1965. However, Effie begins acting out, particularly when Curtis'
affections turn towards Deena. Curtis eventually drops Effie from the group, hiring his secretary, Michelle
(Sharon Leal), to take her place.

Act II[edit]
Eight years later, in 1973, Effie has become an impoverished welfare mother, living in inner-city Detroit with
her daughter Magic. Meanwhile, Rainbow Records has moved to Los Angeles, where "Deena Jones & the
Dreams" have become superstars. Jimmy Early, on the other hand, has descended into drug addiction, his
career neglected due to Curtis' preoccupation with Deena, now also his wife. When Jimmy has a
breakdown onstage at Rainbow's tenth anniversary TV special the following year, during which he drops his
pants in front of the audience and cameras, Curtis drops him from the label, and Lorrell ends their long
affair. Some time later, Jimmy is found dead in a hotel room from a heroin overdose.

Angered over Curtis' increasing control over his music, and his lack of sympathy upon learning of Jimmy's
death, C.C. quits and returns to Detroit to find Effie, who has been rebuilding her career in music with Marty
as her manager. The two siblings reconcile, and C.C. writes and produces Effie's comeback single, "One
Night Only". Just as the record begins gaining radio play in Detroit, Curtis uses payola to force radio
stations to play a disco cover of "One Night Only" by Deena Jones & the Dreams instead. His plan falls
apart when Deena, angry over Curtis' control of her career, finds evidence of his payola schemes and
contacts Effie and C.C.

Deena and Effie reconcile, while Curtis, wanting to avoid being reported to the FBI for his payola operation
and many other crimes, agrees to give Effie's record national distribution. Inspired by Effie's victory, Deena
leaves Curtis to make it on her own.

In the final scenes, Deena Jones & the Dreams give a farewell performance at the Detroit Theater. For the
last song of the concert, Deena invites Effie to join the group onstage and sing lead for the final
performance of the group's signature song, "Dreamgirls". As the concert ends, Curtis notices Magic in the
front row and realizes that he is the girl's father.

Cast[edit]
 Jamie Foxx as Curtis Taylor, Jr; based upon Motown founder Berry Gordy, Jr.,[8] Curtis is a slick
Cadillac dealer-turned-record executive who founds the Rainbow Records label and shows ruthless
ambition in his quest to make his black artists household names with white audiences. At first
romantically involved with Effie, Curtis takes a professional and personal interest in Deena after
appointing her lead singer of the Dreams in Effie's place.

 Beyoncé Knowles as Deena Jones; based upon Motown star Diana Ross,[9] Deena is a very shy young
woman who becomes a star after Curtis makes her lead singer of the Dreams. This, as well as her
romantic involvement and later marriage to Curtis, draw Effie's ire, though Deena realizes over time
she is a puppet for her controlling husband. Knowles was nominated for a Golden Globe Award for her
performance.

 Eddie Murphy as James "Thunder" Early; inspired by R&B/soul singers such as James Brown, Jackie
Wilson, and Marvin Gaye,[8] is a raucous performer on the Rainbow label whom Curtis attempts to
repackage as a pop-friendly balladeer. Jimmy's stardom fades as the Dreams' stardom rises, and he
falls into drugs and an adulterous affair with Dreams member Lorrell. Murphy won a Golden Globe and
was nominated for an Academy Award for his role in the film.

 Jennifer Hudson as Effie Melody White; inspired by Supremes member Florence Ballard[9] and soul
singers Etta James and Aretha Franklin,[8] the plus-sized Effie is a talented yet temperamental singer
who suffers when Curtis, the man she loves, replaces her as lead singer of the Dreams and his love
interest, and later drops her altogether. With the help of Jimmy's old manager Marty, Effie attempts to
resurrect her career a decade later, while raising her daughter Magic, the offspring of her union with
Curtis. Hudson won the Golden Globe Award and theAcademy Award for Best Supporting Actress,
among other honors, for her portrayal of Effie. Hudson also became the first American Idol contestant
to win both major awards respectively.

 Danny Glover as Marty Madison, Jimmy's original manager before Curtis steps into the picture, Marty
serves as both counsel and confidant to Jimmy, and later to Effie as well.

 Anika Noni Rose as Lorrell Maya Robinson; inspired by Supremes member Mary Wilson,[10] is a good-
natured background singer with the Dreams who falls deeply in love with the married Jimmy Early and
becomes his mistress.

 Keith Robinson as C.C. White; inspired by Motown vice president, artist, and songwriter Smokey
Robinson,[11] Effie's soft-spoken younger brother C.C. (Clarence Conrad) serves as the main songwriter
for first the Dreams and later the entire Rainbow roster.

 Sharon Leal as Michelle Morris; based upon Supremes member Cindy Birdsong,[12] Curtis' secretary
who replaces Effie in the Dreams and becomes C.C.'s love interest.

 Hinton Battle as Wayne, a salesman at Curtis' Cadillac dealership who becomes Rainbow's first record
producer and Curtis' henchman.
Musical numbers[edit]
Act I[edit] Act II[edit]
 1. "I'm Lookin' for Something" - The Step Sisters 1. "I'm Somebody" - Deena Jones & the Dreams
2. "Takin' the Long Way Home" - Tiny Joe Dixon 2. "When I First Saw You" - Curtis Taylor Jr.
3. "Move" - The Dreamettes 3. "Patience" - Jimmy Early, Lorrell Robinson, C.C.
4. "Fake Your Way to the Top" - James "Thunder" White, and Chorus

Early & the Dreamettes 4. "I Am Changing" - Effie White

5. "Cadillac Car" - James "Thunder" Early & the 5. "Perfect World" - The Campbell Connection
Dreamettes 6. "I Meant You No Harm/Jimmy's Rap" -
6. "Cadillac Car (Reprise)" - Dave & the Jimmy Early

Sweethearts 7. "Lorrell Loves Jimmy" - Lorrell Robinson

7. "Steppin' to the Bad Side" - Curtis Taylor Jr.,
C.C. White, Wayne, James "Thunder" Early & the
Dreamettes, and Chorus
8. "Love You I Do" - Effie White
9. "I Want You Baby" - Jimmy Early & the
Dreamettes
10. "Family" - C.C. White, Effie White, Curtis Taylor Jr.,
Deena Jones, Lorrell Robinson
11. "Dreamgirls" - The Dreams
8. "Family (Reprise)" - Deena Jones & the Dreams
9. "Step on Over" - Deena Jones & the Dreams
10. "I Miss You Old Friend" - Jazz Singer
11. "Effie, Sing My Song" - C.C. White and Effie
White (deleted from theatrical version,
[13]
present on DVD)
12. "One Night Only" - Effie White
13. "One Night Only (Disco)" - Deena Jones & the
Dreams

12. "Heavy" - The Dreams 14. "Listen" - Deena Jones

13. "It's All Over" - Effie White, Deena Jones, Lorrell 15. "Hard to Say Goodbye" - Deena Jones & the
Robinson, Michelle Morris, C.C. White and Curtis Taylor Dreams

Jr. 16. "Dreamgirls (Finale)" - The Dreams

14. "And I Am Telling You I'm Not Going" - Effie
White

15. "Love Love Me Baby" - Deena Jones & the

Dreams

Production[edit]
Pre-production[edit]
Since the 1980s and 1990s, several different attempts have been made to produce a film adaptation
of Dreamgirls, a Broadway musical loosely based upon the story of The Supremes and Motown Records,
which won six Tony Awards in 1982. David Geffen, the stage musical's co-financier, retained the film rights
to Dreamgirls and turned down many offers to adapt the story for the screen. He cited a need to preserve
the integrity of Dreamgirls stage director Michael Bennett's work after his death in 1987.[14] That same year,
Geffen, who ran his Warner Bros.-associated Geffen Pictures film production company at the time, began
talks with Broadway lyricist and producer Howard Ashman to adapt it as a star vehicle for Whitney Houston,
who was to portray Deena. The production ran into problems when Houston wanted to sing both Deena and
Effie's songs (particularly "And I Am Telling You I'm Not Going"), and the film was eventually abandoned. [15]

When Geffen co-founded DreamWorks in 1994 and dissolved Geffen Pictures, the rights
to Dreamgirls remained with Warner Bros. Warner planned to go ahead with the film with director Joel
Schumacher and screenwriter Tina Andrews [5] in the late 1990s, following the success of Touchstone
Pictures's Tina Turner biopic What's Love Got to Do with It. Schumacher planned to haveLauryn
Hill [16] portray Deena and Kelly Price play Effie. After Warner's Frankie Lymon biopic Why Do Fools Fall in
Love failed at the box office, the studio shut down development onDreamgirls.[15]

DreamWorks' Dreamgirls adaptation came about after the film version of the Broadway
musical Chicago was a success at both the box office and the Academy Awards. Screenwriter and
directorBill Condon, who wrote Chicago's screenplay, met producer Laurence Mark at a Hollywood holiday
party in late 2002, where the two discussed a long held "dream project" of Condon's —
adapting Dreamgirls for the screen.[17] The two had dinner with Geffen and successfully convinced him to
allow Condon to write a screenplay for Dreamgirls.[18] Condon did not start work on theDreamgirls script until
after making the Alfred Kinsey biographical film Kinsey (2004).[17] After sending Geffen the first draft of his
screenplay in January 2005, Condon's adaptation of Dreamgirlswas greenlit.[11]

Stage to script changes[edit]

While much of the stage musical's story remains intact, a number of significant changes were made. The
Dreams' hometown—the setting for much of the action—was moved from Chicago to Detroit, the real-life
hometown of The Supremes and Motown Records.[14] The roles of many of the characters were related
more closely to their real-life inspirations, following a suggestion by Geffen.[14]

Warner Bros. had retained the film rights to Dreamgirls, and agreed to co-produce with DreamWorks.
However, after casting was completed, the film was budgeted at $73 million and Warner backed out of the
production. Geffen, taking the role of co-producer, brought Paramount Pictures in to co-finance and
release Dreamgirls. During the course of production, Paramount's parent company, Viacom, would
purchase DreamWorks, aligning the two studios under one umbrella (and giving the senior studio US
distribution rights on behalf of DreamWorks).[14] The completed film had a production budget of $75 million,
making Dreamgirls the most expensive film with an all-black starring cast in cinema history.[1]

Casting and rehearsal[edit]

Mark and Condon began pre-production with the intentions of casting Jamie Foxx and Eddie Murphy, both
actors with record industry experience, as Curtis Taylor, Jr. and James "Thunder" Early,
respectively.[17] When offered the part of Curtis, Foxx initially declined because DreamWorks could not meet
his salary demands.[17] Denzel Washington, Will Smith, and Terrence Howard were among the other actors
also approached to play Curtis.[19] Murphy, on the other hand, accepted the role of Jimmy Early after being
convinced to do so by DreamWorks co-founder Jeffrey Katzenberg.[14] As a result, Dreamgirls became
Murphy's first film for Paramount since 1995; the actor at one time had an exclusive contract with that
studio.

While Condon had intended to cast relatively unknown actresses as all three Dreams,[11] R&B
singer Beyoncé Knowles lobbied for the part of Deena Jones,[20] and was cast after a successfulscreen
test.[14] Upon learning that Knowles and Murphy had signed on, Foxx rethought his original decision and
accepted the Curtis role at DreamWorks' lower salary.[21]

R&B star Usher was to have been cast as C.C. White,[22] but contract negotiations failed: Usher was unable
to dedicate half a year to the film project. André 3000 of OutKast was also offered the role, but
declined.[23] After briefly considering R&B singer Omarion,[24] singer/actor Keith Robinson was eventually
cast in the role.[25]

Anika Noni Rose, a Broadway veteran and a Tony Award winner, won the part of Lorrell Robinson after an
extensive auditioning process.[20] Rose, significantly shorter than most of her co-stars at five feet and two
inches (157 cm), was required to wear (and dance in) four and five-inch (127 mm) heels for much of the
picture, which she later stated caused her discomfort.[21]

The most crucial casting decision involved the role of Effie White, the emotional center of the story.[20] The
filmmakers insisted on casting a relative unknown in the role, paralleling the casting of then-21-year-
old Jennifer Holliday in that role for the original Broadway production.[20] A total of 783 singing actresses
auditioned for the role of Effie White, among them American Idol alumnaeFantasia Barrino and Jennifer
Hudson, former Disney star Raven-Symoné, and Broadway stars Capathia Jenkins and Patina
Miller.[26] Hudson was eventually selected to play Effie, leading Barrino to telephone Hudson and jokingly
complain that Hudson "stole [Barrino's] part." [27][28][29]

Hudson was required to gain twenty pounds for the role,[30] which marked her debut film performance. In
casting Hudson, Condon recalled that he initially was not confident he'd made the right decision, but
instinctively cast Hudson after she'd auditioned several times because he "just didn't believe any of the
others."[31]

After Hudson was cast in November 2005, the Dreamgirls cast began extensive rehearsals with Condon
and choreographers Fatima Robinson and Aakomon "AJ" Jones, veterans of the music
video industry.[32] Meanwhile, the music production crew began work with the actors and studio musicians
recording the songs for the film. Although rehearsals ended just before Christmas 2005, Condon called
Hudson back for a week of one-on-one rehearsals, to help her more fully become the "diva" character of
Effie. Hudson was required to be rude and come in late both on set and off, and she and Condon went over
Effie's lines and scenes throughout the week.[21]

Loretta Devine, who played Lorrell in the original Broadway production, has a cameo as a jazz singer who
performs the song "I Miss You Old Friend."[20] Another Dreamgirls veteran present in the film is Hinton
Battle, who was a summer replacement for James "Thunder" Early onstage and here portrays Curtis' aide-
de-camp Wayne.[20]
Principal photography[edit]
Principal photography began January 6, 2006 with the filming of dance footage for the first half of "Steppin'
to the Bad Side," footage later deleted from the film.[33] The film was primarily shot onsoundstages at
the Los Angeles Center Studios, with location work done in the Los Angeles area, and some second
unit footage shot in Detroit, Miami, and New York City.[33] The award-winning Broadway lighting team
of Jules Fisher and Peggy Eisenhauer were brought in to create theatrical lighting techniques for the film's
musical numbers.[34]

Beyoncé Knowles elected to lose weight to give the mature Deena Jones of the 1970s a different look than
the younger version of the character. By sticking to a highly publicized diet of water, lemons, maple syrup,
and cayenne pepper (also known as the Master Cleanse), Knowles rapidly lost twenty pounds, which she
gained back once production ended.[35]

Principal photography was completed in the early-morning hours of April 8, 2006, after four days were spent
shooting Jennifer Hudson's musical number "And I Am Telling You I'm Not Going", which had purposefully
been saved until the end of the shoot.[33] Originally scheduled to be shot in one day, Condon was forced to
ask for extra time and money to finish shooting the "And I Am Telling You" scene, as Hudson's voice would
give out after four hours of shooting the musical number, and she was unable to plausibly lip-sync while
hoarse.[17][31] The scene was felt by everyone involved to be pivotal to the film, as "And I Am Telling You"
was Jennifer Holliday's show-stopping number in the original Broadway musical.[17][20]

Music[edit]
"And I Am Telling You I'm
Not Going"

MENU

0:00
Performed by Jennifer
Hudson.

Problems listening to this file? See media

help.

Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The
Underdogs — Harvey Mason, Jr. and Damon Thomas — to restructure and rearrange the Henry
Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected
modern R&B/pop sensibilities.[36] During post-production, composer Stephen Trask was contracted to
provide additional score material for the film.[37]

Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." [36] All of
the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom
Eyen having passed away in 1991,[5] various lyricists were brought in by Krieger to co-author the new
songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at
the Rainbow Records studio.[5] Willie Reale wrote the lyrics for "Patience," a song performed in the film by
Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for
Jimmy.[5] "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary
special sequence by Jackson 5 doppelgängers The Campbell Connection.[5] "Listen", with additional music
by Scott Cutler and Beyoncé Knowles, and lyrics by Anne Preven, is presented as a defining moment for
Deena's character late in the film.[5]

After preview screenings during the summer of 2006, several minutes worth of musical footage were
deleted from the film due to negative audience reactions to the amount of music.[38] Among this footage was
one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with
an alternative spoken version.[13][38]

The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music
World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-
disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at
number-one on the Billboard 200 during a slow sales week in early January 2007.[39] "Listen" was the first
official single from the soundtrack, supported by a music video featuring Beyoncé. "And I Am Telling You
I'm Not Going" was the Dreamgirlssoundtrack's second single. Though a music video with all-original
footage was once planned,[40] the video eventually released for "And I Am Telling You" comprised the entire
corresponding scene in the actual film.

Reception[edit]
Premieres, road show engagements, and general releases[edit]
Knowles at the premiere ofDreamgirls

Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received
a standing ovation.[41] The film's Los Angeles premiere was held on December 11 at the Wilshire
Theater in Beverly Hills.[42]

Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West
Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December
15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC
Metreon 15 in San Francisco.[3] Tickets for the reserved seats were $25 each; the premium price included a
forty-eight page full-color program and a limited-print lithograph.[3] This release made Dreamgirls the first
American feature film to have a road show release since Man of La Mancha in 1972.[3] Dreamgirlsearned a
total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends.[2][43][44] The
film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in
Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on
various dates between January and early March. Dreamgirls eventually grossed $103 million in the United
States, and almost $155 million worldwide.[2]

DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007[45] in DVD, HD DVD,
and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-
disc "Showstopper Edition". The two-disc version also included a feature-length production documentary,
production featurettes, screen tests, animatics, and other previsualization materials and artwork.[45] Both
DVD versions featured alternate and extended versions of the musical numbers from the film as extras,
including the "Effie, Sing My Song" scene deleted during previews. An extended "director's cut" is currently
planned for release in the future.[38]

Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first
DreamWorks film to be issued in a high definition home entertainment format.[46]

Critical and celebrity reaction[edit]

Dreamgirls was critically praised, resulting in a 78% composite critical approval rating on the Rotten
Tomatoes website.[6] Rolling Stone's Peter Travers gave the film three and a half stars (out of four) and the
number-two position on his "best of 2006" list, stating that "despite transitional bumps, Condon
does Dreamgirls proud".[47][48] David Rooney of Variety reported that the film featured "tremendously exciting
musical sequences" and that "after The Phantom of the Opera, Rent and The Producers botched the
transfer from stage to screen, Dreamgirls gets it right."[49]

On the December 10, 2006 episode of the television show Ebert & Roeper, Richard Roeper and guest
critic Aisha Tyler (filling in for the recovering Roger Ebert) gave the film "two thumbs up", with Roeper's
reservations that it was "a little short on heart and soul" and "deeply conventional".[50] Roeper still enjoyed
the film, noting that Jennifer Hudson's rendition of "And I Am Telling You I'm Not Going" as the "show-
stopping moment of any film of 2006" and very much enjoyed Murphy's performance as well, remarking that
"people are going to love this film." [50] Kirk Honeycutt of The Hollywood Reporter was less enthusiastic,
stating that while the film was "a damn good commercial movie, it is not the film that will revive the musical
or win over the world".[51] Ed Gonzales ofSlant magazine found the entire picture too glossy, and declared
that "the film doesn't care to articulate the emotions that haunt its characters".[52]

Many reviews, regardless of their overall opinion of the film, cited Jennifer Hudson's and Eddie Murphy's
performances as standouts, with Peter Travers proclaiming Murphy's performance of "Jimmy's Rap" as "his
finest screen moment."[47] Television host Oprah Winfrey saw the film during a November 15 press
screening, and telephoned Hudson on the Oprah episode airing the next day, praising her performance as
"a religious experience" and "a transcendent performance".[53] A review for The Celebrity Cafe adds that
Hudson's voice "is like nothing we’ve heard in a long time, and her acting is a great match for that power-
house sound."[54]

Jennifer Holliday, who originated the role of Effie onstage, expressed her disappointment at not being
involved in the film project in several TV, radio, and print interviews.[55] Holliday in particular objected to the
fact that her 1982 recording of "And I Am Telling You I'm Not Going" was used in an early Dreamgirls film
teaser trailer created before production began. Many of the other originalDreamgirls Broadway cast
members, among them Obba Babatundé, Vondie Curtis-Hall, and Cleavant Derricks, were interviewed for
a Jet magazine article in which they discussed their varying opinions of both the Dreamgirls film's script and
production.[56]

Awards[edit]

Academy Awards

1. Best Sound Mixing

Michael Minkler, Bob Beemer, Willie D. Burton

2. Best Supporting Actress

 Jennifer Hudson

Golden Globe Awards

1. Best Motion Picture – Musical or Comedy

2. Best Supporting Actor – Motion Picture

Eddie Murphy

3. Best Supporting Actress – Motion Picture

Jennifer Hudson

DreamWorks and Paramount began a significant awards campaign for Dreamgirls while the film was still in
production. In February 2006, the press was invited on set to a special live event showcasing the making of
the film, including a live performance of "Steppin' to the Bad Side" by the cast. [57] Three months later, twenty
minutes of the film - specifically, the musical sequences "Fake Your Way to the Top", "Family", "When I First
Saw You", and "Dreamgirls" - were screened at the 2006 Cannes Film Festival, with most of the cast and
crew in attendance.[58][59] The resulting positive buzz earned Dreamgirls the status of "front-runner" for the
2006 Academy Award for Best Picture and several of the other Oscars as well.[60]

Following the success of the Cannes screening, DreamWorks and Paramount began a widespread "For
Your Consideration" advertisement campaign, raising several eyebrows by demoting Jennifer Hudson to
consideration for Best Supporting Actress and presenting Beyoncé Knowles as the sole Best Actress
candidate, as opposed to having both compete for Best Actress awards. By contrast, the actresses who
originated Hudson's and Knowles' roles on Broadway, Jennifer Holliday and Sheryl Lee Ralph, respectively,
were both nominated for the Tony Award for Best Leading Actress, with Holliday winning the award.[28] The
presentation of Knowles over Hudson as the sole Best Actress candidate had interesting parallels with the
film itself.[28]

Dreamgirls received eight 2007 Academy Award nominations covering six categories, the most of any film
for the year, although it was not nominated for Best Picture, Best Director, or either of the lead acting
categories. The film's nominations included Best Supporting Actor (Eddie Murphy), Best Supporting
Actress (Jennifer Hudson), Best Achievement in Costume Design, Best Achievement in Art Direction, Best
Achievement in Sound Mixing, and three nominations for Best Song ("Listen", "Love You I Do", and
"Patience"). Dreamgirls is the first live-action film to receive three nominations for Best Song; previously
the Disney animated features Beauty and the Beast (1991) and The Lion King (1994) had each received
three Academy Award nominations for Best Song; Enchanted (2007) has since repeated the feat.[61]

In addition, Dreamgirls is the first film in Academy Award history to receive the highest number of
nominations for the year, yet not be nominated for Best Picture.[62] The film's failure to gain a Best Picture or
Best Director nod was widely viewed by the entertainment press as a "snub" by the Academy.[63] Some
journalists registered shock,[64] others cited a "backlash".[65] On the other hand, director Bill Condon stated
that "I think academy members just liked the other movies better"[66] and that he believed that "we were
never going to win even if we were nominated."[66]

At the Academy Awards ceremony on February 25, 2007, Dreamgirls won Academy Award for Best Actress
in a Supporting Role and Best Sound Mixing. As such, Hudson became one of the few actresses ever to
win an Oscar for a film debut performance. In what was considered an upset, Murphy lost the Best
Supporting Actor award to Alan Arkin for Little Miss Sunshine. Beyoncé Knowles, Jennifer Hudson, Anika
Noni Rose, and Keith Robinson performed a medley of the three Dreamgirls songs nominated for Best
Original Song, although all three songs lost the award to "I Need to Wake Up" from An Inconvenient
Truth.[67]

For the 2007 Golden Globe Awards, Dreamgirls was nominated in five categories: Best Picture - Comedy or
Musical, Best Actress in a Comedy or Musical (Beyoncé Knowles), Best Supporting Actor (Eddie
Murphy), Best Supporting Actress (Jennifer Hudson), and Best Original Song ("Listen"). The film won the
awards for Best Picture - Comedy or Musical, Best Supporting Actor, and Best Supporting
Actress.[7] Dreamgirls received eight NAACP Image Award nominations, winning for Best Supporting
Actress (Jennifer Hudson) and Outstanding Album (the soundtrack LP).[68] It was also named as one of
the American Film Institute's top ten films of 2006.

Dreamgirls also garnered Screen Actors Guild Awards for Supporting Actress (Jennifer Hudson) and
Supporting Actor (Eddie Murphy), as well as a nomination for its ensemble cast.[69] The film was also
nominated by the Producers Guild of America for Best Picture and the Directors Guild of America for Bill
Condon's directing. The British Academy of Film and Television Arts gave the film awards for Supporting
Actress (Jennifer Hudson) and Music (Henry Krieger). Furthermore, Dreamgirls was nominated for eleven
2007 International Press Academy Satellite Awards, and won four of the awards: Best Picture - Comedy or
Musical, Best Director (Bill Condon), Best Actress in a Supporting Role (Jennifer Hudson), and Best Sound
(Mixing & Editing).[70] Dreamgirls also received a record eleven Black Reel Award nominations, and won six
of the awards, among them Best Film.[71] At the 50th Grammy Awards ceremony, "Love You I Do" won the
award for Best Song Written for a Motion Picture, Television or Other Visual
Media.[72] The Dreamgirls soundtrack was also nominated for the Grammy for Best Compilation Soundtrack
Album.[72]

For the opening performance at the 2007 BET Awards on June 26 of that year, Hudson performed a duet of
"And I Am Telling You I'm Not Going" with her predecessor, Jennifer Holliday. Later that night, Hudson won
the BET Award for Best Actress.[73]

Related promotions and products[edit]

To give the story more exposure for the upcoming film release, DreamWorks Pictures and the licenser of
the original play, The Tams-Witmark Music Library, announced that they would pay the licensing fees for all
non-professional stage performances of Dreamgirls for the calendar year of 2006. DreamWorks hoped to
encourage amateur productions of Dreamgirls, and familiarize a wider audience with the play. As a result,
more than fifty high schools, colleges, community theaters, and other non-commercial theater entities
staged productions of Dreamgirls in 2006, and DreamWorks spent up to $250,000 subsidizing the
licensing.[74]

The Dreamgirls novelization was written by African-American novelist Denene Millner, and adapts the film's
official script in chapter form, along with fourteen pages of photographs from the film. The book was
released on October 31, 2006. A scrapbook, entitled Dreamgirls: The Movie Musical, was released on
March 27, 2007. The limited edition program guide accompanying theDreamgirls road show release was
made available for retail purchase in February. In addition, the Tonnor Doll Company released "The
Dreamettes" collection, featuring dolls of the characters Deena, Lorrell, and Effie, to coincide with the
release of the film.

Allusions to factual events[edit]

Aside from the overall plot of the film and elements already present in the stage musical, many direct
references to Supremes, Motown, or R&B/soul history in general are included in the film. In one scene, Effie
saunters into Curtis' office and discusses Rainbow Records' latest LP, The Great March to Freedom,
a spoken word album featuring speeches by Martin Luther King, Jr.. This LP is an authentic Motown
release, issued as Gordy 906 in June 1963.[75][76] A later scene features Curtis and the Dreams recording in
the studio, while a riot rages outside. By comparison, Motown's Hitsville U.S.A. studio remained open and
active during Detroit's 12th Street Riot in July 1967.[77][78] The photo shoot montage which accompanies
"When I First Saw You", as well as the subplot of Deena being forced to star in Curtis' Cleopatra film
against her will, reflect both scenes from and the production of Mahogany, a 1975 Motown film
starring Diana Ross and directed by Motown CEO Berry Gordy.[79]

Among the more direct references are the uses of adapted Supremes album cover designs for albums
recorded in the film by the Dreams. Three Supremes albums - Let the Sunshine In, Cream of the Crop,
and Touch - were reworked into Deena Jones & The Dreams album designs, with the only differences in the
designs being the substitution of the names and images of the Supremes with those of Deena Jones & the
Dreams. Another Dreams LP seen in the film, Meet the Dreams, is represented by an album cover derived
from the designs for the Supremes LPs More Hits by The Supremes and The Supremes A' Go-Go.[80] There
is also a solo album, Just In Time, recorded by Deena Jones shown in the film, the album cover for which is
based on Dionne Warwick's 1970 album Very Dionne.

Diana Ross, long a critic of the Broadway version of Dreamgirls for what she saw as an appropriation of her
life story,[81] denied having seen the film version.[82] On the other hand, Mary Wilson attended the film's Los
Angeles premiere, later stating that Dreamgirls moved her to tears and that it was "closer to the truth than
they even know".[83]
Smokey Robinson, however, was less than pleased about Dreamgirls' allusions to Motown history. In a
January 25, 2007 interview with NPR, Robinson expressed offense at the film's portrayal of its Berry
Gordy analogue, Curtis Taylor Jr., as a "villainous character" who deals in payola and other illegal
activities.[84] He repeated these concerns in a later interview with Access Hollywood, adding that he felt
DreamWorks and Paramount owed Gordy an apology.[85] On February 23, a week before the Oscars
ceremony, DreamWorks and Paramount issued an apology to Gordy and the other Motown
alumni.[86] Gordy issued a statement shortly afterwards expressing his acceptance of the apology.[86]

The payola scheme used in the film's script, to which Robinson took offense, is identical to the payola
scheme allegedly used by Gordy and the other Motown executives, according to sworn court depositions
from Motown executive Michael Lushka, offered during the litigation between the label and its chief creative
team, Holland–Dozier–Holland.[87][88] Several references are also made to Mafia-backed loans Curtis uses to
fund Rainbow Records.[89] Gordy was highly suspected, though never proven, to have used Mafia-backed
loans to finance Motown during its later years.[90]