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Arc
A
Story
Arc
(arc
as
in
"over-‐arching
storyline")
is
a
sequence
of
series
installments,
TV
episodes,
comic
issues,
or
a
certain
period
of
time
in
a
Video
Game
that
puts
characters
through
their
paces
in
response
to
a
single
impetus;
basically,
an
ongoing
storyline.
This
can
be
a
few
episodes,
an
entire
season,
or
even
the
focus
of
the
entire
series.
Arcs
are
not
necessarily
consecutive
episodes.
The
story
may
reach
a
point
where,
although
the
arc
is
not
completely
resolved,
it
ceases
to
be
of
immediate
concern
to
the
characters,
thus
allowing
the
writers
to
intersperse
(or
insert)
non-‐arc
episodes.
This
is
the
case
whenever
an
episode
or
a
series
of
episodes
have
self-‐contained
storylines,
which
are
then
cut-‐off
by
a
continuation
of
the
arc.
Usually,
the
filler/self-‐
contained
stories
don't
have
any
major
effect
on
the
arc
itself,
set
up
character
development
to
be
used
in
the
arc,
or
show
off
character
development
displayed
in
an
early
storyline.
Writers
may
decide
to
use
a
stand-‐alone
episode
to
lighten
the
mood
during
a
dark
arc,
or
to
feature
a
character
not
involved
in
the
arc.
Episodes
that
form
a
story
arc
cannot
be
run
out
of
order,
or
at
least
they
shouldn't
be.
Not
that
this
always
stops
networks
or
syndicators
from
doing
so.
While
the
Soap
Opera
has
been
exclusively
arc-‐based
since
the
beginning
of
television
and
before,
the
subsequent
popularity
of
arcs
doesn't
seem
to
come
from
soaps.
Back
in
the
90's
when
half-‐funny
Sitcom
reruns
and
poorly
constructed
Saturday
morning
cartoons
ruled
with
an
iron
fist,
the
consensus
among
writers
was
that
casual
viewers
wouldn't
be
able
to
get
into
the
show.
Hill
Street
Blues
was
the
first
American
prime-‐time
drama
to
rely
on
arcs,
and
is
probably
when
the
term
came
into
the
American
TV
vernacular.
British
Shows
have
a
longer-‐standing
tradition
of
arcs
(See
Doctor
Who).
According
to
Doctor
Who
producer
Russell
T.
Davies,
the
term
is
not
used
by
UK
TV
writers.
However,
it
is
becoming
increasingly
well
known
by
UK
viewers,
and
UK
Comic
Book
writers
certainly
use
the
term.
Story
arcs
also
occur
in
most
other
serial
media;
Super
Hero
and
dramedy
comic
series
(especially
online
series
in
the
latter
case)
are
well
known
for
them,
and
since
they
lack
the
seasonal
format
of
most
Western
television
shows,
some
of
them
take
years
to
resolve.
For
some
specific
types
of
story
arcs,
see
War
Arc,
Rescue
Arc,
and
Tournament
Arc.
A
character
who
serves
as
the
Big
Bad
for
a
story
arc
is
called
an
Arc
Villain.
See
also
Myth
Arc,
Rotating
Arcs,
Arc
Welding,
Half-‐Arc
Season,
Plot
Threads,
Season
Fluidity,
and
Aborted
Arc.
Sometimes
the
term
is
interchangeable
with
"Saga",
especially
in
shonen.
Examples:
Anime
• The
vast
majority
of
anime
series
are
built
around
arcs,
which
further
distinguishes
them
from
American
cartoons,
which
are
very
often
episodic
(though
less
exclusively
so
as
time
passes
on).
In
various
Shōnen
series,
the
arcs
are
structured
in
a
way
such
that
the
main
characters
face
the
minions
of
a
Big
Bad
first
(sometimes
from
the
lowest
rank
to
the
highest,
if
there
is
a
hierarchy),
and
then
the
Big
Bad
himself/herself
to
settle
the
climax
of
that
arc.
And
whenever
a
competition
approaches,
the
episodes
covering
it
are
encased
into
a
Tournament
Arc.
Examples
of
series
with
these
properties
include:
o Saint
Seiya:
Sanctuary
(itself
divided
into
Galaxian
Wars,
Black
Saints/Pope
Ares'
minions,
Silver
Saints
and
Gold
Saints;
the
total
is
73
episodes,
and
is
the
largest
major
arc
in
the
series),
Asgard
(26
episodes),
Poseidon
(15
episodes),
and
Hades
(13
episodes
for
Sanctuary,
12
for
Inferno
and
6
for
Elysion;
the
total
is
31).
o Fist
of
the
North
Star:
Southern
Cross
(22
episodes,
God's
Army
&
Jackal
mini-‐arcs
moved
here
for
filler
purposes),
Fang
Clan
(7
episodes),
Jagi
(3
episodes),
Cassandra
(11
episodes),
Ken-‐Oh
(6
episodes),
Yuda
(8
episodes),
Souther
(11
episodes),
Raoh's
Return
(9
episodes),
Gosha
Stars
(23
episodes),
Musou
Tensei
(10
episodes,
overlaps
with
the
last
6
episodes
of
the
Gosha
Stars
arc),
Jakoh
(13
episodes),
Shura
(30
episodes).
The
manga
went
on
for
several
more
arcs
as
well:
Kouketsu
(7
chapters),
Sava
(12
chapters),
Baran
(10
chapters),
Bolge
(8
chapters).
o Dragon
Ball:
The
first
quest
for
the
Dragon
Balls
(Emperor
Pilaf,
13
episodes),
21st
Tournament
(15
episodes),
the
second
quest
for
the
Dragon
Balls
(Red
Ribbon
Army,
17
episodes;
General
Blue,
12
episodes;
Commander
Red,
10
episodes;
Fortune-‐Teller
Baba,
16
episodes;
55
episodes
total),
22nd
Tournament
(Tenshinhan,
18
episodes),
the
third
quest
for
the
Dragon
Balls
(King
Piccolo,
21
episodes),
and
23rd
Tournament
(Piccolo
Jr,
31
episodes).
o Dragon
Ball
Z:
Saiyan/Vegeta
(39
episodes),
the
fourth
quest
for
the
Dragon
Balls
(Namek/Freeza,
68
episodes),
Garlic
Jr.
(10
episodes),
Androids/Cell
(84
episodes,
including
the
Cell
Games),
Saiyaman
and
25th
Tournament
(20
episodes),
and
Majin
Buu
(72
episodes).
o Dragon
Ball
Kai:
Saiyan/Vegeta
(26
episodes),
the
fourth
quest
for
the
Dragon
Balls
(Namek/Freeza,
25
episodes),
Androids/Cell
(Androids,
24
episodes;
Cell,
20
episodes;
44
episodes
total),
and
Buu
(Majin
Buu,
34
episodes;
Evil
Buu,
25
episodes;
60
episodes
total)
o Dragon
Ball
GT:
Black
Star
Dragon
Balls
(15
episodes),
Baby
(25
episodes),
Super
Android
17
(7
episodes),
and
Shadow
Dragon
(17
episodes).
o YuYu
Hakusho:
Spirit
Detective
(25
episodes),
Dark
Tournament
(41
episodes),
Chapter
Black
(28
episodes),
and
Three
Kings
(18
episodes).
• JoJo's
Bizarre
Adventure
is
quite
notable
in
the
sense
that
each
story
arc
is
a
self-‐contained
story
in
an
overarching
continuity,
which
helps
prevent
Continuity
Lockout
in
this
rather
lengthy
series.
The
arcs
are:
Phantom
Blood
(5
volumes;
9
episodes),
Battle
Tendency
(8
volumes;
17
episodes),
Stardust
Crusaders
(17
volumes;
48
episodes),
Diamond
is
Unbreakable
(19
volumes;
39
episodes),
Vento
Aureo
(17
volumes),
Stone
Ocean
(17
volumes),
Steel
Ball
Run
(24
volumes,
currently
the
longest
in
the
series),
and
JoJolion
(ongoing).
• In
various
shoujo
series,
since
they
tend
to
follow
the
Monster
of
the
Week
format,
the
arc
sorting
is
based
on
which
Big
Bad
becomes
the
ultimate
source
of
all
the
weekly
monsters;
so
when
that
Big
Bad
is
defeated,
then
the
arc
ends
and
another
starts
with
another
villain
releasing
their
own
weekly
monsters.
Examples
of
series
following
this
style
include:
o Sailor
Moon:
Original
series
(46
episodes,
introduces
the
Inner
Senshi:
Sailor
Moon,
Mercury,
Mars,
Jupiter
and
Venus),
Sailor
Moon
R
(43
episodes,
introduces
Chibiusa
and
Sailor
Pluto),
Sailor
Moon
S
(38
episodes,
introduces
Sailor
Uranus,
Neptune
and
Saturn),
Sailor
Super
S
(39
episodes),
Sailor
Moon
Sailor
Stars
(36
episodes,
introduces
the
Sailor
Senshi
from
outside
the
solar
system).
The
Sailor
Moonmanga
also
has
named
story
arcs:
the
Dark
Kingdom
arc,
the
Black
Moon
arc,
the
Infinity
arc,
the
Dream
arc,
and
ending
with
the
Stars
arc.
o Cardcaptor
Sakura:
The
arcs
don't
have
any
particular
names,
but
they're
sorted
by
season.
The
first
one
has
35
episodes,
and
focuses
on
Sakura
sealing
most
of
the
stray
cards
with
her
power,
starting
with
Fly
and
finishing
with
Fire.
The
second
has
11
episodes,
in
which
Sakura
seals
the
remaining
cards
and
initiates
a
Final
Judgement
trial
with
Yue.
The
last
season
has
24
episodes,
and
focuses
on
Sakura
enhancing
the
cards'
powers
with
a
new
incantation,
followed
by
a
climactic
confrontation
against
Clow
Reed.
o Pretty
Cure,
as
a
whole,
has
spanned
eighteen
series,
but
only
two
of
them
are
sequels
to
previous
series.
o Corrector
Yui
has
two.
In
the
first,
Yui's
first
priority
is
to
reunite
all
Correctors
and
then
eliminate
the
viruses
originated
from
the
Big
Bad,
Grosser.
The
second
season
introduces
a
new
villain,
Bogles,
as
well
as
a
new
Corrector
who
is
first
introduced
as
an
Anti-‐Villain.
• Pokémon,
true
to
its
original
source,
sorts
the
story
arcs
by
league
and
generation,
and
some
of
them
are
long
enough
to
span
more
than
one
season.
In
the
case
of
the
Johto
saga,
there
are
several
sub-‐arcs
in
which
the
main
characters
are
looking
for
(or
even
helping)
a
Legendary
Pokémon.
o In
Japan,
the
series
is
sorted
as
such:
Original
Series
(Indigo,
80
episodes;
Episode
Orange
Islands,
36
episodes;
Episode
Gold
&
Silver,
158
episodes;
274
episodes
total),
Advanced
Generation
(Hoenn,
145
episodes;
Battle
Frontier,
47
episodes;
192
episodes
total),
Diamond
&
Pearl
(191
episodes),
Best
Wishes(142
episodes),
XY
(XY,
92
episodes;
XY
&
Z,
43
episodes;
140
episodes
total),
Sun
&
Moon
(ongoing).
o In
the
United
States,
while
the
series
is
arranged
identically
to
the
Japanese
one,
it
is
divided
between
seasons
rather
than
by
game
equivalent.
The
current
arrangement
is:
Indigo
League
(52
televised
episodes;
79
home
video
episodes),
Adventures
in
the
Orange
Islands
(52
televised
episodes;
36
home
video
episodes),
The
Johto
Journeys
(52
televised
episodes;
41
home
video
episodes),
Johto
League
Champions
(52
episodes),
Master
Quest
(52
televised
episodes;
64
home
video
episodes),
Advanced
(52
televised
episodes;
40
home
video
episodes),
Advanced
Challenge
(52
episodes),
Advanced
Battle
(52
episodes),
Battle
Frontier
(47
episodes),
Diamond
and
Pearl
(51
episodes),
Battle
Dimension
(52
episodes),
Galactic
Battles
(52
episodes),
Sinnoh
League
Victors
(34
episodes),
Black
&
White
(48
episodes),
Rival
Destinies
(49
episodes),
Adventures
in
Unova
(45
episodes),
XY
(48
episodes),
Kalos
Quest
(45
episodes),
XYZ
(48
episodes),
Sun
&
Moon
(ongoing).
• The
Melancholy
of
Haruhi
Suzumiya's
six-‐episode
arc
was
broadcast
with
eight
Breather
Episodes
that
flashed
forward
to
after
the
arc.
It
also
successfully
broke
the
rule
of
never
showing
a
story
arc
out
of
order.
Helped
largely
by
Arc
episodes
being
still
in
order,
just
with
the
Breathers
inserted
in-‐between.
• Neon
Genesis
Evangelion
can
be
divided
into
four
arcs:
o Prologue
Arc,
from
the
beginning
to
the
Jet
Alone
filler
(Episode
1-‐7).
This
arc
establishes
characters,
character
relationships,
and
settings,
having
an
overall
melancholy
tone
due
to
it
being
a
deconstruction
of
the
mecha
genre.
o Action
Arc,
starting
with
Asuka's
introduction
and
ending
with
Iruel.
Though
there
are
some
melancholic
and
introspective
moments,
the
main
focus
is
firmly
on
humor
and
action,
and
all
episodes
are
Monster
of
the
Week
episodes;
this
part
is
in
many
ways
just
like
any
other
mecha
series
(Episode
8-‐13).
o Descent
Arc,
starting
with
the
Recap
Episode
and
ending
with
Zeruel
(Episode
14-‐19).
There
are
still
Monster
of
the
Week
episodes,
but
they
start
having
overt
lasting
effects
on
the
characters,
and
a
couple
of
episodes
focuses
exclusively
on
the
human
drama
between
the
characters.
There
are
still
the
occasional
humorous
moments,
but
they
get
gradually
exorcised
and
stop
appearing
all
together
after
Episode
18.
Mind
Screw
kicks
into
high
gear
in
this
part
and
the
viewer
starts
having
an
inkling
things
are
not
what
they
seem
to
be;
with
the
appearance
of
Bardiel,
the
show
takes
one
hell
of
a
nosedive
into
the
Darker
and
Edgier
zone.
o "The
Bitter
End"
(Episode
20-‐24,
25-‐26/End
of
Evangelion).
Even
more
Mind
Screw
with
a
side
order
of
Nightmare
Fuel.
Most
of
the
cast's
backstories
are
revealed
in
all
their
dark
and
troubled
glory,
and
most
of
them
are
pretty
much
completely
worn
down,
both
physically
and
mentally,
and
the
Monster
of
the
Week
episodes
tends
result
in
at
least
one
character
getting
pushed
completely
over
the
edge
whenever
they
appear.
Also
The
End
of
the
World
as
We
Know
It
occurs
at
the
end.
The
part
that
made
the
franchise
famous.
• Black
Lagoon
is
notable
for
having
a
story
arc
that
ended
up
being
33
chapters
long.
This
wouldn't
be
very
impressive
if
it
weren't
for
the
fact
that
it's
a
monthly
series
-‐
so
said
arc
lasted
for
nearly
half
the
series
at
the
time
it
ended.
• In
the
anime
adaptation
of
Little
Busters!,
each
girls'
route
was
adapted
into
a
separate
story
arc
of
4
or
5
episodes
in
a
row
(Kud's
arc
is
a
minor
exception,
as
it
had
a
Rin
episode
in
between
the
first
and
second
episodes).
• The
arcs
in
Captain
Tsubasa
are
sorted
by
the
teams
Tsuabasa
and
his
friends
are
playing
for,
as
well
as
the
competitions
in
which
they
are
participating.
The
first
arc
has
them
play
the
national
Japan
tournaments;
World
Youth
has
Tsubasa
play
in
Brazil,
and
later
in
Japan
again
for
the
AFC
Youth
Championship
before
moving
to
Spain
to
play
for
FC
Barcelona
(by
this
point,
his
friends
join
teams
of
other
European
teams);
Road
to
2002
has
the
characters
prepare
to
play
for
the
Japan
national
team
in
the
2002
edition
of
The
World
Cup.
• Attack
on
Titan:
Interestingly,
the
anime
identifies
its
episodes
as
belong
to
these
as
well
as
each
episode
being
part
X
of
an
arc.
They
are:
The
Fall
of
Shiganshina,
The
104th
Trainees
Squad,
The
Battle
of
Trost,
Night
Before
The
Counteroffensive,
57th
Expedition
Beyond
the
Walls,
and
The
Raid
on
Stohess
District.
Fans
commonly
refer
to
the
last
3
as
sub-‐sections
as
part
of
the
Female
Titan
arc.
• The
Sword
Art
Online
anime
has
thus
far
adapted
five
of
the
light
novels'
arcs,
each
one
usually
revolving
around
a
new
virtual-‐reality
MMORPG.
The
arcs
are:
o Aincrad,
which
deals
with
Kirito,
Asuna,
and
thousands
of
other
gamers
being
trapped
in
the
MMORPG
Sword
Art
Online
(SAO),
and
their
efforts
to
escape
by
defeating
the
boss
on
each
of
the
100
levels.
o Fairy
Dance,
which
deals
with
Kirito's
attempts
to
rescue
Asuna
from
her
Jerkass
fiance,
who
has
taken
control
of
the
SAO
game
engine
and
trapped
her
and
many
other
SAO
victims
in
another
game,
Alfheim
Online
(ALO),
for
some
nefarious
purpose,
after
he
and
most
of
the
other
gamers
escape
back
to
the
real
world.
o Phantom
Bullet,
which
introduces
new
character
Sinon,
and
details
her
and
Kirito's
investigation
of
Death
Gun,
a
player
in
the
steampunk
MMO
Gun
Gale
Online,
who
seems
to
be
able
to
kill
players
in
the
real
world
by
killing
them
in
the
game.
o Caliber,
which
is
a
bit
of
a
breather,
mini-‐arc
following
Kirito,
Asuna,
and
their
friends
as
they
attempt
to
win
an
ALO
game
event
and
prevent
an
in-‐game
apocalypse.
o Mother's
Rosario,
which
focuses
on
Asuna
instead
of
Kirito,
and
deals
with
her
friendship
with
new
character
Yuuki,
her
helping
Yuuki's
guild,
the
Sleeping
Knights,
to
defeat
a
particularly
deadly
Aincrad
boss,
and
her
fraught
relationship
with
her
mother.
Audio
• Big
Finish
Doctor
Who
has
a
mass
of
story
arcs
going
on.
o With
the
Eighth
Doctor
there
was
the
Anti-‐Time
story
arc,
as
changing
history
by
saving
his
companion
Charlotte
Pollard
was
causing
the
Web
of
Time
to
break
down.
Finally
the
Doctor
gets
infected
with
Anti-‐Time,
leading
to
the
Divergent
Universe
arc
where
he
travels
into
a
different
Universe
to
suppress
the
Anti-‐Time.
o There
is
the
Viyran
story
arc,
involving
various
strange
diseases
spread
throughout
time
and
the
Viyranstrying
to
stop
this.
o The
later
8th
Doctor
stories
show
the
opening
stages
of
the
Time
War,
with
the
Time
Lords
and
Daleks
working
against
each
other
and
the
Master
being
resurrected.
o This
also
ties
into
the
Eminence
storyline,
involving
a
Fog
of
Doom
who
are
so
dangerous
the
Doctor
is
willing
to
help
the
Daleks
against
them,
although
the
Time
Lords
are
trying
to
help
the
Eminence
in
the
hope
they
will
prevent
the
Daleks
becoming
the
supreme
life
form.
Comic
Books
• Cerebus
the
Aardvark
is
broken
down
into
10
major
arcs:
Cerebus,
High
Society,
Church
and
State,
Jaka's
Story,
Melmoth,
"Mothers
and
Daughters",
Guys,
Rick's
Story,
"Going
Home",
and
"Latter
Days."
Church
and
State
has
two
parts,
and
the
arcs
in
quotation
marks
have
two
to
four
distinct
sub-‐arcs
fitting
under
the
general
title.
Each
arc
and
sub-‐arc
tells
a
distinct
story,
lasting
anywhere
from
11
issues
(Flight)
to
almost
60
issues
(the
entirety
of
Church
and
State),
and
each
is
collected
in
its
own
TPB.
• Since
most
American
comics
are
now
published
with
collected
editions
in
mind,
they
tend
to
come
out
with
five-‐or-‐six
issue
storylines
that
are
usually
connected
to
each
other
to
tell
a
larger
Myth
Arc,
but
are
just
as
easily
read
as
their
own
self-‐contained
stories.
• The
Shazam
Captain
Marvel
had
one
of
the
earliest
such
arcs
in
the
1940s
when
he
took
on
the
Monster
Society
of
Evil
that
ended
with
him
discovering
that
its
leader
is
the
worm
Mr.
Mind.
• Judge
Dredd
stories
generally
come
in
two
different
modes.
The
one-‐shot
comics
are
"Day
in
the
life"
stuff
and
are
generally
more
darkly
comedic
in
tone,
with
Dredd
often
showing
how
much
of
a
zero-‐tolerance
asshole
he
can
be.
The
so-‐called
Mega-‐Epics
are
huge
story
lines
that
generally
last
about
half
a
year
to
a
year,
are
more
serious
in
tone
and
tend
to
make
several
changes
to
the
status
quo.
• Sonic
the
Hedgehog
(IDW)
is
broken
down
into
various
smaller
arcs
which
lead
into
each
other
as
part
of
a
single
larger
narrative.
o Fallout
(issues
1-‐4):
Sonic
and
his
friends
deal
with
the
aftermath
of
Sonic
Forces,
while
a
mysterious
new
figure
takes
over
the
Eggman
Empire's
forces.
o The
Fate
of
Dr.
Eggman
(issues
5-‐8):
Sonic
finally
tracks
down
the
missing
Eggman,
while
Neo
Metal
Sonic
is
revealed
to
be
the
new
mystery
antagonist.
o Battle
for
Angel
Island
(issues
9-‐12):
All
the
heroes
unite
to
liberate
Angel
Island
after
Neo
Metal
Sonicand
the
Egg
Fleet
conquer
it.
o Infection
(issues
13-‐16):
Sonic
faces
off
with
Eggman's
new
minions,
while
the
latter
develops
a
virus
that
turns
things
into
robots.
Fanfiction
• Child
of
the
Storm:
o The
fic
has
an
overall
plot
of
Harry
readjusting
to
life
as
the
son
of
Thor,
while
Lucius
Malfoy
allies
with
HYDRA
and
the
Necromancer
Gravemoss
to
destroy
the
Avengers
and
Take
Over
the
World.
o The
sequel,
Ghosts
of
the
Past,
has
doubled
down
on
this,
with
interconnected
plot
arcs
with
separate
names
and
separate
Big
Bads.
So
far
there's:
§ Forever
Red,
featuring
the
Red
Room
and
Sinister
going
after
Harry
as
a
base
for
new
Super
Soldiers.
§ Bloody
Hell,
featuring
Dracula
going
after
Carol
Danvers,
and
separately,
the
Heirs
of
Kemmler,
Voldemort,
and
Selene
Gallio
fighting
each
other
and
Harry
Dresden
and
the
Scarlet
Witch
for
the
Word
of
Kemmler.
§ Of
Dungeons
and
Dragons,
featuring
the
First
Task
of
the
Tri
wizard
Tournament
accidentally
awakening
an
Elder
Wyrm,
which
goes
on
a
rampage.
• Pony
POV
Series:
o The
series
is
built
on
interlocking
story
arcs
—
freeing
Trixie
from
her
Discording
and
her
Enemy
Within,
rehabilitating
Fluttercruel
and
Fluttershy
breaking
into
a
Nightmare,
the
origins
of
Celestia,
Luna
and
Discord,
various
World
Building
threads,
etc.
—
that
all
together
tell
the
story
of
the
characters
moving
on
from
what
Discord
did
to
them...
as
well
as
a
Myth
Arc
of
Discord
planning
his
second
escape.
o There's
also
the
Dark
World
Arc,
which
was
originally
just
meant
to
give
closure
to
the
Bad
Future,
but
grew
so
large
that
it
was
eventually
declared
its
own
series,
subdivided
into
its
own
story
arcs:
the
Redemption
of
the
Elements
Arc
(up
till
the
Duel
of
Tears
and
Rainbow
Dash's
redemption),
the
Storming
the
Castle
Arc
(up
till
Pinkie's
redemption),
the
Off
The
Rails
Arc
(up
till
Odyne!
Fluttercruel's
defeat),
the
End
of
Days
Arc
(up
to
and
including
the
Final
Battle
with
Nightmare
Paradox),
and
the
Alicorn
Ascension
Arc
(which
acts
Dark
World's
Grand
Finale).
o Dark
World
has
a
companion
piece
of
sorts
in
the
Shining
Armor
Arc,
which
was
published
alongside
it
(and
is
kinda-‐sorta
connected
to
it).
This
arc
is
based
on
the
basic
premise
of
showing
where
Shining
Armor
and
Cadence
were
during
the
rest
of
the
series,
as
well
as
how
their
friendship
developed
into
romance.
It
is
also
divided
into
two
smaller
arcs
—
the
first,
and
longer
of
the
two,
has
Shining
and
Cadence's
forces
coming
into
conflict
with
the
plans
of
General-‐
Admiral
Makarov
of
the
Hooviet
Empire;
after
his
defeat,
the
story
moves
back
to
developing
their
relationship,
even
as
Shining
seeks
a
way
to
escape
the
threat
of
the
Blank
Wolf.
o After
the
conclusion
of
Dark
World
and
the
SA
Arc,
the
series
returns
to
the
Reharmonized
Timeline
with
the
Wedding
Arc,
which
sees
the
Mane
Six
and
their
friends
attending
Shining
Armor
and
Cadence's
wedding,
only
for
the
presence
of
a
much
more
dangerous
than
canon
Queen
Chrysalis
to
turn
it
into
a
War
Arc.
• RainbowDoubleDash's
Lunaverse:
o The
first
season,
in
addition
to
the
overall
Myth
Arc
of
the
struggle
against
Corona
and
standalone
threats,
is
built
around
the
manipulations
of
the
corrupt
Night
Court,
which
comes
to
a
head
in
At
The
Grand
Galloping
Gala.
o Season
2
deals
with
both
Corona's
forces
and
the
Luna
6
developing
alliances
in
preparation
for
the
eventual
final
confrontation
between
the
two
sides.
• In
A
New
Chance
Series,
there
are
several
story
arcs
ongoing,
some
of
them
originating
in
the
first
story
of
the
series
and
continuing
into
the
second:
o Larvitar's
search
for
his
mother.
o Team
Rocket's
plan
for
world
domination
involving
capturing
Legendary
Pokemon
with
powerful
Poke
balls/
o Team
Magma
and
Team
Aqua's
own
respective
plans
for
the
world.
o The
plans
of
the
being
that
killed
the
Father
Latios
and
tried
to
destroy
Altomare,
as
well
the
Father
Latios'
own
revival
and
his
efforts
to
stop
his
mortal
enemy
and
reunite
with
the
Eon
twins.
• Digimon
02
The
Story
We
Never
Told
is
broken
up
into
several
arcs:
the
Digimon
Emperor
arc
(Chapters
1-‐18),
the
Spire-‐Born
arc
(Chapters
19-‐30),
the
Regaining
The
Crests
arc
(Chapters
31-‐41),
the
Dark
World
arc
(Chapters
42-‐51),
the
Digimon
World
Tour
arc
(Chapters
52-‐58),
the
Invasion
of
the
Deep
Ones
arc
(Chapters
59-‐61),
and
the
Secrets
Uncovered
arc
(Chapters
62-‐70).
• The
New
Adventures
of
Invader
Zim
has
the
ongoing
search
for
the
lost
Meekrob
weapon,
though
it's
more
of
a
Half-‐Arc
Season
given
that
the
story
alternates
between
this
and
more
standalone
events.
• Halloween
Unspectacular
is
an
anthology
series,
but
each
one
has
a
longer
story
told
in
multiple
parts,
which
come
together
to
form
larger
Myth
Arcs.
There's
usually
another
unconnected
multipart
story
in
each
one.
o In
the
first
one,
there's
a
three-‐chapter
arc
about
E350
and
his
friends
trying
to
defeat
a
witch
version
of
Ember
McLain,
and
an
arc
concerning
the
creation
—
and
rampage
—
of
a
creature
only
known
as
ReGenesis.
o In
the
second
one,
there's
a
four-‐parter
about
Spongebob's
attempts
to
stop
the
Underworld
King,
and
a
larger
story
arc
in
which
a
Ragtag
Bunch
of
Misfits
try
to
keep
the
Fiddley
Thing
away
from
a
German
scientist
working
for
Dan
Phantom.
o In
the
third
one,
E350
retells
the
story
of
the
ship
Batavia
with
fictional
characters.
The
first
Myth
Arc
also
officially
begins
with
this
collection,
as
the
heroes
face
off
with
an
Ancient
Conspiracy
of
anti-‐
magic
fanatics
and
encounter
the
forces
of
Avalon
for
the
first
time.
o In
the
fourth
one,
there's
an
arc
centered
on
a
colonial-‐era
prison
only
referred
to
as
"the
Gaol"
(an
alternate
spelling
for
jail),
and
another
involving
several
villains
coming
together
to
destroy
the
heroes.
It
turns
out
both
are
connected
to
the
Myth
Arc,
as
the
Gaol's
Governor
is
the
lead
villain,
and
his
search
for
El
Dorado
leads
into
the
next
story.
o The
fifth
one
has
a
three-‐part
"Freaky
Friday"
Flip
story.
And
the
Myth
Arc
comes
to
a
conclusion
as
the
previous
Big
Bads
ally
under
Galahad's
banner
to
collapse
The
Multiverse.
o The
sixth
one
had
a
two-‐part
story
about
Ford
and
Wirt
getting
trapped
in
a
strange
land.
The
new
Myth
Arc
begins,
as
PURITY
prepares
to
make
its
move.
o The
seventh
one
has
PURITY
preparing
a
new
plan,
which
goes
into
motion
at
the
climax.
o The
eighth
has
the
various
heroes
waging
a
war
and
a
rebellion
against
PURITY,
which
now
controls
America.
Film
• Within
the
Godzilla
series'
30
films
(and
counting)
there
are
a
few
distinct
story
arcs.
o Mothra
vs.
Godzilla,
Ghidorah,
the
Three-‐Headed
Monster,
and
Invasion
Of
Astro
Monster
form
a
tightly-‐linked
trilogy.
GvM
introduces
Mothra
to
the
series
and
establishes
her
as
a
protector
of
humanity,
in
contrast
to
Godzilla,
who
is
a
destroyer.
GtTHM
introduces
the
series
Big
Bad
King
Ghidorah,
and
features
Mothra
telepathically
convincing
Godzilla
and
fellow
destructive
monster
Rodan
to
pull
a
colossal
Heel–Face
Turn
and
join
her
in
defending
Earth
from
this
new
threat.
IoAM
features
Ghidorah
returning
and
fighting
Godzilla
and
Rodan
again,
this
time
without
Mothra
there
to
motivate
them.
o Godzilla
vs.
Mechagodzilla
and
Terror
of
Mechagodzilla
are
a
duology
concerning
the
Black
Hole
Aliens
attempting
to
conquer
Earth
using
their
superweapon
Mechagodzilla.
o All
seven
films
of
the
rebooted
"Heisei
Era"
form
a
massive,
century-‐
spanning
story
arc
involving
futuristic
technology
which
ends
up
in
the
present
via
time
travel,
a
psychic
named
Miki
Segusa
(the
closest
thing
the
series
has
to
a
main
human
protagonist),
and
Godzilla's
relationship
with
his
"son,"
a
younger
member
of
his
species
nicknamed
Godzilla
Jr.
o Godzilla
Against
Mechagodzilla
and
Godzilla
Tokyo
SOS
are
another
duology
about
the
new,
human-‐built
incarnation
of
Mechagodzilla
and
its
angsty
pilot,
Akane
Yashiro.
• The
James
Bond
series
does
this
twice.
The
first
arc
is
the
SPECTRE
Arc,
which
lasted
from
the
first
movie,
Dr.
No
(1962),
until
the
seventh,
Diamonds
Are
Forever
(1971).
The
second
encompasses
Daniel
Craig's
run
as
Bond,
with
Spectre
continuing
the
arc
left
hanging
by
Casino
Royale
(2006)
and
Quantum
of
Solace,
while
also
following
the
events
of
Skyfall.
A
miniature
arc
mostly
within
the
first
SPECTRE
arc
involves
the
death
of
Tracy
Bond
and
Bond's
Roaring
Rampage
of
Revenge
after
it:
On
Her
Majesty's
Secret
Service,
Diamonds
Are
Forever,
and
For
Your
Eyes
Only.
• The
second
and
third
Pirates
of
the
Caribbean
movies
formed
an
arc
revolving
around
Davy
Jones
and
the
East
India
Trading
Company.
Originally
the
second
half
of
a
Two-‐Part
Trilogy,
until
the
series
continued
afterwards.
• Star
Trek
II:
The
Wrath
of
Khan,
Star
Trek
III:
The
Search
for
Spock
and
Star
Trek
IV:
The
Voyage
Home
form
a
story
arc
within
the
larger
Star
Trek
movie
series
centered
around
the
Genesis
device
and
the
consequences
of
its
use.
All
other
Star
Trek
movies
have
self-‐contained
plots.
• The
mainline
Star
Wars
movies
are
sorted
by
trilogies:
o Original
(A
New
Hope,
The
Empire
Strikes
Back,
Return
of
the
Jedi),
which
narrates
the
story
of
Luke
Skywalker
and
his
friends
from
the
Rebellion
in
their
struggle
to
defeat
Darth
Vader
and
the
Empire.
o Prequel
(The
Phantom
Menace,
Attack
of
the
Clones,
Revenge
of
the
Sith),
which
narrates
the
story
of
Anakin
Skywalker
and
his
Start
of
Darkness.
o Sequel
(The
Force
Awakens,
The
Last
Jedi,
Star
Wars
9),
which
narrates
the
story
of
Rey
and
her
fight
against
the
remnants
of
the
Empire,
known
as
the
First
Order.
Literature
• The
Animorphs
series
can
neatly
be
divided
up
into
a
couple
story
arcs.
The
first
arc
concerns
itself
with
the
development
of
the
children
into
soldiers
and
explanations
about
morphing,
the
Yeerk
invasion,
et
cetera.
The
second
arc
concerns
itself
with
the
day-‐to-‐day
missions,
and
is
cut
in
half
by
what
you
could
call
Story
Arc
2.5,
which
concerns
itself
with
the
seventh
Animorph,
David.
The
third
story
arc
deals
with
the
escalation
of
the
war
and
the
reorganization
of
the
Yeerk
Empire
-‐
the
execution
of
Visser
One,
Visser
Three's
promotion,
Operation
9366,
et
cetera.
The
final
story
arc
begins
when
the
Yeerks
discover
the
kids'
identities.
• The
Baby-‐Sitters
Club:
o Some
plotlines
spread
over
a
couple
of
books,
such
as
Kristy
adjusting
to
her
stepfamily.
At
the
end
of
the
series
Mary
Anne's
house
burned
down,
which
was
the
background
for
the
Friends
Forever
spinoff.
o The
Dawn-‐considers-‐moving-‐back-‐to-‐California
plotline
lasted
for
so
many
books
that
many
fans
were
extremely
glad
when
she
ultimately
did
move
back
and
she
finally
stopped
agonizing
about
this
decision.
• Doctor
Who
–
Expanded
Universe:
The
Eighth
Doctor
Adventures
had
two
major
story
arcs—one
leading
into
the
other—and
several
smaller
ones,
as
well
as
several
individual
character
arcs
for
the
Doctor
and
his
companions.
The
first
story
arc,
almost
more
of
a
Myth
Arc,
involved
a
massive,
destructive,
universe
spanning
temporal
war
(not
actually
the
New
Series'
Last
Great
Time
War)
fought
between
the
Time
Lords
and
an
unnamed
enemy,
and
the
fallout
that
affects
the
rest
of
universe
after
the
Doctor
destroys
Gallifrey
(for
the
first
time).
The
second
deals
with
an
issue
that
arose
as
a
result
of
the
first—a
time
traveler
called
Sabbath
is
worried
that
with
the
Time
Lords
dead,
the
universe
is
collapsing
into
chaos,
and
that
the
Doctor,
by
not
doing
anything
about
it,
is
harming
the
Web
of
Time
by
default.
His
attempts
to
fix
this
by
destroying
alternate
timelines
are
in
fact
what's
causing
the
problem
in
the
first
place.
The
series
also
deals
with
smaller
story
arcs
like
Sam
learning
the
truth
about
her
Mirror
Universe
counterpart,
Compassion
becoming
a
TARDIS,
Fitz
coming
to
grips
with
being
a
clone
and
having
to
face
Father
Kreiner,
and
Anji's
inability
to
get
home.
• J.
K.
Rowling
has
stated
that,
unlike
the
first
five
books
of
Harry
Potter
which
are
thematically
autonomous
while
still
carrying
over
the
overall
continuity
of
the
universe,
the
last
two
books
(Half
Blood
Prince
and
Deathly
Hallows)
are
meant
to
be
two
volumes
of
the
same
arc,
which
is
evident
not
only
through
the
fully
interwined
link
between
the
end
of
the
former
and
the
start
of
the
latter,
but
also
through
the
plot
devices
that
both
books
share,
as
well
as
the
fact
that
both
books
heavily
reference
the
events
of
the
past
five
books
to
solve
any
pending
plot
point
and
then
settle
the
climax
of
the
story.
• Star
Wars
Legends:
Galaxy
of
Fear
is
a
book
series.
Each
book
is
self-‐
contained,
but
the
first
six
have
an
underlying
plot
about
the
connections
between
the
Big
Bad,
Hoole,
and
The
Empire.
• Each
series
in
Warrior
Cats
is
its
own
story
arc
that
contributes
to
the
overall
Myth
Arc
(although
series
3+4
were
really
one
long
arc,
and
series
5
was
a
prequel):
the
first
series
followed
Firestar's
rise
to
leadership
and
defeat
of
villain
Tigerstar,
the
second
series
was
about
the
forest's
destruction
and
the
Clans
finding
a
new
home,
as
well
as
Hawkfrost's
attempt
at
following
in
Tigerstar's
pawsteps,
the
third
and
fourth
series
dealt
with
three
cats
discovering
that
they
have
special
powers
and
the
Dark
Forest's
attempt
to
destroy
the
Clans,
and
the
sixth
series
is
about
the
discovery
of
the
modern
remnants
of
SkyClan.
Live
Action
TV
• 24
has
one
constant
ongoing
storyarc
per
season,
each
of
which
can
also
be
broken
up
into
3-‐4
sub-‐arcs.
• The
Adventures
of
Brisco
County,
Jr.
had
two
intertwining
story
arcs
throughout
the
series
(The
Search
for
The
Orb
and
The
Capture
of
the
John
Bly
Gang).
• Alias
—
So
heavily,
in
fact,
that
there
was
significant
Continuity
Lockout
experienced
by
casual
viewers.
• Brit
Com
'Allo
'Allo!
might
be
the
most
humorously
convoluted
example
of
this
and
certainly
for
a
sitcom,
being
a
comedy
gave
the
writers
numerous
excuses
to
resolve
them
in
absurdist
manners.
• Arrowverse:
o Arrow,
due
to
essentially
running
two
shows
simultaneously
(the
present
day
and
flashbacks),
manages
to
have
two
distinct,
but
usually
connected,
story
arcs
per
season
(though
this
formula
ends
with
Season
5):
§ Season
1:
The
flashbacks
are
about
Oliver
first
arriving
on
the
island
and
becoming
caught
in
a
fight
against
Edward
Fryers'
mercenary
forces;
the
present
day
storyline
is
about
Oliver
returning
to
Starling
City,
first
becoming
a
vigilante,
and
uncovering
the
truth
of
Malcolm
Merlyn's
conspiracy
to
destroy
the
Glades.
§ Season
2:
The
flashbacks
are
about
Oliver
and
his
allies
facing
off
against
Dr.
Ivo
for
the
Mirakuru
and
Slade's
Face–Heel
Turn;
the
present
is
about
Oliver
trying
to
become
a
true
hero,
while
dealing
with
the
schemes
of
Brother
Blood
and
Slade.
§ Season
3:
The
flashbacks
deal
with
Oliver's
time
in
Hong
Kong
as
an
ARGUS
agent
trying
to
prevent
the
outbreak
of
a
deadly
bioweapon;
the
present
has
Oliver
struggling
with
his
identity
as
the
Arrow
after
being
dragged
into
a
conflict
between
the
League
of
Assassins
and
Merlyn.
§ Season
4:
The
flashbacks
see
Oliver
returned
to
the
island
by
ARGUS
in
order
to
deal
with
Baron
Reiter's
operation
there;
the
present
has
Oliver
remaking
himself
as
the
Green
Arrow,
and
trying
to
protect
Star
City
from
Damien
Darhk
and
his
plans.
§ Season
5:
The
flashbacks
have
Oliver
travel
to
Russia,
where
he
joins
the
Bratva
in
the
pursuit
of
avenging
a
friend
from
the
previous
season,
before
setting
up
his
return
to
Starling
City
(as
seen
in
the
pilot);
the
present
has
Oliver
building
a
new
team,
which
comes
under
siege
from
Prometheus.
§ Season
6:
Oliver
must
juggle
being
Mayor
of
Star
City,
a
vigilante,
and
a
father,
while
facing
off
with
a
Legion
of
Doom
led
by
Cayden
James,
who's
been
tricked
into
thinking
that
Oliver
killed
his
son.
When
James
is
defeated
halfway
through
the
season,
Oliver
still
has
to
deal
with
Ricardo
Diaz,
who
secretly
took
over
Star
City's
criminal
underworld
and
bought
off
many
key
government
officials
while
everyone
was
distracted
by
James.
o The
Flash
(2014):
§ Season
1:
Barry
learns
how
to
use
his
powers
and
fight
the
metahumans,
and
the
threat
of
the
Reverse-‐Flash,
while
Dr.
Wells
pursues
his
own
agenda.
§ Season
2:
Team
Flash
has
to
deal
with
the
arrival
of
metahumans
from
Earth-‐2,
led
by
Zoom.
§ Season
3:
Barry
deals
with
the
fallout
from
his
creation
of
Flashpoint,
not
least
of
which
is
the
arrival
of
Savitar.
§ Season
4:
Barry's
escape
from
being
imprisoned
in
the
Speed
Force
creates
a
group
of
new
metahumans,
whom
Team
Flash
must
track
down,
while
figuring
out
how
they
fit
into
the
machinations
of
Clifford
DeVoe/The
Thinker.
o Legends
of
Tomorrow:
§ Season
1:
Rip
Hunter
gathers
the
Legends
in
order
to
try
and
avert
Vandal
Savage's
conquest
of
the
world,
while
the
Time
Masters'
repeated
attempts
to
stop
them.
§ Season
2:
The
Legends
find
themselves
facing
off
with
the
Legion
of
Doom,
who
are
seeking
the
Spear
of
Destiny,
which
would
let
them
rewrite
reality.
§ Season
3:
The
Legends
face
off
with
the
followers
of
the
mysterious
demon
Mallus,
who
are
creating
anachronisms
that
threaten
time,
while
competing
with
the
new
Time
Bureau.
o Supergirl
(2015):
§ Season
1:
Kara
learns
the
ropes
as
a
superhero,
while
having
to
face
off
with
the
escaped
Fort
Rozz
criminals
led
by
her
aunt
General
Astra.
§ Season
2:
Supergirl
and
the
DEO
are
at
war
with
the
anti-‐
alien
terrorist
organization
CADMUS.
Later,
they
also
have
to
deal
with
the
arrival
of
Queen
Rhea
of
Daxam.
§ Season
3:
Kara
deals
with
the
emotional
fallout
from
the
previous
season's
finale,
and
the
threat
of
Reign
and
the
Worldkillers.
• Babylon
5
(another
Myth
Arc)
• Barney
Miller
had
several
subplot
story
arcs
running
over
several
years.
The
most
memorable
is
Ron
Harris'
development
as
a
published
author,
which
lasted
most
of
the
series.
• Battlestar
Galactica
had
plenty
of
story
arcs,
particularly
in
the
first
and
second
seasons,
which
led
to
Executive
Meddling
in
the
third
season
for
more
standalone
episodes
so
that
new
viewers
were
not
alienated.
As
a
result,
the
third
season
is
generally
not
as
well
liked,
and
the
fourth
and
final
season
has
resumed
a
more
arc-‐based
approach.
The
main
arcs
throughout
the
series
are:
o Finding
Earth.
o Roslin's
Cancer.
o Baltar's
Treachery.
o Starbuck's
Destiny.
o The
Identity
and
Origins
of
the
Humanoid
Cylons.
• Surprisingly,
The
Beverly
Hillbillies
used
story
arcs
in
a
Network
Sitcom
all
the
way
back
in
the
early
1960s.
o Mrs.
Driesdale's
multi-‐episode
psychotic
breakdown
after
living
next
to
the
Clampets,
combined
with
the
Clampets'
attempts
to
"help"
her.
o The
Clampets'
acquisition
of
an
English
Manor
and
their
subsequent
"War
of
the
Roses"
with
their
alcoholic
neighbor.
This
was
spread
over
several
seasons.
o Ellie
May's
engagement
to
a
"Naval
Frogman"
and
Granny's
belief
that
this
means
he
turns
into
a
frog
from
the
bellybutton
down
when
he
gets
wet.
Lasted
most
of
a
season.
• Each
season
of
Buffy
the
Vampire
Slayer
has
an
arc
spanning
half
its
run.
o Season
1:
The
Master's
attempts
to
escape
his
can
and
open
the
Hellmouth.
o Season
2:
Technically
the
fights
between
Buffy
and
Spike
count
as
an
arc,
but
the
real
arc
doesn't
start
until
Angel
loses
his
soul
and
becomes
Angelus
again.
o Season
3:
The
Mayor's
plans
to
become
a
pure
demon,
and
Faith's
fall
from
good
and
her
eventual
Face–Heel
Turn.
o Season
4:
Buffy
adjusting
to
college
life
and
dealing
with
The
Initiative,
whose
experiments
ultimately
lead
to
the
rise
of
Adam.
o Season
5:
Buffy
dealing
with
Dawn's
arrival,
Joyce's
death,
and
Glory's
plans.
o Season
6:
Willow
dealing
with
her
addiction
to
magic,
and
Buffy
trying
to
provide
for
Dawn
while
also
getting
tormented
by
the
Trio,
whose
actions
ultimately
push
Willow
over
the
edge
into
Dark
Willow
mode.
o Season
7:
The
First
Evil
attempts
to
open
the
Hellmouth,
while
Buffy
builds
an
army
of
Potential
Slayers
to
fight
it.
o Spinoff
Angel
also
had
several
storyarcs
per
season:
§ Season
1
focused
on
Angel's
first
attempts
of
going
against
the
law-‐firm
Wolfram
&
Hart
while
also
growing
accustomed
to
his
new
"family"
of
Cordelia,
Doyle,
and
later
Wesley.
§ Season
2
featured
Wolfram
&
Hart
using
Angel's
old
flame
Darla
in
a
plan
to
cause
him
to
cross
the
Despair
Event
Horizon,
with
a
shorter
sub-‐arc
at
the
end
featuring
the
Angel
Investigations
team
having
to
travel
to
Lorne's
home
dimension
to
rescue
Cordelia.
§ Season
3
had
Angel
becoming
a
father
while
an
enemy
from
his
past
arrived
in
the
present
day
to
try
and
get
his
final
revenge
on
the
vampire.
§ Season
4
focuses
on
the
now
broken
Angel
Investigations
team
joining
up
again
to
ultimately
go
against
a
threat
that
has
ties
with
Angel's
son.
§ Season
5
features
the
team
now
taking
control
over
of
Wolfram
&
Hart
while
Angel
suffers
an
internal
Heroic
BSoD
that
makes
him
question
what
he's
fighting
for
that's
brought
upon
thanks
to
the
arrival
of
Spike.
• CSI
did
one
with
the
"Miniature
Killer",
so
called
because
they
would
leave
a
perfect
scale
model
of
the
crime
scene
there,
and
which
served
as
the
set
up
at
the
end
to
put
one
of
the
regulars
on
a
bus.
• CSI:
Miami
did
one
between
season
4
and
5,
focusing
on
the
Mala
Noche
gang.
• CSI:
NY
had
two
in
season
4,
the
333
Stalker
in
the
first
half
and
the
Cabbie
Killer
in
the
second
half.
• Dexter
has
naturally
fallen
into
this,
as
its
entire
first
season
was
an
adaptation
of
one
novel.
Subsequent
seasons
have
each
carried
their
own
story
arc,
which
coincides
with
the
season's
Big
Bad.
o Season
1
focuses
on
the
hunt
for
the
ruthless
Ice
Truck
Killer,
who
is
revealed
in
the
end
to
be
Dexter's
lost
brother
Brian
Moser.
o Season
2
revolves
around
Dexter's
victims'
bodies
being
discovered.
Miami
Metro
Homicide
names
the
mysterious
serial
killer
the
Bay
Harbor
Butcher
and,
with
the
help
of
the
FBI,
begins
their
hunt
for
him.
This
means
Dexter
needs
to
be
a
step
ahead
of
his
team
at
all
times,
particularly
Doakes,
who
already
suspects
him.
Paralleling
the
story
is
Dexter's
relationship
with
Lila,
his
sponsor
at
Narcotics
Anonymous.
o Season
3
introduces
Miguel
Prado,
who
ends
up
discovering
Dexter's
secret.
The
next
few
episodes
explore
the
consequences
of
this
discovery.
o Season
4
centers
around
Dexter's
life
as
a
family
man;
fathering
Harrison,
living
with
Rita
and
the
kids,
etcetera,
while
in
the
meantime
Miami
is
visited
by
a
serial
killer
called
"Trinity".
Dexter
ends
up
befriending
him
while
secretly
investigating
him.
o Season
5
pits
Dexter
and
his
new
partner
Lumen
against
a
gang
of
serial
rapists
led
by
motivational
speaker
Jordan
Chase.
o Season
6
opts
for
a
religion-‐centric
plot,
where
a
mysterious
force
dubbed
the
Doomsday
Killer
strikes
in
Miami
and
uses
his
victims'
bodies
to
enact
tableaus
from
the
Book
of
Revelations.
It
also
sees
the
promotion
of
Debra
Morgan
to
the
position
of
Lieutenant,
and
further
explores
her
relationship
with
her
brother.
o Season
7
opens
with
Deb
having
walked
in
on
Dexter
having
killed
Travis
Marshall.
The
rest
of
the
season
deals
with
Deb's
loyalty
to
Dexter
being
tested.
Especially
when
her
Captain
LaGuerta
comes
across
a
blood
slide
on
the
crime
scene
and
starts
trying
to
look
into
the
Bay
Harbor
Butcher
again,
believing
Doakes
to
be
innocent.
• Doctor
Who
has
a
few,
used
for
combo
DVD
sets,
when
a
clear
follow-‐on
is
present.
o "The
Daleks'
Master
Plan"
-‐
a
thirteen-‐episode
Space
Opera
arc
concerning
the
Daleks'
collusion
with
Mavic
Chen
to
build
a
weapon
that
destroys
time.
Consider
that
this
aired
over
seventeen
weeks
(with
"The
Myth
Makers",
an
unrelated
story,
happening
between
the
first
episode
of
the
storyline,
"Mission
to
the
Unknown",
and
the
second,
"The
Nightmare
Begins").
This
is
usually
regarded
as
one
serial
nowadays,
but
it
happened
back
in
the
days
of
episodes
being
titled
separately
and
can
be
broken
up
roughly
into
several
shorter
stories
if
one
so
chooses
(one
storyline
concerning
Bret
Vyon,
another
storyline
starting
when
the
Doctor
gets
teleported,
another
storyline
involving
ancient
Egypt
and
the
return
of
the
Monk,
and
the
concluding
storyline
revolving
around
the
Daleks'
inevitable
betrayal
of
Mavic
Chen).
o Season
8's
arc
introduced
the
Master,
who
was
a
common
villain
in
each
serial
and
was
captured
by
UNIT
in
the
Season
Finale.
(Which
led
to
the
season
gaining
the
Fan
Nickname
"The
Master
Season".)
o Season
12
was
an
experiment
at
more
arc-‐based
plotting,
as
an
attempt
at
Revisiting
the
Roots.
This
was
done
by
having
the
Doctor
lose
access
to
his
TARDIS
for
much
of
the
season,
instead
relying
on
various
teleporters
or
personal
time
travel
devices
to
move
him
about,
which
gives
a
stronger
continuity
between
stories.
On
top
of
that,
every
story
in
the
season
takes
place
either
on
Earth
or
the
Nerva
Beacon
orbiting
Earth,
with
the
exception
of
the
Wham
Episode
"Genesis
of
the
Daleks".
o The
Key
to
Time
arc
(all
of
Season
16)
—
the
search
for
pieces
of
a
Cosmic
Keystone.
o The
E-‐Space
Trilogy
("Full
Circle",
"State
of
Decay"
and
"Warriors'
Gate")
o Following
directly
on
from
this
was
the
season-‐crossing
Return
of
the
Master
trilogy,
comprising
"The
Keeper
of
Traken",
"Logopolis"
and
"Castrovalva",
released
as
New
Beginnings
on
DVD
as
it
also
took
in
the
Fourth
Doctor's
regeneration
into
the
Fifth.
o The
Black
Guardian
Trilogy
("Mawdryn
Undead",
"Terminus"
and
"Enlightenment")
-‐
involving
Turlough's
relationship
with
the
Black
Guardian.
o The
Trial
of
a
Time
Lord
(Season
23
—
the
first
12
episodes
consisted
of
three
distinct
stories
with
a
common
Framing
Device,
which
took
over
as
the
main
story
for
the
two-‐part
Season
Finale.)
o In
addition,
thematic
arcs
showed
up
in
the
classic
series:
season
18
concerned
the
theme
of
entropy
and
decay,
in
preparation
for
the
regeneration
in
the
final
episode;
each
serial
of
season
20
involved
the
return
of
a
classic
enemy,
building
up
to
the
movie-‐length
special
"The
Five
Doctors".
o Seasons
25
and
26
had
a
story
arc
of
"the
Cartmel
Masterplan",
implying
the
Doctor
had
some
great
secret.
The
series
was
cancelled
before
this
could
conclude,
but
some
elements
made
it
into
the
Virgin
New
Adventures,
which
concluded
the
arc
with
Lungbarrow.
Here
it
was
claimed
the
Doctor
might
be
the
reincarnation
of
a
mysterious
figure
from
the
Dark
Times
of
Gallifrey.
However
there
was
also
a
story
arc
about
Fenric,
in
"Silver
Nemesis"
the
Doctor
seems
to
be
playing
chess
with
an
unknown
opponent,
leading
to
"The
Curse
of
Fenric",
where
it
is
revealed
an
evil
being
from
the
Dawn
of
Time
had
been
manipulating
the
Seventh
Doctor's
adventures.
This
involved
Arc
Welding
with
"Dragonfire"
in
Season
24,
revealing
the
time
storm
that
sent
Ace
to
Iceworld
was
caused
by
Fenric
so
she
would
travel
with
the
Doctor.
o There
was
a
loose
story
arc
from
"Destiny
of
the
Daleks"
to
"Remembrance
of
the
Daleks"
involving
the
Dalek/Movellan
War
and
Davros
attempting
to
regain
power
over
the
Daleks.
o Similarly,
there
is
a
loose
arc
concerning
the
Cybermen
from
"The
Moonbase"
onward,
leading
to
some
major
Continuity
Lockout
when
the
arc
returned
with
a
vengeance
in
"Attack
of
the
Cybermen".
o There
is
a
very
loose
story
from
"The
Deadly
Assassin"
through
to
"The
Five
Doctors"
which
follows
the
Doctor
becoming
Lord
President
of
Gallifrey,
his
Presidential
"career"
and
his
subsequent
(and
deserved)
ousting
from
the
post.
o Since
the
revival,
the
series
has
opted
for
season-‐long
loose
arcs,
mostly
linked
together
through
recurring
phrases
and
motifs,
though
usually
unnoticed
and
not
really
interfering
with
the
episode's
main
plots.
Series
6
adopted
a
tighter
arc
format,
though
the
episodic
format
remained.
§ Series
1:
"Bad
Wolf"
was
either
mentioned
or
written
in
the
background
of
every
episode
apart
from
"Rose"
and
"The
Empty
Child".
It
was
discovered
that
this
was
a
link
between
the
Doctor
and
Rose,
written
through
time
and
space;
by
the
time
vortex
itself.
§ Series
2:
"Torchwood",
like
"Bad
Wolf",
was
incorporated
into
the
Christmas
special,
and
nine
of
the
13
regular
episodes,
unbeknown
to
the
main
characters.
It
was
discovered
in
the
finale
that
Torchwood
was
in
fact
an
organisation
devoted
to
anything
alien,
but
fuelled
by
their
eagerness
to
catch
the
Doctor.
§ Series
3:
Mr.
Saxon
was
mentioned
in
the
episodes
set
in
the
present,
plus
"42",
once
again,
not
to
the
attention
of
the
main
characters.
Mr.
Saxon
was
the
new,
present
Prime
Minister;
who
is
also
one
of
the
Doctor's
greatest
enemies
—
the
Master!
§ Series
4:
Missing
planets,
bees
disappearing,
memory
loss,
Doctor
Donna,
building
up
to
a
Human-‐Time
Lord
metacrisis
between
Donna
and
the
Doctor,
Donna
being
Mind
Raped
by
the
Doctor,
and
Davros
and
the
Daleks
building
a
reality
bomb
out
of
27
planets.
§ Series
5:
Based
around
the
phrase
"The
Pandorica
will
open"/"Silence
will
fall"
from
the
very
beginning,
which
was
spoken
as
a
warning
from
many
of
his
foes/friends.
The
Pandorica
was
revealed
to
be
a
giant
box
designed
by
"The
Alliance"
to
contain
the
Eleventh
Doctor..
§ Series
6:
The
Doctor's
(ultimately
faked)
death,
the
identity
of
River
Song,
Amy's
pregnancy,
the
Silence,
and
The
Question:
Doctor
Who?
§ Series
7B
(7A
is
arc-‐free):
The
identity
of
the
Doctor's
new
companion,
Clara
Oswald,
whom
he
met
in
different
identities
twice
before,
and
how
it
relates
to
The
Question.
From
there,
a
mini-‐arc
ensues
as
he
undoes
the
destruction
of
Gallifrey
and
faces
his
final
death
in
two
follow-‐up
specials.
§ Series
8:
Clara
romances
Danny
Pink,
the
Doctor
undergoes
an
identity
crisis
after
coming
to
terms
with
saving
the
Time
Lords
and
receiving
a
new
cycle
of
regenerations,
and
Missy
is
introduced
and
her
identity
is
teased;
paths
cross
when
Danny
is
suddenly
killed.
§ Series
9:
As
the
Doctor
faces
long-‐term
consequences
of
huge
decisions
—
such
as
turning
a
Viking
girl
Ashildr
into
a
virtual
immortal
—
Clara
becomes
his
distaff
counterpart
and
he's
determined
to
never
lose
her.
A
prophecy
about
"The
Hybrid"
sets
up
a
tragedy
that
eventually
brings
him
back
to
Gallifrey.
The
two
Christmas
specials
that
follow
form
a
mini-‐
arc
setting
up
Series
10
as
the
Doctor
"completes"
his
relationship
with
River
Song.
§ Series
10:
The
Doctor
and
Nardole
are
undercover
at
a
university
guarding
a
vault,
but
the
Doctor
still
takes
Bill
Potts
on
as
a
companion.
A
mid-‐season
mini-‐arc
involving
alien
Monks
sees
the
Doctor
blinded
and
reveals
that
the
vault
contains
Missy.
The
Doctor
subsequently
tries
to
redeem
her,
culminating
in
a
multi-‐episode
Grand
Finale
that
starts
with
the
return
of
the
Harold
Saxon
Master
and
the
origins
of
the
Cybermen,
and
ends
with
a
regeneration
crisis
involving
his
current
and
original
incarnations
while
resolving
the
question
of
the
Twelfth
Doctor's
identity
for
good.
§ Series
11:
The
Doctor
adjusts
to
her
new
gender
and
traveling
with
her
new
"fam"
of
Graham,
Ryan,
and
Yaz.
The
season
premiere
and
finale
both
feature
them
facing
off
with
the
Stenza
warrior
Tzim-‐Sha.
• When
Gotham
started,
Gordon's
storyline
nominally
had
a
driving
arc
(solving/dealing
with
the
fallout
of
the
Wayne
murders,
with
a
side
order
of
upcoming
Mob
War),
but
for
the
most
part
episodes
were
fairly
self-‐
contained.
This
changed
about
half
way
through
Season
1.
Then
Season
2
started
following
up
on
Season
1's
dangling
plot
points
while
holding
its
own
arc;
from
that
point
on,
every
Season
has
been
divided
into
two
main
arcs.
o In
Season
2
all
the
storylines
converged
on
Theo
Galavan,
who
also
brought
back
several
villains
from
Season
1.
The
second
half
of
Season
2
followed
up
on
the
"possible
corruption
at
Wayne
Enterprises"
and
"What's
really
going
on
at
Arkham
Asylum?"
plot
points,
as
well
as
finishing
the
Start
of
Darkness
for
Riddler
and
Penguin.
o Season
3
is
about
rounding
up
the
escaped
Arkham
patients,
Mad
Hatter
debuting,
Penguin
running
for
mayor,
and
Jerome's
resurrection;
the
second
half
of
the
Season
cuts
to
the
Court
of
Owls.
o Season
4
is
about
all
the
classic
Bat
villains
finally
stepping
into
their
familiar
roles
while
Bruce
takes
his
first
steps
into
vigilantism.
o Season
5
is
an
adaptation
of
Batman:
No
Man's
Land,
with
Gordon
and
Bruce
trying
to
protect
the
innocent
as
Gotham
is
cut
off
from
the
outside
world
after
the
events
of
the
previous
season
finale
and
carved
up
by
the
various
villains
and
gangs.
• House
of
Cards
(US):
o Season
1
focuses
on
various
political
schemes
by
Underwood
—
manipulating
an
education
reform
bill,
supporting
Russo's
bid
for
Governor,
etc
—
as
part
of
a
larger
plot
to
endear
himself
to
the
President
enough
to
gain
his
nomination
as
a
replacement
Vice-‐
President.
o Season
2
is
primarily
driven
by
a
conflict
between
Underwood
and
Raymond
Tusk,
as
well
as
Underwood
weakening
the
President
enough
to
force
him
to
resign.
o Season
3
has
President
Underwood
juggling
his
election
campaign,
his
controversial
jobs
program,
and
a
Middle
East
power
struggle
with
Russian
President
Petrov.
o Season
4
has
Underwood
continuing
his
campaign,
while
also
having
to
deal
with
Claire's
own
political
ambitions,
as
well
as
the
threat
of
a
Islamist
terrorist
group
called
ICO.
o Season
5
has
the
Underwoods
resorting
to
every
dirty
trick
they
can
come
up
with
in
order
to
win
the
election,
as
well
as
to
counter
a
journalistic
investigation
into
Frank's
past
misdeeds.
• iCarly
has
an
arc
that
started
from
the
final
episode
of
Season
4,
titled
"iOMG"
and
continues
in
the
first
four
episodes
of
Season
5,
dealing
with
Sam's
feelings
for
Freddie.
Notable
in
being
one
of
the
only
examples
of
a
Kid
Com
having
a
Story
Arc,
especially
for
the
big
two
of
Disney
Channel
and
Nickelodeon.
• Probably
the
oldest
one
in
television
is
I
Love
Lucy,
which
featured
several
long-‐running
arcs.
The
most
famous
is
Lucy's
pregnancy,
which
took
up
a
full
season
from
her
first
learning
of
it
to
giving
birth
and
bringing
Little
Ricky
home.
Subsequent
seasons
followed
the
Ricardos
and
Mertzes
on
long
trips
through
Europe,
the
US,
and
a
stay
in
Hollywood.
• The
major
story
arc
for
the
first
four
seasons
of
JAG
was
Harm’s
search
for
his
long
lost
father,
although
it
was
latent
in
most
episodes
not
directly
addressing
it.
• Kamen
Rider
does
this
from
time
to
time.
o Kamen
Rider
Double
has
three
major
arcs.
The
first
focusing
in
introducing
the
premise
of
the
show
and
its
characters
(1-‐18),
the
second
arc
introduces
complications
while
intensifying
the
conflict
(19-‐36),
while
the
last
arc
finally
ties
up
loose
ends,
reveals
all
the
twists,
and
closes
everything
off.
(37-‐49)
Interestingly,
these
arcs
are
denoted
of
when
they
begin
and
end
with
the
arrival/defeat
of
a
general.
o Kamen
Rider
Gaim
has
four
arcs.
Each
focusing
on
a
different
antagonist.
The
first
arc
had
rival
dance
teams
(1-‐11),
the
second
arc
dealt
with
the
Mega-‐Corp
(12-‐23),
the
third
arc
introduced
the
rulers
of
the
central
antagonist
(24-‐32)
and
the
final
arc
is
an
all-‐out
war
(33-‐47).
Some
people
tend
to
break
up
the
second
arc
into
two
small
arcs,
the
first
going
from
12
to
19
and
the
second
going
from
20
to
23.
o Kamen
Rider
Ex-‐Aid
also
has
four
arcs.
The
first
arc
is
about
the
effort
of
the
Riders
to
complete
and
gain
the
original
10
Gashats
and
the
secret
surrounding
the
mysterious
"Black
Ex-‐Aid"
(1-‐12).
The
second
arc
focuses
on
the
secret
to
the
main
character's
immunity
to
the
Bugster
Virus
and
the
arc
villain's
master
plan
(13-‐24).
The
third
arc
has
the
heroes
dealing
with
a
Deadly
Game
that
the
villains
has
unleashed
upon
humanity
(25-‐40).
The
final
arc
has
the
main
characters
and
former
foes
joining
forces
to
finally
defeat
the
Big
Bad(41-‐45).
o Kamen
Rider
Build
has
three
arcs.
The
first
arc
introduces
settings,
main
characters
and
the
mysterious
evil
organizations
they
fight
against
(1-‐16).
The
second
arc
has
the
civil
war
between
the
three
regions
of
Japan
and
the
toll
it
takes
on
the
main
characters
(17-‐28).
The
final
arc
finally
reveals
the
Big
Bad,
secrets
about
the
main
characters
and
the
people
close
to
them
and
the
final
battle
against
said
Big
Bad,
with
even
former
foes
joining
the
heroes
for
the
fight
(29-‐49).
• Each
season
of
Lost
has
a
main
Story
Arc,
each
with
numerous
subplots
and
mini-‐arcs,
and
each
contributing
to
the
Myth
Arc
(which
can
best
be
summed
up
by
the
question
"Why
are
these
people
on
the
Island?").
Each
season's
Story
Arc
also
has
a
central
conflict
and/or
division:
o Season
One
is
about
the
Losties
learning
how
to
survive
on
the
Island
and
dividing
into
two
camps:
one
on
the
beach
and
one
at
the
caves.
o Season
Two
is
about
finding
the
Hatch,
pushing
the
button
and
the
psychological
effect
of
it;
the
Tailies,
another
group
of
plane
survivors,
are
introduced.
o Season
Three
reveals
a
lot
about
the
Others,
the
Island's
native
inhabitants,
and
builds
towards
a
confrontation
between
them
and
the
Losties.
o Season
Four
is
about
the
arrival
of
the
"Freighter
Folk",
who
are
supposedly
offering
rescue,
while
flash-‐forwards
show
that
some
of
the
Losties
eventually
leave
the
Island,
only
for
their
lives
to
completely
fall
apart.
o Season
Five
is
split
between
those
Losties
left
behind
on
the
Island,
who
start
jumping
to
different
points
in
the
Island's
history,
and
the
"Oceanic
6",
who
set
about
returning
to
the
Island.
o Season
Six
is
about
Jacob
and
the
Man
in
Black
recruiting
the
Losties
for
a
final
conflict,
and
finding
out
the
true
purpose
of
the
Island.
• Marvel
Cinematic
Universe:
o Agent
Carter
§ Season
1
has
Carter
running
a
secret
investigation
to
prove
that
Howard
Stark
has
been
framed
for
treason,
uncovering
in
the
process
a
conspiracy
by
Russian
intelligence
program
Leviathan.
§ Season
2
sees
Carter
and
company
head
out
to
California
to
investigate
mysterious
deaths,
entangling
them
in
the
machinations
of
the
Council
of
Nine
and
Whitney
Frost,
as
well
as
with
the
mysterious
substance
known
as
Zero
Matter.
o Agents
of
S.H.I.E.L.D.
§ Season
1
has
a
storyline
that
cleverly
evolves
over
the
course
of
the
season:
Initially,
it's
about
Coulson's
team
investigating
and
combating
the
machinations
of
Project
Centipede,
but
about
halfway
through,
the
group
is
all
captured,
save
for
their
mysterious
leader,
The
Clairvoyant.
The
series
then
becomes
increasingly
about
the
hunt
for
the
Clairvoyant,
until
near
the
end
of
the
season,
when
he's
revealed
to
be
one
of
HYDRA's
moles
in
SHIELD.
After
this,
the
remainder
of
the
season
is
dedicated
to
the
Civil
War
between
the
loyal
SHIELD
agents
and
their
HYDRA
counterparts.
§ Season
2
is
divided
into
two
main
storylines,
connected
by
the
shocking
events
of
the
midseason
point.
The
first
half
has
Coulson's
ragtag
SHIELD
waging
war
against
HYDRA,
fighting
them
and
Skye's
father,
"the
Doctor"
for
control
of
the
Diviner;
the
second
half
has
them
drawn
into
conflict
with
both
Robert
Gonzales'
"real"
SHIELD
organization
and
the
Inhumans
led
by
Jiaying
(Skye's
mother).
§ Season
3
is
entirely
about
SHIELD
dealing
with
the
global
outbreak
of
Inhumans
gaining
powers.
In
the
first
half,
this
means
facing
off
with
HYDRA
and
new
rival
agency
the
ATCU.
This
results
in
the
arrival
on
Earth
of
the
season's
true
Big
Bad,
Hive,
who
seeks
to
turn
all
humans
into
Inhumans
that
he
can
control.
§ Season
4
is
broken
up
into
three
"pods",
which
are
self-‐
contained
but
linked
through
the
Darkhold:
The
Ghost
Rider
arc
(episodes
1-‐8)
features
SHIELD
investigating
the
titular
entity,
and
his
connections
to
the
titular
book
and
a
group
of
ghost-‐like
beings.
In
the
LMD
arc
(episodes
9-‐15),
SHIELD
ally
Holden
Radcliffe
(having
read
the
Darkhold
at
the
end
of
the
previous
arc)
goes
full
Mad
Scientist
and
becomes
determined
to
use
the
Darkhold
to
create
the
Framework,
a
"perfect"
virtual
world
free
of
regret;
to
aid
this,
he
kidnaps
and
replaces
several
SHIELD
agents
with
Life
Model
Decoys.
And
finally,
in
the
Agents
of
HYDRA
arc
(episodes
16-‐22),
Daisy
and
Simmons
enter
the
Framework
in
order
to
save
the
rest
of
the
team,
only
to
find
that
Radcliffe's
robot
assistant
AIDA
has
usurped
control
and
turned
it
into
a
Villain
World
run
by
HYDRA;
this
is
all
part
of
a
larger
plan
to
use
the
Darkhold
to
make
herself
human.
§ Season
5
has
a
single
overarching
plot
which
is
divided
into
two
connected
but
separate
stories
in
each
half
of
the
season.
In
the
first
half,
the
SHIELD
team
find
themselves
in
a
Bad
Future
where
Earth
has
been
shattered,
and
what's
left
of
humanity
is
crammed
into
a
space
station
where
they're
enslaved
by
the
Kree,
and
must
find
a
way
back
to
the
present.
In
the
back
half,
the
team
does
manage
to
return,
and
must,
while
on
the
run
from
a
rogue
General
formerly
aligned
with
HYDRA,
find
a
way
to
change
the
events
leading
to
that
future.
• Two
of
the
same
writers
behind
LOST
created
Once
Upon
a
Time,
which
follows
the
exact
same
structure
of
arcs
and
mini-‐arcs
per
season
contributing
to
the
overall
Myth
Arc.
o Season
One
follows
Regina
the
Evil
Queen
casting
the
Dark
Curse
and
sending
fairy
tale
characters
to
a
town
called
Storybrooke
in
the
real
world,
where
they
remain
trapped
and
without
the
memories
of
who
they
really
are,
and
how
it's
the
destiny
of
Snow
White
and
Prince
Charming's
daughter,
Emma
Swan,
to
be
"the
Savior"
and
break
the
curse.
The
mini-‐arcs
are
Emma
accepting
her
role
as
mother
to
her
newfound
son
Henry
and
her
place
in
Storybrooke,
ultimately
becoming
sheriff
after
the
old
one
is
killed
(episodes
1-‐9);
an
amnesiac
Snow
and
Charming
having
an
affair
that
creates
trouble
with
the
wife
Charming
has
in
Storybrooke,
who
then
goes
missing
leaving
Snow
the
prime
suspect
(episodes
10-‐18);
and
Emma
being
made
to
believe
in
her
true
identity
and
destiny
by
both
a
mysterious
writer
named
August
and
Rumpelstiltskin,
the
mastermind
behind
everything
(episodes
19-‐22).
o Season
Two
follows
how
all
the
people
of
Storybrooke
cope
with
the
curse
being
broken
and
their
memories
restored
but
still
being
trapped
in
the
real
world,
which
now
has
magic
in
it
thanks
to
the
machinations
of
Rumpelstiltskin.
And
magic
always
comes
at
a
price.
The
mini-‐arcs
are
Emma
and
Snow
being
transported
to
the
Enchanted
Forest
and
teaming
up
with
Sleeping
Beauty
and
Mulan
to
find
a
way
back
to
Storybrooke,
which
Charming
is
now
in
charge
of
(episodes
23-‐31);
Emma
helping
Rumpelstiltskin
finally
find
his
long-‐
lost
son
Baelfire
while
Regina's
even
wickeder
mother
Cora
plots
to
obtain
ultimate
power
(episodes
32-‐38);
and
two
anti-‐magic
zealots
from
the
real
world
infiltrating
Storybrooke
in
order
to
destroy
it
(episodes
39-‐44).
o The
first
half
of
Season
Three
follows
Emma,
Snow,
Charming,
Regina,
Rumpelstiltskin,
and
Captain
Hook
traveling
to
Neverland
to
save
Henry
from
Peter
Pan,
who
enacts
dark
and
twisted
schemes
on
all
of
them
that
forces
a
character
study
of
who
they
really
are
inside.
o The
second
half
of
Season
Three
has
the
residents
of
Storybrooke
having
to
deal
with
their
missing
memories
from
a
year
banished
back
to
their
world,
which
turns
out
to
be
part
of
a
plot
by
Regina's
half-‐
sister
Zelena,
the
Wicked
Witch
of
the
West.
o The
first
half
of
Season
Four
has
Emma
dealing
with
the
arrival
in
Storybrooke
of
both
Elsa
and
Ingrid
the
Snow
Queen,
as
well
as
learning
to
properly
control
her
growing
powers.
Meanwhile,
Rumpelstiltskin
falls
back
into
evil,
and
tries
to
free
his
power
from
its
limitations
by
use
of
the
Sorcerer's
Hat.
o A
tertiary
storyline
from
the
first
half,
Regina's
search
for
the
Author
in
order
to
find
her
happy
ending,
dominates
the
second
half
of
Season
Four,
as
it
becomes
a
race
against
Rumpelstiltskin
and
the
Queens
of
Darkness
and
Zelena,
who
want
to
use
the
Author
to
get
their
own
happy
endings,
at
the
heroes'
expense.
And
then
there's
also
the
matter
of
Lily,
Maleficent's
daughter,
who
was
banished
to
the
real
world
due
to
Snow
and
Charming's
actions.
o The
first
half
of
Season
Five
deals
with
the
fallout
from
Emma
becoming
the
Dark
One,
as
well
as
the
heroes'
missing
time
from
the
six
weeks
they
spent
in
Camelot
(explored
through
flashbacks).
o The
second
half
of
Season
Five
sees
the
heroes
traveling
to
The
Underworld
in
order
to
rescue
Hook,
leading
to
them
confronting
figures
from
their
pasts.
They
then
work
to
help
these
people
find
and
complete
their
unfinished
business,
so
that
they
can
move
on,
all
while
Hades
tries
to
stop
them.
o Season
Six
is
devoted
to
Emma
coming
to
terms
with
her
duty
as
the
Savior
when
she
learns
she
is
doomed
to
die
in
a
confrontation
with
a
mysterious
stranger.
Regina
must
confront
the
now-‐separate
embodiment
of
her
Evil
Queen
nature
along
the
way.
o Season
Seven,
a
Retool,
is
about
the
now-‐adult
Henry
being
brought
to
the
neighborhood
of
Hyperion
Heights
in
Seattle
by
his
forgotten
daughter
Lucy
to
break
a
new
curse.
• Only
Fools
and
Horses:
First
done
due
to
Real
Life
Writes
the
Plot
in
series
4,
the
first
three
episodes
of
which
saw
Grandad's
death
and
Uncle
Albert's
introduction
to
the
family.
The
show
started
doing
full
story
arcs
after
the
the
Retool,
with
series
6
encompassing
Rodney
and
Cassandra's
relationship
and
marriage,
series
7
featuring
the
troubles
of
the
same
relationship
alongside
Raquel's
re-‐introduction
and
subsequent
pregnancy,
and
the
1996
and
2001-‐2003
trilogies
both
containing
their
own
Story
Arcs.
• The
Outer
Limits
(1995):
Even
though
it
is
an
anthology
series,
several
episodes
are
linked
to
form
an
overall
story
arc.
o Innobotics
Corporation
Arc:
includes
the
episodes
"Valerie
23",
"Mary
25",
"In
Our
Own
Image"
and
"Resurrection"
in
chronological
order.
It
deals
with
robots
created
by
the
Innobotics
Corporation
with
Valerie
23
and
Mary
25
being
direct
sequels.
It's
possible
that
"In
Our
Own
Image"
and
"Resurrection"
take
place
in
an
alternate
universe
or
alternate
timeline.
o Major
John
Skokes
of
Earth
Defense
Arc:
consists
of
"Quality
of
Mercy"
and
its
direct
sequel
"The
Light
Brigade"
which
deal
with
humanity's
war
against
an
alien
foe.
o Theresa
Givens
Arc:
follows
the
time
traveling
adventures
of
Doctor
Theresa
Givens,
consisting
of
"A
Stitch
In
Time"
and
"Final
Appeal"
o Genetic
Rejection
Syndrome
Arc:
includes
"Unnatural
Selection"
which
deals
with
a
couple
deciding
to
have
a
child
with
genetic
enhancements
despite
the
risk
of
it
contracting
the
syndrome
turns
them
into
mutated
psychopaths
and
"Criminal
Nature"
takes
place
roughly
a
decade
later
when
all
the
GRS
sufferers
have
grown
up.
o The
New
Masters:
in
"The
Camp",
the
last
of
the
world's
humans
are
kept
by
the
android
guards,
simply
because
the
guards
are
following
the
last
orders
they
received.
Several
humans
escape
and
their
story
is
continued
in
"Promised
Land"
where
they
must
interact
with
aliens
still
on
Earth.
o Geneticist
Dr.
Martin
Nodel
Arc:
"Double
Helix"
and
"The
Origin
of
Species"
involve
Ultraterrestrials
who
seeded
Earth
with
their
DNA
60
million
years
ago.
o The
Eastern
Coalition-‐Free
Alliance
Cold
War
Arc:
starting
in
"Phobos
Rising"
the
world
has
been
divided
once
again
into
east
and
west
leading
to
the
colonization
of
Ganymede
in
"The
Human
Factor"
and
is
concluded
in
"Human
Trials".
o Kimble
and
Gerard
Arc:
starting
in
"Ripper"
and
ending
in
"Better
Luck
Next
Time"",
it
follows
to
aliens
who
over
the
centuries
have
been
in
a
friendly
rivalry
possessing
and
murdering
humans
for
sport.
o Time
Traveler
Nicholas
Prentice
Arc:
the
episodes
"Tribunal",
"Gettysburg"
and
"Time
to
Time"
follow
the
adventures
of
Nicholas
Prentice
and
his
travels
through
time.
o USAS
Arc:
"The
Joining",
"The
Vessel"
and
"In
the
Blood"
all
involve
the
USAS.
• The
canonical
British
TV
show
with
a
Story
Arc
is
The
Prisoner
(1967),
which
was
created
from
the
get-‐go
with
a
beginning,
middle
and
end,
and
is
also
used
as
an
example
of
the
TV
Novel.
• Each
season
of
Round
the
Twist
has
a
different
arc.
The
first
two
seasons
contained
different
ghost
stories,
for
Season
3
it
was
a
Viking
Love
Book,
and
Season
five
concerned
a
mysterious
knight
from
Atlantis.
• Seinfeld,
despite
being
a
"show
about
nothing",
did
have
a
few
plotlines
that
ran
in
the
background
of
several
seasons:
Kramer
writing
and
publishing
a
coffee
table
book
(about
coffee
tables),
Jerry
and
George
writing
a
TV
pilot,
George's
engagement
to
Susan,
etc.
• Sherlock:
o Series
1
has
Sherlock
investigating
Moriarty's
criminal
empire.
o Series
2
has
Sherlock
and
John
becoming
celebrities,
Sherlock
mellowing,
and
the
eventual
confrontation
between
Morirty
and
Sherlock.
o Series
3
has
Mary
Morstan,
Charles
Augustus
Magnussen,
and
Sherlock
and
John's
friendship
becoming
closer
than
ever.
o Series
4
has
Moriarty's
apparent
return,
Mary's
death
and
its
affects
on
Sherlock
and
John,
and
the
third
Holmes
sibling.
• Star
Trek:
Deep
Space
Nine
has
several,
featuring
battles
against
the
Maquis,
the
Jem'Hadar,
and
finally
the
Dominion
as
a
whole.
The
characters
also
grew
and
changed
over
time
far
more
than
in
any
of
the
previous
shows.
Most
of
the
characters
are
very
different
by
the
end
of
S7
to
how
they
were
in
S1.
• Star
Trek:
Voyager
found
a
middle
ground
between
DS9's
arc
driven
plots
and
characters
and
TNG/TOS's
more
episodic
formats,
though
this
was
more
through
network
pressure
than
creative
choice.
There
were
only
a
few
narrative
story
arcs,
such
as
the
early
integration
of
the
Maquis
crew
with
the
Voyager
crew
and
the
ongoing
conflicts
with
the
Kazon.
Though
character
growth
could
be
inconsistent,
the
Doctor
and
Seven
of
Nine
are
regarded
as
being
some
of
the
most
developed
characters
in
all
of
Star
Trek
due
to
their
arcs.
• Previously
episodic
in
format,
Star
Trek:
Enterprise
introduced
an
epic
story
arc
with
the
Xindi
war
in
season
three,
before
settling
into
a
series
of
loosely-‐
related
smaller
story
arcs
in
season
four.
• Supernatural
has
one
every
season
so
far,
generally
building
on
the
previous
arc
and
moving
toward
the
series'
overall
Myth
Arc.
o Season
One
has
the
boys'
search
for
their
father,
and
the
demon
that
killed
their
mother
by
extension.
o Season
Two
is
essentially
the
same
as
the
first
season,
save
for
the
fact
that
they
Brothers
Winchester
are
now
searching
solely
for
the
Yellow-‐Eyed
Demon,
who
has
now
killed
John
as
well.
o Season
Three
deals
with
the
repercussions
of
Dean's
deal
with
the
Crossroads
Demon,
Sam's
attempts
to
get
Dean
out
of
this
deal,
and
the
rise
of
Lilith
later
in
the
season.
o Season
Four
begins
to
really
wrestle
with
the
Myth
Arc,
with
the
boys
trying
to
prevent
Lilith
from
breaking
the
66
Seals
and
the
rise
of
Lucifer,
and
introducing
angels,
Dean's
own
destiny
and
Sam's
growing
demon
powers.
o Season
Five
is,
so
far,
all
about
preventing
the
Apocalypse
now
that
Lucifer
has
risen,
Sam
and
Dean's
destinies
as
the
true
vessels
for
Lucifer
and
Michael,
and
to
a
smaller
extent,
rebuilding
the
brothers'
relationship.
o Season
Six
has
multiple
interconnected
plot
lines:
the
loss
and
return
of
Sam's
soul
(and
in
turn,
the
potential
return
of
his
memories
of
Hell),
the
civil
war
in
Heaven,
Crowley's
search
for
Purgatory,
and
the
coming
of
the
Mother
of
All
to
Earth.
o Season
Seven
deals
with
the
fallout
from
Castiel
opening
Purgatory
at
the
end
of
the
previous
season,
primarily
the
release
of
the
Leviathans
and
their
plans
to
Take
Over
the
World.
o Season
Eight
deals
with
an
attempt
at
closing
the
gates
of
Hell
forever.
o Season
Nine
has
multiple
plot
lines
dealing
with
the
fallout
from
the
previous
season
—
Dean
trying
to
save
Sam's
life
and
the
consequences,
Castiel
dealing
with
the
loss
(and
eventual
regaining)
of
his
grace,
the
civil
war
among
the
angels
cast
out
of
Heaven,
Metatron
acting
to
secure
his
place
as
new
ruler
of
Heaven,
and
the
power
struggle
between
Crowley
and
Abbadon
for
control
of
Hell.
o Season
Ten
is
dominated
by
Sam
trying
desperately
to
save
Dean
from
the
Mark
of
Cain,
while
Crowley
has
to
deal
with
the
machinations
of
his
mother
Rowena.
o Season
Eleven
is
built
entirely
around
the
conflict
with
the
Darkness.
o Season
Twelve
has
two
main
storylines.
One
is
the
Winchesters
reluctantly
working
with,
and
later
coming
into
conflict
with,
the
British
Men
of
Letters.
The
other
is
them
having
to
deal
with
Lucifer
walking
the
Earth
again,
leading
to
him
conceiving
a
Nephilim
child
that
may
destroy
the
world
if
born.
o Season
Thirteen
is
focused
on
the
Winchesters
trying
to
teach
the
Nephilim,
Jack,
how
to
exist
in
the
world
without
threatening
it,
while
protecting
him
from
Heaven
and
Hell,
both
of
whom
want
him
for
their
own
goals,
and
hoping
to
use
his
power
to
rescue
Mary
from
the
apocalyptic
Alternate
Universe
discovered
in
the
previous
season's
finale.
o Season
Fourteen
has
the
Winchesters
and
their
allies
having
to
deal
with
the
aftermath
of
Alternate!Michael
possessing
Dean
in
the
previous
season
finale
and
attempting
to
conquer
the
prime
universe.
Meanwhile,
there's
also
the
matter
of
Lucifer's
former
host,
Nick,
who
is
revealed
to
be
psychotic
even
after
being
freed.
• Veep:
o Season
1:
Selina's
attempts
to
pass
the
"clean
jobs"
bill,
and
the
political
fallout
when
it
falls
through.
o Season
2:
The
hostage
crisis
in
Uzbekistan
and
the
resulting
Presidential
scandal.
o Season
3:
Selina
running
for
President.
o Season
4:
Selina
as
interim
President
while
campaigning
for
her
own
election,
trying
to
pass
her
"families
first"
bill,
and
the
scandal
when
it
falls
apart.
o Season
5:
Team
Selina
trying
desperately
to
engineer
a
win
in
the
election
tiebreaker
vote
in
Congress.
o Season
6:
Team
Selina
deal
with
life
post-‐Presidency,
with
Selina
trying
to
publish
her
memories
and
open
a
Presidential
library.
• Weeds
contains
over-‐arcing
storylines,
although
they
aren't
necessarily
clearly-‐defined
between
seasons,
and
they
sometimes
aren't
so
much
resolved
as
they
are
escaped
from.
This
gives
it
a
quality
of
drifting
from
situation
to
situation
that
fits
its
stoner
subject
matter,
while
characters
from
unresolved
plotlines
sometimes
resurface
later.
• The
West
Wing
had
plenty
of
story
arcs,
though
they
didn't
always
break
down
along
the
lines
of
a
season
(for
example,
the
arc
about
Bartlet
being
investigated
by
Congress
for
hiding
his
multiple
sclerosis
began
late
in
season
2
and
carried
on
into
the
first
half
of
season
3,
and
the
re-‐election
arc
stretched
from
late
season
3
to
early
season
4).
Even
the
Democratic
party's
primary
(for
more
on
what
that
is,
see
here)
to
nominate
their
candidate
to
succeed
Bartlet
was
an
arc
stretching
across
the
second
half
of
the
penultimate
season.
The
final
season
was
mostly
one
long
arc
about
the
election
of
the
next
president,
though
that
season
did
have
a
few
other
arcs
as
well.
• Each
season
of
White
Collar
revolve
around
a
specific
overarching
storyline
that
continues
from
the
previous
one:
o Season
1:
Neal's
search
for
Kate
and
the
music
box
that
would
lead
to
her.
o Season
2:
The
mystery
of
Kate's
music
box,
and
its
connection
to
Vincent
Adler.
o Season
3:
Vincent
Adler's
U-‐boat
treasure
that
the
box
hid,
Matthew
Keller's
return,
and
Neal's
commutation.
• In
any
given
season,
The
Wire
tends
to
have
half-‐a-‐dozen
story
arcs
at
one
time.
At
least.
And
they
are
all
awesome.
• Wizards
of
Waverly
Place
is
known
for
its
many
story
arcs.
Each
season
had
quite
a
few
of
them,
most
of
them
running
concurrently.
o Season
2:
The
"Wizards
vs.
Vampires"
arc,
which
dealt
with
Justin's
relationship
with
Juliet
and
her
parents.
o Season
3:
The
"Chronicles
of
Moises"
arc,
which
dealt
with
Justin
becoming
a
monster
hunter,
and
Max
releasing
his
conscience.
This
arc
ended
with
Juliet
being
captured
by
the
mummy.
The
next
arc
in
Season
3
was
the
"Wizards
vs.
Werewolves"
saga,
which
detailed
Alex's
growing
relationship
with
Mason,
and
eventually
tied
itself
with
the
"Chronicles
of
Moises"
arc.
The
"Stevie"
arc
followed,
and
dealt
with
Stevie's
arrival
in
New
York
and
her
wizard
revolution.
The
"Wizards
Exposed"
arc
came
next,
where
the
Russo's
are
captured
and
taken
to
a
government
facility.
o Season
4:
The
beginning
of
Season
4
continued
the
"Wizards
Exposed"
arc,
which
ended
with
Alex
and
Justin
having
to
start
over
in
the
wizard
competition,
and
Alex
deciding
to
get
back
in
so
she
could
be
with
Mason.
The
next
arc
was
the
"Maxine"
arc,
where
Max
was
transformed
into
a
little
girl
named
Maxine.
It
began
with
"Three
Maxes
and
a
Little
Lady",
and
concluded
with
"Back
To
Max".
The
"Maxine"
arc
ran
concurrently
with
the
next
major
arc,
the
"Wizards
vs.
Angels"
saga,
which
dealt
with
the
Angels
of
Darkness.
The
last
major
arc
was
the
"Apartment
13B"
arc,
starting
with
"Wizards
of
Apartment
13B"
and
ending
with
"Wizards
vs.
Everything".
The
last
arc
merges
the
"Wizards
vs.
Angels"
arc
with
the
"Wizards
vs.
Werewolves"
arc.
• The
X-‐Files
(see
Myth
Arc)
• Disney's
Zorro,
which
ran
in
the
late
1950s
was
organized
into
arc
stories,
rather
than
simply
being
episodic.
Each
episode
set
up
a
new
set
of
troubles
that
Zorro
would
have
to
deal
with
in
the
next
episode
in
logical,
linear
fashion.
Newspaper
Comics
• Beetle
Bailey
doesn't
usually
have
much
continuity,
but
over
the
decades,
there
have
been
a
handful
of
arcs
connecting
the
strips
(actual
longer
stories
for
albums
notwithstanding),
including
at
least
"Beetle
arrives
at
college,"
"Beetle
joins
the
army,"
"Beetle
goes
home
on
holiday
alone,"
"Beetle
goes
home
on
holiday
with
Sarge,"
"Beetle
goes
on
holiday
at
home
with
Sarge
and
Otto,"
"Zero
goes
on
holiday
home
with
Beetle
and
Sarge,"
and
"Sarge
briefly
tries
to
leave
the
army
but
comes
back."
• Calvin
and
Hobbes
has
several,
some
of
them
connecting
into
larger
arcs,
like
the
ones
involving
different
uses
of
the
same
invention
(all
of
which
inventions
tend
to
be
the
same
cardboard
box
in
different
positions
anyway).
• Garfield
had
weeks-‐long
story
arcs
throughout
the
1980s;
some
had
him
winding
up
far
from
home
and
trying
to
get
back
while
others
would
put
him
in
an
increasingly
ludicrous
situation
(i.e.
getting
caught
in
a
window
shade,
which
escalates
into
him,
Jon,
Odie,
and
other
people
trapped
in
it).
Video
Games
• Several
games
with
multiple
playable
characters
provide
a
complete
campaign
for
each
of
them,
in
which
not
only
there
might
be
unique
storylines,
but
also
aspects
that
are
beneficial
to
the
gameplay
(i.e.
the
character
has
special
abilities
or
weapons
that
have
to
be
exploited
to
tackle
their
corresponding
levels
or
chapters).
Jet
Force
Gemini,
for
instance,
has
Juno's,
Vela's
and
Lupus'
routes,
followed
by
a
quest
to
repair
an
ancient
ship,
and
then
the
Final
Boss
battle.
• Resident
Evil:
o Resident
Evil
2:
Leon's
and
Claire's
campaigns.
o Resident
Evil
6:
Leon's,
Chris's
and
Jake's
campaigns,
followed
by
Ada's
campaign
which
is
available
after
all
others
are
completed.
o In
Resident
Evil
4,
there
are
two
characters
and
each
has
a
campaign
as
well,
but
the
second
character's
(Ada)
is
more
of
an
Another
Side,
Another
Story
variation,
available
after
beating
Leon's
campaign
(itself
divided
into
three
arcs
based
on
the
major
locales
of
the
setting:
Village,
castle
and
military
island,
in
that
order).
o The
whole
series
can
be
fit
into
a
series
of
arcs:
Beginning
(Zero,
1),
the
Fall
of
Raccoon
City
(2,
3,
and
both
Outbreak
games),
the
Fall
of
Umbrella
(Code
Veronica,
Survivor,
Dead
Aim,
and
the
last
scenario
of
Umbrella
Chronicles),
the
Fall
of
Wesker
(4
and
5),
the
FBC
Interludes
(Revelations
and
Revelations
2),
and
the
Family
(6
and
ongoing)
• Sonic
the
Hedgehog:
o Sonic
2
and
Sonic
3,
and
Sonic
&
Knuckles
were
also
part
of
a
Story
Arc
called
the
"Death
Egg
Saga",
as
the
games
deal
with
Sonic's
attempts
to
stop
Dr.
Eggman
from
launching
the
Death
Egg.
Sonic
the
Hedgehog
4
is
a
continuation
of
the
"Death
Egg
Saga",
since
Eggman
launches
the
Death
Egg
mk
II
in
Episode
II.
o There
is
a
three-‐game
Story
Arc
dealing
with
Shadow.
It
started
in
Sonic
Adventure
2,
continued
in
Sonic
Heroes,
and
resolved
in
Shadow
the
Hedgehog.
o An
in-‐game
example
is
the
character-‐based
arcs
in
Sonic
the
Hedgehog
(2006),
which
has
Sonic's,
Shadow's
and
Silver's
routes,
followed
by
Last
Story
which
is
only
playable
when
all
others
are
completed.
• In
City
of
Heroes
series
of
missions
are
actually
referred
to
as
story
arcs,
another
way
to
capture
the
feel
of
comic
books.
• Each
of
the
original
games
in
the
When
They
Cry
series
are
their
own
arc.
Later
remakes
tend
to
have
multiple
arcs
in
one
game
though.
• The
King
of
Fighters
splits
up
its
ongoing,
sometimes
confusing
plot
into
arcs,
each
with
rotating
protagonist
duties.
'94
was
a
stand-‐alone
title
meant
to
kick
off
this
Mascot
Fighter,
but
is
now
commonly
referred
to
as
"The
Rugal
Saga."
'95
simultaneously
ends
this
story
with
Rugal's
Karmic
Death
via
Superpower
Meltdownand
begins
"The
Orochi
Saga",
which
climaxes
in
'97
when
Kyo
Kusanagi
literally
punches
out
Orochi
with
help
from
Iori
Yagami
and
Chizuru
Kagura.
'99-‐2001
was
"The
NESTS
Chronicles",
chronicling
an
evil
cartel's
plans
for
world
domination
using
the
DNA
of
a
captured
Kyo
to
create
human
bioweapons.
One
of
these
"Kyo
clones"
note
is
K',
a
stoic
Knight
In
Sour
Armor
who
ends
NESTS'
ambitions
by
defeating
their
top-‐ranked
executives.
2003
started
"The
Tales
of
Ash",
detailing
Ash
Crimson,
a
enigmatic
man
who
uses
others
for
his
own
purposes,
and
Those
From
the
Past,
a
mysterious
cult
intent
on
unsealing
Orochi.
XIII
seems
to
be
the
conclusion
for
this
part
of
the
story,
as
Ash,
a
Guile
Hero,
enacts
a
time-‐rewriting
Heroic
Sacrifice
to
stop
Those
From
the
Past
and
their
leader
Saiki.
Fans
can
generally
expect
a
new
arc
to
pick
up
if
the
last
title
was
a
Dream
Match
Game.
• The
Kirby
series
had
a
Story
Arc
nicknamed
the
"Dark
Matter
Trilogy"
consisting
of
Kirby's
Dream
Land
2,
Kirby's
Dream
Land
3,
and
Kirby
64:
The
Crystal
Shards
because
all
three
deal
with
Kirby
and
his
animal
friends
dealing
with
the
threat
of
Dark
Matter
on
Pop
Star
and
its
solar
system.
These
games
were
not
produced
by
Masahiro
Sakurai
but
Shinichi
Shimomura.
This
is
noticeable
because
all
three
share
a
puzzle-‐solving
structure
instead
of
the
more
combat-‐oriented
structure
of
the
other
games.
• Xenoblade
has
four
story
arcs.
The
first
one
is
the
Xord
arc,
where
the
heroes
first
leave
their
attacked
hometown
and
have
their
first
encounter
with
a
talking
Face
Mechon.
The
second
arc,
the
Prison
Island
arc,
continues
their
search
for
Metal
Face,
the
Mechon
that
destroyed
their
hometown,
climaxing
with
a
battle
at
the
titular
Prison
Island.
The
third
is
the
Egil
arc,
when
the
heroes
infiltrate
Mechonis
to
fight
against
Egil,
the
leader
of
the
Mechon.
After
the
Mechonis
Core
event,
the
final
arc
is
the
Zanza
arc,
where
the
Monado/Zanza
takes
over
Bionis
and
threatens
to
destroy
everything.
• The
Castlevania
series
is
often
organized
into
two-‐part
arcs
which
take
place
during
one
generation
of
Belmont.
For
example,
Castlevania/its
remakes
and
Castlevania
II:
Simon's
Quest
consist
the
story
of
Simon's
attacks
on
Dracula,
and
the
Sorrow
duology
is
an
arc
that
deals
with
Soma
Cruz
and
his
attempts
to
escape
his
supposed
destiny
as
the
reincarnation
of
Dracula.
• The
Silent
Hill
series
has
the
Harry
Mason
/
Alessa
Gillespie
story
arc
in
Silent
Hill,
3,
and
Origins
(a
prequel).
• In
Earthbound,
the
game
has
two
main
goals:
Enhance
Ness's
power
by
finding
eight
melodies
and
shattering
a
"nightmare
rock,"
then
defeat
Giygas.
However,
Giygas
causes
many
sub-‐plots
that
break
into
two
major
story
arcs.
The
first
is
the
Eagleland
arc,
which
has
four
sub-‐arcs
and
mainly
deals
with
the
illusion
device
known
as
the
Mani
Mani
Statue
and
the
growing
threat
of
one
of
its
victims,
Pokey/Porky
Minch.
After
destroying
the
Mani
Mani
Statue
and
the
Clumsy
Robot,
the
bodyguard
of
the
Statue's
last
victim
Geldegarde
Monotoli,
there
is
a
small
interlude
involving
obtaining
the
fourth
melody
which
leads
to
the
Summers-‐Scaraba-‐Deep
Darkness
arc,
involving
the
mysteries
presented
about
a
pyramid
in
Scaraba
and
a
swamp
called
Deep
Darkness,
which
is
revealed
to
guard
the
last
two
melodies.
After
all
eight
melodies
are
gathered,
one
small,
last
story
arc
begins:
the
completion
of
the
original
two
goals
given,
which
is
accomplished
by
defeating
Ness's
Nightmare
inside
his
mind
and
then
defeating
Giygas
and
Porky
after
travelling
to
the
past.
• In
Ōkami,
the
game
is
neatly
divided
into
three
story
arcs:
The
Orochi
story
arc
regarding
the
release
of
Orochi
and
the
terror
he
tries
to
release
upon
the
world,
the
Capital
Arc
regarding
a
strange
mist
covering
the
capital
and
the
threats
of
the
Water
Dragon
terrorizing
the
seas
and
the
Dark
Lord
that
seems
to
be
the
mastermind
behind
everything,
and
the
Kamui
Arc,
which
takes
place
on
the
northern,
frozen
mountains
of
Nippon.
Several
mini-‐arcs
take
place
as
different
plot
points
are
solved
so
there's
nothing
undisclosed
by
the
end
of
the
story:
The
backstory
of
Issun
and
his
hometown,
the
threat
of
two
twin
demons
in
the
shape
of
mechanical
owls
that
plan
to
freeze
the
land
of
Kamui
over,
the
true
backstory
of
the
first
arc
and,
finally,
the
appearance
of
The
Very
Definitely
Final
Dungeon
and
every
aspect
related
to
it
(its
origin,
the
fate
of
its
former
inhabitants,
and
the
nature
of
the
True
Final
Boss
in
the
form
of
Yami,
the
Lord
of
Darkness).
• Some
The
Legend
of
Zelda
titles
start
with
a
story
arc
that
involves
exploring
a
trio
of
dungeons
to
find
Plot
Coupon
tools
that
may
help
Link
defeat
Ganon,
or
another
villain,
the
easy
way.
When
plans
don't
work
as
intended
or
something
unexpected
happens,
then
Link
has
to
reconsider
his
plans
and
then
it's
when
he
tries
to
do
what
it
takes
to
defeat
the
Big
Bad
the
hard,
but
more
effective
way.
The
games
that
follow
this
pattern
are
A
Link
to
the
Past,
Ocarina
of
Time,
The
Wind
Waker,
Twilight
Princess,
Phantom
Hourglass
and
A
Link
Between
Worlds.
Skyward
Sword
follows
a
similar
pattern,
except
the
unexpected
twist
comes
before
he
even
attempts
to
get
rid
of
the
villain
(during
the
first
third
of
the
game,
his
only
objective
is
to
find
Zelda;
in
the
second,
he
seeks
to
create
the
Master
Sword
just
to
manage
to
reunite
with
Zelda
again);
only
after
six
dungeons,
eight
boss
battles
and
lots
of
adventuring,
it's
when
he
finally
starts
a
new
quest
(long
on
its
own)
to
get
rid
of
the
Big
Bad
once
and
for
all.
• Kingdom
Hearts
has
8
whole
games,
from
the
original
to
the
long-‐
anticipated
Kingdom
Hearts
III,
forming
what
Tetsuya
Nomura
refers
to
as
the
"Xehanort
Saga"
or
"Seeker
of
Darkness
Chronicle."
Also,
Kingdom
Hearts,
Kingdom
Hearts:
Chain
of
Memories
and
Kingdom
Hearts
II
in
of
themselves
form
a
story
arc
of
Sora,
Donald
and
Goofy
attempting
to
save
the
universe
while
seeking
to
reunite
with
their
friends
(Riku,
Kairi
and
King
Mickey).
• Kid
Icarus:
Uprising
is
split
into
multiple
arcs.
It
starts
with
the
Medusa
arc,
which
spans
the
first
nine
chapters.
But
then
the
game
pulls
a
Your
Princess
Is
in
Another
Castle!
and
Hades
shows
up,
and
Viridi
a
chapter
later.
Those
four
chapters
deal
with
the
three-‐way
war
of
the
gods.
Then
we
get
three
chapters
of
an
alien
invasion.
Then
the
Chaos
Kin
throws
the
story
off
the
rails,
and
that
arc
lasts
for
five
chapters.
After
a
one
chapter
arc
of
getting
Pit
back
into
shape,
it
takes
one
more
three
chapter
arc
for
him
to
get
the
necessary
equipment
to
take
down
Hades
once
and
for
all.
• The
Descent
trilogy
has
a
continuous
arc,
each
sequel
directly
continuing
from
the
previous
game.
• In
Megadimension
Neptunia
VII,
the
game
is
split
into
three
parts
that
are
all
connected
together.
It
starts
out
with
the
Zero
Dimension
arc
which
deals
with
the
new
Zero
dimension,
and
then
that
gets
solved
and
goes
to
the
second
arc,
the
Golden
Third
arc,
where
each
CPU
becomes
a
protagonist
of
their
own
and
tries
to
figure
out
what
has
been
happening
to
their
own
nations
and
who
is
behind
all
of
the
mess.
Finally,
the
third
arc,
the
Heart
Dimension
arc,
focuses
on
the
character
who
was
from
the
first
arc
figuring
out
who
she
is
and
the
main
villain
is
introduced
in
the
story.
• The
first
two
generations
of
Pokémon
featured
a
story
arc
revolving
around
the
rise
and
fall
of
Team
Rocket,
a
terrorist
organization
that
exploited
Pokémon
for
profit.
Though
this
arc
concluded
with
Team
Rocket's
second
dissolution
by
Archer,
one
final
thread
was
let
loose
by
a
Unovan
grunt
that
attempted
to
shut
down
the
Kanto
Power
Plant
before
returning
to
his
home
region
to
reform
Team
Rocket
again;
this
thread
(and
by
extent,
the
Team
Rocket
arc)
would
finally
be
tied
up
in
Pokémon
Black
and
White,
which
revealed
that
the
grunt
ended
up
falling
in
love
and
abandoning
the
last
vestige
of
Team
Rocket
to
start
a
family.
• While
most
Monster
Hunter
games
have
a
single
story
through
the
quests
and
rank
chapters,
the
G
expansions
(Monster
Hunter
G
/
Freedom,
Freedom
Unite,
3
Ultimate,
4
Ultimate
and
Generations
Ultimate)
have
at
least
two:
The
original
story
of
the
games
they're
expanding
upon,
and
their
own
arc
that
is
spanned
through
the
added
High
Rank
quests.
For
example,
3
Ultimate
starts
with
the
original
story
of
Tri
about
finding
and
defeating
Lagiacrus
to
get
rid
of
the
earthquakes
(and
later
Ceadeus
when
it
is
revealed
to
be
the
true
responsible),
then
continues
with
the
quest
for
the
Ultimate
Mask
and
how
to
give
back
its
power;
4
Ultimatestarts
with
the
original
story
of
4
about
chasing
Gore
Magala
and
stopping
its
spread
of
the
Frenzy
Virus
(for
which
Gore's
evolved
form,
Shagaru
Magala,
has
to
be
defeated
as
well),
then
adds
the
new
story
of
Dundorma
and
its
hunters
continuously
stopping
the
attacks
of
Kushala
Daora.
And
so
on.
• The
massive
The
Elder
Scrolls
V:
Skyrim
Game
Mod
project,
Beyond
Skyrim,
has
announced
that
the
different
storylines
will
be
structured
as
such,
with
each
different
region
of
their
rendition
of
Tamriel
featuring
a
main
quest
line
of
their
own,
though
the
different
main
quest
lines
might
occasionally
acknowledge
the
others
with
a
reference
here
and
there.
• The
chronology
of
Metroid
is
divided
into
four
arcs:
The
original
story
where
Samus
storms
the
base
of
the
Space
Pirates
in
Zebes
(Metroid
1
/
Zero
Mission),
the
Phazon
incident
(the
Metroid
Prime
Trilogy
sub-‐series),
the
story
where
Samus
has
to
exterminate
all
Metroids
except
the
one
she
spared
and
then
rescue
it
from
the
Pirates
(Return
of
Samus
/
Samus
Returns
and
Super
Metroid),
and
the
story
telling
the
consequences
of
the
Metroids'
near-‐extinction
plus
the
dubious
ethics
of
the
Galactic
Federation
(Other
Mand
Fusion).
Webcomics
• The
Bug
Pond
has
the
Masquerade
Mayhem
story
arc.
• Both
Dragon
City
and
Jix
both
started
off
as
a
gag-‐a-‐day
strips,
despite
having
an
ongoing
story,
but
both
became
arc
based.
This
is
because
the
writer
has
a
hard
time
writing
jokes
without
having
a
story
in
place
to
joke
about.
• Girl
Genius:
o The
webcomic
has
overarching
arcs
that
have
not
concluded
after
14
years
(finding
out
what
happened
to
the
Other
and
defeating
her),
arcs
that
have
only
just
started
to
wrap
up
but
have
left
more
questions
(the
apparition
in
the
first
few
pages)
and
arcs
that
seem
like
they're
going
to
take
a
while
to
wrap
up
but
have
only
just
begun
(the
timestop),
location-‐based
arcs
that
generally
take
a
year
to
three
(Beetleburg,
Castle
Wulfenbach,
the
circus,
Sturmhalten,
Mechanicsburg
pre-‐Castle,
Castle
Heterodyne,
Mechanicsburg
post-‐
Castle,
the
train,
Paris,
and
underground
in
Paris),
and
smaller
arcs
within
each
of
those
that
focus
on
solving
a
particular
problem
(the
Si
Vales
Valeo
arc,
fighting
the
wasps).
Then
there's
the
radio
theater
breaks
and
the
short
stories.
o The
first
page
of
Girl
Genius
was
posted
in
2002,
and
it
has
updated
three
times
per
week
ever
since.
The
fourteenth
volume
began
in
2014
and
is
entitled
Act
Two:
Book
One.
It's
going
to
go
on
for
a
while.
• Everything
except
filler
in
El
Goonish
Shive.
Also
has
a
Myth
Arc,
though
it
has
spent
the
past
few
years
lurking
in
the
background.
• Grim
Trigger
is
separated
into
arcs,
and
each
arc
has
its
own
cover
and
music
sequence
that
plays
in
the
beginning
of
the
book.
• In
the
tradition
of
old-‐style
Newspaper
Comics
serials
(the
author/narrator
has
mentioned
a
fondness
for
Lee
Falk's
catchphrase,
"Next—New
Adventure!"),
the
story
arcs
in
The
Inexplicable
Adventures
of
Bob!
each
have
a
clear
beginning
and
ending,
usually
with
a
couple
of
stand-‐alone
strips
in
between
arcs.
These
arcs
run
for
months,
although
they
usually
only
cover
a
day
or
two
in-‐universe.
• Living
with
Insanity
used
to
be
a
comic
strip
with
the
occasional
story
arc,
but
now
is
mostly
story
arcs.
• The
Packrat
had
only
one
Story
Arc
so
far,
and
that
was
the
time
travel
story
from
January
2011
to
February
2012.
• You'd
be
hard
pressed
to
find
a
Sluggy
Freelance
strip
that
doesn't
lead
up
to
or
follow
up
on
another
strip.
Most
of
them
do
both.
Even
if
you
counted
sub-‐
chapters
(technically
called
stories,
so
calling
them
arcs
as
well
is
a
bit
redundant)
or
even
chapters
for
"episodes",
there
are
still
storylines
arcing
over
those,
up
to
Myth
Arc
level.
Even
the
Filler
Strips
often
come
in
series
(of
stories,
not
just
strips):
The
Return
of
Stick-‐Figure
Week!
• Stand
Still,
Stay
Silent:
The
first
arc/adventure
took
a
couple
months
short
of
five
years
to
be
completed,
and
is
to
be
followed
by
a
second
one.
Web
Original
• Animated
Critic
is
an
unusual
case
as
most
review
blogs
don't
have
ongoing
story
arcs.
Currently
he
has
3
o The
Kevin
Arc
in
which
a
mysterious
being
named
Kevin
comes
on
to
the
blog
and
starts
to
form
a
friendship
with
Evan.
This
one
has
been
completed.
o Revenge
From
The
Past
Arc
in
which
a
person
from
Evan's
past
vows
revenge
on
him.
This
one
is
still
ongoing.
o The
Ghist
Boy
Arc
in
which
Evan
gets
a
mysterious
box
from
his
grandma
and
meets
the
ghost
of
a
boy
who
could
be
related
to
him.
• Board
James
has
one
in
season
3
which
was
propelled
by
the
season
2
Dream
Phone
episode.
• The
web
fiction
serial
Dimension
Heroes
has
an
ongoing
story
arc,
broken
up
into
several
smaller
books.
• The
Epic
Tales
series
Shadow
Hawk
has
an
ongoing
arc
about
Shadow
Hawk
wanting
to
get
revenge
on
the
Shapeshifter,
who
killed
his
father.
It
also
has
a
subplot
arc
about
how
he
got
a
girl
pregnant
in
the
first
story.
• The
website
Neopets
has
featured
several,
called
plots.
Some
plots
still
remain
as
webcomics
on
the
site.
• Each
'chapter'
of
The
Mad
Scientist
Wars
is
usually
a
self
contained
storyline-‐
but
as
the
gae
has
been
going
on,
more
and
more
storylines
will
run
somewhat
through
other
chapter.
For
instance,
'Chic's
Family'
has
been
going
on
since
the
Mad
Sci
Con
chapter.
• Atop
the
Fourth
Wall
has
had
these
ever
since
Mechakara's
introduction.
• The
Nostalgia
Critic's
had
a
long-‐running,
slightly
Yo
Yo
Plot
Point
one
about
his
love/hate
relationship
with
his
job.
• The
Nostalgia
Chick's
had
a
few,
the
most
obvious
being
the
Dark
Nella
Saga.
• Demo
Reel
had
Donnie's
Dark
and
Troubled
Past,
a
SWAG
leader
wanting
to
destroy
the
production
team
and
general
learning-‐from-‐your-‐mistakes.
• Although
the
setting
in
We
Are
Our
Avatars
is
easily
changed
with
some
effective
roleplaying,
some
longer
arcs
have
been
implemented.
After
the
move
to
Role-‐playing,
there's
always
been
one.
o Also,
an
Alternate
Universe
resolution
to
the
final
conflict
of
Magical
Girl
Lyrical
Nanoha
Striker
S
tied
in
to
Mapi's
Mega
Crossover
fanfic.
o A
truly
epic
arc
concerning
vampires,
which
began
with
the
introduction
of
an
Alternate
Universe
Future
Badass
version
of
Flandre
Scarlet
and
came
to
its
conclusion
with
the
defeat
of
none
other
than
The
Lord
of
Evil,
Dracula
himself.
The
more
over-‐arcing
Are
machines
sentient?
arc,
began
with
the
freeing
of
Dee
and
her
sister
Bit.
o One
of
the
largest
involved
Father's
attempts
to
remake
the
multiverse,
and
destroy
the
Fourth
Wall.
o Anyone
who
wants
to
can
usually
kick
off
an
arc,
and
several
plots
sometimes
run
at
once.
Fortunately,
this
doesn't
seem
to
have
become
too
confusing.
• Pokemon
Digimon
Mon
Wars
is
divided
into
three
arcs
so
far;
o Orange
Islands
Arc:
Based
on
the
Filler
Arc
and
Pokemon
2000
from
the
Pokémon
anime
o Myotismon
Arc:
A
variation
of
Myotismon's
invasion
of
Tokyo,
but
instead
on
a
large
chunk
of
kanto
o Dark
Masters
Arc:
Current
arc,
with
the
Dark
Masters
merging
the
digital
world
with
Johto
and
Orre
into
Spiral
Mountain
• We
Are
All
Pokémon
Trainers
has
numerous
arcs
brought
into
several
sagas:
o J-‐Team
Assemble
Saga:
The
assemblage
of
the
J-‐Team
and
its
codification
as
a
concept,
consisting
of
the
Sinnoh,
PMD-‐1,
Unova-‐1,
Ranger,
and
Gold
Conference
Arcs.
o Upheaval
Saga:
The
AU
Arc.
o Aftershock
Saga:
Dealing
with
the
aftermath
of
the
AU
and
consisting
of
the
OI,
Hoenn,
and
Infinity
Keystone
and
Kanjoh-‐1
arcs.
o Paths
Saga:
The
PMD-‐R
and
Kanjoh-‐2
arcs,
taking
place
partially
concurrently.
o Cipher
Saga:
The
J-‐Team's
fight
against
Cipher,
consisting
of
the
Unova-‐2,
Holonquest,
and
Orre
arcs.
• RWBY
goes
through
several
short
arcs
each
season,
with
a
larger
arc
always
on
the
backburner
that
comes
into
play
for
the
season
finale.
Season
1
had
the
Beacon
initiation
ritual
(episodes
1-‐8),
Ruby
and
Weiss's
rivalry
(9-‐10),
Jaune's
bully
problems
(11-‐14),
and
Blake
running
away
because
her
team
finds
out
she's
a
Faunus
(15-‐16),
with
the
overall
arc
being
Roman
Torchwick's
mysterious
crime
spree.
Season
2
had
Team
RWBY
hunting
down
Roman
(episodes
1-‐4),
the
Beacon
Dance
and
Blake's
health
problems
(5-‐7),
and
the
team's
mission
to
Mountain
Glenn
(8-‐12),
with
the
overall
arc
being
Cinder's
infiltration
of
Beacon.
Western
Animation
• At
first
glance,
Adventure
Time
appears
to
deal
almost
exclusively
in
goofy
one-‐off
episodes
—
but
within
that
format
are
multiple
complex
arcs.
Many
relate
to
the
origins/histories
of
Ooo
and
its
different
inhabitants,
but
their
ongoing
relationships
and
possible
destinies
have
become
more
dominant
since
the
end
of
season
three
(which
introduced
the
show's
first
real
villain,
the
Lich).
The
show
also
makes
prominent
use
of
returning
buses,
and
just
about
everything
is
guaranteed
to
become
a
Rewatch
Bonus
at
some
point.
• American
Dad!
has
several:
o The
infamous
"Golden
Turd"
saga,
which
was
seen
in
"Homeland
Insecurity",
"Failure
is
Not
a
Factory-‐Installed
Option"
and
"Blagsnarst:
A
Love
Story".
o Then
there's
the
arc
about
Hayley's
relationship
with
Reginald
the
koala.
o Another
began
when
Roger
tricked
Jeff
into
being
carried
off
into
space
at
the
end
of
"Naked
to
the
Limit,
One
More
Time",
which
led
to
Hayley
coming
to
terms
with
his
loss
in
"Spelling
Bee
My
Baby"
and
"The
Missing
Kink"
before
we
focus
on
Jeff's
attempts
to
return
to
Earth
in
"Lost
in
Space"
and
"The
Longest
Distance
Relationship".
He
finally
returns
in
"Holy
Shit!
Jeff's's
Back!".
• Avatar:
The
Last
Airbender's
Myth
Arc
is
divided
by
three
seasons,
which
are
titled
"books".
Book
1
is
Water,
Book
2
is
Earth,
and
Book
3
is
Fire.
As
the
names
suggest,
each
arc
deals
heavily
with
Aang
mastering
the
elements
involved.
Also,
while
Book
1
was
more
or
less
one
whole
arc,
each
half
of
Book
2
and
Book
3
could
be
divided
into
arcs:
the
Earthbending
Training
arc,
the
Ba
Sing
Se
arc,
the
pre-‐Solar
Eclipse
Invasion
arc,
and
the
pre-‐Sozin's
Comet
/
Firebending
Training
arc.
• Though
Batman:
The
Brave
and
the
Bold
mostly
uses
stand
alone
stories,
they
do
occasionally
throw
in
hints
of
story
arcs,
such
as
Equinox,
the
Starro
story
arc
and
the
arrival
of
Darkseid.
• The
Deep
has
the
Nekton
family
searching
for
a
sunken
city
known
as
Lemuria.
• Defenders
of
the
Earth
has
three
five-‐part
story
arcs
among
its
sixty-‐five
episodes:
o In
the
"Book
of
Enigmas"
arc,
Kshin
finds
a
mysterious
Book
(whose
pages
constantly
change)
in
Mandrake's
library.
Over
the
next
few
episodes,
the
Book
helps
Kshin
to
solve
a
number
of
mysteries,
before
it
is
eventually
revealed
that
it
is
really
a
being
from
another
dimension
who
was
turned
into
the
Book
and
banished
to
Earth.
o In
the
"Prince
Kro-‐Tan"
arc,
Ming
is
overthrown
by
his
own
son,
who
"moleculises"
his
father
and
seizes
power
for
himself.
But
Kro-‐Tan
is
unaware
that
he
is
being
manipulated
by
Suramong,
a
former
Overlord
of
Mongo,
who
needs
Ming's
molecules
in
order
to
regain
his
full
power.
In
the
end,
the
only
way
the
Defenders
can
stop
Suramong
is
to
reconstitute
Ming.
o In
the
"Necklace
of
Oros"
arc,
Graviton,
an
evil
being
from
another
universe,
manipulates
Jedda
into
taking
the
Necklace
he
once
used
to
rule
his
universe
from
the
treasure
room
in
the
Skull
Cave,
where
it
has
lain
since
a
rebel
from
Graviton's
universe
entrusted
it
to
the
first
Phantom.
Over
the
next
few
episodes,
the
Defenders
fight
to
protect
Jedda
from
Graviton.
But
Ming
also
wants
the
Necklace,
as
does
Hadea,
the
Queen
of
the
Netherworld,
and
Jedda
eventually
decides
the
Necklace's
powers
are
too
great.
• The
first
season
of
the
Dilbert
animated
series
had
a
story
arc
regarding
the
company's
new
flagship
product:
The
Gruntmaster
3000.
It
covered
things
such
as
producing,
marketing,
and
site-‐testing.
The
story
was
frequently
broken
up
with
non-‐arc
episodes.
• Exo
Squad
had
not
only
the
primary
story
arc
(the
struggle
between
the
Terrans
and
the
Neo
Sapiens),
but
it
was
also
broken
into
smaller
four
or
five
episode
long
mini
arcs,
with
the
action
typically
focusing
on
a
particular
theater
of
the
war.
On
the
DVD
release,
each
mini-‐arc
gets
its
own
name
in
addition
to
the
episode
titles.
• In
Family
Guy,
Peter's
cut-‐away-‐battles
with
the
giant
chicken
eventually
form
an
arc,
of
sorts.
o In
the
most
recent
season,
a
three-‐week
story
arc
was
made
that
centered
around
Brian
getting
kicked
out
of
the
house
and
forced
to
live
on
his
own
after
he
writes
a
racist
comment
on
Twitter
and
becomes
the
most
hated
person
in
town.
• The
Flintstones:
The
third
season
had
an
arc
involving
Fred
and
Wilma
having
a
baby
duaghter
and
adjusting
to
parenthood.
• Gargoyles
had
a
subtle
arc
about
Brooklyn's
coming
of
age
that
became
a
flaring
beacon
of
story
awesomeness
in
the
episode,
"Kingdom,"
when
you
realize
this
is
what
the
previous
Brooklyn
stories
have
been
building
toward.
Also,
there
are
multi-‐episode
arcs
that
are
more
blatant,
most
infamously
the
"Avalon
World
Tour".
• Gravity
Falls
has
its
second
season
consist
of
three
story
arcs.
The
first
eleven
episodes
have
the
twins
attempting
to
discover
the
identity
of
the
Author
of
the
Journals.
The
next
six
episodes
deal
with
the
aftermath
of
that
story
arc's
conclusion
as
Dipper
and
the
Author
must
prevent
Bill
Cipher
from
gaining
access
to
a
dimensional
rift
that
would
allow
him
to
connect
our
world
with
his
own.
And
the
final
three
episodes
of
the
series,
collectively
titled
Weirdmageddon,
have
the
main
characters
attempt
to
save
the
world
after
Bill
successfully
gets
the
aforementioned
rift.
• Green
Lantern:
The
Animated
Series
had
about
two
major
story
arcs.
The
first
thirteen
episodes
dealt
with
the
Interceptor's
efforts
to
stop
the
Red
Lanterns
led
by
Atrocitus
from
crossing
into
Guardian
Space
and
waging
total
war.
The
second
arc
had
the
heroes
pitted
against
the
Anti-‐Monitor,
until
Aya
pulled
a
Face–Heel
Turn
halfway
through
and
took
over
as
the
Aya-‐Monitor
for
the
remainder
of
the
series.
• Inspector
Gadget's
second
season
switched
format
from
stand-‐alone
episodes
to
three-‐part
arcs,
usually
involving
Arc
Villains
who
continually
evaded
justice.
• Iron
Man:
Armored
Adventures,
in
addition
to
its
main
Myth
Arc,
features
other
story
arcs,
usually
following
a
specific
character
over
the
course
of
the
show
(for
example,
the
Living
Laser's
origin
and
him
figuring
out
what
to
do
with
his
new
powers
and
then
his
eventual
downfall).
These
story
arcs
also
end
up
combining
and
become
more
narrow
as
the
show
goes
on
(The
Living
Laser
story
arc
ends
up
fusing
with
the
A.I.M
story
arc
later
on).
• Jackie
Chan
Adventures
and
its
seasonal
arcs.
o Season
One:
The
search
for
Shendu's
talismans.
o Season
Two:
Defeating
Shendu's
demon
siblings.
o Season
Three:
Finding
the
animals
with
the
talismans'
powers.
o Season
Four:
Finding
the
Shadowkhan
masks.
o Season
Five:
The
search
for
the
chi
of
the
demon
sorcerers.
• Justice
League
Unlimited
had
one
in
the
second
season,
dealing
with
the
fight
between
the
League
and
Project
Cadmus,
and
another
in
the
third
season
focusing
on
the
Secret
Society/Legion
of
Doom.
• My
Little
Pony:
Friendship
Is
Magic:
o The
first
season
has
a
loose
arc
about
the
Mane
Six
preparing
for
the
Grand
Galloping
Gala,
culminating
in
them
attending
it
in
the
season
finale.
It's
only
mentioned
in
about
three
or
four
episodes
total
in
the
season,
but
that's
still
more
acknowledged
continuity
than
the
show
normally
has.
o Season
3
begins
featuring
an
arc
concerning
the
Equestria
Games
that's
continued
into
the
fourth
season,
with
a
few
episodes
featuring
the
cast
preparing
for
it.
o At
the
end
of
the
Season
4
premiere,
the
Mane
Six
receive
a
mysterious
box
from
the
Tree
of
Harmony
after
giving
up
the
Elements
of
Harmony
with
six
keyholes
in
it.
Then,
over
the
course
of
the
season,
each
of
them
minus
Twilight
has
at
least
one
focus
episode
that
ends
with
them
receiving
a
gift
that
gives
off
a
rainbow
glow.
The
season
finale
reveals
that
these
are
the
keys
in
disguise,
with
Twilight
receiving
hers
just
in
time
to
open
the
box
and
use
its
contents
(the
Rainbow
Power)
to
defeat
the
finale's
Big
Bad,
Lord
Tirek.
o Season
7
tells
the
various
legends
of
the
"Pillars
of
[Old]
Equestria",
the
Precursor
Hero
group
to
the
Elements
of
Harmony.
It
culminates
in
the
season
finale
where
the
heroes
investigate
why
they
disappeared
from
Equestria.
o Season
8
is
almost
entirely
built
around
the
Mane
Six
opening
and
running
a
School
of
Friendship.
Even
episodes
not
directly
involved
in
this
tend
to
still
reference
it
in
some
way.
• Scooby-‐Doo:
o The
13
Ghosts
of
Scooby-‐Doo
has
Scooby,
Shaggy,
Daphne,
Scrappy
and
newcomer
Flim
Flam
charged
with
returning
13
ghosts
to
a
chest
of
demons,
unfortunately
it
ended
prematurely
after
only
thirteen
episodes
and
only
11
ghosts
returned.
o Scooby-‐Doo!
Mystery
Incorporated
has
the
gang
unraveling
the
mystery
of
a
cursed
treasure
and
has
since
uncovered
the
whereabouts
of
the
previous
Mystery
Inc.
gang.
• The
Secret
Saturdays
has
this:
o Season
One:
The
Kur
Stone
Puzzle
o Season
Two:
Finding
Kur
o Season
Three:
Zak
IS
Kur
• The
second
season
of
Sonic
Sat
AM
started
off
more
continuity-‐based
to
begin
with,
then
kicked
into
full-‐on,
development-‐a-‐week
arc
mode
with
the
launch
of
the
Doomsday
Project.
• South
Park
has
had
several
story
arcs
along
with
multi-‐part
episodes.
o Season
3
brought
a
three-‐part
story
arc
often
called
"The
Meteor
Shower
Trilogy",
in
which
each
episode
was
a
separate
story
about
different
members
of
the
main
cast
which
all
take
place
on
the
same
night.
o A
three-‐part
mini-‐arc
in
Season
4
involved
Mr.
Garrison
coming
out
of
the
closet.
o An
arc
lasting
through
the
entirety
of
Season
6
involved
the
absence
of
Kenny
after
he
was
(temporarily)
Killed
Off
for
Real
the
previous
season,
and
the
boys'
attempts
to
replace
him.
o Season
19
has
the
town
attempting
to
gentrify
itself,
contrasting
the
noble,
politically-‐correct
posturing
of
its
residents
with
their
still-‐
clueless
and
selfish
mindsets.
o Season
20
is
an
attack
on
the
Nostalgia
Filter
trope
and
presents
the
destructive
effects
of
unchecked
nostalgia
(referencing
both
and
the
backwards-‐facing
fervor
that
fueled
Donald
Trump's
presidential
campaign
and
overabundance
of
sequels
and
reboots
in
The
New
'10s).
• The
Spectacular
Spider-‐Man
has
four
story
arcs
per
season
(with
one
arc
having
four
episodes
and
the
rest
having
three).
Each
episode
in
an
arc
has
a
Theme
Naming
title.
• Spider-‐Man
(1981)
had
a
story
arc,
stretched
across
five
episodes,
surrounding
Doctor
Doom's
attempts
to
conquer
the
world
and
the
developing
situation
in
his
home
country
of
Latveria.
• Though
his
higher-‐ups
demanded
a
strictly
Merchandise-‐Driven
series,
story
editor
John
Semper
managed
to
"sneak
in"
overarching
storylines
and
development
into
Spider-‐Man:
The
Animated
Series.
Naming
each
season
and
referring
to
episodes
as
"chapters"
probably
didn't
hurt.
By
the
time
they
realized
what
he
had
done,
and
despite
limited
animation
and
extremely
restrictive
censorship,
the
show
had
become
the
#1
cartoon
in
America.
Nonetheless,
they
still
didn't
let
him
join
in
on
the
Spider-‐Man
Unlimited
spinoff,
which
was
primarily
stand-‐alone
format
and
petered
out
after
barely
reaching
13
episodes.
• Star
vs.
the
Forces
of
Evil
has
an
arc
about
a
Government
Conspiracy
to
hide
the
existence
of
Queen
Eclipsa's
illegitimate,
half-‐monster
daughter,
who
grew
up
to
become
Miss
Heinous,
as
well
as
Heinous'
rediscovery
of
her
monstrous
heritage
and
plot
to
take
over
Mewni.
• Star
Wars:
The
Clone
Wars
has
many
arcs,
the
most
prominent
being
the
Mandalore/Shadow
Conspiracy
saga,
involving
among
other
things
the
return
of
Darth
Maul,
who
had
been
presumed
dead.
• Steven
Universe
often
premieres
new
episodes
in
week-‐long
events
called
"Steven
Bombs"
that
form
mini-‐arcs
that
either
concern
the
overarching
Myth
Arc
or
character
relationships,
such
as
the
first
one
dealing
with
the
oncoming
approach
of
Homeworld
Gems
or
the
third
one
dealing
with
a
loss
of
trust
within
the
team
after
it's
discovered
that
Pearl
has
been
manipulating
Garnet.
• Each
Teen
Titans
season
has
an
overarching
plotline,
related
to
one
of
the
core
characters:
o Season
One
focuses
on
Robin,
with
Slade
as
the
Big
Bad;
the
story
is
mostly
about
how
the
two
characters
are
and
aren't
Not
So
Different.
o Season
Two
focuses
on
Beast
Boy
and
more
so
on
Sixth
Ranger
Traitor
Terra,
who
is
manipulated
by
Slade
to
become
The
Mole
and
ultimately
The
Dragon.
o Season
Three
deals
with
Cyborg
and
his
escalating
enmity
with
Brother
Blood,
who
has
stolen
and
abused
Cyborg's
own
technology.
o Season
Four
is
about
Raven
and
her
attempts
to
avert
her
destiny-‐
opening
a
portal
to
allow
her
demonic
father
Trigon
the
chance
to
escape
his
can
and
conquer
the
universe.
o Season
Five
focuses
on
the
team
as
a
whole
and
their
efforts
to
stop
the
Brotherhood
of
Evil
from
wiping
out
a
generation
of
superheroes.
• Each
season
of
the
Total
Drama
series
is
essentially
this,
with
a
different
cast
lineup,
elimination
order,
and
winner
in
each
one.
• Transformers:
o Beast
Wars
had
arcs
a-‐plenty.
The
first
season
often
leaving
a
viewer
wondering
What
Happened
to
the
Mouse?,
until,
several
episodes
later,
just
when
they'd
almost
forgotten,
it
was
revealed.
The
second
and
third
seasons,
however,
are
more
serialized.
Skip
an
episode,
and
you'll
miss
at
least
one
thing
that's
worth
knowing
later.
You
won't
be
left
completely
hanging,
but
you
won't
get
what's
going
on
as
well
as
a
more
devoted
viewer,
either.
o Beast
Machines
has
some
of
the
strongest
continuity
of
any
cartoon
ever
aired.
The
whole
thing
is
a
series
of
Arcs.
o Transformers
Animated
follows
arc
structure
as
well,
with
Season
1
focusing
on
Megatron's
attempts
to
rebuild
his
body
(with
his
eventual
success
covered
in
the
finale),
and
Season
2
dealing
with
the
Decepticons'
plot
to
build
a
space
bridge
to
Cybertron.
Season
3
is
a
bit
more
fluid,
possibly
because
a
lot
of
loose
ends
are
getting
tied
up.
• The
first
season
of
Tangled:
The
Series
consists
of
an
overarching
arc
where
Rapunzel
has
to
solve
a
mystery
of
strange
rock
spires
popping
out
of
nowhere,
and
the
reappearance
of
her
long,
golden
hair.
• The
X-‐Men
cartoon
of
the
90s
did
this
as
well,
going
through
a
number
of
arcs
that
were
featured
in
the
comic
books,
including
the
Phoenix
and
Dark
Phoenix
sagas.