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in early periods Greeks lived in many lands. They have contacts with Egyptians, Syrians and Persians.
Egyptians art inspired them; they adopt it having some of their own techniques in it. Life of Greek people
was scattered because they were divided in small villages. All of them have their own government with
same religion and language. As they grew in size, they start developing their city spaces, armies and fought
against enemies to protect their city. During the bronze age number of cultures flourished on Greek
mainland’s due to the trading across the sea. Mycenaean culture was one of them it flourishes throughout the
Greek mainland and later became the part of their culture, all the mythologies of heroes come from there.
Which also become the inspiration for art and craft. The collapse of Myceneans civilization around 1100 b.c
was a period of isolation known as Greek dark ages. But soon or later due to trading and inspiration they
start carving their stories first on pottery then sculptures and this was the start of archaic period.
Classical period is known as the golden era of Greek art. Statues were still
idealized but they were not rigid and straight they have free form more towards
life. Archaic smile is replaced by a solemn facial expressions.
And the other reason is that romans mainly use their sculptures for their private display or for political
purposes so they make it real so that one who see it looks like seeing a real person. As we can see in this
sculpture.
Equestrian statues of emperor were common in ancient Rome to honor the emperor for their civic
achievements. Emperor is sitting on the horse and it seems like he is attending some kind of ceremony. It is
gilded bronze statue made with lost wax casting technique. Horse and rider cast in multiple pieces and then
joined together. The horse is captured in motion, raises its right foreleg at the knee while planting its left
foreleg on the ground. The horse body is casted amazingly, particular its muscles. In keeping with its body
his right foreleg at the knee while planting its left foreleg on the ground. And his face turns right, and mouth
is slightly open. It is also worth noting that Marcus Aurelius’ is riding without the use of stirrups as the
stirrup had not yet been introduced to the west. The horse is saddle with a Persian style saddled cloth. And it
is the important and more expressive part of the statue. While the emperor has a specific gesture, which is
commonly used to address their army. This statue was designed to portray the emperor as a Victorian.
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Citations:
Ancient Greece:
1. Anonyms, khan academy, Ancient Greece, an introduction,
https://www.khanacademy.org/humanities/ancient-art-civilizations/greek-art/beginners-guide-
greece/a/ancient-greece-an-introduction , 10- 4-2020.
2. Anonyms, uphistory, ancient Greece, https://www.ushistory.org/civ/5.asp , 10-4-2020
3. Bond, E. Sarah, hyperallergic, Should the Getty Return Its Famed “Victorious Youth” Statue? July 5
2018.
https://hyperallergic.com/449866/should-the-getty-return-its-famed-victorious-youth-statue/ , 11- 4 2020.
Ancient Rome: