Professional Documents
Culture Documents
DEPARTMENT OF EDUCATION
Region I
Division of Ilocos Sur
CREATIVE NONFICTION 12
LESSON TITLE:
Forms and Types of Creative Non fiction
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Having been immersed with the conventions of the different genres
including fiction, poetry and drama, it is complementary that these elements will
guide you in reading and writing creative nonfiction types. Hence, discussed in
this Self Learning Kit are some of the popular forms under creative nonfiction that
undeniably challenge our scheme on how and what to write. However, according
to Moratilla N. et,al (2016), the interesting part is the relative difficulty with
creative nonfiction is that it may be classified or can be divided. Like in some
instance, one may be hard to make distinctions and set between some of the
subgenres.
Generally, this Self Learning Kit aims to help you to distinguish the
different types of creative nonfiction, read some examples of the nonfiction texts
and write pre-activities before writing creative nonfiction compositions with
yourself independently. Moreover, this Self Learning Kit will specifically allow you
to understand the distinction between and among creative nonfiction types and
forms and competently deliver an artistic presentation, summarizing and
analysing the form, theme and techniques of a chosen creative nonfictional text.
You are advised to answer the different activities embedded in this Self
Learning Kit by using another sheet of paper. You are given two weeks to
accomplish the activities. Do not write anything on this learning kit.
Enjoy learning!
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Hi good day! I have here a warm up exercise for you.
Activate your schema on Creative Nonfiction and try to fill out
the KWL chart. Are you ready? Let’s get started!
DIRECTIONS: Complete the first and second columns of the KWL chart below.
What I KNOW about the What I WANT to know What I LEARNED about
types of Creative about the types of the types of Creative
Nonfiction Creative Nonfiction Nonfiction
. Creative nonfiction is everywhere. You have been living with them since then
but voraciously lived around in effect of the advent of technology. As a result, readers
became confuse in identifying whether a certain literary text is fictitious or not.
Nevertheless, as defined in simple terms, fiction is something imaginary and non-
fiction is something that is true. In non-fiction writing, real people and real places are
involved. On the other hand, in fiction stories, everything is from the writer’s imagination.
Here are some major differences between the two types of writing,
(http://www.catherineshaffer.com/4-major-differences-fiction-non-fiction-writing/)
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the narrator himself/herself is. The short biographies explain a person’s basic
life facts and their importance, but the long biographies would go an extra
mile and include more details to make an interesting read. You may find
yourself in a situation which requires you to write a biography of a famous
person, a close friend or a relative or perhaps you will write your own written
account. For this reason, it pays to know how to come up with a biography
and the important details that you should include in it. That is the very reason
why, when you are writing you should exercise discernment in choosing the
details that a writer wishes to include, particularly details that are not only
memorable but are also worth sharing with the readers.
2. LITERARY JOURNALISM
Literary journalism is a form of nonfiction that combines factual reporting
with narrative techniques and stylistic strategies traditionally associated with
fiction. This form of writing can also be called narrative journalism or new
journalism. The term literary journalism is sometimes used interchangeably
with creative nonfiction; more often, however, it is regarded as one type of
creative nonfiction. (
Here are the characteristics of a literary journalist:
• Literary journalists immerse themselves in subjects' worlds.
• Literary journalists work out implicit covenants about accuracy.
• Literary journalists write mostly about routine events.
• Literary journalists develop meaning by building upon the readers'
sequential reactions. https://www.thoughtco.com/what-is-literary-journalism-
1691132)
3. PERSONAL NARRATIVE
Personal narratives are a form of writing in which the writer relates one
event, incident, or experience from his/her life. Personal narratives allow you,
the writer, to share your life with others, vicariously experiencing the things
you describe. Your job as a writer is to put the readers in the midst of the
action, letting them live through an event, incident, or experience. Not like the
autobiography which deals with a chain of events, the personal narrative often
concerns a particularly happy, sad, humorous, or outrageous episode in one’s
life. Personal narratives also incorporate vivid descriptive details, as well as
the thoughts, feelings, and reactions of the writer.
When you write personal narratives use the first-person point of view.
Also, write a Personal Narrative that:
• Engages the reader by introducing the narrator and situation
• Organizes events to unfold naturally; manipulates time and pacing
• Develops details of events with description and action
• Develops characters with physical description and dialogue
• Uses vivid verbs, sensory details, similes, metaphors, alliteration,
onomatopoeia, and personification to set tone and mood
• Uses transitions and varies sentence beginnings
• Closes with a reflection
• Has all no excuse words and conventions correct
• Has exemplary presentation (neat writing that is pleasant to read).
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The term is quite confusing as to how it differs with other types of essay.
According to Moratilla N.et.al (2016), unlike the argumentative essay where
its main purpose is to convince the reader of the logic and validity of the
author’s argument, the reflection essay concerns itself, above all, with the
author’s introspection with the respect to what he or she had learned from
individual experiences. It should also be noted that in writing the reflection
essay, one might use or apply elements from other types. For instance, one
may tell an anecdote (narrative) or describe a person or a place (descriptive).
5. THE TESTIMONIO
Loosely structured, the Testimonio does not measure up to the standards
of “academic” communication and canonical literature. This is expected because
testimonial writings are more concerned with their purpose – that is, to call public
attention to lived experiences of marginality – than with modernist literary
aesthetics. Moreover, the testimonio may also take different forms (letters, diary
entries, incident reports, poetry, among others) and use different media (print,
radio, tv, among others), thus challenging traditional literary boundaries and even
our very notion of the literary, (Moratilla N. and Teodoro E. (2016).
The following exemplified a Testimonio ,
(https://www.thefreedictionary.com/testimonies )
6. THE TRAVELOGUE
A travelogue is a person’s account of a journey to another country or
place. It can either be a written report with many factual details or a narrative
story about personal impressions and experiences supported by images. A
travelogue has to be in the first person and describe the place or places
where one (that is YOU, the narrator) has travelled. Among the popular
examples are adventure literature, travel guide, and the travel journal.
Since a travelogue is written after your trip to another country or place, the
main topic of this type of writing is a description of your experience there.
Moreover, Travelogues may be used for promoting a place, say, as a quality
tourist destination. Though your travelogue can contain may areas of focus,
when writing a travelogue, you can concentrate on local customs and
traditions, cuisine, depictions of places of interest, local history, and culture,
your adventures, prices and transportation, entertainment
(https://academichelp.net/creative-writing/write-travelogue.html).
7. BLOG
A blog is an online diary or journal located on a website. The content of a
blog typically includes text, pictures, videos, animated GIFs and even scans
from old physical offline diaries or journals and other hard copy documents.
Since a blog can exist merely for personal use, sharing information with an
exclusive group or to engage the public, a blog owner can set their blog for
private or public access (https://makeawebsitehub.com/what-is-a-blog/ )
Further, Moratilla N. et,al (2016) agrees that Blog is a shortened term of
“web blog” generally defined a frequently updated journal found on the
internet. However, to them, a Blog is not a genre but it is more likely to be a
way through in which information is shared, opinions are expressed and
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stories are told. An entry may be in almost any form including fiction,
nonfiction and poetry.
Now, at the risk of any point, you might say that the other types of fiction
may be presented through blog.
Imee Marcos
Imee Marcos was born on 12th November 1955 as María Imelda Josefa
Romualdez Marcos in Metro Manila, Philippines. Her parents are Ferdinand Marcos
(father) and Imelda Marcos (mother). Both parents exercised autocratic governance in
the Philippines between December 1965 and February 1986.
She has three siblings, two blood related; namely, Ferdinand Bongbong Marcos
Jr. and Irene Marcos-Araneta, and one adopted called Aimee Marcos. She was brought
up in the Malacanan Palace, the official presidential residence, together with her
siblings. She attended Saint Pedro Poveda College, formerly known as the Institution
Teresiana, from kindergarten to Grade IV. She later on, joined Assumption Covent at
Herran Street in Manila from Grade V to First Year High School. In both schools, she
earned first honors. She joined International School Manila in Makati, formerly referred
to as American School. In 1973, she enrolled in Princeton University and undertook
various courses in Religion and Politics. Imee Marcos Princeton's school life was
brought to a halt due to the controversies with the black and Asian students (Asian-
American Students Association - AASA) protests on her admission.
Who is Imee Marcos? She is the firstborn daughter of the retired dictator and President
Ferdinand Marcos. She has been the governor of Ilocos Norte from 2010 to 2019 and
the former representative of the 2nd District between 1998 and 2007. She is also the
former chairperson of the Kabataang Barangay, a predecessor to the Sangguniang
Kabataan under the governance of President Marcos. Currently, she is serving as the
Senator of the Philippines
Imee and Tommy Manotoc have three sons. The first son is called Fernando
Martin (Borgy) and serves as a commercial model and a club DJ. The second is
Ferdinand Richard Michael, who works as a lawyer. Lastly is Mathew Joseph, who is a
sports agent and senior provincial board member of Ilocos Norte, now governor.
Mathew Joseph is the only Imee Marcos son who has engaged in politics. She has two
other stepchildren from Manotoc’s first marriage to Aurora Pijuan.
SOURCE: https://kami.com.ph/109479-imee-marcos-bio-husband-net-worth-children-
age-instagram.html
PROCESS QUESTIONS:
1. What life of Sen. Imee Marcos is being highlighted on the biography?
2. If you were to add some details on the above biography, what other facts will you
wish to include?
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Here is also an example of an Autobiography.
SOURCE: http://www.positivelyfilipino.com/magazine/2013/7/finding-my-inner-ilocano
PROCESS QUESTIONS:
1. From the autobiography presented, what made the narrator find her inner Ilocano
blood?
2. For her, what makes her a proud Ilocano?
3. What Ilocano traits are being reflected in the autobiography?
4. Being an Ilocano, what traits are you proud of?
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B. LITERARY JOURNALISM
The following excerpt from George Orwell is a good example of literary
journalism. Orwell wrote about the colonial regime in Marrakech. His father was a
colonial officer, so Orwell was confronted with the reality of empire from an early age,
and that experience is reflected in his literary journalism piece, Marrakech:
“It is only because of this that the starved countries of Asia and Africa are
accepted as tourist resorts. No one would think of running cheap trips to the Distressed
Areas. But where the human beings have brown skins their poverty is simply not
noticed. What does Morocco mean to a Frenchman? An orange-grove or a job in
Government service.”
SOURCE:https://owl.purdue.edu/owl/teacher_and_tutor_resources/writing_instructors/c
reative_nonfiction_in_writing_courses/literary_journalism.html
PROCESS QUESTIONS:
1. What is the excerpt all about?
2. Based from the excerpt, how did Orwell write the text?
3. Does the excerpt illustrate the fusion of journalism and literature? Explain your
answer.
4. Scanning the excerpt, what other type of Creative Nonfiction does the text
similar?
C. PERSONAL NARRATIVES
Read this personal narrative of a teacher as he put his gratefulness in a form of
writing in which he relates one event or experience from his life. The writer himself
shared his life with others and vicariously experiencing the things he described.
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dream doesn’t start from chasing it; it begins when you believed and trusted yourself
that you have achieved that dream.
Looking back, I realized how blessed and lucky I am to have those who have
helped and prayed for me from the beginning. Today, as I commence another journey,
let me dedicate this humble achievement for those who believed and still believing and
for those who stood and never left since the journey has started, THANK YOU VERY
MUCH! Above all, THANK YOU LORD! You really are Great, You are Powerful and
You are Almighty! I will always remember the times when I am about to lose all my
hopes and courage but Philippians 3:14 strengthened me. Reaching this humble
achievement seems so impossible but Mark 10:27 said and made it possible. Every
journey has been sudden, troublesome, challenging and uncertain but Jeremiah 29:11
taught me to trust.
PROCESS QUESTIONS:
1. What is the tone and mode of the text?
2. What specific moment is the author tried to share?
3. Why do you think that the author titled the text that way?
D. REFLECTIVE ESSAY
This essay example is written at a middle or high school level, reflecting on the
arrival of a younger sibling.
My Little Brother
Anonymous
In my short life, there are many experiences that could qualify as life-changing.
Every new experience was, at one time or another, the first experience. For good or
bad, each instance changed the course that my life has taken. But, the most
transformative experience was the birth of my youngest brother.
Joel is someone my parents often call a happy accident. At the time that my
mother became pregnant, I was 13, and my other brother, Jake, was 10. We were what
you would call a well-rounded, perfect family of four. We neatly fit into the perfect
classification in nearly every way. We didn't realize what we were missing until the
moment that my youngest brother first opened his striking blue eyes.
In truth, I resented the fact that I would be having another sibling. Nothing
needed to be added to our family, and my mother, already 38 at the time, was
considered high risk because of her age. The pregnancy itself was full of complications
that sent the straight course of my life into rollercoaster-like loops that my 13-year-old
mind had a hard time comprehending. But now, I can see how forging through those
loops helped me to roll with the punches that life inevitably brings
The day Joel was born, my mother took me with her to the hospital rather than
my father. It wasn't a planned move, but Jake and my father were both feverish; I was
the next best alternative. Sitting with her through every contraction, I gained a new
respect for just how powerful and strong a woman could be in what might be considered
their weakest moment. Holding her hand and feeding her ice chips, I gained a
connection with my mother that I didn't realize we were lacking.
The moment my new baby brother came into this world, I realized two things
nearly simultaneously. First, you don't realize how much you need something until it's
sitting in your lap. Second, my life after this moment would never be the same. The
moment he curled his chubby little finger around mine, I understood the words "happy
accident" completely.
There are many different experiences in life that have changed a part of me as a
person. But, nothing so profoundly changed my views and outlook on life like the birth
of my youngest brother. Joel's arrival was a life-altering event that caused me to see the
world through new eyes.
SOURCE: https://examples.yourdictionary.com/reflective-essay-examples.html
PROCESS QUESTIONS:
1. How will you describe the author as a brother? As a son?
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2. What feeling does the author is trying to evoke in the text?
3. What realizations have you reflected as a brother or a sister after reading the
selection?
E. THE TESTIMONIO
This example is all about the testimony of the Provincial Government of Ilocos
Sur made by Governor Ryan Luis V. Singson about the first case of COVID-19 in the
Province.
SOURCE: https://www.msn.com/en-ph/news/national/ilocos-sur-now-covid-free-gov-
singson/ar-BB12I8EI
PROCESS QUESTIONS:
1. What declaration was made by the Governor of the Province?
2. What type of testimonio or declaration was done by the Governor?
F. BLOG
Below is a screenshot of an Instagram post shared by a student as a requirement
for Creative Writing subject. The writer herself narrates her most unforgettable
experience as a HUMSS student.
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SOURCE:Chiara Duran Reyes’ Instagram Post @ Kharabright.
PROCESS QUESTIONS:
1. What made the Barangay Officials a true Filipino according to the author?
2. The use of figures of speech are evident on the text, copy two lines and identify
what figurative language were employed.
3. What was the realization of the author in the activity?
4. What does the author means when she said “Let us unite so we could make a
difference”?
5. How the author did shared her most unforgettable moment as a HUMSS
student?
G. THE TRAVELOGUE
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Church of Our Lady of the Assumption (Nuestra Señora de la Asuncion), commonly
known as Santa Maria Church was designated as a UNESCO World Heritage Site on
December 11, 1993 as part of the Baroque Churches of the Philippines, a collection of
four Baroque Spanish-era churches.
Pinsal Falls has a height of approximately 85 feet, and is known for being the
largest waterfall in the Ilocos Region.
Suso Beach It was named Suso Beach because it is situated at Brgy. Suso of the
municipality of Santa Maria, Ilocos Sur; Nothing malicious about it, by the way!
Come and experience the culture of the heritage province of Ilocos Sur!
Source:@https://medium.com/@calibusomaricris/a-travelogue-ilocos-sur-2910c8ae500
PROCESS QUESTIONS:
1. How did the author describe the places included in the travelogue?
2. If you were to add details on the places, what other details would you include?
3. Being a resident of Ilocos Sur, what other places or spots would you wish to include
on the travelogue?
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Activity 4.AN OPEN LETTER
DIRECTIONS: Write a short letter addressed to those who are infected of N-COV 2019
especially our province mates who are affected. Articulate your thoughts and feelings
about the pandemic including words of advice and encouragement.
Vigan
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Reading and writing Creative Nonfiction will take
a mastery of the different elements of other genre like
fiction, drama and poetry. However, in reading and
writing Creative Nonfiction, always remember to
evaluate and start from facts then pigment it with
creative elements to make a piece more vivid and
interesting. To be a successful Nonfiction writer and a
reader, one must embrace the art and the language of
the two. Always remember, that one complements the
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a. Blog b. Vlog c. Facebook d. Reportage
8. Which of the following characteristics best describe a literary journalist?
a. Literary journalists immerse themselves in subjects' worlds.
b. Literary journalists work out implicit covenants about accuracy.
c. Literary journalists write mostly about routine events.
d. All of the above
9. Which of the following title best exemplified a reflective essay?
a. Still Worth Living: How I Survived Life’s Uncertainties by Atilla Roma
_____ _____
DIRECTIONS: Read and analyse the text and answer the following questions below.
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BEA CUPIN
FEBRUARY 16, 2014
These are the stories I wasn't able to tell because – maybe there was no time, or
maybe I wasn't able to find the time, or maybe at that time, other stories needed to be
told first. I tell them now because 100 days later, so many other stories wait to be told.
Journalists immerse themselves in calamities – the Zamboanga siege, the Bohol
earthquake, Typhoon Yolanda – because we need to. It's our job. It's what we're
(hopefully) good at doing, and it's what we have and want to do.
The word is immerse. Not wade, but jump in. Head first, if needed – safety
precautions be dammed.
In many cases, it's the best way to tell the story of how Joy lost her daughter,
how Nieves waits for her son, how Michael hopes when there is no hope, or how Maria
spent her birthday searching for her niece. You feel, you empathize, you journey with
them.
In a land where the destruction, desperation, and political feuds did not make any
sense, only the stories of the victims and survivors did. It was a story that you were part
of, whether you liked it or not. So when the words would not flow, alarm bells went off.
This is the biggest nightmare of any writer, reporter, journalist, or storyteller: not
being able to write, narrate, or recount things. At least, not in the way you want to. Or
not when you want to.
It was a nightmare because of many reasons: deadlines to finish, bosses to
appease, and egos (sometimes, your own) to stroke. It became infuriating because for
most of the people you interviewed, for many of the people whose lives you disrupted
just so you could talk to them, you were a ray of hope because finally, someone else
would hear their story. Maybe, someone somewhere out there could give them the help
they so desperately need.
So 100 days after, once the adrenaline rush from being on the field is all but a
memory, when you're back "home" doing the stories you've always been doing before
their world turned upside down, you think more and more about the stories that weren't
told.
LIVING IN TENTS. 100 days after, much-needed improvements. But the
government needs to accommodate hundreds more in bunkhouses. LIVING IN TENTS.
100 days after, much-needed improvements. But the government needs to
accommodate hundreds more in bunkhouses.
We tell stories because we hope people learn from them. How squabbling
politicians aren't making life any easier for survivors, how help took so long to come,
how the living co-existed with the dead weeks after the storm, and how people were
picking themselves up and telling their community: no, all is not lost. Yes, we still have
the capacity to hope.
Yolanda is not just about the 300 km/h winds, the 6 meter storm surges, the P39
billion damage in infrastructure and agriculture, or even the 6,201 dead. It's not about
the numbers but the stories: how the 300 km/h winds made survivors feel like they were
inside a washing machine, how the 6-meter storm surge took away one of Joy's little
girls, how each the damaged crops belong to a family now unsure of how to start again,
or how each of the 6,201 dead should not have died.
It doesn't make sense for someone who lives and breathes writing to run out of
words. But in Tacloban, nothing made sense. The senselessness was something many
of us accidentally brought back to Manila. It was enough to leave even the more
"hardened" ones in the team without words.
Now that 100 days have passed since Yolanda, this is a reminder to me, to every
story teller, and every story reader: there are so many more stories out there – of
heartbreak, of survival, and hope, and (I know many of you are sick and tired of reading
this) resilience.
And you need to keep on writing, reporting, telling, even if sometimes it doesn't
quite make sense because hopefully, one day it will. – Rappler.com
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SOURCE: https://rappler.com/voices/ispeak/telling-story-yolanda
PROCESS QUESTIONS:
1. What is the biggest nightmare of the writer?
2. Based from the text, what images do you remember from the disaster?
3. What feeling is the author trying to evoke?
4. How does this story make you feel?
5. What is the attitude of the narrator towards the victims of Yolanda?
6. What is the attitude of the narrator towards the victims of Yolanda?
7. After reading, what type of Nonfiction best exemplified the text above? Justify
your answer.
ONLINE RESOURCES
http://msmcclure.com/?page_id=945
http://www.catherineshaffer.com/4-major-differences-fiction-non-fiction-writing/
http://www.positivelyfilipino.com/magazine/2013/7/finding-my-inner-ilocano
https://academichelp.net/creative-writing/write-travelogue.html
https://examples.yourdictionary.com/narrative-essay-examples.html
https://examples.yourdictionary.com/reflective-essay-examples.html
https://examples.yourdictionary.com/short-professional-bio-examples.html
https://kami.com.ph/109479-imee-marcos-bio-husband-net-worth-children-age-
instagram.html
https://literaryterms.net/autobiography/
https://medium.com/@calibusomaricris/a-travelogue-ilocos-sur-2910c8ae500
https://owl.purdue.edu/owl/teacher_and_tutor_resources/writing_instructors/creat
ive_nonfiction_in_writing_courses/literary_journalism.html
https://rappler.com/entertainment/pageants/chavit-singson-philippines-franchise
https://rappler.com/voices/ispeak/telling-story-yolanda
https://study.com/academy/lesson/what-is-a-reflective-essay-definition-format-
examples.html
https://templatelab.com/biography-templates/
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https://www.britannica.com/art/biography-narrative-genre
https://www.definitions.net/definition/reportage
https://www.freelancewriting.com/journalism/different-types-of-journalism/
https://www.msn.com/en-ph/news/national/ilocos-sur-now-covid-free-gov-
singson/ar-BB12I8EI
https://www.thefreedictionary.com/testimonies
https://www.thoughtco.com/what-is-literary-journalism-1691132
ASSESSMENT I:
1. D
2. C
3. C
4. B
5. D
6. C
7. A
8. D
9. D
10. B
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