Piano

Куда теперь идти мне

    3    
Arr. by: M. Parafeynik (MXO)
f
 2         
   4     
   
   
   
     
     
    
 
5 
   6      7   
  
       
8
      
   
         dim.    
        
       

  
9 
       
10 11 12 13

         
     

pp p
    
         
          


  
14 15 16

      

         
 

               

   
 18 
 

        
17
 19

      
       
mp      
        
 
  
  
2 Piano

    
20 21
  22


            
               
    
  
   
23       25 
    26 
24
   
  
  
       
      
poco rit.
p
  
           
 

   
 
  29  30 
27
 
28
    
       
       
   
         mp
  
           
  

      
    
31 32 33
    
              
           
   
           
   



     35     36 
      
34 37

        
       
 
mf

             
    
 
          
 Piano 3
   39        
  

38 40

                  


mp

            
   
 
        
41 42 43 44

                

  
mf
      
          


  

     47      48      
                    
45 46

  
 
       
mp cresc.

       

    
      

3    3  50
 
        3
  
    
49

  
 
3

     mf

    
  


    
                        
 
51 52


   
    
 
  
4 Piano

                  
       
53 54 55

      
    f
     
        
 


     59  
 58        

56 57

          
   
 
 
f
              
  
    
 
 

     61          
60        
62
    
 
               
dim.

         
      
   
63 
 

64
    
       
    
 
    
    
 
 
  
65 66 67

   
      
 
   
p pp
 
morendo

   
      
  
