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  • Simple and Clean: Saxofón Contralto 2

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    ARTURO PEREZ
    6 views2 pages
    The document contains musical notation for a saxophone piece. It includes staffs with notes, rhythms, dynamics and other musical markings across multiple lines. The piece is for contralto saxophone and is presented in a simple and clean musical notation.

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    Original Title

    simple_and_clean-Saxofón_contralto_2

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    © © All Rights Reserved

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    The document contains musical notation for a saxophone piece. It includes staffs with notes, rhythms, dynamics and other musical markings across multiple lines. The piece is for contralto saxophone and is presented in a simple and clean musical notation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    6 views2 pages

    Simple and Clean: Saxofón Contralto 2

    Uploaded by

    ARTURO PEREZ
    The document contains musical notation for a saxophone piece. It includes staffs with notes, rhythms, dynamics and other musical markings across multiple lines. The piece is for contralto saxophone and is presented in a simple and clean musical notation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Saxofón

    contralto 2 simple and clean

             
            
     
              
     = 90

                    
                      
      

        
    11

       



    17

       


    
    20

       


    23

                   
           
                                 
    26

          
                   
      

     
    30

                      


            
    36

              3  3  3


    3 3 3 3 3 3 3 3

       
     

       3  3  3                
    38

             
    3

             
     
     
     

          
    41
    3 3

    3 3
       
                
                 

    47

                    


             
    52

    3 3 3 3 3 3 3 3
     

              3  3  3     


       3  3  3                
    54

    3
     

                       
     
       
     
     
    57

                  
                 
    62

    3 3 3
    

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