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  • AllredTakeTheATrainBC 1

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    This document is a musical transcription for the trombone solo on the jazz standard "Take the A Train" written by Billy Strayhorn. It contains 61 measures of music notation for the trombone part, including notes, rhythms, dynamics, and other performance instructions to faithfully document John Allred's solo interpretation of this piece. The transcription was created by Rob Egerton and aims to preserve notable jazz solos through detailed musical documentation.

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    AllredTakeTheATrainBC-1

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    This document is a musical transcription for the trombone solo on the jazz standard "Take the A Train" written by Billy Strayhorn. It contains 61 measures of music notation for the trombone part, including notes, rhythms, dynamics, and other performance instructions to faithfully document John Allred's solo interpretation of this piece. The transcription was created by Rob Egerton and aims to preserve notable jazz solos through detailed musical documentation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    0 views2 pages

    AllredTakeTheATrainBC 1

    Uploaded by

    browned
    This document is a musical transcription for the trombone solo on the jazz standard "Take the A Train" written by Billy Strayhorn. It contains 61 measures of music notation for the trombone part, including notes, rhythms, dynamics, and other performance instructions to faithfully document John Allred's solo interpretation of this piece. The transcription was created by Rob Egerton and aims to preserve notable jazz solos through detailed musical documentation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Trombone John

    Allred's Solo on...

    Take The A Train


                
    Billy Strayhorn

       
     = 175

      
    3 3 3

       
          
                       
    6

    3 3

        
                        
       
       
    10

        
               
     
      
    16

    3 3 3 3 3 3 3 3 3

        
                  
     
         
              
    20

    3 3

              
             
                          
    25

                   
       
        
    30

    3 5

    Rob Egerton Jazz Transcriptions


          
              
    2
    34

                        


           
    37

    3 3 3 3

                     


     
          

    41

       
      
                 
          
    46


                             
     
    50

    3 3

         
               
              
    54

    3  3

         
         
                 
         
        
    58

            
             
    63

    3 3 3 3

    Rob Egerton Jazz Transcriptions

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