AP Music Theory ____ / 141

Chapter 13 Quiz

Name: __________________________________________________Date: ____________

1. When V7 moves to I, how must the tendency tones resolve? (5)

2. When a root position V7 moves to a root position I, which chord tone must be omitted
from one of the chords in order to avoid parallel fifths? (5)

3. True or False: The root position V7 chord creates the strongest progression. (5)

4. Describe the situation when scale degree seven does not have to resolve to scale
degree one. (5)

5. What is overlapping? (5)

6. True or False: It is not acceptable to include more than one dominant chord in the
dominant area by writing different inversions and spacing. (5)

7. What is a transferred resolution? (5)

8. What is the process of creating a full musical texture from a figured bass? (5)

9. What do you do with a slash through a number in figured bass? (5)

10. True or False: Figured bass lists all intervals above the bass. (5)

11. What is the name of the tonal area that typically precedes the dominant area? (5)
 12. What are the two predominant harmonies? Which two scale degrees do they share?
(10)

13. In minor keys the diminished ii chord typically appears in which inversion? (5)

14. When root position IV moves to root position V, how do you avoid the parallel fifths
and octaves. What does Bach do if you write parallel fifths and/or octaves? (10)

15. In minor keys, what is the doubling procedure for the ii°6 chord? (5)

16. True or False: When harmonizing a choral melody, write the soprano and bass
counterpoint before filling in the inner voices. (5)

(32)

(24)