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  • Guitar Dynamic Movements Olivier Bensa

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    Luis Castro
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    This document is a musical score titled "Guitarra: Trois mouvements dynamiques" by Olivier Bensa. It contains 7 labeled sections (A through G) of musical notation written for guitar. The score uses standard musical notation symbols along with French text to indicate tempo, dynamics, and other performance instructions for playing the piece.

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    Original Title

    Trois Mouvements Dynamiques -Guitarra_I

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    This document is a musical score titled "Guitarra: Trois mouvements dynamiques" by Olivier Bensa. It contains 7 labeled sections (A through G) of musical notation written for guitar. The score uses standard musical notation symbols along with French text to indicate tempo, dynamics, and other performance instructions for playing the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    138 views1 page

    Guitar Dynamic Movements Olivier Bensa

    Uploaded by

    Luis Castro
    This document is a musical score titled "Guitarra: Trois mouvements dynamiques" by Olivier Bensa. It contains 7 labeled sections (A through G) of musical notation written for guitar. The score uses standard musical notation symbols along with French text to indicate tempo, dynamics, and other performance instructions for playing the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Guitarra

    I Trois mouvements dynamiques


    II Olivier Bensa

                 
    A

          
      
    pizz. pizz.

        
     = 72

      

          
         
         

            
    B

           
    9


     

      

            
     

                
    13

         
    C 
              

               
       
    17

    
         
         
     
       
         
              
    D


    20

     

     
               
    E

         
               

    To Coda

        
     
    24

                                
     
                
           
    F

     
    28

     
         
                                       

       
    G

      
    D.C.

      
    33 

     
       
      
        


    40

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