HOMOPHOBIA

Chumbawamba

2da y 3era vez Ah

 4   
 4          
1.Up be hind the bus stop in the
2.In the pubs clubs and bur ger bars
3.The si ren of the am bu lance the

   44   

2da y 3era vez
Ah

4
 
       

    

   
 
toi lets of the street there are tra ces of a ki lling on the
bree ding pens for pigs al co hol, tes tos te rone and
ded pan of the cops chalk to mark the out line where the

     
 
vez

6
 
         
        
floor be neath your feet mixed in with the piss and beer are
ig no rance at fists pakcs hun ting a ni mals
boy first dropped beware the ho ly tri ni ty

      




8
    
               
 
blood stains on the floor from the boy who got his head kicked in a
roam a cross the town they find an ea sy vic tim and they
church and state and law for every death the vi rus gets more

     
 
 10 
      
  

                   
        
night or two be fore. Ho mo pho bi a
 the worst di sease you
pounch him to the ground
dead ly than be fore.
   

                
 
Ho mo pho bi a the worst di sease you

13
 
                       
       
can't love who youwant to love in times like these Ho mopho bi a

  
                  

can't love who youwant to love in times like these Ho mo pho bi a

16 

                        
    
          
the worst di sease you can't love who you want tolove in times like these

          

              

the worst di sease you can't love who you want tolove in times like these