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Inside The Mind of The Victorian Poets
Inside The Mind of The Victorian Poets
English- 3627
04 November, 2020
Victorian poetry preoccupies with studying human mind. It is argued that, the Victorian
Poets, inheriting from their Romantic forerunners the belief that subjective thoughts and feelings
were most important materials of poetry and they used their writing to give expressions to mental
process and to scrutinize and analyze those process. Psychological analysis became an
increasingly important element of poetic theory and practice in the mid nineteenth century. This
development coincided with the rise of the scientific discipline of psychology and with the
growing recognition that the workings of the mind could be studied using the analytical method
of science. The writings of the Victorian poets often employed similar methods, but, at the same
time the language and the tone of their psychological verse and specially their ambivalent use of
terms such as “brains”, “mind”, “soul” voiced an unresolved tension felt throughout Victorian
account of selfhood. The poetry of Browning, Tennyson, Arnold, Clough, and George Elliot
present interest in contemporary psychological theory. Ranging across lyric verse, epic poetry
and the dramatic monologue. Victorian Poetry simultaneously drew on, resisted and contributed
Victorian era poets such as Robert Browning and Tennyson developed more purposeful
poetry that focused on narrative and concrete. Tennyson plumbs the depths of his own
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consciousness while also giving voice to the national consciousness of Victorian Society.
Browning’s poetry not only convey settings but also reveal speaker’s character. Matthew
Arnold’s poetry shares his inner feelings with great clarity and his questioning of faith. Gerard
Hopkin’s poetry is devotional with dense layer of imageries and metaphors. Thus, Victorian
poetry mainly focused on: realism, masses, pessimism, science and technology, questioning to