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  • Caina: Primer Recinto

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    JD.Arturo
    9 views2 pages
    This musical score is composed of symbols and markings that indicate tempo, dynamics, and other musical notation over the course of 39 pages. It follows a progression from slow and dark tones at the beginning to faster and louder tones near the end, with directions for tempo, volume, and expression changing throughout.

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    Original Title

    ccina

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    This musical score is composed of symbols and markings that indicate tempo, dynamics, and other musical notation over the course of 39 pages. It follows a progression from slow and dark tones at the beginning to faster and louder tones near the end, with directions for tempo, volume, and expression changing throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    9 views2 pages

    Caina: Primer Recinto

    Uploaded by

    JD.Arturo
    This musical score is composed of symbols and markings that indicate tempo, dynamics, and other musical notation over the course of 39 pages. It follows a progression from slow and dark tones at the beginning to faster and louder tones near the end, with directions for tempo, volume, and expression changing throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    CAINA

    Primer recinto

      
       
    JD. Arturo

     
          
    Lento oscuro

     
        
       
       
      
    

     
       
       
               
     

     
     

       
    5

            
           
    

        
      
                         
    
      
    9

           
          
         
    cresc.

        

    
    
       
                 
             
    13

     espr 
      
          
      
        
      
     
                        
                            
       
    17

            
              
     
     dolce

         
                           
          
    Animato


    21

       3      3
              
        
           

        
                           

    25 3

       
             
         
    
    3

     

                     
           

        
      
    Tempo I
    29

        
             
     
     espr

            

    
    
                  
                              
    
    33

         

       
                
              
        

           
        
                  
       9   
    rit. poco a poco
    39

         
         
        
          
     pesante

      
    
    2

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