Piano

Sonata No. 11
3rd Movement
Wolfgang Amadeus Mozart
K. 331


(1756–1791)
Rondo alla Turca

           
    
               
Allegretto

             
   
Piano


                        
  
    


5

       

 
         



 
                          
    
10


   
 

      
       


               
               
16

 
             
     
cresc.


          
     
           
21


                

    
  


                
           
          
26

                 

     



  
  


           
             
      
31


      
         
 
 



                                   

35

           
     


                    
             
39

         

 
      


                      
        
43

            
     


           
              
   
47


      
        


                            

      

51

            
     


                   
           
55


             
    





            
       
          
59

             
    



  
  


       
                          
63

 
      
    
        
  


                          
  
 

67

              
      



                              

     
72


 
 
  


     
         

       
             
       
 
79

 
           
 
cresc.

   



     
          
        
84

 
       

       
         



       
     
          
89

         





  
 
 


       
      
        

92

      
    
   
  



   
       
1. 2.

     
     
95




               
    





 
 



        







   

   
    

99

             



    


 

          
     

103




             







   




    
   
   

    
 




107

  
                
 



   
             

   



111

         
                   



          
      

115




     


    
    
    
   
  








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124

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