History of aesthetics.

Western aesthetics
Under western aesthetics comes a lot of principles of design such as harmony, rhythm
and unity. The greek philosopher believed it was important to have such components in
order for something to look beautiful. Western aesthetics underwent a slow revolution
into what is often called modernism.

Indian aesthetic

The Indian aesthetics tradition traces to the Vedic era texts of Hinduism. The primary
goal is to create rasa so as to lift and transport the spectators, unto the expression of
ultimate reality and transcendent values. The concept of rasa is fundamental to many
forms of Indian arts including dance, music, theatre, painting, sculpture, and literature,
the interpretation and implementation of a particular rasa differs between different styles
and schools. In Indian classical music, each raga is an inspired creation for a specific
mood, where the musician or ensemble creates the rasa in the listener.

In the aesthetic theories of Indian poetics, its ancient scholars discuss both what is
stated and how it is stated , suggesting that the meaning of the text and the experience
of rasa are both important. Among the most celebrated in Hindu traditions on the theory
of poetics and literary works, are 5th-century Bhartrhari and the 9th-century
Anandavardhana, but the theoretical tradition on integrating rasa into literary artworks
likely goes back to a more ancient period. This is generally discussed under the Indian
concepts of Dhvani, Sabdatattva and Sphota. In the Indian theories on sculpture and
architecture , the rasa theories, in part, drive the forms, shapes, arrangements and
expressions in images and structures.