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  • The Long Dark Violin II

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    Valentina Rivera
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    This document is a musical score for violin part II of "The Long Dark" by Cris Velasco. It contains 44 measures of music notation including tempo, time signature, notes, articulation markings, and dynamics. The score ends with the name of the composer.

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    This document is a musical score for violin part II of "The Long Dark" by Cris Velasco. It contains 44 measures of music notation including tempo, time signature, notes, articulation markings, and dynamics. The score ends with the name of the composer.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    24 views2 pages

    The Long Dark Violin II

    Uploaded by

    Valentina Rivera
    This document is a musical score for violin part II of "The Long Dark" by Cris Velasco. It contains 44 measures of music notation including tempo, time signature, notes, articulation markings, and dynamics. The score ends with the name of the composer.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    The

    Long Dark
    Violin II

      
    Cris Velasco

              
         
     
     = 73 pizz.

     
    Violin II


        
    

                    
    13 arco


         
           
     

                
        
    24

                                            
    

             
    6 6 6 6
    33

       
                            
    

         
    6 6 6 6
    35

     
                              
    
       
    6 6

        
    6 6

      
     
    36
    6

           
     
          
           
    6

    
    6 6 6

      
    40
    6
    6

     

                      
    6 6

      
    6

     
     
    41

     

                     
         
    6 6 6

     
    42

       
       
         

      
      
          
        
      
          
    6


    6 6 6
    43

    6 6 6 6

    Daniel Perez
         
     
                   
                 
    6

       
    6

    
       
    44

      
    6 
    6

    2 Daniel Perez

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