The

Long Dark
Violin III

       

Cris Velasco


                   
   
 = 73

Violin III


                                         
6


                                         
11


                                         
16


                                          
21

         

                                      
6 6 6 6

 
28


   

                                      
        
      
34

                            
          
6 6 6 6
6 6 6 6

              
 
36

      
 
6 6 6 6

     
  
        
        
41

   


Daniel Perez