Professional Documents
Culture Documents
It’s also good practice, if you access a link from within a course page (including links to the
quizzes), to open it in a new window or tab. That way you can easily return to where
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What is a badge?
Digital badges are a new way of demonstrating online that you have gained a skill.
Schools, colleges and universities are working with employers and other organisations to
develop open badges that help learners gain recognition for their skills, and support
employers to identify the right candidate for a job.
Badges demonstrate your work and achievement on the course. You can share your
achievement with friends, family and employers, and on social media. Badges are a great
motivation, helping you to reach the end of the course. Gaining a badge often boosts
confidence in the skills and abilities that underpin successful study. So, completing this
course should encourage you to think about taking other courses.
For all the quizzes, you can have three attempts at most of the questions (for true or false
type questions you usually only get one attempt). If you get the answer right first time you
will get more marks than for a correct answer the second or third time. If one of your
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For the badge quizzes, if you’re not successful in getting 50% the first time, after 24 hours
you can attempt the whole quiz, and come back as many times as you like.
We hope that as many people as possible will gain an Open University badge – so you
should see getting a badge as an opportunity to reflect on what you have learned rather
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If you need more guidance on getting a badge and what you can do with it, take a look at
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Get started with Week 1.
● discuss the main characteristics of online education activities and how these differ
from face-to-face teaching
● begin to determine the kinds of face-to-face teaching activities that might, or might
not, transfer successfully to an online environment
● summarise the elements of online teaching that need a different skillset to face-to-
face teaching.
The Open University would really appreciate a few minutes of your time to tell us about
yourself and your expectations for the course before you begin, in our optional
start-of-course survey. Participation will be completely confidential and we will not pass on
your details to others.
Synchronous teaching
Synchronous teaching is where the teacher is present at the same time as the learner(s).
This is almost always the case in a face-to-face environment. Synchronous teaching can
also take place via online learning, through the use of video conferencing and live chat or
instant messaging. As with the face-to-face environment, the learners in synchronous
online teaching can ask questions in real time.
Figure 2 Teaching where learners are present at the same time is called synchronous
teaching
If a course is delivered entirely through synchronous teaching, face to face or online, this
can limit flexibility for learners. Because of the need for everyone to be present at the
same time (even if online), all students must work through the course at a similar pace,
allowing only minimal flexibility in scheduling. As everyone needs to be online together, if
a learner is not available for a lesson, they miss it (although some learning organisations
will record lessons for these students to view later).
The teacher’s role in online synchronous teaching might not be so very different from their
role in the face-to-face environment. Synchronous learning may feature webinars (live
online lessons), group chats, or drop-in sessions where teachers are available to help at a
particular time. However, teaching synchronously online will require some new skills to be
developed, for example in managing the faster pace of this form of teaching.
approach can help teachers to bring together the advantages of synchronous and
asynchronous teaching, and of online and face-to-face teaching, into a single experience.
Having read this section and watched the video that Sarah S. made about her
experiences, think about how synchronous and asynchronous modes of online
teaching could be applied to your work.
Try to come up with three short examples that fit the following situations. These could
be based on your own experiences of teaching or learning, or a situation that you can
imagine:
Comment
This activity is designed to help you begin to think about online teaching in your own
context. One of the very first considerations in taking teaching online is to decide which
elements lend themselves to synchronous learning, asynchronous learning, or both.
The study by Murphy, Rodriguez-Manzanares and Barbour (2011) was conducted in a
particular context: High school distance education. Some of the findings may hold true
for you, but they may not be universally applicable to all students in all courses.
It could be helpful to think about the practical issues, the preferences, and the benefits
in your own case. For example, there could be very good practical reasons for using an
asynchronous approach with your students, such as the expectations that learners will
be engaging at different times. But it might be that a synchronous mode of instruction
is beneficial because it offers a more immediate chance to understand and address
queries. Preferences might vary and could be gathered from students if there is
uncertainty about the best approach. Some students may like the way a synchronous
discussion allows you to create a sense of community and engagement. Others may
prefer the slower pace of an asynchronous activity where they can craft a question or
response in their own time and reflect on it before sharing with others.
It is often sensible to make use of both forms of teaching to provide a range of
experiences and opportunities for learning.
Figure 3 Giving and getting feedback from learners can be achieved both synchronously
and asynchronously.
Feedback in the asynchronous environment will be given some time after a learner has
asked a question. So, if several iterations of the conversation are needed to help the
learner with their issue, it can take some time to give the feedback. This is one of the
reasons why peer feedback is often used in the asynchronous setting, allowing learners to
aid each other without having to wait for the next input by the teacher (Gikandi and
Morrow, 2016).
1. Watch this video ‘Engaging and motivating students’ which summarises views
from a range of experts on student engagement.
2. As you watch, make notes on useful tips that you would like to incorporate into
your own online teaching.
Comment
Teaching online brings many opportunities to use different tools and techniques with
your learners.
This activity should help you to begin thinking, in broad terms at this stage, about what
you might like to try. The upcoming activities will look to develop your ideas further and
guide you towards means of trying them out in practice. More on that to come!
2 Blended learning
● teacher presence
● immediate feedback
● peer interaction.
● independence
● flexibility
● self-pacing.
● learner isolation
● difficulty with motivation.
Comment
This activity is intended to introduce you to the concept of the flipped classroom
approach, and to help you to identify the benefits it may have in your own context.
The benefits suggested for the flipped classroom approach include the ability for
students to work through materials at a pace that suits them, and a reduction in
boredom for students who are finding the material easier. The teacher can spend class
time addressing individual needs.
There is a wider theme that can be found in this video and elsewhere in this course.
This is the way that the role of a teacher can change in response to a change in
approach using technology. In the case of the flipped classroom, the teacher is seen to
become more of a ‘coach, mentor and guide’, rather than acting primarily to deliver
knowledge. You might see this as a benefit, depending on your point of view on what
the role of a teacher should be!
Now that you’ve been introduced to some of the unique aspects of online teaching, the
differences between synchronous and asynchronous elements, the possibilities of
blended learning and the notion of the flipped classroom, the next activity prompts you to
reflect on your own practice and how it might fit with what you have learned so far.
This activity asks you to reflect upon what it is that you would like to achieve in terms of
online teaching. Now that you have read a little about the basics of teaching online,
think about what your goals are in this area. You may not have specific goals in mind
yet. If you don’t, simply focus on one course that you teach and consider how it might
be moved wholly or partially online. Note down answers to the following questions if
you can:
1. What do you want to deliver online? Do you aim to transfer online a small or
substantial element of what you currently deliver face to face? Will you move
entirely online or create a blended approach? Will you use synchronous or
asynchronous activities – or both? Might a flipped classroom approach be
appropriate?
2. To whom do you want to deliver the learning experience? What level of
experience with online learning is likely amongst your intended learners? What
support might your learners need to make a successful transition to online
learning?
3. What resources do you already have that you might be able to repurpose for
online learning?
Record your responses below and, if you wish, in your own journal as you will revisit
them later in this course.
Comment
This is the first in a series of activities that appear throughout this course, helping you
to develop a plan for taking your teaching online. This first step will give your plans a
starting point. You may find it helpful at this stage to keep a range of options available,
perhaps listing several ideas for each point. You could narrow these down to a single
plan a little later.
Summary
This week you’ve been introduced to some of the core concepts in online teaching.
Synchronous and asynchronous activities are a key distinction in teaching online, and
deciding which activities or resources should be used synchronously and which
asynchronously is one of the fundamental skills any online teacher must develop. Blended
learning and flipped classroom techniques could become a fundamental part of thinking
for teachers whose classes are divided between a face-to-face element and an online
element. We will move on next week to looking at what makes effective online teaching
and how education theories can inform how we approach online teaching. Before we
move on, however, let’s have a few moments with Rita, to see how she’s getting on.
Teacher reflections
This week we have a clip from Leanne, who tells us about some of the tools and concepts
she has found useful in her teaching.
Watch the video ‘What are some benefits to teaching online?’ and make a note of any
concerns expressed that you had not already thought of regarding your own teaching
context.
Comment
Often teachers have preconceptions about teaching online and what they or their
learners may ‘lose’ if they take their teaching online.
This week’s material and activities are designed to help you to separate perceived
advantages and disadvantages of teaching online from the real ones, as applied to you
in your own context.
Rather than being a simple binary choice, there are lots of options and ways of tailoring
online teaching to any context. So it is important to be aware of key concepts and
types of tools, consider what is known about these, and to have an approach that
allows you to trial ways of teaching online and to understand the results. The course
will help you to develop in each of these areas.
Searching the web for ‘principles of effective online teaching’ brings up many different
takes on the topic, each slightly different. On the following pages you will find a
summary of some of the key principles that almost always feature in these lists. They
have been gathered from a range of sources but have been inspired in particular by
Cooper (2016) and Hill (2009).
2.1 Behaviourism
Skinner (1968) and Thorndike (1928) were two of the main proponents of behaviourism.
Their work examined how behaviour is linked to experience and reward. So in the online
teaching context, teachers should be aware to ‘reward’ their learners for positive
behaviour. This need not be solely via the domain of the assessed parts of the course, but
also in giving encouragement and positive feedback for engaging in discussion activities
or reaching certain milestones on schedule, for example.
2.2 Cognitivism
Cognitivism largely replaced behaviourism and came to prominence in the late 20th
century. This theory concentrated on the organisation of knowledge, information
processing and decision-making. Ausubel (1960) and Bruner (1966) were two of the main
proponents of cognitivism. Bruner pursued the notion that learners should be given
opportunities to discover for themselves relationships that are inherent in the learning
material, a teaching technique he named ‘scaffolding’. In an online teaching environment,
this could manifest itself in the teacher providing regular and focused support to each
learner in the early stages of the course, but making less frequent supporting
interventions as the learner begins to act successfully by themselves. Ausubel’s work in
this area would suggest that it is better for the teacher to provide some materials in
advance, that allow the learner to ‘organise’ their learning approach prior to them
accessing the actual course materials, so that they have already developed much of the
skillset they will need to successfully undertake the course.
2.3 Constructivism
the ways in which a teacher can offer support and challenge are different from those used
in a face-to-face teaching scenario, as this course will explain.
2.4 Connectivism
This theory takes into account the availability of a plethora of information on the web,
which can be shared around the world almost instantaneously with the rise of social
networking. Connectivism draws on chaos theory’s recognition of ‘everything being
connected to everything else’. It also draws on networking principles, and theories of
complexity and self-organisation, and is built on a notion that ‘the connections that enable
us to learn more are more important than our current state of knowing’ (Siemens, 2005).
Siemens explains that:
Unlike the other theories presented above, connectivism is ‘a learning theory for the digital
age’ (Siemens, 2005). It is also newer and less established in terms of a body of research.
Whether or not you agree with its arguments, two very important questions for this course
are prompted by connectivism: has the internet fundamentally changed what learning is?
And does the internet change what education, and educators, should aim to achieve?
Comment
As a teacher, you are probably familiar with these theories already, but it can be helpful
to take a step back and look at your teaching with a critical eye. This activity should
help you to identify where you draw on the theories, which, as you move through the
course, should help you to decide where the theories will play a role in your online
teaching.
Here you have explored some of the theories that inform the underpinning principles of
effective online teaching. However, online teaching cannot take place without the
application of technology, and this is what you will focus upon next.
● Substitution: where technology is used as a direct substitute for what you might do
already, with no functional change.
● Augmentation: where technology is a direct substitute, but there is functional
improvement over what you did without the technology.
● Modification: where technology allows you to significantly redesign the task.
● Redefinition: where technology allows you to do what was previously not possible.
There has been substantial debate about the value of, and evidence for, the SAMR model
(for example Love, 2015). However, it has achieved some popularity amongst
researchers and practitioners. Here, we are simply using it as a way to categorise four
ways in which a teacher might start to introduce technology into their online teaching. If
you have time, you may wish to explore some of the discussions about the value of this
model, starting by following up the references above.
The following sections describe different groups of tools that teachers might commonly
use in getting started using technology in online teaching.
schools will not normally have much input into the selection process when the institution is
investing in one of these products (even ‘free’ LMS systems like Moodle require
investment in terms of adapting and running the product). Usually the teacher’s role is to
find out what possibilities exist for teaching online using the product, and to use the
elements that seem most productive in their individual context. Often a variety of tools can
be included, such as blogs and wikis, quizzes and automated assessment processes,
spaces for synchronous and asynchronous learning activities, and repositories for
learning objects. You will learn more about the ways in which LMS tools can be used in
teaching next week.
4 Learning objects
Digital networks and tools support sharing and replication of content with little effort.
Unlike a physical object such as a printed book, a digital object can be copied, shared,
edited, and re-shared without any impact on the original object. Many educators have
explored how we might be supported to create and use digital objects in different ways to
those physical objects. Over time, this has led to the development of several concepts
which we start to introduce here, and return to in more depth in later stages of the course.
The concept of a learning object suggests that small, self-contained digital units of
learning can be created that can then be combined, reused or adapted for repeat usage.
When these started to emerge, the term Reusable Learning Objects (RLOs) was used to
describe them. This was because it was argued that when a learning object was shared, it
should be created in such a way that it helps another educator or learner to make use of it
themselves.
Recently, you are more likely to see the term Open Educational Resources (OERs) used
to describe content that is shared by educators. OER has become a more popular and
widely understood concept amongst educators across the world than RLO. OER is in part
an evolution of the idea of a RLO, however, the two terms are not completely
interchangeable. Firstly, RLOs are, by definition, designed to be shareable, whereas
OERs may be teaching materials that have been deemed shareable by the author but
which have not followed a specific approach that supports other educators to reuse them.
What OERs do provide, by definition, is a licence that makes it clear that there is legal
provision for reuse by others according to certain rules. RLOs do not necessarily have
these licenses, although to be truly reusable, they should.
Learning objects can vary in nature from multimedia packages with audio and/or video
elements, to single tasks presented in text or slideshow documents, with myriad variations
and varieties in between. The role of the online teacher may be to create or feed into the
creation of learning objects, or it may be to use learning objects produced by other teams
within the institution to deliver an online learning experience, by means of asynchronous
and synchronous activities. Repositories of RLOs exist on the internet, meaning that
adventurous learners may discover them and use them to enhance their learning outside
of the given course materials. Examples of these repositories include Wisc-Online, and
MERLOT, whose RLO contents are also OERs.
Watch this video ‘Learning Objects’, and then identify and note down three potential
learning objects that could be created from the materials that you have used in your
own teaching or learning. Consider whether these might be successfully reused by
others online, and what additions or modification, if any, they would need to be useful
learning objects.
Comment
This activity should help you to start thinking about resources you already use, and
how they might work in online teaching. If you completed this exercise quickly, you
might find it helpful to go on to perform a brief audit of all of the learning objects that
you currently use, so that you could consider repurposing any or all of them in your
future online teaching.
Churchill (2007) proposed a typology that may be useful when thinking about the variety
of learning objects and their purposes:
Now is a good time for you to develop your own plans for taking your teaching online.
Each week you will build further upon these notes until you have a comprehensive plan of
action.
Activity 4 Building learning objects into your plans for teaching online
Allow about 60 minutes
1. Last week in Activity 4 you were asked what teaching you might want to deliver
online, who you would deliver it to, and what materials you might repurpose.
Revisit your notes about what you want to deliver online. If you typed your notes
into the box in Week 1, they will automatically appear below this list.
2. Now return to this week’s learning. Which types of learning object might you
develop or reuse in order to deliver the objectives you have?
3. Next, revisiting Section 1 of this week, consider how you might build or integrate
your learning objects in a way that takes into account the ‘principles of effective
online teaching’.
4. Finally, consider which tools you might need in order to create an effective
learning experience using these objects. At the moment, you might not know the
names of all the relevant tools, and that’s fine – simply write something like ‘a tool
that will allow me to…’ and continue the sentence with a specific action such as
‘combine video with passages of text’ or ‘give my learners a multiple choice quiz’.
As with Activity 4 from Week 1, keep your responses in a safe place, as you will build
upon them later in the course.
Comment
Here you are building on your responses from last week, to move your plan for online
teaching another step forward. It is important that you consider not only the learning
objects you may wish to reuse, but also how you might use them, both pedagogically
(part 3 of the activity) and in terms of how the technology might help you to deliver
them (part 4).
Summary
In this week you have looked at the core theories and principles that underpin good quality
online teaching. You have also started to look at the digital technologies involved in online
teaching and the use of learning objects – both of these will be revisited in much more
detail later in the course. In fact, next week’s material is all about the technologies that you
can use to deliver your online teaching.
Finally for this week, let’s see how Rita’s getting along.
Week 3: Selecting
technologies: what to look for
and how to choose
Introduction
Figure 1 There are a range of tools that can be used in online teaching
This week will give you an overview of the main types of tools available for use online,
what they offer, and how you might use them in your online teaching. This section does
not aim to be, and could never be, completely comprehensive, and we’ll show you a few
online resources that you may find useful for further exploration. We present some
categorisations of these tools as a way of helping you to understand the potential of some
of the main types of tools for your own context. The internet is replete with blog posts,
categorisations, discussions, and sales pitches about these tools. So what we want to do
is give you a starting point to better navigate and use it to your advantage in your work.
A brief note on privacy and personal information, which is particularly relevant to this week
and next week, where you may find yourself registering for and trying different tools. If you
are concerned by the privacy implications of using some of the tools covered in this
week’s materials, one approach is to use an alias when creating your account with them,
and to create a separate email address (e.g. using Google’s Gmail) for the purpose of
registering for the service instead of using your usual email address. However, this
approach will not make your actions truly anonymous or private, e.g. the service provider
or your ISP will be able to identify that it is your computer accessing the service. It is
possible to take further steps such as using a service to anonymise your computer
(e.g. www.anonymizer.com). However, discussion of the pros and cons of such
techniques is beyond the scope of this course.
Teacher reflections
This week we have a video from Sarah H., who tells us about how she decides on the
tools to use in teaching:
● describe some of the ways to categorise educational technologies for online teaching
● explain how some of the tools available might help with certain learning objectives
● start making informed decisions about which tools you might try in your own context.
Figure 2 There are many resources online that can be used for creating learning
resources – just be sure to check how you can use them
There are so many technologies available that could be used for content creation, it is
impossible to cover them all. New tools are produced regularly, and older ones disappear,
so giving specific examples can be a tricky thing to do as tools can become outdated very
quickly. Here we’ve provided an overview of the kinds of tools available and some brief
guidance for things you should be aware of when using them.
Tip
Use a good quality microphone to ensure clear sound. These are usually inexpensive, but
the increase in output quality makes investing in one worthwhile for an online teacher.
1.2 Screencasting
This is a way of recording what you are doing on a computer screen, with a voiceover. It is
ideal for demonstrations where learners benefit from seeing something being done. The
learners can replay the screencast as often as they wish, and can pause and rewind.
Applications of this kind of content creation tool include demonstrating how to use a
certain software program or how to access a particular database (Peterson, 2007). Free
screencasting tools, and free trials of paid-for tools, are available, although they may be
limited in terms of the length of recording that can be produced, and sometimes the
finished recordings contain a watermark ‘advertising’ the tool used. Paid-for tools offer a
much greater range of features and flexibility in output. But you can try it out first and see if
you or your organisation considers it worthwhile to purchase a licence. Camtasia and
Adobe Presenter are examples of paid-for tools which offer a free trial at the time of
writing. Wikipedia hosts a list of screencasting software that includes many free and paid-
for tools.
Tip
Screencasts can quickly accumulate very large file sizes because they capture both audio
and visuals. You may aid your learners by producing a number of shorter clips rather than
long ones, as these will download or buffer more quickly.
Watch these two short screencasts. The first is demonstrating how to align or justify
text in word processing software, the second shows some tips for using photo editing
software. It is not the subject matter of these clips that you should note here, but you
should use them as inspiration to think about the possibilities for which elements of
your own teaching might be explained or demonstrated effectively by the use of
screencasts. Note down some ideas for suitable topics in your own teaching.
Screencast 1: Aligning text
Screencast 2: Photoshop Lightroom
Comment
Screencasts can be very effective for explaining or demonstrating certain concepts or
topics. This activity should prompt some thoughts about elements of your own
teaching that might make good subject matter for screencasts. The videos show some
different approaches that can be taken and screencasts vary depending on the subject
matter. If you think there is potential then we recommend trialling some of the software
listed above as this can be a very powerful tool.
A related approach of sharing the screen during a ‘live’ video call is possible using
many modern video conferencing tools. However, if this is not recorded it would not be
available for later use in the way that these screencasts are.
Watch the video and make notes about how achievable and effective this method
could be in delivering your own teaching online.
Comment
We really want to get across the idea that video does not need to be an expensive,
high-tech venture. This activity is designed to demonstrate how achievable it can be
for many teachers, and to help you to think about how it might be useful in your own
online teaching.
Tip
Even with low-tech approaches to video, certain techniques can make a big difference to
the quality and effectiveness of your clips. Keep the camera stable (by placing on a firm
surface or using a tripod, for example) and be aware of distracting elements in the
background (such as screens, people or pets moving around, or even personal items such
as family photographs).
Tip
Ensure that the resolution and file sizes of your images are appropriate. If the resolution is
too low, details may not be sufficiently clear, especially for students using certain displays or
magnification software. Conversely, very high resolution images can mean huge file sizes
that take a long time to download for anyone with a slower internet connection. File sizes
can be checked through looking at the ‘properties’ of the file in your computer’s file
manager. While software tools all differ, there are generally options when saving a file that
allow resolution or quality to be changed. Also ensure that you have provided a description
of the image so that students unable to view it can still understand what is being depicted
(you will learn more about making your learning inclusive in Week 6).
an idea for an online teaching technique that you’d like to try with your learners, the
chances are that there will be a tool somewhere to help you to achieve it.
Tip
Some of these types of tools may use browser plug ins that add the ability to use
technologies, such as Flash or Java, to generate content for you. If this is the case, you
may need to ensure that you and your students have up to date Flash and Java installations
for these websites to work properly. Guidance on this can be found at Adobe Flash Player
and Java. It is worth checking whether the interactive components work well on different
kinds of browsers or platforms. For example, do they work on a tablet or mobile device?
Adobe Connect and Blackboard Collaborate, for example, but there are many similar
products available, including tools designed for individual use such as Skype, Zoom or
Google Hangouts. These platforms provide the online teacher with opportunities for online
classroom-like teaching scenarios, as well as offering opportunities for screensharing,
group work, peer review and more. The greatest strengths of platforms like this tend to be
in synchronous learning, although they can also be readily combined with tools like
discussion forums to broaden the impact to asynchronous environments (Çakiroglu et al.,
2016, Guo and Möllering, 2016, Kear et al., 2012). These tools can be used for replicating
a seminar environment by wrapping synchronous discussion tools around a central
presentation or video with voiceover.
From the nine technologies presented in this section, select two of interest and make
notes about how you would like to use them in online teaching. Add these to your
existing notes about your plans for moving into online teaching.
Comment
As you build your plans for online teaching, you should already have some ideas of the
kinds of technologies that you could use to deliver your teaching online. This activity
helps you to identify several that you will explore further initially – you can always
investigate the others later on.
Figure 5 Personalisation
Personalisation is the tailoring of teaching and teaching materials (and the environment in
which they are delivered) to suit the needs and preferences of a range of learners. It links
closely to accessibility for learners with disabilities, and we shall examine this aspect in
more detail in Week 6. This week, however, we are considering how technology can be
used to support the whole range of learners, whatever their needs or preferences.
Online teaching usually has more opportunities for personalisation than face-to-face
teaching, simply because it is easier for learners to use the available technology to modify
their learning environment to suit their needs. (Imagine, for example, the ease of dimming
a computer screen, compared to the difficulties in dimming a classroom environment
without inconveniencing other learners.)
Figure 6 Learners can adapt online lessons to suit their own needs
Asynchronous online learning usually has more opportunities for personalisation than
synchronous learning because it gives the learners flexibility in terms of when and where
they access the learning materials.
The ideal way to optimise personalisation in online teaching has two elements:
● Design teaching materials that will meet a wide group of needs and preferences,
utilising a variety of media and teaching techniques.
● Put control in the hands of each learner, allowing them to adjust the materials to suit
themselves.
Instructions
Sometimes designing and delivering materials for a wide range of audience needs simply
means enhancing clarity. Ensure your instructions are clear and unambiguous (be
consistent with terms like Units, Pages, Weeks, Sections and so on) (Ernest et al., 2013).
If you are creating audio or audiovisual material, ensure you speak slowly and clearly,
taking pauses to allow digestion of key sentences or phrases.
Cultural references
Be aware that your learners may not all have the same cultural backgrounds, so be
careful when using idioms or cultural references in teaching materials (Arbour
et al., 2015). You may also need to consider your choice of images so that diversity is fully
reflected.
Flexibility of schedule
Whilst it is vital to provide students with a schedule of key dates and deadlines in the
course, and to ensure at regular intervals that they are aware of what is immediately
ahead of them, you can also design in flexibility where possible. If there is not a strict need
for every learner to complete a certain task at the same time, then allow a little more time
to those who need it. Some learners may need individual attention from the teacher in
order to keep to the overall schedule – this is a further element of personalisation (Ernest
et al., 2013).
However, these alternative formats are often used by a much wider range of people than
those for whom they were originally intended, so ensure that all of these format options
are available as standard for all learners (Fidaldo and Thormann, 2017). Similarly, some
learners may prefer to receive your feedback as an audio mp3 rather than written text.
This can even be quicker to produce than annotating a document with text-based
feedback.
Figure 7 Manage the introduction of social media into your online lessons
As you saw in the Week 1 section on backchannels, and the discussion of connectivism in
Week 2, social media can have an important role in online teaching. There are a variety of
social communication tools that can be employed in online teaching, each with its own
potential advantages (and sometimes drawbacks too).
There sometimes needs to be a phased approach to the use of social media tools in
online teaching. Skills in providing constructive feedback perhaps need to be honed in a
relatively closed environment (such as a discussion forum, commenting first on a teacher-
provided item, and later on each other’s contributions) before being moved to a more
public arena (Jones and Gallen, 2016). Twitter and YouTube can both be used to great
effect in demonstrating how public commenting can easily move away from ‘constructive’
and in an unhealthy direction.
If you wish to read more about the positive and negative effects of using social media in
teaching, Haylett (2016) gathers together a variety of literature on the subject and draws
the conclusion that there appears to be a significant effect on student engagement from
the use of social media. However, there may potentially be negative effects on student
attainment.
Figure 8 Social media tools can give learners an easy way to communicate with each
other
Some social media tools can be used to enhance communication and cohesion among
your group of online learners. ‘Collecting’ tools such as Pinterest can help learners
discover a topic collectively and share their findings or ideas. Social bookmarking tools
such as Diigo can aid in broadening learners’ research skills, connecting them with
resources they hadn’t previously discovered. Of course, simply using the right
technologies will not force a sense of community and shared learning to develop in any
given cohort, but it will give it a chance of happening. If Facebook is available to all
members of your cohort (it is blocked in some countries), the creation of a class Facebook
group can give learners an easy way to communicate with each other, as well as providing
the teacher with an opportunity to provide prompt scheduling reminders, and to share
relevant resources. Coughlan and Perryman (2015) have written about the use of student-
led Facebook groups and their role in facilitating learning and achieving educational
inclusion.
Take a look at this infographic which provides a wide range of suggestions for ways in
which social media can be used in education: (You should be able to click on the image
to zoom in closer.)
Using the section entitled ‘How to use social media in class’, write down two to three
ideas that you might like to try out one day.
Comment
Social media tools can be useful in teaching, even though they may require careful
implementation. This activity is designed to get you started with thinking about how
social media may play a role in your online teaching, and what factors you need to
consider when implementing them.
5 How to choose
● The intended learning outcomes for the course. Technology must serve the
pedagogical outcomes, not determine them.
● The students’ situation (location, access to internet, number of students in the class,
etc. This reflects the issues covered in Section 2 of this week).
● The activities or technical requirements of the course content (e.g. inclusion of large
graphic files, collaborative tools, live chat features, external guest lecturer access,
file sharing, discussions, etc.).
● The breadth and depth of the teacher’s previous online experience. While it is
tempting to use every new tool and feature in your teaching, it is better to start slowly
and build up your experience and confidence. Introduce one component, use it
appropriately, evaluate its success, and then adjust your teaching where necessary.
Slowly introduce more components once you and/or the students are more
comfortable with the technology. (In Week 8 of this course you will learn more about
‘action research’ and evaluation of your use of technology in teaching.)
● The requirements or policies of the institution regarding the use of different online
technologies.
● Whether a centralised learning management system (LMS) or free, open web
technology is available or preferable.
● Cost, to yourself or your organisation, both directly in purchase costs and indirectly in
the amount of time needed to become competent in its usage.
If you would like to read more about technology and tools for online learning, JISC (2016)
have created a resource combining guidance with case studies, and including a useful
checklist.
Read the activity tasks below and then examine the table that follows.
1. Which tools and associated practices shown in the table do you or your learners
(as far as you know) currently use in a teaching and/or learning context? Spend
just a few minutes making a list.
2. As far as you know, outside of the teaching environment, which tools do your
learners use (or which would you presume that they use) to express themselves,
to reflect, to explore and to play? Again, make a list.
3. Which of the tools on your two lists above are social? Put an asterisk by each of
the tools that you would describe as social.
Comment
This activity should help you to develop further your responses from last week – now
you should be able to match possible tools to the tasks you wish your learners to
achieve online. In later weeks, you will build further upon these ideas.
Information literacy. Exposure to, awareness of, contribute to Multi-dimensional RSS feeds/aggregators.
external: evaluation.
Global practice. Blogs.
● activity Sharing and reviewing
Digital literacy. online resources. Plagiarism prevention
● conversations (e.g. Turnitin).
Ethical practice. Connecting with out-
● resources side experts/commu- Presentation sharing
Preparation for suc- (e.g. SlideShare).
cess. ● techniques and approaches. nities.
Check for plagiarism. Video sharing
Appropriate referencing. (e.g. YouTube, Vimeo).
Media making/
Appropriate equipment of the 21st century mashups. Podcasting.
graduate.
Digital storytelling. Online/distance learning
Managing information load. platforms
Copyright/Creative (e.g. Blackboard Collabo-
commons discus- rate, Adobe Connect).
sions.
Screencasting.
Activities relevant and
authentic to discipline.
Embedded activities
for generic attributes.
Contextual prompts to
evaluate sources.
Comment
This activity should help you to develop further your responses from previous weeks –
now you should be able to match possible tools to the tasks you wish your learners to
achieve online.
Summary
This week you have learned about a lot of different tools and technologies, including
social media, that can be used in online teaching. You have learned how to choose the
right tool for each task, beginning with the learning outcomes you want learners to
achieve.
Next week we will be looking at another side to social media’s role in taking your teaching
online – the role of facilitating the creation and development of your own networks.
While you contemplate all of the tools and technologies that you’ve been made aware of
this week, let’s see how Rita’s been coping with all this useful information.
shared if you want it to be. In turn, you should be able to find people with similar interests
in using online learning to you, who share findings or resources that they think are useful.
In this week of the course you will find out about what advantages can be gained by
expanding your online networks, and will start to work on developing your own.
Teacher reflections
This week we have another clip from Sarah S., whom you have already encountered in a
previous week. Here she reflects on her experiences with online networks:
Figure 2 People come together for all sorts of reasons – social and professional – and
networks can help with this
We’ll start with a quote from an article about the connecting of computers together to form
networks:
‘Most of the benefits of networking can be divided into two generic categories:
connectivity and sharing. Networks allow computers, and hence their users, to
be connected together. They also allow for the easy sharing of information and
resources, and cooperation between the devices in other ways. Since modern
business depends so much on the intelligent flow and management of
information, this tells you a lot about why networking is so valuable.’
(Kozierok, 2005)
With just a few amendments, this quote can describe the benefits of social networking to
any educator:
Most of the benefits of networking can be divided into two generic categories:
connectivity and sharing. Networks allow teachers to be connected together.
They also allow for the easy sharing of information and resources, and
cooperation between the teachers in other ways. Since online education
depends so much on the intelligent flow and management of information, this
tells you a lot about why networking is so valuable.
As you will have seen in the previous weeks of this course, teaching online requires
thought, planning, and perhaps a little bravery in trying new technologies and techniques.
Any feelings of nervousness can be reduced by gaining support from networks of people
who are either in a similar position, or who have already done what you are starting to do.
Luckily, in today’s age there are a large number of mechanisms by which we can
participate in networks, helping each of us to start to develop a personal network around
ourselves (Ansmann et al., 2014).
It’s worth noting that networking is largely invisible to others and only partly visible to the
direct participants in any exchange. This is true whether networking occurs face to face or
online. It is not always clear (sometimes even to yourself) whether you are actively
networking, or just having a chat – and often one can become the other without anyone
formally recognising it. Networking can be something that obviously bears that name –
introducing yourself to a group at a face-to-face conference or posting in an ‘Online
teaching newcomers’ discussion forum, for example. But networking can also take place
much less formally, for example by following relevant Twitter accounts, or by chatting to
colleagues or peers.
There are a number of benefits to participating in networking activities and these will be
discussed on the following page.
Figure 3 Social networking allows you to interact however you wish, and so you can focus
more on certain networks and communities, and dip into others more occasionally
Teachers can readily use social networks to share teaching ideas, tips and tricks with
others in a similar position. You can join an online network and simply ‘lurk’ (observe
without contributing), or once you have a feel for the way things are done, you could
comment on other people’s ideas, and use them for your own inspiration. Eventually you
can run your own ideas past others, and by doing this you can obtain valuable feedback
and improve your materials before they go in front of learners. It is also wise when
considering partnerships, networks and communities, to be aware of potential
‘boundaries’ between different types of people, different roles, even different pay grades
(MacGillivray, 2017) – this is another good reason for initially ‘lurking’ to assess the
situation in each new network or community you join.
Complete the following table. Which of the following networks do you already
participate in? In each case, consider the type of participation you have with each
network. (Participations described as ‘informal’ can be ad hoc, on any topic,
sometimes unrelated to your own teaching practice; participations described as
‘formal’ would be focused on improving your teaching or sharing resources.)
Type of participation > Observer (or ‘lurker’, Responder (answering Text contributor (posting Informa
reading other people’s questions or questions or starting (providi
Type of network input but not commenting on discussions) informa
contributing directly) discussions) your ow
˅
Informal online contact with Provide your answer... Provide your answer... Provide your answer... Provide
teachers in your organisation
that you interact with mostly
face to face.
Informal online contact with Provide your answer... Provide your answer... Provide your answer... Provide
teachers in your organisation
that you interact with mostly
online.
Informal online contact with Provide your answer... Provide your answer... Provide your answer... Provide
teachers in other
organisations that you have
met face to face at some
time.
Informal online contact with Provide your answer... Provide your answer... Provide your answer... Provide
teachers that have come
together informally via social
media.
Formal online contact with Provide your answer... Provide your answer... Provide your answer... Provide
teachers of the same subject
discipline or age group.
Formal online contact with Provide your answer... Provide your answer... Provide your answer... Provide
teachers of many
backgrounds focused
around particular teaching
topics (e.g. flipped
classrooms, online
teaching etc.)
Formal online contact with Provide your answer... Provide your answer... Provide your answer... Provide
other members of
organisations of teachers
(e.g. members of
professional bodies,
unions etc.)
Comment
When taking your teaching online it is important to consider not only your teaching
materials, but your own practice as a member of the wider teaching community. This
activity should help you to identify where you could make the most of your existing
connections, and how you might make new ones online.
regularly. Note that this definition allows for, but does not assume, intentionality:
learning can be the reason the community comes together or an incidental
outcome of member’s interactions.’ (Wenger-Trayner and Wenger-
Trayner, 2015)
What is a community of practice and what does one look like? The Wenger-Trayners
identify three characteristics of a community of practice:
They go on to say that ‘it is the combination of these three elements that constitutes a
community of practice. And it is by developing these three elements in parallel that one
cultivates such a community’. So this is what you need to achieve if you want to turn your
networking into the establishment of a community of practice.
You may find that this theory very accurately matches your experiences of professional
communities, or you may find you would prefer to modify it in some way. Whichever of
these views you take, the theory provides a framework through which you will be able to
compare and evaluate the communities that you become aware of.
‘When you arrive you are disappointed to find out that someone who has
attended for the previous three years, and who you always have a meal with,
has stayed at home because they can attend remotely. In the opening session
the keynote speaker makes a claim that someone checks and passes around
via Twitter, and it seems they have misrepresented the research findings. There
is a noticeable change in atmosphere and the questions the speaker receives
are more challenging than you usually encounter. In another session the
speaker takes questions from the remote audience, which includes students
and this generates a very good discussion about the learner perspective.
That evening the conference bar seems rather empty, and seeing an old
colleague he informs you that there is an alternative conference Facebook
page, and they have arranged a meeting in a local bar, with a discussion
theme.
The next day the afternoon doesn't have any presentations; instead it has an
informal format where the participants seek to create a set of learning
resources and a link up with four remote hubs in different cities.’ (pg. 116)
This may at first glance seem like a negative summary of the technological developments
at the conference, but these changes to people’s behaviour represent real changes to an
activity at the core of scholarly practice and are therefore a good example of the type of
network weather that we may all experience in our day-to-day lives as educators.
● Remote participation – streaming events allows people to attend remotely and often
put questions to the speakers.
● The backchannel – Twitter, in particular, has become a potent force for creating a
backchannel of conversation, with positive and negative results.
● Amplified events – many conferences now seek to draw in a wider audience using
remote participation, beyond the normal constituents.
● Socialisation – people will organise events before and during the conference using
social networks.
● Alternative session formats – in response to the impact of such technologies,
conference organisers are beginning to use the face-to-face element of conferences
to do more than just content delivery.
Using networked tools to live blog, tweet or otherwise capture conference interaction as
the event happens is becoming more common and is referred to as the conference
‘backchannel’ (you were introduced to this concept in Week 1 of this course). This allows
participants to discuss the conference activity while it is in progress, both with those at the
event, and other interested parties. Some conferences make this backchannel discussion
more visible, referring to queries posed online. Whether formally captured or not, one
effect of this networked activity is that it presents and preserves discussion and reactions
to the conference as these occur, in a way that can be searched after the event is over. It
is an addition to the usual recordings and is less tightly controlled.
As a teacher who is venturing into the online world, you need to be aware of the
network weather around you. Jot down some brief thoughts in response to each of the
following questions:
● Where might you begin to look for easy networking opportunities that may be
available to you that you simply don’t yet know exist? In which of these would you
wish to begin as a ‘lurker’? Are there any that you might feel sufficiently confident
to actively participate in now?
● What networking activity do you already participate in that could be modified or
refocused to bring you networking benefits?
● How could you harness the power of the ‘weather’ that is already around you to
benefit your online teaching practice?
Comment
Networking is an activity that all teachers participate in, although often it is limited to
the colleagues who work in the same organisation. This activity is designed to help you
identify other avenues for networking, so that you may benefit from the ‘weather’
occurring around you if you choose to tap into it.
Figure 6 Technology allows us to form networks globally, not just with those immediately
around us
If you are interested in expanding your work-related networks, this can be done by joining
an established community of practice (Krutka et al., 2014). Look around the internet for
communities or ‘teaching groups’ (Heinrich, 2015) relating to your own particular niche of
education – such as the level at which you teach, the subject you teach, any particular
objectives with respect to online learning. It might take some searching to find a few
communities that seem like a good fit for you. Join one or several of these and ‘lurk’ –
observe the kinds of discussions that happen and decide if they are the sort of thing that
would benefit you to ultimately take part in. One of these communities of practice may be
the ideal starting point for establishing, or further developing your own research identity,
skills and your sense of membership of a community.
For those working in education, there are several services that offer ways to find and
connect with academics. One of the most widely used is the social networking site
LinkedIn.com, which provides for all kinds of professionals and claims to be ‘the world’s
largest professional network on the Internet’ (LinkedIn, 2017). For those working in higher
education, more specialised academic-specific social networking services are also
available, such as Academia.edu and ResearchGate.net, which have been set up to help
academics and researchers engage with each other through sharing publications and
facilitating communication. For those working in a school environment,
EducatorsConnect.com might be a good place to start.
Another useful way to make contact with like-minded people is to use a microblogging site
such as Twitter (Carpenter and Krutka, 2014) or Weibo. These can be fast-flowing rivers
of information, much of it irrelevant to you, and, much like crossing that fast-flowing river, if
you do not go into it with a clear plan, you risk being swept away. So, when considering
using a microblogging site to develop your network, you should follow these steps to
ensure you maximise its usefulness to you:
There are of course other tasks you may wish to do as well, such as following particular
celebrities or information sources unrelated to your work environment.
If you wish to use Twitter, these instructions could help you to maximise the benefits. If
you wish to use a different tool, the principles of the instructions will remain valid, but you
will need to alter the method and tools to suit your platform.
Think about any networks and communities you already belong to (formal and
informal). How do these communities share information? What tools do they use? How
could they use other channels or media to improve that flow of information?
How could you increase your connections and reach? How might tools like Twitter,
Weibo or other social networking sites help you?
Finally, think back to Activity 5 last week (your notes from that activity are displayed in
the box below), and build upon your objectives by adding notes about how you might
use networks and communities to help you achieve your online teaching objectives.
Again, keep your answers in a safe place, as you will revisit them.
Comment
This activity brings forward your plans for teaching online that you have been
developing over the previous weeks of this course, and weaves into them your role as
a networked teacher. It should help you to identify how you could utilise the networks
available to you to inform and improve your online teaching.
Summary
This week’s material has presented you with a variety of possible paths you could take
towards joining, creating or developing networks. The benefits of being connected to other
teachers in this way have been highlighted. Hopefully, you now have some ideas about
where you want your networking to go next. Rita has certainly got a few ideas:
You are now half way through the course. The Open University would really appreciate
your feedback and suggestions for future improvement in our optional
end-of-course survey, which you will also have an opportunity to complete at the end of
Week 8. Participation will be completely confidential and we will not pass on your details
to others.
You can now go to Week 5.
examine some repositories and other ways of finding OER to reuse and repurpose in your
own context.
Teacher reflections
This week we hear from Andy, who discusses his experiences with finding, using, and
sharing OER as part of teaching practice:
● define Open Educational Resources and list some examples of what this term
covers.
● understand Creative Commons licences and use these properly
● search OER Repositories and the wider internet for material that you can legally
reuse in your teaching.
Watch this short video ‘OER Introduction II’ explaining why OERs are important, and
note down what users have permission to do with OERs (found in the
section 1:13–1:24).
Comment
OERs have a great deal of value to teachers and especially to those who teach online.
This activity is designed to illustrate why OERs may be important to you as you take
your teaching online.
December, the first set of Creative Commons licences were produced (you will learn more
about Creative Commons later in this week’s materials).
Today, the open education space is occupied by both individual educators who reuse and
share materials, and large educational enterprises with varying interpretations of what
‘open’ means. The rapid growth of MOOCs (Massive Open Online Courses) from the likes
of FutureLearn, edX, Coursera and Udacity are important in the story of open education.
Although these courses may be ‘open’ in terms of not restricting registration, the materials
used are not necessarily licensed as OER and may be subject to copyright. MOOCs and
other forms of online learning can be studied in detail through other course offerings from
The Open University. See the ‘next steps’ section on the course Conclusion page.
This video ‘Creative Commons Kiwi’ explains the four different symbols you may find
on a Creative Commons licence, and the six possible combinations of these.
This page also provides explanations of each of the licences if you want to use a text
version. Make your own notes on the four symbols and six combinations, so that you
will be able to refer to them in the future to identify what you are permitted to do with
shared resources you find online.
Comment
Creative Commons licences are an essential part of sharing or reusing teaching
resources online. You need to be able to identify at a glance the reuse conditions
attached to any learning object, and you should of course apply licences to any work
you share more widely, too.
Now, thanks to Creative Commons licences, when you find materials on the web that you
would like to use in your online teaching, you will be quickly able to tell whether you can
reuse the item, whether you can modify it, whether you can use it to make money, and
whether you need to apply an identical licence onto your own resulting work.
In many cases, OER are as rigorous in their production as any other educational
resource. They may be shared by some of the best educators in the field, or they may
have been the product of collaboration or feedback from educators worldwide. But there
are, as yet, no common standards or guidelines for assessing the quality or accuracy of
OERs. A recent EU report concluded that, as yet, there are few national policies or
guidelines concerning the validation or certification of OER (Cedefop, 2016), let alone
multinational or global standards.
The first step in this process is to use your subject knowledge to check the accuracy of
knowledge claims made in the resource. In academic papers, for example, knowledge
claims are often found in a distinct ‘Findings’ section, and may be repeated in the
conclusion of a report. Are any items presented as facts, to the best of your knowledge,
true? Are attributions made to the kinds of experts whose names you would associate with
that field of work? Supporting evidence should usually accompany each knowledge claim
– a knowledge claim should be backed up with a response that can be used to answer the
question ‘How do we know that?’
In addition to checking the resource for its factual accuracy, you should also check for
accessibility. We will look at this in more detail next week, but for now, it suffices to say
that any OERs that you choose to use will need to be suitable for all of your learners (both
current and future learners) and whatever needs they may have. If the resource has not
been made accessibly, it must come with a CC licence that enables you to modify it, so
that you can add accessibility features. If the licence says no editing is allowed, then if it is
not accessible, it’s probably not going to be useful to you.
It could also be important to evaluate how the form and content of a resource fits with the
rest of the teaching. For example, an OER in the form of a web-based short course could
be combined with a weekly class to create an opportunity for blended learning. Equally, an
OER might use different terminology or introduce different concepts to the student from an
existing core text. It could be important to be aware of this and respond in order to ensure
a good experience for the learners.
The ability to modify resources, or combine them together with others, is central to OER,
so this is often supported by the licences used. However, it could take substantial time
and effort to make modifications in order that an existing OER becomes appropriate to a
new teaching use. These revisions may include removing any inappropriate content, or
creating additional content to introduce or add more detail to the existing resource
(Coughlan, Pitt, & McAndrew, 2013). Therefore, another aspect of evaluating OER is to
think about whether it's useful as is, which is an ideal situation, or whether it will need
revisions, and if so, how those will be achieved.
● Solvonauts – a search engine that searches across repositories (they also provide
open repository software for institutions wanting to set up their own repository
of OER).
● MERLOT – tens of thousands of discipline-specific learning materials, learning
exercises, and content builder webpages, together with associated comments, and
bookmark collections, all intended to enhance the teaching experience of using a
learning material. All of these items have been contributed by the MERLOT member
community, who have either authored the materials themselves, or who have
discovered the materials, found them useful, and wished to share their enthusiasm
for the materials with others in the teaching and learning community.
● MIT OpenCourseWare – a web-based publication of virtually all MIT course content.
OpenCourseWare (OCW) is open and available to the world and is a permanent MIT
activity.
● OpenLearn – a repository of open materials produced by The Open University, who
also work with other organisations by providing free courses and resources that
support their mission of opening up educational opportunities to more people in more
places.
YouTube
Beneath every video on YouTube is a ‘Show More’ link. When clicked, the licence
attached to the video is revealed. Some videos have a Creative Commons licence
attached (this is an option the uploader can select when putting their video onto YouTube).
However, most have the default Standard YouTube Licence, which says you ‘shall not
copy, reproduce, distribute, transmit, broadcast, display, sell, license, or otherwise exploit
any Content for any other purposes without the prior written consent of YouTube or the
respective licensors of the Content’. So if you wish to reuse Youtube videos that have the
Standard YouTube Licence, your only course of action is to attempt to contact the
uploader to gain permission.
YouTube does provide a setting to filter your search results to only show videos bearing a
CC licence. First perform a search for videos on the theme of your choice, then select the
‘Filter’ option. Under the heading ‘Features’ there is the option ‘Creative Commons’, which
reduces your results list to only videos that have a CC licence attached.
Vimeo
Beneath every video on Vimeo is a ‘More’ link. If the uploader has attached a licence to
their video, the type of licence that applies will be listed here. If no licence is stated, you
must assume that the work cannot be reused without express permission from the
uploader, and you should try to contact them if you wish to reuse the material. You can
narrow down a search within the Vimeo site to show only CC-licenced videos. First
perform your search using the main search box. When you have a results page, under
‘Refine By’ in the left hand column, click ‘More’. Scrolling down should reveal a Licence
section where you can filter your search results according to which CC licences apply to
your planned usage of the video.
Flickr
Flickr makes it very clear which images you can reuse and which you cannot. When you
perform a search in the Flickr website, the most prominent drop-down filter option on the
results page is ‘Any License’ which, by means of a drop-down menu, can be changed to
filter results for a variety of Creative Commons options. Every image on Flickr has
beneath it either a © symbol or a CC symbol, and clicking this will bring up the precise
terms of use for that image.
If you wish to keep in touch with developments regarding OER and become part of the
community, sign up for the OpenLearn newsletter. Several courses are available from The
Open University that go into greater detail about this area. More information on these
courses will be provided in the course conclusion at the end of Week 8.
Pick a topic of interest to you and spend some time searching for resources on this. Try
to make use of both an OER repository from the bulleted list at the top of this page, as
well as one of the other sites explored above.
Try to find one or two resources from your search, then take a few minutes to consider:
Comment
Hopefully you have found something that you think could be useful, but you might also
have realised that for some subjects, there is a lot out there and it takes time to find the
most suitable resources.
Considering quality, appropriateness, and licensing issues as you search for resources
will help you save time, and increase the benefit of drawing on resources created by
others.
Summary
This week you have been introduced to Open Educational Resources and the wide variety
of forms they can take. You have looked at some OER repositories and started to consider
how Creative Commons licensing works. One further consideration that needs to be made
when utilising shared resources is their accessibility and whether it suits your learners’
needs. Accessibility is the topic of next week’s materials.
Meanwhile, what has Rita made of the wealth of possibilities OER can offer her?
Figure 1 Accessibility
It is important to ensure that your learning materials are suitable for as wide a range of
learners as possible, whether they are materials you create yourself, or resources that
you find online and reuse. Accessibility, usability, inclusion and universal design are all
commonly used terms for ensuring that your learning materials can be used by a wide
range of potential learners, including those with disabilities who may be using assistive
technologies. For the purposes of this week’s materials, we use ‘accessibility’ as a
shorthand. Note that this is not necessarily advocating a one-size-fits-all approach to
every learning object, and that it can be perfectly appropriate to provide alternative
materials or activities for some situations, as long as the overall learning objectives are
met for all learners. However, effort and understanding applied to this area can save a
greater amount of effort and difficulties later on, and make the learning experience better
for everyone.
To understand some key themes in accessibility, you will first learn about assistive
technologies and the impact they have upon the way learners interact with learning
materials. You will then learn how to make the materials you use more accessible, and
finally some guidance on alternative formats.
Teacher reflections
We join Sarah H. again this week for her experiences of considering accessibility. She
focuses on ways of working with PowerPoint to make use of its full potential for inclusive
teaching:
Assistive technology, or enabling technology, can also be used in a wider sense to refer to
any technology used by disabled people to enable them to carry out a task. For example,
a definition from Doyle and Robson (2002) describes it as ‘equipment and software that
are used to maintain or improve the functional capabilities of a person with a disability’
(p. 44).
Figure 2 This word cloud, produced for Electronic Information for Libraries (EIFL),
symbolises the freedom given through libraries in developing countries that enable
access to assistive technologies (Ball, 2012)
Assistive technologies can facilitate access to teaching material by bridging the ‘access
gap’ between the teaching material and the learner. The materials may not have to be
altered if it has been designed appropriately, and if the learner can access them using
suitable assistive technologies. There is often a learning curve associated with becoming
skilled in their usage, and this should always be borne in mind. Whilst assistive
technologies may make the difference between a learner having access to learning
materials or having none, they may not completely remove all barriers or provide the
same experience that other learners are getting.
For learners to interact with online learning materials, the kinds of assistive technology
they may need to use include technology that facilitates:
software, but it can include low-tech solutions such as arm rests or wrist guards (adapted
from Banes and Seale, 2002).
Assistive technologies are not always separate items to be purchased by the user. Often
mainstream technologies have assistive technology features built in. Operating systems
such as Microsoft Windows and Apple Mac OS contain built-in assistive technologies,
such as display enhancement tools and audio tools. Word processing software often
includes tools such as magnification controls, navigation via headings, or readability
checkers, and modern internet browsers also contain a range of assistive features.
Because these are readily available, you can try some of these tools yourself to get a
sense of how they work.
Watch the video on Accessibility and web browsers to see an overview of browser-
based assistive aids. Make a note of any that you were previously unaware of.
Comment
Whilst it is not necessary for every teacher to become an expert in assistive aids, it is a
valuable exercise to familiarise yourself with the range of tools available, particularly
those available at no cost in browsers and operating systems. This activity helps to
highlight some features that you may not have been aware of.
Meeting these requirements does not mean that you have to avoid using elements that
some people cannot access (such as video, for example), but rather that you should
ensure that the information that you are conveying can be accessed by everyone, albeit in
different ways or through different media.
Colour
Do not use colour alone to convey meaning. For example, if a completed task in your
course has a green dot beside it, and uncompleted tasks have red dots, that is going to be
problematic for a colour-blind learner. Changing this to a green tick and a red cross may
resolve this issue.
Presentation slides
Using the built-in slide designs in PowerPoint ensures that all text content is accessible to
screen readers. Text that is displayed in the ‘Outline View’ of the presentation is normally
accessible to screen readers, but text added via additional text boxes is generally not
accessible. Hence it is good practice to copy all text from each slide into the Notes field
(which can be accessed by screen readers) and to add into the Notes field descriptions of
any visual elements of the slide as well. PowerPoint slides read by a screen reader are
read in the order the content was added to a slide, which sometimes is not the proper
reading order. The reading order can be changed in PowerPoint to fix this issue.
Text alignment
Where possible, ensure text is left-aligned (meaning the right edge is uneven) rather than
justified (where both left and right edges are uniform). If text is left-aligned, the letter and
word spacing is optimal for readability. However, if text is justified, uneven spacing
between letters and words can significantly reduce readability, especially for some people
with dyslexia, who can find they ‘slip’ up and down in the ‘rivers of white space’ that
appear in justified text.
PDFs
Avoid using PDFs in which the text is saved as an image – this cannot be read by screen
reading software. You can test whether the text is saved as an image by trying to select a
few words with the cursor – if words are not individually selectable, then the text is
probably an image. Screen reading software therefore cannot detect any words, and
therefore will not read the PDF contents. Optical Character Recognition (OCR) software
can be used to attempt to extract text from an image, but the process is rarely completely
accurate and so you need to examine the output of the OCR software and correct any
errors. PDFs generated from accessibly structured Word or PowerPoint documents (see
‘Headings and structure’ and ‘Presentation slides’ above) are usually also fairly
accessible (Devine et al., 2011). The University of Washington has produced some useful
guidance on creating accessible PDFs from Word documents.
Tables
If tables do not have an approximately equal number of rows and columns, they should be
oriented ‘tall and thin’ and not ‘short and wide’. This is because screen readers read a
table linearly, row by row.
If your table has more than two columns and more than ten rows, it’s good practice to
repeat the column headers every 10–12 rows, just to remind the screen reader user what
they are listening to.
To see a few more examples and guidelines, have a look at this page produced by
WebAIM, which gives some more information about ‘accessible table design’ for web
pages.
Web links
Use descriptive wording for link text to make each link distinct and the destination clear.
So avoid the meaningless ‘Click here’, or having several links called ‘Read more’. This is
because many screen reader tools offer the user an option to quickly scan all of the links
on a page, so that the user can rapidly navigate through to the page they seek – however,
this functionality becomes useless if all the links have generic names or if there are
several with the same name.
Figure 5 Consideration of the teaching point is important when writing alternative text
descriptions
● (in a lesson on rivers) A map of France, showing that the catchments of four large
rivers (the Seine, Loire, Garonne and Rhône) drain more than three quarters of
France’s mainland. The Seine drains largely north-westward into the English
Channel, the Rhône southward into the Mediterranean, and the Loire and Garonne
largely westward into the Atlantic Ocean. The Garonne’s headwaters are to be found
in the foothills of the Pyrenées, the Rhône has its source in the Alps, the Loire
originates in the Massif Centrale and the Seine rises in the Langres plateau in the
north-east of the country.
● (in a lesson on settlements) A map of France, showing that five of France’s twenty
largest cities by population are seaports. Le Havre, Brest, Marseille, Toulon and Nice
are all seaport cities, while Paris and Bordeaux are principal inland ports. All the rest
of the twenty largest cities are situated on or near rivers, but are not considered
major port cities.
Note that the first description makes no mention of the cities shown, whilst the second
makes no mention of specific rivers. When creating alternative text it is important to focus
only on the information the learners need to know about the image, and to not clutter your
description with unnecessary information. By doing this, the alternative text also becomes
a valuable learning aid for all learners, as you are distilling for them the key elements of
the image.
It is not always necessary to add alt text for an image – if the image is purely decorative
and serves no educational purpose, you do not need to add alt text. However, if you are
creating a web page you must still give it a ‘null alt tag’ (alt=””) to ensure screen readers
know they should skip it, otherwise they will say ‘image’ and the learner will be left
wondering what it was.
It is also necessary to make the content of video or animations accessible for those who
cannot see it. Usually this is done by the provision of a transcript. Depending on the
nature of the video content, it may be appropriate for the transcript to simply replicate any
spoken words in the video (dialogue, commentary and so on). However, sometimes it will
also be necessary to add descriptive detail of a similar nature to the alternative text for
images. This is especially vital when the spoken element does not cover key visual
information (for example if someone is demonstrating a technique and does not describe
every step they make because they believe the audience can see what they are doing).
Ensure that the playback of visual elements can be controlled by the user – you can
imagine how difficult it is to listen to your screen reader interpreting what is on a web page
at the same time as a video begins automatically playing and you cannot stop it.
Please note that, because of the intended learning outcome, this activity itself is
inaccessible to screen reader users. However, we expect that they are already familiar
with the concept of alt text which is explored here.
The image shows a section of a typical city centre street in Kandy, Sri Lanka. The
vehicles with the black soft roofs are known as ‘tuk-tuks’. Draft some alternative
text that might be suitable for the following uses of the image:
ii. In a discussion of the modes of transport commonly used in Kandy.
iii. In a discussion of the kinds of businesses one may find together on a typical
Kandy street.
iv. In a discussion of the state of repair of buildings on a typical Kandy street.
Comment
Your alternative text should contain similar elements to these:
i. This is a photograph of a typical city centre street in Kandy. Vehicles are parked
outside a variety of shops along the street. Visible are two motorcycles, one small
car, one multi-passenger vehicle and four brightly coloured tuk-tuks. This may be
an indication that small vehicles that can weave in and out of traffic are popular in
Kandy.
ii. This is a photograph of a typical city centre street in Kandy. Buildings are packed
together with no spaces in between, each only one room wide. A shop selling
glass for pictures, doors and windows sits next to a shop selling leather and floor
coverings. Beside this is a shop with a brightly-coloured array of children’s toys
and balls hanging above the window and doorway. Next to this is a retailer of
window blinds, with the neighbouring shop specialising in motorcycle parts.
Finally, at the edge of the photograph is a jewellery shop.
iii. This is a photograph of a typical city centre street in Kandy. Buildings are packed
together with no spaces in between, each only one room wide, and two or three
storeys high. Whilst the street-level shop fronts are mostly in a good state of
repair, the upper levels of many of the buildings are shabbier and in need of
repair. Rainwater goods are commonly dilapidated, and missing in places, and
the tiled roofs that are visible are uneven and have been patched with corrugated
fibreboard. Where window frames and shutters are wooden, these are starting to
warp and fit poorly. The building on the right edge of the picture appears to be
covered with scaffolding and blue netting.
It is evident that the alternative text can be written in many different ways, so as to
deliver to the learner only the details relevant to the context of its use. Describing all of
the possible details to all of the learners could waste their time and create for them a
difficult task of trying to separate the relevant details from the irrelevant ones.
Figure 8 Using key functions instead of a mouse can be easier for some learners
Many people use assistive technology that replicates the functions of a keyboard rather
than a mouse. Others cannot use a mouse accurately. Therefore, you should make sure
that all content and navigation is accessible using the keyboard alone. This means that if
you wish to use elements that require manual dexterity (such as drag-and-drop exercises
or crossword puzzles) or visual acuity (such as wordsearch games or ‘spot the difference’
images), then it should be possible to complete these using the keyboard alone, and the
mouse alone (perhaps in combination with the on-screen keyboard built into most
operating systems), or you should provide alternative activities for those who may not be
able to undertake the original tasks. To test this, move your mouse out of reach, and try
performing the activity using the Tab, Space, Arrow and Enter keys. If it can be achieved,
add instructions for your learners advising how to do it. If it cannot be achieved, think
about how to provide an alternative activity. Similarly, trial your resource using the mouse
alone.
● Is all written content presented as text, so students using assistive technologies can
read it?
● If the materials include images, is the important information from the images
adequately communicated with accompanying alt text?
● If the materials include audio or video content, is it captioned or transcribed?
● If the materials have a clear visual structure including headings, sub-headings, lists,
and tables, is this structure properly coded so it’s accessible to blind students using
screen readers?
● If the materials include buttons, controls, drag-and-drop, or other interactive features
that are operable with a mouse, can they also be operated with keyboard alone for
students who are physically unable to use a mouse?
● Do the materials avoid communicating information using colour alone (e.g. the red
line means X, the green line means Y)?
It is usually fairly straightforward to adjust features like font size or colour combinations in
OERs, and to add or amend alternative text for images. If you wish to use a video that
does not have captions (or is not in your language), you have several options:
● For YouTube videos, contribute captions of your own: look on this YouTube Help
page for advice (remember the advice in Section 2.3 regarding the quality of
automated captions).
● For TED talks, contact the community of voluntary caption providers.
● Use a free software tool (such as Amara or Dotsub) to create your own captions.
4 Alternative formats
As you have already seen in this week, some students might have difficulties with any
type of media used in online learning materials. If content can be provided in a variety of
alternative formats, students will not have to do their own work to transform this into
something suitable for themselves before they can engage with their learning.
For printed materials or inaccessible text formats, some work may be needed to create an
alternative resource. This might be, for example, if the text is actually an image such as a
photograph or scan – to check this, try ‘highlighting’ or ‘selecting’ the text. If it is not
possible, the text is probably an image. It may be possible to use Optical Character
Recognition (OCR) software to automatically turn text in an image into a more usable
format. Always check the results of any OCR conversion for accuracy. In some cases
where the text is not clear (such as with handwriting), it can be more efficient to type in the
text rather than use OCR. Headings and other useful styles may also need to be added
manually.
If there are images or diagrams in the original resource, someone with some
understanding of the subject can determine which of these need describing and can
provide the descriptions. In the case of complex images, it may be necessary to produce a
tactile diagram for blind students. Tactile diagrams require technical skills and some
specialist knowledge. See the video ‘How to make a tactile diagram’ (Art Beyond
Sight, 2009), which provides an overview of the requirements and production of this
alternative format.
small and can be dealt with by supplying descriptions. In fact, communicating these kinds
of complex notations to people without vision is a highly specialised area and beyond the
scope of this course.
increases the difficulty. So be aware that this alternative may not provide equity of
experience for the learners.
You have already made notes in previous activities on what you want to achieve in
online teaching, and what the role of OERs might be in achieving these objectives.
Now consider accessibility – what will you need to do with your existing materials or
reused OERs, in order to deliver optimally accessible teaching online?
Make a list of six initial steps you could take fairly easily (for example ‘review my
PowerPoints for added text boxes and explanation of images’, or ‘check colour
contrast in reused OERs’).
Again, keep your answers in a safe place, as you will revisit them.
1.
2.
3.
4.
5.
6.
Comment
This activity is designed to help you to think about the needs of your audience, and
how your learning objects or online teaching materials might work for them.
Accessibility should not be viewed as an additional burden for the teacher, but as an
element of quality control, ensuring your online teaching is fit for purpose, by not
excluding learners with particular impairments.
Summary
This week you have learned about assistive technologies and how users with impairments
interact with online teaching materials. You have learned how to make your online
materials more accessible, how to produce alternative versions where necessary, and
how to consider accessibility requirements when searching for Open Educational
Resources. Next you will look at the factors affecting the way you might make a change in
your teaching, and you will start planning to move an element of your teaching online.
Rita certainly has something to say about this week’s materials – let’s see how she’s
getting on:
Teacher reflections
This week we hear from Sarah S. about how she made a change in her teaching:
is probably more useful to think of the two as being involved in an iterative dialogue.
Technology opens up new possibilities and is used in ways that its designers never
intended, which in turn drives theoretic development, which feeds back into technology
development, and so on.
This view of technology, and particularly how it relates to education, is addressed by
Weller (2011) in Chapter 1 of The Digital Scholar.
This tension between the role of technology and pedagogy is particularly acute in online
education. Many of the topics we have looked at in this course would simply not have
been possible without internet technology. However we also have to consider the roles of
learners and educators, and what they bring to each online education context.
‘Visitors understand the web as akin to an untidy garden tool shed. They have
defined a goal or task and go into the shed to select an appropriate tool which
they use to attain their goal. Task over, the tool is returned to the shed.
Residents, on the other hand, see the web as a place, perhaps like a park or a
building, in which there are clusters of friends and colleagues whom they can
approach and with whom they can share information about their life and work. A
proportion of their lives is actually lived out online.’
When making changes to your practice in terms of online teaching, be aware of how much
the technology is shaping your advances, and try to analyse whether you are acting as a
Resident or a Visitor, or whether you expect learners to be one or the other.
You should also reflect on any assumptions you make about who will be capable of
engaging with online learning, and the importance of assessing and, where necessary,
developing the skills of learners and teaching to properly engage with online learning.
David White explains the Visitors and Residents model in this video entitled
Visitors and Residents.
As you watch the video make notes on which elements you feel might apply to your
learners – for which activities do you think they would identify as Residents and for
which Visitors? Do you have a mix in your class – and if so in what approximate
proportions?
Comment
This activity is designed to help you to think about the technological skills (and needs)
of your learners. The models described might help you to categorise the learners with
respect to different tasks or technologies, and this in turn should help you identify how
to meet their needs with your online teaching. For example, you may find that some of
your learners are always present, and could be very comfortable with merging online
learning activities into social media practices that are a part of their everyday life.
Others may go online to do a specific task that is set for them, but will not think that
they need to always be connected. You need to examine your expectations of their
behaviours and be flexible to their approaches.
The video places importance on not oversimplifying assumptions about the need to
teach digital skills for any audience. Instead, it is important to recognise that all
learners and teachers may need to develop their skills in order to fully engage with
online learning.
2 Learning design
You will have seen throughout this course that the ways in which we can design an
experience for learners online differ somewhat from other forms of teaching. But can we
think about this more systematically? Mor and Craft (2012) define learning design as ‘the
act of devising new practices, plans of activity, resources and tools aimed at achieving
particular educational aims in a given situation’ (pg. 86).
1. In order to ensure the quality and robustness of educational innovations, they need
to be reviewed from various perspectives – technological, pedagogical, and others.
The sooner the innovations are reviewed, the easier it is to make any necessary
adjustments. By sharing and discussing innovations at the design phase, we can
avoid costly mistakes at later stages of production.
2. By making the design process explicit, it can be easily shared with others, which
means good practice can be transferred.
3. The variety and complexity of resources and technologies that are currently available
means that teachers and trainers need clearer guidance to help them find relevant
tools and resources, as well as support in incorporating these into the learning
activities they are creating.
However, it should be noted that the term ‘learning design’ is not without controversy and
overlaps to some extent with other terms, such as ‘instructional design’, ‘curriculum
design’ and ‘module design’. Mor and Craft's definition represents one possible
interpretation, and indeed their paper discusses alternative definitions proposed by
others.
Comment
Many ‘good ideas’ or ‘best practice’ resources are available online for teachers to use.
This activity helps you to start thinking about the kinds of resources you might look for,
and how they could be altered to fit your teaching needs.
● Research teams should identify, at an early stage, the steps required to enable
scalable and sustainable implementation beyond prototypes, so as to enhance
learning.
● Researchers need to engage fully with the individuals and communities that will play
a role in the implementation process.
● Research teams should consider adopting Design-Based Research (DBR) as a
systematic but flexible methodology for research-led innovation, based on
collaboration among researchers and practitioners in real-world settings.
● The interim and final results from design-based studies should be systematically
shared with other researchers so that the process of innovation can be compared,
expanded, and continued over time. They should also be widely disseminated to
policy makers and practitioners, through events such as ‘what research says’
meetings.
ready? What will be your fallback plan to ensure the learning objectives are met
if your trial fails to deliver? How will you evaluate the successes and failures of
your attempt? (See next week’s materials for further coverage of evaluation). As
time goes by and you gain confidence in trying new teaching ideas online, you
can be more flexible and formulate less rigid plans, but at the start of your
journey, planning will make you feel more secure in your actions.
● Get permission.
If you work for an education provider, you may need to get approval for your
proposed change. Take time to prepare, give the approver all the information
they may need, explain the benefits as well as the risks, and show that you have
thought long and hard about the change and its potential benefits for you and
your learners. If permission is not granted, demand feedback, and adjust your
proposal before seeking approval again.
● Don’t be a perfectionist.
With any changes to your teaching, adjustments will need to be made. Observe
what works and what doesn’t work, modify, and try again.
● Reflect honestly.
Reflect on what you've learned, reflect after further reading, reflect after
discussing it with students or colleagues, then reflect after giving it a try. This will
be covered further in next week’s materials.
● Collaborate.
Share your initial attempt, and your reflections upon it, with colleagues or
networks. They may spot additional adjustments that you can make, and will be
better placed to identify objectively the positives in a change that you feel did not
go well.
● Listen to your learners.
Ask the learners for their impressions of what you tried. Often they will see the
positives of ‘trying something different’ even if it didn’t go as you'd hoped.
● Learn from failures.
Some changes work, some don’t. Sometimes the technology fails, sometimes
the pedagogy is not a good fit, sometimes external factors have an influence.
But just because something goes wrong, don’t lose your enthusiasm and
curiosity in online teaching. Instead, think about what you have learnt and how
that will make your next steps better.
● Celebrate success.
It may be a small change, but if it works, allow yourself to enjoy the success.
Share your story with colleagues and your networks. Build upon your success to
try something else or to repeat the first change in a different context.
If you are still struggling to pin down exactly what actions to take to begin your online
teaching journey, this blog post by Mooney et al. (2012) might offer some useful
suggestions, as might this article by Sharrar and Bigatel (2014).
1. Think about the teaching practices that you are familiar with (i.e. not just your own
practice) in your organisation over the last five to ten years.
2. Make some notes in response to the following questions:
c. How do you think teaching practice has changed?
d. How significant have the changes been?
e. Which technological developments do you consider to have been the most
important? Why?
f. Which aspects of practice haven't been impacted strongly by technology?
Why might this be?
7. Now think about your own practice, relative to the general teaching practices you
thought about in questions 1 and 2 above. How has your practice changed?
Which technological developments have been the most important?
8. Finally, think about what you want to change in your own teaching practice with
respect to online teaching (refer to your relevant notes from previous weeks).
How will technology play a role in your online teaching in the near future? What
technological developments would you like to happen to support your online
teaching even further?
Comment
As we approach the final week of this course, your plans for taking your teaching
online should be starting to become more detailed. The questions in this activity should
help you to incorporate technologies appropriately into your plans.
Summary
This week you have been introduced to the concept of technological determinism and the
Visitors and Residents model of technology familiarity. You have investigated learning
design, and have started to plan your move into online teaching. In the final week of the
course, you will explore the evaluation of online teaching and how to assess the
effectiveness of changes to your practice.
Let’s check in with Rita and see if she’s ready to move into online teaching now:
learner’s behaviour and performance. Learning management systems can log data such
as attendance in tutorials, quiz responses, views of material, time spent on particular
activities and more. The field known as ‘learning analytics’ has been built around
understanding the potential of working with such data, including its challenges and risks. It
is a complex field that is still developing, but you will start this week with an insight into
how learning analytics can be a valuable tool for you.
Gaining feedback and reflecting on practice is important for both teachers and learners,
and this is another area where teaching online offers its own opportunities. We will
therefore describe some common mechanisms for feedback and look at some strategies
to encourage reflection through activities embedded into the learning.
You should also develop the ability to enhance your practice of online teaching. To help
you with this, we will explore the notion of conducting ‘action research’ as a practitioner.
Teacher reflections
Let’s see what Sarah H. has to say about evaluating her own online teaching:
1 Learning analytics
Oliver goes on to summarise the general difficulties with the above methods, which can be
grouped into two main themes: the processes are largely ‘uncontrolled’ and feedback can
be unfocused or anonymous; and methods for evaluating this kind of data are still
developing, with different approaches leading to different conclusions.
Learning analytics offers an alternative to these methods of gathering feedback and
reports from learners. These approaches instead make use of the data left by learners
and teachers as they act: their ‘trace data’. These can tell us when learners join courses,
when and how they engage with online activities, view pages, borrow resources from the
library, set or complete activities or assessments, and so on. Any interaction with a web-
based system can be tracked, and this data could be used to better understand what
learners and teachers do. The widespread use of virtual learning environments (VLEs) –
also known as learning management systems (LMSs) – has meant that educational
institutions now deal with increasingly large sets of data. Each day their systems gather
more personal data, systems information and academic records.
Learning analytics is a field of innovative research, but it is increasingly something that
many educators and institutions make use of through new tools, dashboards and reports,
using online data to investigate user activity. It helps to answer questions such as:
Answering the questions posed above could involve analysing large data sets from VLEs
and other technologies used for learning. Learning analytics can go one step further by
providing actionable insights – they take trace data from educational settings and
suggest, prompt or initiate actions to improve learning and teaching. You may have heard
the term ‘big data’ used in discussions of technology. It is used in a lot of different ways,
but essentially means that the dataset is very large and also very complex. Because of
this, it may not be possible to use a simple, traditional approach to data processing and
analysis. Learning analytics of the behaviours of large numbers of students can easily fall
into the category of big data. But equally, you might look at the behaviour of one class of
students over a course and find that useful insights can be gained without advanced
techniques and tools.
For example, in an online forum discussion associated with a particular online module or
course, a VLE could capture a range of forum data, including:
Any of these data could be used to create analytics. However, only some of these
analytics would be useful to teachers. It is not possible to identify which analytics will be
most useful without knowing something about how the forum is being used. The presence
of a learning design should identify the purpose of the forum in relation to learning
outcomes. This makes it easier to decide which analytics to use.
Comment
For some teachers, working in an organisation may provide them with access to
certain data from learning analytics. Conversely, this kind of data may not be routinely
collected, or not routinely shared with teachers. This activity should help you to think
about what you currently have available, and what you could gather when teaching
online. The video shows some of what is possible, but also that there is a lot more
potential to use learning analytics than is currently mainstream practice, particularly if
we improve our abilities for data collection and analysis.
If you are interested in finding our more about learning analytics, you may like to read
Ferguson (2012) and Long and Siemens (2011) as well as Jisc’s Code of Practice for
Learning Analytics (Sclater and Bailey, 2015).
Figure 3 Listening to the feedback from your learners is an important part of the teaching
process
Student feedback is often collected in both online and face-to-face education settings. In
online learning, you may embed a feedback survey into the learning management system.
You may also want to use forums or email to provide a different means for feedback to be
received, or to direct students to fill in your survey.
Johnson (2003), in a summary of several studies, concluded that teachers who mark
more leniently are routinely rated higher in student evaluations, and that students who
receive higher grades also give more favourable feedback. Centra (2003) found that more
rigorous courses received lower ratings than ‘easier’ courses. Given these factors, Parker
(2013) goes on to consider three means of assessing teaching effectiveness and course
quality which are less likely to fall victim to these biases:
If you watched the video of Professor Bart Rienties discussing learning analytics in the
previous section, you might recall that research using data from The Open University
does not show a correlation between attainment and satisfaction. This satisfaction data is
collected through a survey delivered to students near the end of the course, but prior to
the student finding out their final grade. It may be that this earlier timing of the survey
removes a direct impact of grades on satisfaction. So perhaps we need to think carefully
about when and how we ask for feedback.
Students perceive online courses differently from traditional courses. In comparisons of
online and face-to-face MBA courses, Cao and Sakchutchawan (2011) found that whilst
there was no difference in success rates between students of online courses and students
of face-to-face courses, the online MBA students reported lower satisfaction with their
courses. Song et al. (2004) examined feedback from online graduate students and
concluded that course design and time management were crucial components to
successful online learning, while lack of community and technical problems were most
challenging for online learners.
The design of online courses, and the ways in which instructors act, impact on the
perceptions of students towards them. Kauffman (2015) gathers together a range of
studies examining the success of online learning in various contexts and concludes that
‘courses should be structured around reading materials, lectures and assignments
organised into units with clear learning goals in mind’. In other words, course instructors
need to ensure that there is alignment of objectives with instructional methods, learning
activities and assessment methods (Blumberg, 2009). Instructors should provide timely
feedback and serve as facilitators of discussion and interaction just as they do in
traditional courses. Courses should provide opportunities for peer collaboration and
sharing of ideas in order to develop an online community of learners, rather than feelings
of isolation (Song et al., 2004). Otter et al. (2013) used questionnaires to determine
differences in perception between online and face-to-face courses, among students and
staff. Findings showed that students perceive online courses to be more self-directed than
staff do, and that students online must be more willing to teach themselves. Students in
online courses felt more disconnected from staff and fellow students than staff perceived
they would feel. Students also have a lower perception of the role of the teacher in online
courses than staff do.
Create up to five questions that you think would provide useful feedback for you from
your students. While doing this, think about the following:
● How would you make sure the questionnaire is not leading students to respond in
a particular way?
● Does your institution have a standard feedback questionnaire that is given to
students? If so, are there questions that you can take from this? Is it appropriate
to online teaching?
● What type of responses would you like? (For example, closed questions on a
scale, or open comments, or a mixture of both?)
● How would you analyse the results?
Comment
This activity helps you to think about one specific set of data that you would like to
obtain, and how you might go about it. The questions asked need to be considered
very carefully in order to ensure that the data generated is useful to you.
2.3 Reflection
It is important to reflect on your own practice as a teacher in order to develop. This means
continually considering and questioning how you teach. Schön (1987) argues that it is
useful to think about this in two ways:
Reflection-in-action – thinking and responding quickly to events as you teach. In online
learning this might mean, for example, checking with students if you notice that they are
not responding in an online tutorial session. In order to be able to reflect-in-action, you
need to maintain awareness of the situation. This might require you to regularly check on
student behaviours, like whether they are contributing on forums or in tutorials.
Reflection-on-action – considering what happened afterwards in a deeper fashion. For
online learning, reviewing student feedback and analytics can be a good prompt for
reflection-on-action.
In addition, it can be valuable to consider how to include activities in your online learning
that ask students to reflect on their learning. A review by Means et al. (2009) identified that
‘the available research evidence suggests that promoting self-reflection, self-regulation,
and self-monitoring leads to more positive online learning outcomes’ (pg. 45). An example
of this would be a short questionnaire that learners can take to represent their own view of
their understanding of the subject, and how well they think they are learning. If you make it
clear to the learners that you will check their responses, this can also provide you with
some data, as well as being a useful part of the learning experience for them.
3 Action research
Read this article at EdFutures (2012) to understand more about practitioner research.
As you read, think about the following questions. Afterwards, write a short response for
each one:
● Can you think of a key issue or question that you would like to research around
the potential for you to use online learning in your work?
● What sort of data collection method do you think you should use and why?
● Is there anyone you want to work with to create a community around your project?
● How would you design the research so that the results would be useful to you and
others in a similar position?
Comment
This activity is designed to help you to combine several of the elements covered in this
course. You should consider learning analytics, action research, networking and
sharing, and how they could all be brought together to enable you to effectively
evaluate your own online teaching practice.
● Using your responses to Activity 2 earlier this week, identify exactly which aspect(s)
of your online teaching you want to evaluate.
● Identify from where or whom you will obtain the information you need.
● If using analytics, what kinds of data are particularly relevant to your objectives? How
can you get hold of these, or make sure they are being recorded? How will you use
the data to draw conclusions?
● If using feedback, which method(s) will you use? Synchronous or asynchronous
forums dedicated to feedback? Dedicated questionnaires? Peer observation?
● If using a questionnaire, use your responses from Activity 2 earlier this week to draft
some questions you might wish to use.
● Using your responses from Activity 1 earlier this week, identify any other relevant
people with whom you might wish to work to create a community around your
evaluation activity.
● As well as analysing the feedback received regarding your online teaching, review
the value of the data you have obtained. Would any modifications to the evaluation
process provide more valuable data?
5 Week 8 Quiz
You can now proceed to complete your end-of-course badge quiz. This is similar to
previous quizzes, but this time you will have to answer 15 questions.
Remember, this quiz counts towards your badge. If you're not successful the first time,
you can attempt the quiz again in 24 hours.
Week 8 compulsory badge quiz
Open the quiz in a new window or tab then come back here when you’re done.
Conclusion
It seems fitting to end this course by talking about evaluation, but it is almost certain that
any evaluation you undertake will lead you to more ideas, changes and new
developments in your teaching.
Well done for making it through. We hope you have found both the content and the
experience of this course useful. Taking your teaching online can be daunting, but
completing this course will have given you insights that enable you to take on the
challenge and create exciting new opportunities for your learners.
If you wish to explore Open Education further, take a look at The Open University’s
MA in Online and Distance Education.
Before you move on, let’s pay one final visit to Rita. Time has moved on since she
completed this module, and she has now had four months to try taking her teaching
online:
Next steps
If you would like to take your study of this subject area further, you may be interested in the
following courses:
H880 Technology-enhanced learning: foundations and futures
The Online Educator: People and Pedagogy
Your notes
Week 1
Week 2
Week 3
Week 4
Week 5
Week 6
Week 7
Week 8
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Acknowledgements
This free course was written by Tim Coughlan, Simon Ball and Leigh-Anne Perryman.
Except for third party materials and otherwise stated (see terms and conditions), this
content is made available under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence.
The material acknowledged below is Proprietary and used under licence (not subject to
Creative Commons Licence). Grateful acknowledgement is made to the following sources
for permission to reproduce material in this free course:
Course image: © @bryanMMathers
Week 1
Figure 1: © @bryanMMathers
Figure 2: © Maksym Kozlenko https://creativecommons.org/licenses/by-sa/4.0/deed.en
Figure 3: Tumisu/404 images, https://creativecommons.org/publicdomain/zero/1.0/
deed.en
Figure 4: Soniachat8, https://creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 5: Denise Krebs, https://creativecommons.org/licenses/by/2.0/
Activity 2 Video: Engaging and motivating students; Australian Learning and Teaching
Council, https://creativecommons.org/licenses/by-nc-nd/3.0/
Activity 3 Video: Flipped classrooms © MADdraw Productions
Week 2
Figure 1: taken from: https://www.flickr.com/photos/yaccesslab/15569376326; https://
creativecommons.org/licenses/by-sa/2.0/
Figure 2: CDC/Amanda Mills, from Public Health Image Library (Website), https://
creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 4: © R. R. Puentedura, The SAMR Model, image file by Lefflerd, https://
creativecommons.org/licenses/by-sa/4.0/deed.en
Video: Learning Objects: © learnIT2teach
Week 3
Figure 1: @bryanMMathers
Figure 3: Jami (Wiki Ed), https://creativecommons.org/licenses/by-sa/4.0/deed.en
Figure 5: geralt, https://creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 6: geralt, https://creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 7: mohamed_hassan, https://creativecommons.org/publicdomain/zero/1.0/
deed.en
Figure 8: tiffanytlcbm, https://creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 9: Nick Youngson, Alpha Stock Images, https://creativecommons.org/licenses/by-
sa/3.0/
Figure 10: @bryanMMathers
Video: Activity 2: Flipped Teacher Training / Youtube.com
Actitivy 1: Video: Aligning Text; © JISC; https://www.youtube.com/watch?v=5a_VZ-
VOEQDc
Activity 2: Video: Flipped Teacher Training; https://www.youtube.com/watch?v=GuA8fP-
CHu9c
Week 4
Figure 1: @bryanMMathers
Figure 2: geralt, https://creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 3: maxpixel, https://creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 4: geralt, Pixabay, https://creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 5: geralt, Pixabay, https://creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 6: Figure 6: OpenClipart-Vectors, Pixabay, https://creativecommons.org/publicdo-
main/zero/1.0/deed.en
Week 5
Figure 1: @bryanMMathers
Figure 2: 2012, Jonathas Mello ; Licensed under Creative Commons CC-BY; United
Nations Educational, Scientific and Cultural Organization
Figure 3: Libby Levi for opensource.com;https://creativecommons.org/licenses/by-sa/2.0/
Figure 4: (Activity 2): progressor; Pixabay; https://creativecommons.org/publicdomain/
zero/1.0/deed.en
Figure 5: 472301; Pixabay, https://creativecommons.org/publicdomain/zero/1.0/deed.en
Figure 6: @bryanMMathers
Figure 7: Public domain; taken from: https://commons.wikimedia.org/wiki/File:OER_-
Logo.svg
Activity 1: Video: OER Introduction 11: Brendan Walsh; https://creativecommons.org/
licenses/by/3.0/
Activity 2: Video: Creative Commons Kiwi; Creative Commons Aotearoa New Zealand,
The video was made with support from InternetNZ and is a project of the Royal Society of
New Zealand. Produced by Mohawk Media
Week 6
Figure 1: © @bryanMMathers
Figure 3: ©University of the Fraser Valley via Flickr; https://creativecommons.org/
licenses/by/3.0/
Figure 4: taken from https://pixnio.com
Figure 5: Produced by David Monniaux using GMT from data by USGS, IGN and INSEE
Figure 6: Activity 2: Can’t locate in the Portal?
Figure 7: http://logos.wikia.com/wiki/Safari; https://commons.wikimedia.org/wiki/File:
Google_Chrome_icon_(September_2014).svg; https://commons.wikimedia.org/wiki/File:
Internet_Explorer_9_icon.svg; http://logos.wikia.com/wiki/Mozilla_Firefox
Figure 9: Bill Burris; https://creativecommons.org/licenses/by-sa/2.0/
Figure 10: Bill Burris; https://creativecommons.org/licenses/by-sa/2.0/
Figure 11: Gellinger/Pixabay
Week 7
Figure 1: @bryanMMathers
Figure 2: Carla Gomez Monroy; https://creativecommons.org/licenses/by-sa/3.0/
Figure 3: Nick Youngson / Alpha Stock Imageshttps://creativecommons.org/licenses/by-
sa/3.0/
Activity 1: Video: Visitors and residents; University of Oxford; JISC; https://creativecom-
mons.org/licenses/by/2.0/
Week 8
Figure 1: @bryanMMathers
Figure 2: Timur Saglambilek; https://creativecommons.org/choose/zero/
Figure 3: Gerd Altmann;https://creativecommons.org/publicdomain/zero/1.0/
Figure 4: Figure 4: The Photographer; https://creativecommons.org/licenses/publicdo-
main/
Activity 3: Practitioner research: assuming this will be a link and not embedded?
Every effort has been made to contact copyright owners. If any have been inadvertently
overlooked, the publishers will be pleased to make the necessary arrangements at the
first opportunity.
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