Name:Muhammad Hafiz Bin Kamarul Naem

No Matrik: 2020986415

Related Literature

Indigenous art is refer to something common about the experience of many people.
Indigenous may be a fundamental concept in aesthetics that has been overlooked due to the
historical ethnocentrism of Western philosophy,but it is a concept that reflects the difficulty
of making cross-cultural generalizations. By indigenous aesthetics, I am referring to thoughts
about aesthetic experience that devepled independently of the Western tradition in various
parts of the world: ideas about held by indigenous people. The term “indigenous” presents
definitional problems in a contemporary context. Originally, the term referred to traditions,
implements,natural specimens, and so forth that are native to a particular region or
regions.Currently, “indigenous” refers to people who are minorities in their own homeland,
who have suffered oppression in the context of colonial conquest, and who view their
political situation in the context of neo-colonialism.

For non-native readers this book may be reflexive in two senses: in relation to their
own culture’s role in the process of conquest and colonization, and in the sense of their own
expression of attachment to place though aesthetic expression, an attachment that often seems
submerged in contemporary artistc expression. Non-natives study other cultures ‘ideas about
art,in part, because this study reflects upon non-natives’ own experience. Key to
understanding indigenous aesthetics is what Leutjold described as “continuity of expression:
relating to “historical,religious,conceptual,generational,tribal,or cosmological.
 Based on the meaning Indigenous art, that native scholar heater ahtone defines an
Indigenous aesthetic by identifying key signifiers that include the relationships between
metaphors, symbols,cultural beliefs, knowledge, stories/histories,and personal narrtives.
Based on the point of view of indigenous art, which narrates that it influences also culture
and environment. Kuala Rompin is probably best known as the gateway to Tioman Island.
However, it is not without its own attractions. The restaurants of Kuala Rompin are famous
for their seafood, especially for their freshwater prawns and freshwater clam caught in the
surrounding areas especially at the estuary of Sungai Rompin (Rompin River). Crabs and
squids are also popular.

Kuala Rompin is also building a name for itself in the sport of sailfish fishing. It is
increasingly being recognized as the Sailfish Capital of Asia, and hosts an annual world-class
fishing event, the Royal Pahang International Billfish Challenge. Kuala Rompin is considered
to be one of the best places in the world to catch Sailfish. According to the study, Kuala
Rompin is also an activity that is a lot to fisheries, trade in raw materials such as seafood that
is loved by its residents and villagers. Fishing activities are usually located in Kuala Pontian,
Kuala Rompin.

Turning to my idea in the production of the work is indeed a choice for a subject matter
that is close to the environment that reflects Kuala Rompin which is famous for fishing
activities and fishing activities that are the culture and economic resource of the people.
Among the specialties of Kuala Rompin that are different from the area is Kuala Rompin is
famous for sailfish and also lobster which makes fishing activities in the south china sea is
full of anglers.

For the selection of subject matter for the production of my work is an iconology to the
activities of fishermen or anglers which is also supported by additional materials such as
lobster and sailfish.