Professional Documents
Culture Documents
SCIENCE OF CONSCIOUSNESS
IN
ANCIENT INDIA
Course Co-ordinator: Prof. Surabhi Verma
Śāstra Śāstra
Figure 1.4
Śāstra
Śāstra
Parā Aparā
Nigama –
Purāṇa (18) Padya Śravya Prākṛta Kālpanika Nāṭaka Gauḍī
4+1
Upa-veda-
Ānvīkṣakī Mixed Apabhraṃṣa Kalā-āśrita Ākhyāyikā Pāñcālī
4+1
Vedāṅga –
Mimāmsā Śāstra-āśrita Kathā Lāṭī
6+1
Figure 1.7
6/23/2020 Smṛti - 18 © Dr. Surabhi Verma Kathānaka 13
Cont…
• In Kāvyamīmāmsā by Rājaśekhara, Nāṭya as the 5th Veda, • Paurāṅika means the narrative or characters are from the
Itihāsa as 5th Upa-veda and Alaṃkāra Śāstra (Science of Paurāṅa while in Kālpanika, they are imaginative. In Kalā-
Figures of Speech) as the 7th Vedāṅga has been considered. āśrita, they are based on any of 64 kalās and in Śāstra-
• Ānvīkṣakī is the Science of investigation dominated with āśrita, they can be of any of the Śāstras.
Logic. • Mahākāvya has a popular hero (lokaprasiddha nāyaka) and
grand narrative.
• Mimāmsā deals with the interpretation of the texts. It has
two parts- one is Pūrva Mimāmsā and other is Uttar • Nāṭaka is acted one, may be small.
Mimāmsā.
• Ākhyāyikā is a small narrative.
• Pūrva Mimāmsā interprets the utterances and statements of • Kathā is a story.
Veda while Uttar Mimāmsā is Vedānta (Brahma Sūtra).
• Kathānaka is a dialogue based small narrative.
• Gadya is prose. Padya is poetry. Mixed one contains both
of them together. • Rīti means the style of dialogues (Vacana vinyasa kramaḥ
rītiḥ). It is of four types- Vaidarbhī is the style of Southern
• Dṛśya is visual like drama and Śravya is audible like
parts. Gauḍī is of eastern places. Pāñcālī belongs to north
poetry and story.
west and Lāṭī belongs to central part.
• Saṃskṛta means the standardized one while Prākṛta means
the natural one. All modern Indian languages fall under the
category of Apabhraṃṣa, whose 90-95% words are from
Saṃskṛta either as tatsam (same as the one before) or
Refer Figure 1.7
tadbhav (modified from the previous one).
Ṛtvika
Figure 1.11
6/23/2020 © Dr. Surabhi Verma 17
Mantra
MANTRA
ŚUKLA KṚṢṆA
10580 + 1/4 1875 5987/6000
YAJURVEDA YAJURVEDA
1975 2086
Figure 1.12
6/23/2020 © Dr. Surabhi Verma 18
Characteristics of Indian Knowledge Systems
• The Vedas are not the copyright material of any person and in order to establish this freely available status of Ultimate
Knowledge treasure, they have been nominated as “Apauruṣeya” (Not created by puruṣa or person).
• Ṛṣis are Mantra Dṛṣṭā – who directly percepts the knowledge; and not the mantra Śṛṣṭā -the creator of knowledge.
• There is no question of authorship as declaring oneself the original or the beginner author in Indian Knowledge Systems.
• The knowledge in totality is free and non measurable. So any attempt of presenting it again and again will only provide a way
of sharing it whenever it is forgotten but it never becomes the subjective copyright material of any person. This is the view of
Indian Intellectual Tradition and clearly visible in Indian Knowledge Systems.
• The way of discourse in Indian Knowledge Systems to conclude and establish the doctrines is based on the Vāda paramparā.
• Vāda literally means the disputation. A kind of mutual debate where the way of analysing different aspects is done by
presenting a prima facie view (pūrva pakṣa) followed by rejoinder (uttar pakṣa).
• There is perfect politeness in mentioning all the previous acāryas and possible doubts or questions that could have been raised
in all compendiums before putting up the rejoinder. This method in turn shows the continuity of Indian Knowledge Systems and
also the deep inclination of Indian psyche towards the quest of Ultimate Knowledge.
• A trend of curiosity or jijñāsā free from prejudices is found in Indian Knowledge systems to begin the discourse (Ex: Athāto
brahma jijñāsā, Athāto dharma jijñāsā)
• There is mutual consistency and agreement between Śāstra and Loka. They both become evidence for each other in proving and
refuting logics.
3. Cognitive Process
• The cognitive process involves the three things which are
not in direct intercourse still the knowledge is gathered. The
Knowledge
• This process of acquiring knowledge necessarily involves
object to be cognized, means to cognize and the cognizer.
• Through the perfect joining of these three constituents the Means of
Cognition
knowledge is achieved. (Eyes)
Figure 3.1
NYĀYA-VAIŚEṢIKA : 1/MULTIPLE
SĀṂKHYA-YOGA : 1
VEDĀNTA : 1
KASHMIRA ŚAIVA: 7
Darśana
NYĀYA-6 NYĀYA-4
VAIŚEṢIKA : 7 VAIŚEṢIKA : 4
SĀṂKHYA : 24+1 SĀṂKHYA : 3
YOGA : 25+1 YOGA : 3
VEDĀNTA : 2 VEDĀNTA : 6
KASHMIRA ŚAIVA: 36 Figure 3.2 KASHMIRA ŚAIVA: ALL & NONE
6/23/2020 © Dr. Surabhi Verma 26
Unit 4: Cognitive Process in few Indian Knowledge Systems
1. Nyāya - Vaiśeṣika
• Nyāya is the system of Logic. The most significant contribution of i. Ontology (Tattva-mīmāṃsā) of Nyāya
this system is Logic and Causation Theory (Kārya-kāraṇa-vāda) Vaiśeṣika
• The Nyāya System is based on text known as the Nyāya Sūtras, • The term ‘Tattva-mīmāṃsā’ means Ontology.
written by Gautama. ‘Tattva’ is the Sanskrit term used to denote the
basic substances of creation. The term ‘mīmāṃsā’
• Vaiśeṣika system is the system of elaborate categorization of existence. means ‘to analyse’.
• The Vaiśeṣika System is based on text known as the Vaiśeṣika Sūtras, • The ontology is the systematic study of the objects
written by Kaṇāda. of cognition.
• Each Darśana can be studied under the following two heads – • There are seven categories of existence which can
1. Ontology (Tattva-mīmāṃsā) be called as objects of cognition in Vaiśeṣika System
while this number is six in Nyāya System.
2. Epistemology (Pramāṇa-mīmāṃsā)
• These categories are known as Padārtha. Because
• The procedure of manifestation is described through the Metaphysics of being seven in number Vaiśeṣika System
of each system. describes it as Sapta- Padārtha.
• This metaphysics includes the necessary theories in each system. • Nyāya System does not accept Abhāva in the
• For the sake of a comfortable study, here both the systems are clubbed category of existence. So the number of objects of
together due to similarity in postulations upto a greater extent. Though cognition in Nyāya System is six.
the differences will be explained at contexts.
Darśana
DRAVYA:9
GUṆA:24 PRATYAKṢA
KARMA:5 ANUMĀNA
SĀMĀNYA:2 UPAMĀNA
VIŚEṢA: INFINITE ŚABDA
SAMAVĀYA: 1
ABHĀVA: 4
Figure 4.1
• The Naiyāyikas maintain two modes or stages in • Anumāna (inference) is one of the most important
perception- contributions of the Nyāya.
1. Indeterminate Direct Perception: The first is called • Inference can be classified into 3 types-
nirvikalpa (indeterminate), when one just perceives an 1. Purvavat (inferring an unperceived effect from a
object without being able to know its features. perceived cause).
2. Determinate Direct Perception: The second is savikalpa 2. Śeṣavat (inferring an unperceived cause from a
(determinate), when one is able to clearly know an perceived effect).
object. 3. Samānyatodṛṣṭa (when inference is not based on
• All laukika and alaukika pratyakṣas are savikalpaka, causation but on uniformity of co-existence).
but it is necessarily preceded by an earlier stage when it • Anumāna can be of two types:
is indeterminate.
1. Inference for oneself (Svarthānumana, where one does
• There is yet another stage called Pratyabhijñā, when not need any formal procedure, and at the most the last
one is able to re-cognise something on the basis of three of their 5 steps).
memory.
2. Inference for others (Parathānumana, which requires a
systematic methodology of 5 steps).
Figure 4.4
The Cognitive Cycle
6/23/2020 © Dr. Surabhi Verma 37
Yoga System
i. Ontology of Yoga System ii. Epistemology of Yoga System
• The Yoga System considers 25+1 elements of creation. • The Yoga System accepts three means of cognition.
• The scholars of Yoga System are in agreement with 25 • There is only one difference between the Sāṃkhya and
elements of Sāṃkhya System and they add one more Yoga System. Sāṃkhya System accepts Direct Perception,
element ‘Īśvara’, making 26 elements as the objects of Inference and Verbal testimony while Yoga System accepts
Cognition. Direct Perception, Inference and Āgama.
• The Yoga System consider Citi and Citta as two most • ‘Āgama’ term is used in place of Śabda Pramāṇa. Āgama
important objects of cognition. means the meaning understood or comprehended by the
listener when a trustworthy person teaches while Śabda
• Yoga System considers the same two principal elements Pramāṇa is the authoritative words.
of Sāṃkhya System in the name of Citi (Puruṣa) and Citta
(Prakṛti). • In Śabda Pramāṇa (Verbal Testimony) the words are more
important like of Vedas. But in Āgamas, the role of listener
• The main focus of Yoga scholars was on investigating the becomes more important.
relationship of Citi and Citta. They were interested in
understanding the mutual relationship of primordial matter • As such Yoga System do not prescribe to use the means of
with Consciousness. So here the Citta and the method of cognition because it focusses on the upgradation of the
upgradation of Citta is elaborately described. software (Citta) the humans posses. In that upgradation
these means of cognition become an obstacles and so they
have been narrated under the head of fluctuations of
Consciousness in Yoga Sūtras.
Saṃskāra nirodha
Fluctuations Impressions (restriction of
sublimal activators
Sātvika Sātvika Pratyaya nirodha
or impressions)
(restriction of
Rājasika Rājasika Vtṛti nirodha presented ideas)
Tāmasika Tāmasika (stopping of
fluctuations of
Consciousness i.e.
attaining the
Niruddha State of
Citta)
6/23/2020
Figure 4.9 © Dr. Surabhi Verma
Figure 4.10 45
The Cycle of Sufferings
Figure 4.11
6/23/2020 © Dr. Surabhi Verma 46
Cont…
• The lust of the pleasure is immediately followed by the Rāga
which shows its presence in stages, still the bound individual
does not realize that this is something temporary (not
eternal). So the bound individual tries to hold on to the same
attained pleasure for a long time even if the cycle of
sufferings has moved on, this is the situation which creates
strong captivation of the Attachment and makes the individual
suffer more and more.
• After this point of suffering there comes the reactionary
response of Consciousness which tries to cross the
delimitation of the powers of bound individual. They are
termed as the by-products of the sufferings.
• These by-products are Krodha (Anger), Frustration,
Depression, Anxiety, mood fluctuations etc. Among which
Anger is the most dominating by-product. Rest of the by- Figure 4.12
products show their impact on The Consciousness of the
bound individual in due course of time slowly but anger
appears abruptly and immediately.
PC
KṢIPTA MŪDHA VIKṢIPTA EKĀGRA NIRUDDHA
ACTIONS
& SENSES
BREATH
Efforts to Dhyāna
overcome brings Samādhi is
Efforts to overcome troubles of Mūdha & Kṣipta Citta. troubles of Ekāgra established in
Vikṣipta Citta. Citta. Niruddha Citta.
Figure 4.13
6/23/2020 49
© Dr. Surabhi Verma
The Manifestation of Pure Consciousness
PC
KṢIPTA MŪDHA VIKṢIPTA EKĀGRA NIRUDDHA
ACTIONS
& SENSES
BREATH
Yama, Niyama
& Āsana Prāṇāyāma Prtyāhāra Dhāraṇā Dhyāna Samādhi
Efforts to Dhyāna
overcome Samādhi is
Efforts to overcome troubles of Mūdha & Kṣipta citta. Brings established in
troubles of Ekāgra
Vikṣiptacitta. Niruddha citta.
citta.
Figure 4.14
6/23/2020 50
© Dr. Surabhi Verma
The Reversal of Manifestation
( The Journey of Reflected Consciousness Towards Pure Consciousness )
PC
KṢIPTA MŪDHA VIKṢIPTA EKĀGRA NIRUDDHA
ACTIONS
& SENSES
BREATH
Yama, Niyama
& Āsana Prāṇāyāma Prtyāhāra Dhāraṇā Dhyāna Samādhi
Efforts to Dhyāna
overcome Samādhi is
Efforts to overcome troubles of Mūdha & Kṣipta citta. Brings established in
troubles of Ekāgra
Vikṣiptacitta. Niruddha citta.
citta.
Figure 4.15
6/23/2020 © Dr. Surabhi Verma 51
Yoga is The Means of Reverse Journey
PC
KṢIPTA MŪDHA VIKṢIPTA EKĀGRA NIRUDDHA
ACTIONS
& SENSES
BREATH
Yama, Niyama
& Āsana Prāṇāyāma Prtyāhāra Dhāraṇā Dhyāna Samādhi
Efforts to Dhyāna
overcome Samādhi is
Efforts to overcome troubles of Mūdha & Kṣipta citta. Brings established in
troubles of Ekāgra
Vikṣiptacitta. Niruddha citta.
citta.
Figure 4.16
6/23/2020 52
© Dr. Surabhi Verma
Steps of Yoga
(As per Pātañjala Aṣṭāṅga Yoga)
Samādhi
Dhyāna
Dhāraṇā
Pratyāhāra
Prāṇāyāma
Āsana
Niyama
Yama
Figure 4.17
6/23/2020 © Dr. Surabhi Verma 53
Bahiraṅga
(External means of Practice/Abhyāsa)
Yama, Niyama, Āsana, Praṇāyāma, Pratyāhāra.
Prāṇāyāma
• In Prāṇāyāma, prāna is the vehicle for the ascent of
attention within the body, the focussing of awareness
along the bodily axis towards the brain; attention
ascends and leads to more and more subtle experiences.
• In the final stage of this process, the prānic energy is
guided into the topmost psycho- energetic system
(cakra) at the crown of the head.
• When prāna and attention come to be fixed at that spot,
the quality of consciousness may change radically,
yielding the ecstatic state (Samādhi).
6/23/2020 © Dr. Surabhi Verma 57
Flow of Energy after Yama, Niyama, Āsana, Prāṇāyāma and Pratyāhāra
After Pratyāhāra, the flow of energy reaches upto the level of Vikṣipta citta.
Energy flow
PC
KṢIPTA MŪDHA VIKṢIPTA EKĀGRA NIRUDDHA
ACTIONS
& SENSES
BREATH
Yama, Niyama
& Āsana Prāṇāyāma Prtyāhāra Dhāraṇā Dhyāna Samādhi
Energy flow
Efforts to Dhyāna
overcome Samādhi is
Efforts to overcome troubles of Mūdha & Kṣipta citta. Brings established in
troubles of Ekāgra
Vikṣiptacitta. Niruddha citta.
citta.
Figure 4.20
© Dr. Surabhi Verma
6/23/2020 58
Antaraṅga
(Internal means of Practice/Abhyāsa)
Dhāraṇā, Dhyāna, Samādhi
Figure 4.21
Figure 4.22
ANANDĀNUGATA
Figure 4.23
Energy Flow
PC
KṢIPTA MŪDHA VIKṢIPTA EKĀGRA NIRUDDHA
ACTIONS
& SENSES
BREATH
Yama, Niyama
& Āsana Prāṇāyāma Prtyāhāra Dhāraṇā Dhyāna Samādhi
Energy Flow
Efforts to Dhyāna
overcome Samādhi is
Efforts to overcome troubles of Mūdha & Kṣipta citta. Brings established in
troubles of Ekāgra
Vikṣiptacitta. Niruddha citta.
citta.
Figure 4.24
6/23/2020 © Dr. Surabhi Verma 66
3. Vedānta
i. Ontology of Vedānta:
• Vedānta Darśana explains there are two objects of cognition.
“Vedānto nāma upaniṣada pramāṇam”
• First one is Brahman i.e. Pure consciousness that is been
explained as – “Akhandam
sacchidānandanandamanantadvyam Brahma”
1. Impartite (undivided)
2. Existence (present within the segments of time and beyond
of that also)
3. Intelligence
4. Blissful
5. Infinite
6. Non-dual (appears as dual but non-dual in nature)
• The second one is Avidyā (Ignorance) which has been
described as “sadasadbhyāmanirvacanīyam jñānavirodhi
bhāvarupam”-
1. It can’t be described in the two categories ‘Sat’ or ‘Asat’. It
consists of three principle elements – Sattva, Rajas, Tamas.
2. It opposes the Pure Knowledge about the Ultimate Figure 4.25
Consciousness.
3. It is abstract and subtle in nature.
• Ignorance has two powers – 1. Covering 2. Projection
• After the first encapsulation of Pure Consciousness • At second level the encapsulation of Brahman through
(Brahman), the manifestation of Brahman with Ānandamaya Vijñānamaya Kośa, Manomaya Kośa and Prāṇamaya Kośa
Kośa occurs. This evolves the Causal Body of creation. creates the Subtle Body of Sāṃkhya System.
• The term ‘Kāraṇa Śarīra’ or the ‘Causal Body’ denotes that • These three covering are the coverings of 5 Jñānendriyās,
this level becomes the cause of the creation. Buddhi, Manas, 5 Vāyu and 5 Karmendriyās.
• The Causal Body state has been compared with the state of • The first Sheath is produced by 5 Jñānendriyā, and Buddhi
Deep Sleep or ‘Suṣupti’ because in this state the unmanifested which is known as Vijñānamaya Kośa.
remains as the dormant seed. • The second Sheath is produced by 5 Jñānendriyā, and Manas
• This level is the point of dissolution of Subtle Body of which is known as Manomaya Kośa.
cosmos. • The third Sheath is produced by 5 Vāyu and 5 Karmendriyā
which is known as Prāṇamaya Kośa .
ĀNANDAMAYA KOŚA
BRAHMA
Figure 4.29
Figure 4.28
The Subtle Body
6/23/2020 The Causal Body © Dr. Surabhi Verma 72
Cont…
The Subtle body in Vedānta
• The coverings are created by 5 Jñānendriyās, Buddhi,
Manas, 5 Vāyu and 5 Karmendriyās.
• These constituents of Cognitive apparatus and 5 types of
Vāyu (Vital airs) are produced from five bhūtas which
are the products of five tanmātras- Śabda, Sparśa, Rūpa,
Rasa and Gandha.
• Śabda evolves Ākāśa.
• Śabda and Sparśa evolve Vāyu.
• Śabda, Sparśa and Rūpa evolve Agni.
• Śabda, Sparśa, Rūpa and Rasa evolve Jala.
• Śabda, Sparśa, Rūpa, Rasa and Gandha evolve Pṛthivī.
• All five bhūtas are composed of Sattva, Rajas and
Tamas.
• Sattva separately evolves 5 Jñānendriyās, Rajas
separately evolves 5 Karmendriyās.
• Sattva of all compositely create Buddhi and Manas.
• Rajas of all compositely create 5 types of Vāyu named as
Prāṇa, Apāna, Vyāna, Udāna and Samāna.
Figure 4.30
6/23/2020 © Dr. Surabhi Verma 73
The Process of Pañcīkaraṇa
• The five bhūtas- Ākāśa, Vāyu, Agni, Jala, Pṛthivī undergo
division into two equal parts and second half divides again
into four equal parts.
• The first half along with 1/8th of rest of each element
creates one Gross Bhūta known as Mahābhūta.
• This intermixing of all elements is known as Pañcīkaraṇa.
• As a result of this mixing, one gross element Ākāśa is
constituted of 50% Ākāśa, 12.5% Vāyu, 12.5%Agni,
12.5% Jala and 12.5% Pṛthivī.
• Thus Ākāśa Mahābhūta possess maximum property of
Śabda and 12.5% each of Vāyu, Agni, Jala and Pṛthivī .
• Similarly Vāyu Mahābhūta possess maximum property of
Sparśa and 12.5% each of Ākāśa, Agni, Jala and Pṛthivī.
• Similarly Agni Mahābhūta possess maximum property of
Sparśa and 12.5% each of Ākāśa, Vāyu, Jala and Pṛthivī.
• The same is with Jala and Pṛthivī.
Figure 4.31
6/23/2020 © Dr. Surabhi Verma 75
The Pañcakośas
Annamaya Kośa Pañcīkṛta Mahābhūta
The Pure Consciousness is
covered by the layers or 5 Vāyu and 5 Karmendriyā
Prāṇamaya Kośa
sheaths so we are mistaken
while considering our body 5 Jñānendriyā and
Manomaya Kośa Manas
(Avastu); which is mere an
appearance and not real; as the 5 Jñānendriyā
Pure Consciousness just like and Buddhi
we see snake in a rope by Vijñānamaya Kośa
mistake in a dark room because
Ānandamaya
of ignorance. But in the light Kośa
this illusion dissolves and state Brahman
of understanding about the Covered
Brahman
With
rope is restored. In the same
Ignorance
way, the illusion about the
world as real dissolves when
ignorance is removed; and then
the state of realization of Pure
Consciousness is restored.
108
6/23/2020 Figure 4.32 77
The Gross Body in Vedānta
The four grand statements of Vedānta Darśana
• The Gross Body is composed after the last covering of
Annamaya Kośa which gets composed from the five 1. Ayam Ātmā Brahma- This Self is that Pure
Mahābhūtas (i.e. the intermixed grand elements- Ākāśa, Consciousness.
Vāyu, Agni, Jala and Pṛthivī.
• These intermixed elements produce gross bodies of different 2. Prajñānam Brahma - The Pure Knowledge is
creatures, the food for them and the residences. Ultimate Consciousness.
• The Gross bodies are of four types- Jarāyuja, Aṇdaja, 3. Tat Tvam Asi – You are that Pure Consciousness
Svedaja and Udbhijja.
4. Aham Brahma Asmi – I am that Pure Consciousness.
• The residences are 14 in number.
• Seven are the lower lokas and seven are the upper lokas. • Among these four grand statements, “Tat Tvam Asi” is the
statement of the Siddha Ācārya who is teaching the
disciple and “Aham Brahma Asmi” is the realization
statement of the Sādhaka when the actual experience of
Pure state happens.
Figure 4.36
6/23/2020 © Dr. Surabhi Verma 86
Prakāśa-Vimarśa form of Parama Śiva The Characteristics of Citi
• CITI is the power of Parma Śiva who evolves the universe at her
• This Pure Consciousness or Parama Śiva has two forms-
own wall with her AbsoluteFreedom.
1. Prakāśa (Luminosity): Prakāśa (Luminosity) is the root cause
• The two main characteristics of Citi in Kashmir Śaiva Darśana are-
of the existence. Everything comes into existence because of
the Luminosity of Pure Consciousness. 1. Absolute Freedom
2. Vimarśa (Thought Process): Vimarśa is the root cause of 2. Cause of manifestation of Viśva
awareness and thought. Because of Vimarśa, Consciousness
presides in the manifested form which comes to be known. The Manifestation Process
• In the manifestation process when the Citi descends down
Śakti as the Principle of Manifestation undergoing limitation, it becomes known as Citta.
• Śakti or Power is the root cause of the Manifestation. • The manifestation starts in two modes. These modes are termed
• In totality the unified form of Śakti is known as Citi. as Adhvā which means mārga or the way through which
manifestation proceeds. These are six in number so they are
• In segregation, this Citi becomes five-fold- named as Sadadhvā.
1. Cit Śakti – Pure Intelligence
• The two modes of Manifestation are – Kālādhvā and Deśādhvā
2. Ānanda Śakti – Ultimate Happiness / Bliss
• Kālādhvā represents Subjective manifestation and Deśādhvā
3. Icchā Śakti – The Will Power represents Objective manifestation.
4. Jñāna Śakti – The Knowledge Power • Subjective manifestation consists of Varṇa, mantra and pada.
5. Kriyā Śakti – The Action Power • Objective manifestation consists of Tattva, Kalā and Bhuvana.
• When these five-fold powers proceed towards delimitation,
manifestation starts.
6/23/2020 © Dr. Surabhi Verma 87
Cont…
• In manifestation process, the Citi functions as an
instrument, so it is called instrumental consciousness.
• Subjective manifestation starts with Kālādhvā (time)
which is termed as Pramātṛgata Adhvā i.e. This
manifestation is dependent upon the Subjective aspect of
Consciousness which is represented in the Cognizers.
• This manifestation comes under three heads- 1. Varṇa
adhvā 2. Mantra Adhvā and 3. Pada adhvā.
• When Instrumental Consciousness completely submerges
into Subjective Consciousness, it gets represented as
Varṇa Adhvā. (Tatpraśame pūrṇapramātṛtāyām
Varṇādhvā)
• When Instrumental Consciousness ceases and becomes
dissolved into the Subjective Consciousness, it gets
represented as Mantra Adhvā. (Pramāṇasyaiva
kṣobhataraṅgaśāmyatāyām Mantrādhvā)
• When Subjective Consciousness is dependent on
Instrumental Consciousness, it gets represented as Pada Figure 4.37
Adhvā. (Pramāṇatāyām Padādhvā)
Figure 4.38
The Six Ways (Śaḍadhvā)
Figure 4.42
6/23/2020 © Dr. Surabhi Verma 94
❑ The Concept of Time
1/5
1 angula = 1 caṣaka 1 mānava varṣa = 1 divya tithi Divya 700 varṣa = joint of 14 manvantara = 1 brāhma dina, 14
30 caṣaka= 1 prāṇācāra 360 mānava varṣa = 360 divya tithi Kṛtayuga + Tretāyuga = 700*360 manvantara = 1 brāhmaniśā
1 prāṇācāra = 36 angula 360 divya tithi = 1 divya varṣa mānava varṣa Brahmā ki āyu = 100 varṣa = 1
60 caṣaka = 1 ghaṭikā Divya 4000 varṣa = 1 kṛtayuga = Divya 500 varṣa = joint of viṣṇu dina, Brahmā ki āyu = 100
1 ghaṭikā = 72 angula 4000*360 mānava varṣa Tretāyuga + Dvāparayuga = varṣa = 1 viṣṇu rātri
2¼ angula= 1 tuṭi Divya 3000 varṣa = 1 tretāyuga = 500*360 mānava varṣa Viṣṇu ki āyu = 100 varṣa = 1 rudra
4 tuṭi = 1 prahara 3000*360 mānava varṣa Divya 300 varṣa = joint of dina
4 prahara= 1 din Divya 2000 varṣa = 1 dvāparayuga Dvāparayuga + Kaliyuga = Viṣṇu ki āyu = 100 varṣa = 1 rudra
4 prahara= 1rāta = 2000*360 mānava varṣa 300*360 mānava varṣa niśā
8 prahara= 1 ahorātra Divya 1000 varṣa = 1 kaliyuga = Divya 100 varṣa = end of kaliyuga Rudra ki āyu ke divya 100 varṣa =
36 angula = 1 śvāsa 1000*360 mānava varṣa Divya 400 varṣa = starting of 1 śatrudra dina
36 angula = 1 niśvāsa TOTAL Kāla of yuga = 10000 Kṛtayuga Rudra ki āyu ke divya 100 varṣa =
1 prāṇacāra = 32 tuṭi Divya varṣa = 10000*360 Divya 500 varṣa = joint of kaliyuga 1 śatrudra rātri
15 tuṭi= 1 pakṣa mānava varṣa + Kṛtayuga = 500*360 mānava ŚataRudra ki āyu ke divya 100
4 tutyardha = 2 pakṣa saṃdhiyan varṣa varṣa = 1 brahmānda ka janma
2 pakṣa = 1 māsa TOTAL sandhi Kāla of yuga = astitva aur vināśa
12 māsa = 1 varṣa Divya 2000 varṣa = 2000*360 1 brahmānda ki āyu ke divya 10
5 varṣa = 1 saṃkrānti mānava varṣa varṣa = Īśvara tattva kā dina
1 varṣa = 360 tithiyān 1 caturyuga = DIVYA 12000 1 brahmānda ki āyu ke divya 10
60 varṣa = 21600 tithiyāna varṣa = 12000*360 mānava varṣa varṣa = Īśvara tattva kā rātri
71 caturyuga = 1 manvantara = Īśvara tattva ki āyu ke divya100
71*12000*360 mānava varṣa varṣa = Sadāśiva tattva ka dina
Īśvara tattva ki āyu ke divya100
varṣa = Sadāśiva tattva kī rātri
Śakti tattva ki āyu ke 1 koti varṣa =
Anāṣrita tattva ki āyu.
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❑ The Concept of Space
Figure 4.43
Figure 4.44
6/23/2020 © Dr. Surabhi Verma 96
Cont…
Figure 4.51
Figure 4.52
6/23/2020 © Dr. Surabhi Verma 100
Cont…
Figure 4.55
6/23/2020 © Dr. Surabhi Verma 102
❑ Inter-connected Time and Space
• Though more or less Indian Concept of time is described same in all
the dārśanika and purāṇic concepts, Kashmir Śaiva Darśana
explains the concept of stratified universe and time which are inter-
connected.
• As explained in Tantrāloka space is a stratified universe composed of
36 constituents. For a better understanding this can be classified into
three levels-
• Level 1, of the space consists of two constituents- Śakti and Śiva;
• Level 2 contains Māyā and its 5 coverings,
• Level 3 consists of 25 elements from puruṣa to pṛthivī.
• Time is also present in the same stratified mode parallel to the space.
• In the Level 3, time is derived in the measurement of kṣaṇa to
mānava varṣa.
• In Level 2, time is measured in Divya Varṣa.
• In Level 1, time is measured in the standards of the age of Brahmā,
Viṣṇu and Śiva.
• Thus time and space both are just a construct and change according to Figure 4.56
the level of constituents of manifestation.
• The time varies from one point to the other in a single level of space
and also from one level of space to the other level of space.
Figure 4.57
• Citi reflects the whole universe from within herself at her As per the standards of Kashmir Śaivism-
own wall at her own will through her Svātantrya Śakti. • The Ultimate Consciousness (Parama Śiva) carries infinite
This is known as the theory of Absolute Freedom. powers and considered as a Pure one.
• Pratyabhijñahṛdayam denotes this theory in its first sūtra- • When Citi, the unified Power of that Pure one undergoes
delimitation to project out her own reflection in diverse
Citi svatantrā viśva siddhi hetuḥ. finite gross forms, becomes Reflected Consciousness.
Svecchayā svabhittau viśvamunmīlayati. • This doctrine is known as Bimba-Pratibimbavāda.
• It means that the Power of Pure Consciousness i.e. Citi • Thus Citi herself descends down to take the forms of
which can be understood as Energy as per the view of delimited ones and the complete process of manifestation
today‘s Science has Absolute Freedom and that is the takes place.
Ultimate Cause of manifestation of the Universe. So Citi
is herself the Instrumental Consciousness.
1. This darśana is aesthetically designed means it allows us 7. This darśana is dominated by the centrality of Pramātā
to enjoy the aesthetics of this world and it is read like a in its discourse.
poetry.
8. It is upadiṣṭa (a kind of hṛdaya saṃvāda – dialogue style
2. It does not support or claim any manifested entity as of understanding).
Unreal. 9. This system is very unique in nature because it has
3. It includes the six dimensions of discourse – It is a metaphysical values of sounds.
darśana, yoga, dharma, kalā, tantra and pravṛtti mulaka. 10. The delimited knowledge is the greatest bondage and
4. It demonstrate the Parā and Aparā state – Parā vāk, expansion of self is the liberation here.
Parā śakti, Parā vidyā, Parā bhakti similarly for 11. This darśana declares that the only Ultimate paramāṇais
Aparā state also. the Āgama (Pure form of Knowledge) which is in turn
the Pure Consciousness or Parā Vidyā.
5. We are distracted from our own self (vimukha) and
pratyabhijñā directs us towards our own self (abhimukha). 12. It says that ‘Yatra yatra manastuṣṭiḥ manas tatraiva
dhārayet’ because nothing is devoid of Consciousness.
6. The goal of Pratyabhijñā has been described
as- “Bhāta-bhāsamāna rūpānusaṃdhānātmikā
pratyabhijñā” means the search of the form which was
already available in the past and which is also available in
the present is known as Recognition.
• Asatkāryavāda (non-existence of the effect in the cause). • Satkāryavāda is the theory of the pre-existent effect, that
It maintains that kārya (effect) is ‘asat’ or unreal until it the effect already exists in its material cause, and therefore
comes into being. Every effect, is a new beginning and is nothing new is brought into existence or produced in the
not born out of cause. It is considered by Nyāya process of creation.
Vaiśeṣika scholars. • The scholars of Sāṃkhya System hold that the effect is
• The relationship between a cause (like clay) and its effect existent even before causal operation renders from
(like the pot) has provided enough scope of discussion in unmanifested condition.
Nyāya Vaiśeṣikas. When the pot, the effect, is produced
• It gives five reasons why the effect has to pre-exist in its
from clay, its cause, one explanation is possible that the
material cause-
effect, which is something new, is produced as a result
of the efforts of the potter and his implements, even 1. Asadkaranāt - whatever is not in existence cannot be
though it did not exist earlier. If the clay and the pot were produced.
not different from each other, we should have used the 2. Upādānakaranāt - the effect requires a material cause,
same name for both and they should have served the
same purpose. But this is not so. 3. Sarvasambhavābhāvāt - not everything arises from
• Hence according to this view, a real effect (‘kārya’) is everything.
produced from the cause though it did not exist earlier 4. Saktasya-sakya-karnāt - the cause produces only what
(hence unreal or ‘asat’) in that cause. Therefore it is corresponds to its potential
named as ‘Asatkāryavāda’.
5. Karaṇabhāvāt - the effect has the nature of the cause.
Vikalpa in Yoga and Subtle Body of Śikṣā and Prātiśākhya Karmendriya and
Kashmir Śaiva Darśana Sāṃkhya, Vedānta and Karma Anga
Kashmir Śaivism
Jāgrat and Svapna Citta and Puruṣa Citi and Prakṛti Āgama and Śabda
Pramāṅa
Āgama Śāstra and Gross Body of Sāṃkhya Pañcabhūta and Jñānendriya and
Nigama Śāstra and Vedānta Pañcamahābhūta Jñāna aṅga
Citi in Yoga and Pratyakṣa andAnumāna Pramiti and Smṛti Prakāśa and
Kashmir Śaiva Darśana Vimarśa form of
Paraṃ Śiva
Samādhi and Suṣupti Citi and Brahma Madhyamā and Abhāva and
Vaikharī Vāk Anupalabdhi
Table 4.1