Professional Documents
Culture Documents
Ahmed, Sara. Living a Feminist Life. Durham, NC: Duke University Press, 2017.
Ahmed, Sara. “White Men.” Feministkilljoys (blog), November 4, 2014. https://
feministkilljoys.com/2014/11/04/white-men.
Alang, Navneet. “Facebook Algorithms Can’t Replace Good Judgement.” Globe
and Mail, September 9, 2016. https://www.theglobeandmail.com/opinion
/facebook-a lgorithms-cant-replace-good-judgment/article31805498/.
Alderson, Jonathan. Challenging the Myths of Autism: Unlock New Possibilities and
Hope. Toronto: HarperCollins, 2011.
Analogue University. “Control, Resistance, and the ‘Data University’: Towards a
Third Wave Critique.” AntipodeFoundation.org, March 31, 2017. https://
antipodefoundation.org/2017/03/31/control-resistance-and-t he-data
-university/.
Angwin, Julia, Jeff Larson, Lauren Kirchner, and Surya Mattu. “Machine Bias.”
ProPublica, accessed June 20, 2016. https://www.propublica.org/article
/machine-bias-r isk-assessments-in-criminal-sentencing.
Atanasoski, Neda, and Kalindi Vora. “Surrogate Humanity: Posthuman Net-
works and the (Racialized) Obsolescence of Labor.” Catalyst: Feminism, The
ory, Technoscience 1, no. 1 (2015): n.p.
Bailey, Marlon M. Butch Queens Up in Pumps: Gender, Performance, and Ballroom
Culture in Detroit. Ann Arbor: University of Michigan Press, 2013.
Bakker, Karen. “Katrina: The Public Transcript of Disaster.” Environment and
Planning D: Society and Space 23, no. 6 (2005): 796 – 802.
Banks, Taunya Lovell. “Still Drowning in Segregation: Limits of Law in Post –
Civil Rights America.” Law and Inequality 32, no. 2 (Summer 2014): 215 – 255.
Bannerji, Himani. “Returning the Gaze: An Introduction.” In Returning the
Gaze: Essays on Racism, Feminism, and Politics, edited by Himani Banerjee,
ix–xxix. Toronto: Sister Vision, 1994.
Baucom, Ian. Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy
of History. Durham, NC: Duke University Press, 2005.
Benjamin, Ruha. Race After Technology: Abolitionist Tools for the New Jim Code.
Cambridge: Polity, 2019.
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