You are on page 1of 79

Sector : GARMENTS

Qualification Title: DRESSMAKING NCII

Unit of Competency: DRAFT AND CUT PATTERN FOR CASUAL


APPAREL

Module Title: DRAFTING AND CUTTING PATTERN FOR CASUAL


APPAREL

LOPEZ FASHION INSTITUTE


Plan Training
Session
Data Gathering Instrument for Trainee’s Characteristics
Please answer the following instrument according to the
characteristics described below. Encircle the letter of your choice that best
describes you as a learner. Blank spaces are provided for some data that
need your response.
Characteristics of learners

Language, Average grade in: Average grade in:


literacy and English Math
numeracy (LL&N)
a. 95 and above a. 95 and above
b. 90 to 94 b. 90 to 94
c. 85 to 89 c. 85 to 89
d. 80 to 84 d. 80 to 84
a. 75 to 79 e. 75 to 79

Cultural and Ethnicity/culture:


language a. Ifugao
background
b. Igorot
c. Mangyan
d. Tagalog
e. Muslim
f. Ilocano
g. Bisaya
h. Others( please specify)_____________

Education & Highest Educational Attainment:


general a. High School Level
knowledge
b. High School Graduate
c. College Level
d. College Graduate
e. with units in Master’s degree
f. Masteral Graduate
g. With units in Doctoral Level
h. Doctoral Graduate
i. Junior High School Completer
j. Senior High School Graduate
Sex a. Male
b. Female
Characteristics of learners
Age Your age: _____
Physical ability 1. Disabilities(if any)_____________________
2. Existing Health Conditions (Existing illness
if any)
a. None
b. Asthma
c. Heart disease
d. Anemia
e. Hypertension
f. Diabetes
g. Others(please specify) ___________________

Previous GRM Certificates


experience with a. GRM certified
the topic b. GRM graduate
c. GRM trainer
d. GRM lead trainer
Number of years as a competency trainer
______

Previous List down trainings related to GRM


learning ___________________________
experience ___________________________
___________________________
National Certificates acquired and NC level
Training Level
completed DRESSMAKING NC II

Special courses Other courses related to GRM


a. Units in education
b. Master’s degree units in education
c. Others(please specify)
_________________________

Learning styles a. Visual - The visual learner takes mental


pictures of information given, so in order
for this kind of learner to retain
information, oral or written, presentations
of new information must contain diagrams
and drawings, preferably in color. The
visual learner can't concentrate with a lot
of activity around him and will focus better
and learn faster in a quiet study
environment.
b. Kinesthetic - described as the students in
the classroom, who have problems sitting
still and who often bounce their legs while
Characteristics of learners

tapping their fingers on the desks. They are


often referred to as hyperactive students
with concentration issues.
c. Auditory- a learner who has the ability to
remember speeches and lectures in detail
but has a hard time with written text.
Having to read long texts is pointless and
will not be retained by the auditory learner
unless it is read aloud.
d. Activist - Learns by having a go
e. Reflector - Learns most from activities
where they can watch, listen and then
review what has happened.
f. Theorist - Learns most when ideas are
linked to existing theories and concepts.
g. Pragmatist - Learns most from learning
activities that are directly relevant to their
situation.
Other needs a. Financially challenged
b. Working student
c. Solo parent
d. Others(please specify)
___________________________
FORM 1.1 SELF-ASSESSMENT CHECK

INSTRUCTIONS: This Self-Check Instrument will give the trainer necessary


data or information which is essential in planning training
sessions. Please check the appropriate box of your answer
to the questions below.

BASIC COMPETENCIES
CAN I…? YES NO
1. PARTICIPATE IN WORKPLACE COMMUNICATION
Obtain and convey workplace information
Participate in workplace meetings and discussions
Complete relevant work related documents

2. WORK IN TEAM ENVIRONMENT


Describe team role and scope
Identify own role and responsibility within team
Work as a team member

3. PRACTICE CAREER PROFESSIONALISM


Integrate personal objectives with organizational goals
Set and meet work priorities
Maintain professional growth and development

4. PRACTICE OCCUPATIONAL HEALTH AND SAFETY PROCEDURES


Identify hazards and risks
Evaluate hazards and risks
Control hazards and risks
Maintain OHS awareness

COMMON COMPETENCIES
CAN I…? YES NO

1.CARRY OUT MEASUREMENTS & CALCULATIONS


Obtain measurements
Perform simple calculations
Estimate approximate quantities

2. SET UP AND OPERATE MACHINE/S


Set machines
Conduct sample run
Test machine output
Re-adjust machine setting to meet requirements
Maintain records

3. PERFORM BASIC MAINTENANCE


Operate machine and assess its performance
Clean and lubricate machine
Check machine operation

4. APPLY QUALITY STANDARDS


Assess own work
Assess quality of received component parts
Measure parts
Record information
Study causes of quality deviations

CORE COMPETENCIES
CAN I…? YES NO
1. DRAFT AND CUT PATTERN FOR CASUAL APPAREL
Plan garment design
Take client’s body measurement
Draft basic/Block pattern
Manipulate pattern
Cut final pattern

1. PREPARE AND CUT MATERIALS FOR CASUAL APPAREL


Prepare materials (Fabric)
Lay-out and mark pattern on material
Cut materials

2. SEW CASUAL APPAREL


Prepare cut parts
Sew and assemble garment parts
Alter completed garments

3. APPLY FINISHING TOUCHES ON CASUALS


Apply finishing touches
Trim excess threads
Press finish garments
Package finished garment

Evidences/Proof of Current Competencies

Form 1.2: Evidence of Current Competencies acquired related to


Job/Occupation

Current competencies Proof/Evidence Means of validating


DRAFT AND CUT
PATTERN FOR CASUAL NCII Passer Certificates, Dry seal
APPAREL
PREPARE AND CUT
MATERIALS FOR CASUAL
APPAREL
SEW CASUAL APPAREL NCII Passer Certificates, Dry seal
APPLY FINISHING NCII Passer Certificates, Dry seal
TOUCHES ON CASUAL

Identifying Training Gaps

From the accomplished Self-Assessment Check (Form 1.1) and the


evidences of current competencies (Form 1.2), the Trainer will be able to
identify what the training needs of the prospective trainee are.
Form 1.3 Summary of Current Competencies Versus Required
Competencies
Required Units of Current Training
Competency/Learning Competencies Gaps/Requirement
Outcomes based on CBC s
1.DRAFT AND CUT PATTERN FOR CASUAL APPAREL
1.1 Plan garment design 1.1 Plan garment
design
1.2 Take client’s body 1.2 Take client’s
Measurements body
measurements
1.3 Draft basic/block 1.3 Draft
Pattern basic/block
pattern
1.4 Manipulate pattern 1.4 Manipulate
pattern
1.5 Cut final pattern 1.5 Cut final pattern
2. PREPARE AND CUT MATERIALS FOR CASUAL APPAREL
2.1Prepare materials 2.1Prepare materials
(fabric) (fabric)
2.2Lay-out and mark 2.2Lay-out and mark
pattern on material pattern on material
2.3 Cut materials 2.3 Cut materials
3. SEW CASUAL APPAREL
3.1 Prepare cut parts 3.1 Prepare cut parts
3.2 Prepare sewing 3.2 Prepare sewing
machine for operation machine for
operation
3.3Sew and assemble 3.3Sew and
garment parts assemble
garment parts
3.4Alter completed 3.4Alter completed
Garment garment
4. APPLY FINISHING TOUCHES ON CASUAL
4.1Apply finishing touches 4.1Apply finishing
touches
4.2Trim excess threads 4.2Trim excess
threads
4.3Press finished garment 4.3Press finished
garment
4.4Package finished 4.4Package finished
Garment garment

Using Form No.1.4, convert the Training Gaps into a Training Needs/
Requirements. Refer to the CBC in identifying the Module Title or Unit of
Competency of the training needs identified.

Form No. 1.4: Training Needs

Training Needs Module Title/Module of


Instruction
(Learning Outcomes)
Plan garment design 1.Planning garment design
2.Taking client’s body
Take client’s body measurements measurements
Draft basic/block 3.Drafting basic/block
Pattern pattern
Manipulate pattern 4.Manipulating pattern

Cut final pattern 5.Cutting final pattern


SESSION PLAN
Sector : GARMENTS SECTOR
Qualification Title : DRESSMAKING NCII
Unit of Competency : DRAFT AND CUT PATTERN FOR CASUAL APPAREL
Module Title : DRAFTING AND CUT PATTERN FOR CASUAL APPAREL
Nominal Duration : 70 hours
Learning Outcomes: At the end of the session the trainees must be able to:
LO 1: Plan garment design
LO 2: Take client’s body measurements
LO 3: Draft basic/block pattern
LO 4: Manipulate pattern
LO 5: Cut final pattern
A. INTRODUCTION: This unit covers the outcomes required in drafting and cutting basic/block patterns for casual
apparel. It includes the requirements for planning garment design, taking body measurement, drafting basic/block pattern
and cutting final pattern.
B. LEARNING ACTIVITIES
LO 1: Plan garment design
Learning Content Methods Presentation Practice Feedback Resources Time
Job requirements  Lecturette Trainees will Answer Self Compare CBLM
actively participate Check 1.1-1 to the Projector 45min
in the discussion of answer key .
Information Sheet 1.1-1 Laptop
1.1-1” Part of job
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING NCII July 2021 Issued by: Page 11 of 80
Date Revised:
DRAFT AND CUT PATTERN LFI
Developed by:
FOR CASUAL APPAREL
CENIZA D. LOPEZ Revision # 00
requirements”
 Lecturette Trainees will Answer Self Compare to CBLM
actively participate Check 1.1-2 the answer Projector 45min
in the discussion of key 1.1-2 Laptop .
Information Sheet
1.1-2 “Kinds
garment design”
 Demonstration Trainees will Evaluate
Garment design observe performanc CBLM
demonstration of e using Sketching
Task Sheet 1.1- Perform Task Performanc pad 7
1”Sketch garment Sheet 1.1-1 e task Pencil hours
design” Criteria Coloring
Checklist materials
1.1-1

Assign Trainees to
group themselves Compare to CBLM 45min
for the discussion Projector
Answer Self the answer Laptop .
Fabric Group discussion of Information key 1.1-3
Sheet 1.1-3 “ Types Check 1.1-3 Cloth/Fab
of fabrics ” rics
Demonstration Trainees will Perform Task Evaluate
participate in Sheet 1.1-2 performanc
performing the e using
Task Sheet 1.1-2 Performanc
“Present the e task
different types of Criteria
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING NCII July 2021 Issued by: Page 12 of 80
Date Revised:
DRAFT AND CUT PATTERN LFI
Developed by:
FOR CASUAL APPAREL
CENIZA D. LOPEZ Revision # 00
fabrics” Checklist
1.1-2
Trainees will Compare to
participate actively Answer Self the answer CBLM 45min
Lecturette in the discussion of Check 1.1-4 key1.1.4 Projector .
Information Sheet Laptop
Special needs. 1.1-4 “ Importance
the special needs”

LO 2: Take client’s body measurements


Lecturette Trainees will Compare to
actively participate the answer CBLM 45min
in the discussion of key 1.2.1 tape s
Information Sheet Answer Self measure
1.2-1 “Kinds of Check 1.2-1 ruler
Measuring tools measuring L-square
materials”
Demonstration The trainees will Evaluate
observe Perform Task performanc CBLM 3
demonstration of e using tape
Sheet 1.2-1 hours
Task Sheet 1.2-1 Performanc measure
“ Proper use of e task ruler
measuring tools” L-square
Criteria
Checklist
1.2-1
Body measurements Trainees will Answer Self Compare
actively participate to the CBLM
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING NCII July 2021 Issued by: Page 13 of 80
Date Revised:
DRAFT AND CUT PATTERN LFI
Developed by:
FOR CASUAL APPAREL
CENIZA D. LOPEZ Revision # 00
in the group Check 1.2-2 answer key Projector 45min
discussion of 1.2-2 Laptop .
Group discussion Information Sheet
1.2-2 “Parts of
body
measurements”
The trainees will Answer Self Compare to
encourage to Check 1.2-3 the answer CBLM 45min
participate in the key1.2-3 Projector
Group discussion group discussion of Laptop
Information Sheet
1.2-3 “Correct
position of body
measurements”
Standard body Demonstration The trainees will Perform the Evaluate
measurements actively participate Job sheet performanc CBLM
in demonstration 1.2-1 e using Tape
of Job Sheet 1.2-1 Performanc measure 5
“ Perform correct e task Pen hours
position of body Criteria notebook
measurements. Checklist
1.2-1

Trainees will Perform the Evaluate


Body measurement actively participate Task Sheet performanc CBLM 5
for companies Demonstration in demonstration 1.2-3 e using Projector hours
of Task Sheet 1.2- Performanc Laptop
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING NCII July 2021 Issued by: Page 14 of 80
Date Revised:
DRAFT AND CUT PATTERN LFI
Developed by:
FOR CASUAL APPAREL
CENIZA D. LOPEZ Revision # 00
3 “Procedures e task Tape and
body Criteria measure 45
measurements for Checklist min.
companies” 1.2-3
LO 3: Draft basic/block pattern

The trainees will Answer Self Compare to


encourage to Check 1.2-1 the answer CBLM 45min
participate in the key 1.2-1 Pattern .
Group discussion group discussion of paper
Drafting and Information Sheet Pen
measuring tools 1.2-1 “Types of Ruler
measuring and Hip curve
drafting tools” L-square
French
curve

Read Information Answer Self Compare to 45min


Sheet 1.2-2 “Kinds Check 1.2-2 the answer CBLM
of basic/block key 1.2-2 Pattern
pattern ” paper
Individualized Study Pen
Ruler
Hip curve
L-square
French
curve

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING NCII July 2021 Issued by: Page 15 of 80
Date Revised:
DRAFT AND CUT PATTERN LFI
Developed by:
FOR CASUAL APPAREL
CENIZA D. LOPEZ Revision # 00
Basic/block Trainees will Perform the Evaluate
pattern observe in the Task Sheet performanc
demonstration of 1.2-1 e using CBLM
Task Sheet 1.2-1 Performanc Pattern
“Prepare basic/ e task paper 7
block pattern” Criteria Pen hours
Demonstration Checklist Ruler
1.2-1 Hip curve
L-square
French
curve

Trainees will Perform the Evaluate CBLM 6


Draft basic/block observe Job Sheet performanc Pattern hours
pattern demonstration of 1.2-1 e using paper and
Demonstration Job Sheet 1.2-1 Performanc Pen 45min
e Job Ruler .
“Manipulate basic/ Criteria Hip curve
block pattern” Checklist L-square
1.2-1 French
curve

LO 4: Manipulate pattern
Read Information Answer Self Compare to CBLM
Individualized study Sheet 1.2-1 Check 1.2-1 the answer Projector 45
“Pattern lay out ” key 1.2-1 Laptop min

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING NCII July 2021 Issued by: Page 16 of 80
Date Revised:
DRAFT AND CUT PATTERN LFI
Developed by:
FOR CASUAL APPAREL
CENIZA D. LOPEZ Revision # 00
The trainees will Perform the Evaluate CBLM 5
Lay outing observe Task Sheet performanc Pattern hours
Demonstration demonstration of 1.2-1 e using paper
Task Sheet 1.2-1 Performanc Pen
“Make pattern lay e Task Ruler
out” Criteria Hip curve
Checklist L-square
1.2-1 French
curve

The trainees will Allow the Performanc CBLM 6


encourage to trainees to e Job Pattern hours
observe perform Job Criteria paper and
Manipulating Demonstration demonstration Sheet1.2-2 Checklist Pen 30
Operation Sheet 1.2-1 Ruler min.
1.2-1 “ Manipulate Hip curve
pattern” L-square
French
curve

The trainees will Answer Self Compare to CBLM 45min


encourage to Check 1.2-2 the answer Projector
actively participate key 1.2-2 Laptop
Discussion of Information
Sheet 1.2-2
“Design label”
Label The trainees will Perform the Evaluate CBLM 5
encourage to Job Sheet performanc Can hours
observe 1.2-2 e using Cartoon
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING NCII July 2021 Issued by: Page 17 of 80
Date Revised:
DRAFT AND CUT PATTERN LFI
Developed by:
FOR CASUAL APPAREL
CENIZA D. LOPEZ Revision # 00
Demonstration demonstrate of Performanc Plastic
Job Sheet 1.2-2 “ e Job Tape
Apply design of Criteria Pen/ma
label” Checklist rker
1.2-2 pen
LO 5: Cut final pattern
Read Information Answer Self Compare to CBLM 45min
Sheet 1.2-1 “ Check 1.2-1 the answer Scissors/
Individualized study Kinds of tools for key 1.2-1 Shears
cutting” Pin
Pin
Tools for cutting cushion
The trainees will Perform the Evaluate CBLM 5
encourage to Task Sheet performanc Scissors/ hours
Demonstration observe the 1.2-1 e using Shears
demonstration of Performanc Pin
Task Sheet 1.2-1 “ e Task Pin
Proper use of tools Criteria cushion
for cutting” ” Checklist
1.2-1
The trainees will Perform the Evaluate CBLM
encourage to Task Sheet performanc Scissors/ 5
observe in 1.2-2 e using Shears hours
Cut pattern Demonstration performing Task Performanc Pin
Sheet 1.2-2 e Job Pin
“Perform cutting Criteria cushion
pattern” Checklist

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING NCII July 2021 Issued by: Page 18 of 80
Date Revised:
DRAFT AND CUT PATTERN LFI
Developed by:
FOR CASUAL APPAREL
CENIZA D. LOPEZ Revision # 00
1.2-2
C. ASSESSMENT PLAN
 Oral/Written Test
 Performance Test
D. TEACHER’S SELF-REFLECTION OF THE SESSION

Prepared by: Noted by: Approved by:

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING NCII July 2021 Issued by: Page 19 of 80
Date Revised:
DRAFT AND CUT PATTERN LFI
Developed by:
FOR CASUAL APPAREL
CENIZA D. LOPEZ Revision # 00
PARTS OF A COMPETENCY-BASED LEARNING MATERIAL

References/Further Reading

Performance Criteria Checklist


Operation/Task/Job Sheet

Self Check Answer Key

Self Check

Information Sheet

Learning Experiences

Learning Outcome Summary

Module
Module Content
Content

Module
List of Competencies
Content

Module Content

Module Content

Front Page
In our efforts to standardize CBLM,
the above parts are recommended for
use in Competency Based Training
(CBT) in Technical Education and
Skills Development Authority (TESDA)
Technology Institutions. The next
sections will show you the
components and features of each part.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 20 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
(DRESSMAKING NCII)
COMPETENCY-BASED LEARNING MATERIALS

List of Competencies

No. Unit of Competency Module Title Code

DRAFT AND CUT DRAFTING AND CUT


1. PATTERN FOR PATTERN FOR GRM743301
CASUAL APPAREL CASUAL APPAREL

PREPARE AND CUT PREPARING AND CUT


2. MATERIALS FOR MATERIALS FOR GRM743302
CASUAL APPAREL CASUAL APPAREL

SEW CASUAL SEWING CASUALGRM743303


3.
APPAREL APPAREL

APPLY FINISHING APPLYING FINISHING


GRM743304
4.
TOUCHES ON CASUAL TOUCHES ON CASUAL

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 21 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
MODULE CONTENT

UNIT OF COMPETENCY: DRAFT AND CUT PATTERN FO CASUAL APPAREL


MODULE TITLE: DRAFTING AND CUT PATTERN FOR CASUAL APPAREL

MODULE DESCRIPTOR: This unit covers the outcomes required in drafting


and cutting basic/block patterns for casual apparel. It includes the
requirements for planning garment design, taking body measurement,
drafting basic/block pattern and cutting final pattern.

NOMINAL DURATION:70 hours

LEARNING OUTCOMES:
At the end of this module you MUST be able to:
1. LO1. Plan garment design
2. LO2 . Take client’s body measurements
3. LO3 . Draft basic/block pattern
4. LO4 . Manipulate pattern
5. LO5 . Cut final pattern

ASSESSMENT CRITERIA:
 Determine customer’s job requirements in accordance with
company’s practice.
 Prepare garment design in accordance with the client’s requirements.
 Discuss and select design and fabric are according to client’s
specifications
 Incorporate special needs of the client into the design base on
procedures.
 Prepare measuring tools in accordance with job requirements.
 Take body measurements based on procedures
 Take body measurements of client sequence according to job
requirements and standard body measurement.
 Record body measurements in line with company
requirements/practice.
 Select drafting pattern tool in accordance with job requirements.
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 22 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
 Draft basic/block pattern using appropriate equipment and
customer’s specifications.
 Check drafted basic/block pattern for accuracy base on customer’s
specification
 Lay out block pattern in accordance with company procedures.
 .Manipulate block pattern in accordance with customer’s
specifications.
 Label, fill and secure final pattern as per standard operating
procedures (SOPs)
 Select tools for cutting pattern in accordance with job requirements
 Cut accordance with customer’s specifications/measurements.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 23 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
LEARNING OUTCOME NO. 2
Take client’s body measurements

Contents:

1. Measuring tools
2. Body measurements
3. Standard body measurements
4. Body measurement for companies

Assessment Criteria

1. Prepare measuring tools in accordance with job requirements..

2. Take body measurements based on procedures.


3.Take body measurements of client sequence according to job requirements
and standard body measurements.
4. Record body measurements in line with company requirements/practice.

Conditions

The participants will have access to:

- Tape measure
- Hip curve rule
- L-square
-Meter stick
-Shoulder
- Neck circumference
-Chest width and bust circumference
-Bust height and width
- Figure (front and back)

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 24 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
- Waistline
-Hips
- Length of sleeve, blouse, skirt and casual dress
-Armhole circumference

Assessment Method:

1. Lecturette
2. Demonstration
3. Questioning

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 25 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Learning Experiences

Learning Outcome 1
LO2 . Take client’s body measurements

Learning Activities Special Instructions


” Trainees will actively participate in the
discussion of Information Sheet 1.1-1”
Part of job requirements”
The focus of this learning outcome is
Answer Self Check 1.1-1 the Performance for Taking body
Measurements.
Compare to the answer key 1.1-1

Trainees will actively participate in the If the trainees have a clarification


discussion of Information Sheet 1.1-2 regarding on the lesson, do not
“Kinds garment design” hesitate to approach/ask a question to
the trainer to understand the lesson
Answer Self Check 1.1-2 well.

Compare to the answer key 1.1-2


Trainees will observe demonstration of
Task Sheet 1.1-1”Sketch garment Read all the direction carefully in all
design” self-check and at the same time in all
task and job sheet in order for you to
Perform Task Sheet 1.1-1 understand the lesson well.
Evaluate performance using
Performance task Criteria Checklist
1.1-1
Assign Trainees to group themselves for
the discussion of Information Sheet
1.1-3 “ Types of fabrics ”
Answer Self Check 1.1-3

Compare to the answer key 1.1-3


Trainees will participate in performing
the Task Sheet 1.1-2 “Present the
different types of fabrics”
Perform Task Sheet 1.1-2

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 26 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Information Sheet 1.2.1
Measuring materials

Learning Objectives:
After reading this information sheet, the trainees must be able to:
1. Give the definition of tape measure
2. Identify the uses and function of tape measure
3. Enumerate the different type measuring tools for taking body measurements

DIFFERENT TOOLS FOR TAKING BODY MEASUREMENTS

Measuring Tools

1.        Measuring tape with 60” long.


2.        Pencil to write measurements.
3.        Paper to record measurements.
4.        Cord to tie around the waist, bust and hip if required.

All About Tape Measure for Sewing: Ultimate Guide

A measuring instrument is a device to measure a physical quantity. In the


physical sciences, quality assurance, and engineering, measurement is the activity
of obtaining and comparing physical quantities of real-world objects and events.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 27 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
1. What is a tape measure for sewing?

The tape measure for sewing is usually soft and flexible strip/ribbon with linear-
measurement markings made mostly from reinforced polyester or fiberglass. The
most common length of a measuring tape is 60 inches ( or 152 cm), but there are
tapes for sale, for example, 100 inches long (254 cm) or even longer 120”  (304 cm)
which can be useful for measuring longer lengths (like curtains, quilts and other
home decor items). 

2. Uses of a tape measure in sewing

A tape measure is used primarily for taking body measurements, as well as for
drafting patterns, measuring fabric, laying out patterns on fabric, specifying the
length of a garment, checking the size of hems, measuring curves and corners,
measuring curtains, quilts … and much more. It’s simply necessary for a
seamstress to have a measuring tape at hand. Better yet, several tapes of different
colors at once.

3. How to read a sewing measuring tape

As you may know it, there are two main systems for measuring length –
the Imperial System of Measurements where things are measured in yards, feet
and inches and the Metric System of Measurement which uses meters,
centimeters and millimeters. 

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 28 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
The image below presents a section of tape divided in 1/8” subdivisions, the
multiples of ¼” and ½” have longer marks. How to read a tape measure in
millimeters                                       
The markings on it are applied with the main divisions with an interval of 1 cm
and intermediate – 1 mm. 

A centimeter is divided into 10 equal parts – millimeters and one can express
fractions with a decimal point (2.3cm – 2cm 3mm or 23 mm).

How to read a sewing tape measure in inches


The markings on it are applied with the main divisions with an interval of 1 inch
and intermediate – ⅛  or 1/16 in.

An inch is divided into 2, 4, 8, 16 equal parts so the measurement in inches is


something like “2 3/8” or “5 3/16”. And the decimal point doesn’t make real sense
for inches.

How to read a tape measure in 16ths

Let’s say my tape measure has 16 marks per inch and I use it to measure a dart
for example. It comes out as 4 whole inches plus 5 little marks, then that is 4 and
5/16inches. 

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 29 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Anoth
er example: let’s use it to measure the distance between buttonholes and it comes
to 3 whole inches plus 2 little marks, then it is 3 and 2/16 inches. But we will not
say that the distance is 3 2/16 inches, we usually say 2/16 as ⅛, right? So our
measure for the buttonholes will be 3 ⅛ inches. 

 Pay attention to the material of the tape – it must be strong to serve you as
long as possible without stretching. Modern professional tapes are made of
fiberglass and NEVER stretch.
 When choosing a tape measure for sewing, remember that it should be soft
and flexible. A rigid measuring tape will not fit on your body or on a pattern
and fabric and all measurements will turn out to be incorrect.
 Choose a tape measure which scale begins directly from the edge of the
tape. If the beginning of the scale is indented from the edge, you will need to
constantly monitor that this indent doesn’t fall into measurement. In any
case, make sure you are measuring from the ZERO LINE. 
 We also recommend that you select a tape with the scale that starts with a
unit 1 at both ends: then no matter what end of the tape you take, the
beginning of the scale will always be in your hands. 
 Be sure to check the accuracy of the scale on the tape measure. Accuracy
is a basic requirement for any measuring tool. The markings must be bright
and clear so you can see the numbers very well.  
 A measuring tape scale can be applied both in inches and centimeters. A
double scale can be useful to you if you often sew with patterns from
magazines or websites of countries where the metric scale is adopted. 
 The next thing to look for when buying a measuring tape is the color. Give
preference to bright colors – so it will be easier for you to look for it in the
creative mess which usually happens in the sewing room where you cut
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 30 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
fabric and sew. I often lose my tape on the table among patterns and fabric
pieces. What about you? But if it’s bright pink it’s much easier to see.

 If a measuring tape is torn, stretched or rubbed, do not try to repair it


because its scale indicators may become inaccurate. This sewing tool is
inexpensive, so it’s better to immediately purchase a new one.

5.  Measuring tape types

1.  Some tapes are  marked only in centimeters and millimeters.


2.  Some have only inches and its fractions (in 8ths or 16ths).
3.  Some have both inches and centimeters. Personally I much prefer this type of
measuring tapes for sewing. Converting lengths for sewing is simple using a
tailor’s tape marked in both cm and inch. All you need to do is read the inch side
corresponding to the number in centimeters. If we have to convert for example 66
cm into inches, looking at the image below we can see the result is 26 inches. 

4. Two-sided tape measure. To me, this is the best tape measure because
the scale starts with a unit 1 at both ends: then no matter what end of the tape
you take, the beginning of the scale will always be in your hands. I think they also
called them DUAL SIDED.  sell in most fabric stores. I don’t like to lose a lot of
time searching for the proper end to start measuring.
5.  Measuring tapes have different lengths and widths. 
The most common length is 60″ (152 cm) but longer tapes twice that size exists. 

The standard width of a measuring tape is ⅝ inch and this is really helpful
because the standard measurement for seam allowances for most patterns is ⅝
inch. So when I am making simple patterns
6.  The most common material for such tapes are reinforced polyester and
fiberglass which I prefer because it doesn’t stretch. The narrow edges of the tape
measure are often decorated with metal rivets that prevent it from wear.
7.  Retractable measuring tapes have a  self-enclosed case which is a big
plus. They can be easily carried in a purse. Choose one that pulls out easily and
retracts nicely as well.
8.  Cute and pretty measuring tapes always put a smile on my face. These
measuring tapes are a great gift for any seamstress.
9.  Adhesive measuring tapes for sewing.
These removable, adhesive backed measuring tapes are used for marking fabric or
sewing tables for quick measurements while cutting or trimming. They are printed
in Imperial and Metric markings. The tape does not adhere well to damp or wet
surfaces, so make sure the surface is relatively clean and dry. I use this along the
edge of my sewing table for quick measurements.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 31 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
The measuring tape should be stored either suspended or rolled up. It’s advisable
to determine a permanent place for it so that you always know where to get it.

6.  Vintage and antique measuring tapes

There are many sewing tools that have thousand-year- old history. But a flexible
tape measure is a relatively young invention. And who was the first to propose
using a fabric tape with divisions for taking measurements? The fabric tape
measure was invented in 1847 by Alexis Lavigne – the master tailor of the
French Empress Maria Eugenia, the founder of the world’s first fashion school
Esmod, which exists to this day.And since then an elegant, beautifully packed
measuring tape turned into a symbol of the profession of a fashion designer and a
tailor. 

7. Tape measure chart printable

If you want to easily convert between inches and millimeters use this chart
below with equivalent in mm for inch subdivisions.
The values are rounded to the closest mm value. For example, if the actual
value is 7.94 mm we have to round it up to 8 mm because in sewing the millimeter
is not divided further – the millimeter is the smallest commonly used unit in the

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 32 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
metric system. We can’t really see and use something that’s even smaller than a
millimeter. 

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 33 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
1. Pencil

A pencil is an implement for writing or drawing, constructed of a narrow, solid


pigment core in a protective casing that prevents the core from being broken or
marking the user's hand. Pencils create marks by physical abrasion, leaving a trail
of solid core material that adheres to a sheet of paper or other surface
3. Notebook

A small book with blank or ruled pages for writing notes in.

Self- Check 1.2.1


Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 34 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
A. Multiple Choices
Instruction: Choose the letter that correspond the correct answers.

1. Fabric tape measure was invented in_________.


A. 1829 B. 1869 C. 1847 D. 1850

2.The arrow indicates what measurement?

A.1/16" B.1/8" C.7/8" D.1/16 '

3.The arrow indicates what measurement?

A.11 1/16" B.11 1/8" C.11 1/4" D.11 1/2"

4. A ________ is one of the most useful sewing tools and indispensable.


A. Tape measure B. Ruler C. Hip curve D.L-square

5. The first line of an inch.


A.1/8 B.1/2 C.¼ D.3/4

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 35 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
ANSWER KEY 1.2.1

1. C. 1847
2. B. 1/8
3. D. 111/2
4. A. Tape measure
5. A. 1/8

Read Task Sheet 1.2.2


Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 36 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
BODY MEASUREMENTS
Learning Objectives:
After reading this Task Sheet sheet, the trainees must be able to:
1.Define body measurements.
2.Enumerate the three types of body measurements.
3. Follow the rules and procedures for taking body measurements

TAKING CLIENT’S BODY MEASUREMENT

Words to Study

 Girth Measurements – taken horizontally and most of them go around the


entire circumference of the body.
 Length Measurements – taken vertically and their primary purpose is to
measure the distance between reference points on the body.

Measurements are the foundation of pattern drafting. They establish basic


axes which are natural to the body. These axes are then used to reconstruct the
shape of the body onto the paper. They must take with complete accuracy.
Measurements can be taken without assistance, but the task is easier when
you have someone to help you

RULES IN TAKING BODY MEASUREMENT


 Wear undergarments or bodysuit when measuring.
 Use tape measure that does not stretch.
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 37 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
 Tie a string around your natural waistline.
 Pull the tape snug, but not too tight.
 Be sure to keep the tape parallel to the floor.
 Take girth measurements, then length measurements.
 Ask the subject to stand in a relaxed, upright position in stockinged feet.
 Insert two fingers in taking girth measurements.
 Record all measurements on a chart accurately.

Procedure in Taking Body Measurements


There are several parts of the body to be measured. These are taken in:
 Horizontal measurement
 Vertical measurement
 Circumferential measurement
1. The horizontal measurement is taken from the left of the figure to the
right.
 Shoulder. Measurement is taken from the
tip of the left shoulder to the tip of the right
shoulder, arching slightly to cover the
cervical prominence of the neck bone.

 Bust point width. Measurement is taken


across from the tip of the left bust point to
the tip of the right bust point.

2. The circumferential measurement is taken around the body.

 Bust. Measurement is taken around the


bust with the tape measure running on the
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 38 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
same level in front, at the back and on the
sides.

 Waist. Measurement taken around the


smallest part of the torso

 First hip. Measurement is taken around


the hip level where the stomach is fullest.

 Second hip. Measurement is taken around


the hip level where the buttocks are fullest.

 Armhole. Measurement is taken around


the armhole.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 39 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
 Arm girth. Measurement is taken around
the arm

3. The vertical measurement is taken from the top of the body figure to its
base.

 Figure back. Measurement is taken from


the center of the back shoulder over the
shoulder blade down to the waistline level.

 Figure front. Measurement taken from the


neck point passing over the bust down to
the waistline level.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 40 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
 Bust point height. Measurement is taken
from the neck point down to the highest
point of the bust.

 Length of sleeve. Measurement is taken


from the shoulder point down to the
desired length in the arms.

 Length of skirt. Measurement is taken


from the waist down to the desired length.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 41 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Importance Of Body Measurements:

 It is very necessary to take body measurements required for pattern


drafting or for garment making for the following reasons:

 i. Accurate body measurements is very important in drafting of pattern if


the pattern will fit the individual for whom the pattern is drafted.

 ii. Accurate body measurements helps to produce garments that are


fitted to the body because the way the measurement is taken will determine
whether the garment will be tight fitted, semi fitted or oversize/loose fitted.

 iii. It helps in reducing fabric or paper waste, especially when body


measurements are taken accurately.

 iv. Accurate body measurement prevents waste of time and energy that
would have been used in pattern alteration and in altering or adjusting
garment.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 42 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Read Information Sheet 1.2.2

IDENTIFICATION: Identify the following body measurements. Put ∕ according to types of


body measurements.

BODY HORIZONTAL VERTICAL CIRCUMFERENTIAL


MEASUREMENTS
BUST HEIGHT
WAISTLINE
LEGNTH OF
SLEEVE
ARM GIRTH
SHOULDER

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 43 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Compare to the answer key 1.2.2

1.vertical
2, circumferential
3. vertical
4. circumferential
5. shoulder

Read Task Sheet 1.2.2


Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 44 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Standards Body figure

 
Learning Objectives:
After reading this Task Sheet sheet, the trainees must be able to:
1.Define standard body measurements.
2.Identify the different types of body measurements
3. Follow the rules and procedures for taking body measurements

Standard Body Measurement for Gents and Ladies

Body Measurement:
An accurate body measurement is one of the important tasks for sewing. Perfect body
measurement is the first condition before garments sewing. According to the body
standardization, measurements may be classified two ways regular sizes and tall size.
But this body size also varies to Gents and ladies body measurement. Now I am
discussing about this body measurement variation both jeans and ladies.
Standard Body Measurement Tips:

Before body measurements few posts of the body should be pointed out for accurate
measurement. They are such as chest, waist, hips, inseam, thigh, upper arm, sleeve
length, etc. Always use a fabric measuring tape, should not use a metal one, measuring
tape is much more accurate then metal one. They’re given few measurements tips as
follows-

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 45 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Standard Body Measurement of Male and Female

 The measurement of the neck, we should measure accurately from the centre of
the buttonhole to the end of the button.
 Then the measurement of chest, we have to measure below from the arm hole
measure around the fullest part of chest.
 After that the measurement of waist, we should measure that from 1″ below to the
navel.
 At last the measurement of sleeve length, we have to measure that from shoulder
end to the end of the sleeve.
Regular Body Measurement for Gents and Ladies:
We know that as previous discussion standard body measurements is classify as
regular size and tall size. For body structure variation, regular body size is applied on
Asian reason and tall body size is applied on Europe people.
Regular Body Size Measurement for Gents

S L XL
M
Points (Small) (Medium) (Large) (X-large) Tolerance

Neck(+1/2) 14″ 14” 15″ 15” 16″ 16” 17″ 17” ±1

Chest(+1/2) 34″ 36″ 38″ 40″ 42″ 44″ 46″ 48″ ±4


Waist
(+1/2) 28″ 30″ 32″ 34″ 36″ 40″ 38″ 42″ ±4

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 46 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Sleeve(+1/2) 32” 33″ 33” 34″ 34” 35″ 35” 36″ ±1

Regular Body Size Measurement for Ladies

Points S (Small) M (Medium) L (Large) XL(X-large) Tolerance

Chest(+1/2) 32″ 33″ 34″ 35″ 36″ 37″ 38″ 39″ ±2

Waist(+1/2) 24″ 24″ 25″ 25″ 26″ 26″ 27″ 22″ ±1

Hip (+1/2) 35″ 35″ 36″ 36″ 37″ 37” 38″ 38″ ±1

Sleeve(+1/2) 27″ 27″ 28″ 28″ 29″ 29″ 30″ 30″ ±1

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 47 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 48 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 49 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Individual Measurement Chart

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 50 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Name: Date:

Body Parts Actual Body Measure Computed


Measure ment Measurement to be
Needed Needed
(divisor) Inches Centimeters

Girth measurements
 Shoulder 15inches 38.1cm 2 7½ 19.05
 Bust point width 6½ 16.51 2 3¼ 8.225
 Bust 34 86.36 4 8½ 21.59
 Waist 25 63.5 4 6¼ 15.875
 First hip 30 76.2 4 ¾ 19.05
34 86.36 4 8½ 21.59
 Second hip
15 38.1 2 7½ 19.05
 Armhole
10 ½ 26.67 2 5¼ 13.335
 Arm girth
Length measurements
15 38.1 1 15 38.1
 Back figure
15 ½ 39.37 1 15 ½ 39.37
 Front figure
8½ 21.59 2 4¼ 10.795
 Bust point height 8 20.32 1 8 20.32
 Length of sleeve
22 55.88 1 22 55.88
 Length of skirt
22 55.88 1 22 55.58

Checked by:

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 51 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Method of Taking Measurements

1.        Bust Round: Measure around the fullest pat of the bust. tape should be placed
just below the shoulder blades at the back.
2.        Round Hip: Measure around fullest part of hip that is around the seat.
3.        Round Neck: Measure from front neck to the back neck around the largest part of
the neck.
4.        Shoulder Width (Back width): In the back side shoulder, Measure from left to
right pit of the armhole.
5.        Waist Round: Measure around the natural waist.
6.        Shoulder Width: Measure from base of the neck to armhole in the
shoulder.
7.        Back Length: Measure from the neck base to the centre of waist.
8.        Shoulder to Bust Length: Measure from the highest part of the
shoulder to bust point.
9.        Distance between the Busts: Measure a horizontal distance
between the bust points.
10.   Front Neck Depth: Measure from the neck to the depth as per
customer preference.
11.   Back Hip Length: Measure from base of neck to the hip.
12.   Armhole Circumference: Measure around the underarm and
armpit.
13.   Upper Arm Circumference: Measure from around the fullest part
of the biceps.
14.   Sleeve Length: Measure from tip of the shoulder to any point as
per the customers prefers.
15.   Elbow Round: Measure around the elbow.
16.   Wrist Round: Measure around the wrist.

Skirt Measurements

17.   Hip Measurements / Circumference: Measure around the widest


part of hip (7”/18cm below waist) without stretching or loosening the
tape.
18.   Seat Round: Measure seat round just below the hip
circumference.
19.   From Waist to Seat: Measure along the side from the waist to seat
in a sitting position.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 52 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
20.   Skirt Length: Measure from waist as per the style of the garment.
For e.g.: knee length skirt = measure from waist to knee length; Full
length skirt = Measure from hip to toe length

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 53 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
Self- Check 1.2.3

IDENTIFICATION: Identify the following parts of body measurements below.

9. Measure around the fullest oart of the bust.


10. Measure from the neck base to the centre of waist.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 54 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
ANSWER KEY 1.2.3
1. BUST
2. RIGHT ARM GIRTH
3. LEFT ARM GIRTH
4. ABDOMEN
5. WAISTLINE
6. HIPS
7. LEFT THIGH
8. RIGHT THIGH
9. BUST ROUND
10. BACK LENGTH

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
NCII Date Revised:
LFI Page 55 of 80
Developed by:
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL APPAREL
TASK SHEET 1.2.2
Title: Standards Body figure

Performance Objective: After reading the task sheet, you should be able
to follow the procedures for taking body
measurements.

Supplies/Materials :tape measure, notebook and pencil

Equipment : none

Steps/Procedure:
1. Tools were used appropriately.
2. Sequencing of the body measurements were followed
3. Step by step procedures correctly and accurately followed
4. All measurements were accurate.
5. Posture was observed at all times

Assessment Method: PERFORMANCE

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 56 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Performance Criteria Checklist 1.2.2

CRITERIA
YES NO
Did the trainee….
1. Tools were used properly
2. Sequencing of the body measurements were
followed
3. Step by step procedures correctly and accurately
followed
4. All measurements were accurate.
5. Posture was observed at all times

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 57 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Read Task Sheet 1.2.2
BODY FIGURE FOR INDUSTRY
Learning Objectives:
After reading this Task Sheet sheet, the trainees must be able to:
1.Discuss the the importance of 3D body scanning in industry.
2. Know the advantages and disadvantages of 3D body scanning in industry

3D body scanning

 3D body scanning technology has become more popular in the


clothing industry. Many applications have been developed. This allows
retailers to retain their old customers with a value added professional
service and to attract new customers who demand personal fit.
Different 3D body scanners have distinct features and
advantages. Table 8.1 lists the major 3D scanner manufacturers,
and Table 8.2 provides a comparison between different body scanners.
 The optical devices used by the 3D body scanners can be light
projectors, CCDs and light sources (halogen, infrared or laser). For the
human body, the laser must be classified as Class 1 for eye safety.
Most 3D body scanners project light rays horizontally. In
the Cyberware, Vitronic and Hamamatsu systems, cameras or mirrors
are mounted above and below the projection system. In the TecMath
scanner, the cameras are mounted only above the laser projector. This
means that the lower sides of some body parts may not be well
represented. The CubiCam, TC2 and Telmat Systems project
structured light stripes onto the body, but the images are captured
and analysed differently.
 Speed is important in the reduction of human body movement
artefacts.Rapid data acquisition for the structured light system is
certainly a major advantage over laser scanning. Structured light and
laser triangulation systems measure similar degrees of coverage on
the body surface. However, all systems attempt to reduce the scanner
dimensions and booth size. This is of importance, especially for the
retail sector where floor space is valuable. However, if multiple scan
heads are placed at a significant distance from the body, a large space
is required, unless mirrors are used, as in Wicks and WilsonThe three-
dimensional (3D) body scanning technology is fostering the development of new
business models and is helping the apparel industry to further its understanding of the
body-to-garment relationship. While a lot of progress still remains to be done, the
preliminary results are quite promising and many are already predicting the future in
which garments are made directly from body scans with the simple click of a button.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 58 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
This chapter explores the importance and the role of the body scanning
technology in the apparel industry and offers a review of the state-of-the-art
research in the field of body scan data processing and shape analysis.

In particular, the standard introduces recommendations such as suitable


attire, how to tie up the subject's hair, and descriptions of standing and
sitting postures. Because the descriptions are an orientation only and not
very detailed, there are still variations among the 3D scans of the surveys
(Fig. 32.1), particularly in terms of the posture of the arms and hands.

Variability of the hand and arm posture among different sizing surveys .
 A template-based method was developed within the Eurofit project to
create homologous models from 3D body scans (Trieb et al., 2013).
The harmonization of 3D body scanning surveys was first time tested
with a subset of body scans from the three representative surveys:
CAESAR (Cyberware), Size Spain (Human Solutions), and Size
Portugal (TC2) (Fig. 32.2).

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 59 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Disadvantages of body scanning technology
 While body scanning technology has great potential to benefit the
fashion industry and aid consumers in obtaining clothing that fits,
there are also a number of issues that might be considered
disadvantages when compared with traditional physical measurement
methods. Some of the disadvantages are related to the type of
technology (light, laser, or microwave) and how the image is actually
collected.
 In the light-based systems, the color of the scan gear, hair, and skin
have a significant impact on the collection of the image. If there is too
much difference between the scan gear and the skin, or the scan gear
is black or dark in color, then it is much more difficult to achieve a
good scanned image, since a good image is based on an even, overall
reflection of light. Hair is also tricky, since different hair colors reflect
light differently. In addition, hair can obstruct the view of important
landmarks around the neck and shoulders (in both light and laser
systems).
 Apparel worn during the scan process is an issue for both laser- and
light-based scanning systems, since both will capture the surface of
the garment over the outside of the body. Loose garments will increase
the dimensions of the measurements that are extracted, regardless of
which system is used. The reverse is also true. Garments that are too
tight will cause measurements to be smaller than they should be.
Because of this, close-fitting but not constricting garments are advised
for both systems. In the microwave system (Intellifit) garments are
assumed to have no impact on the measurements obtained.
There are usually parts of the human body that can not be ‘seen’ by the
vision devices of the scanning system – such as the top of the head, the top
of the shoulders, the bottom of the feet, the crotch at the junction of the
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 60 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
legs, and the armpits – depending on how many data-capturing devices
there are in the system and their locations. The more sophisticated the
system, the more expensive it is. To cater for all of these hidden areas, many
of the systems have developed algorithms that create image data ‘averaged’
from the captured data around them. This is a simplistic explanation, of
course, for a complicated process that primarily aims at filling holes with as
little computer effort as possible. Some of the missing data might be
ignored (such as the top of the head or the soles of the feet) if it does not
have any importance or relationship to apparel development/fit.
The importance of 3D body scanning technology is in the ability of the
systems to not only capture the 3D image of a human body, but to also
extract measurements at precise locations on the human body. Consistency
of measuring techniques between the scanners is a significant issue. Among
the growing number of scanners that are currently available, significant
variance exists in how each scanner captures or extracts specific body
measurements (Simmons and Istook, 2003). Some systems depend on
physical landmarking before the scan takes place. This allows a human to
make an educated

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 61 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 62 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Self- Check 1.2.1

ENUMERATION: Enumerate the process of 3D body scanning.

ANSWER KEY 1.2.1

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 63 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
1. 3d scanning
2. 3d scanned point cloud
3. Virtual clone
4. Body measurements
5. 3d model library

TASK SHEET _____

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 64 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Title: BODY FIGURE FOR COMPANIES

Performance Objective: Given (condition), ,you should be able to


(performance) following (standard).

Supplies/Materials :

Equipment :

Steps/Procedure:
1.Most easiest
6.
7.
8.

Assessment Method:

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 65 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Performance Criteria Checklist ______

CRITERIA
YES NO
Did you….
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 66 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Evidence Plan

Competency
standard: Draft and Cut Pattern for Casual Apparel

Unit of Drafting and Cut Pattern for Casual Apparel


competency:

Ways in which evidence will be collected:

Demonstration & Questioning


Observation & Questioning
[tick the column]

Third party Report

Written
The evidence must show that the trainee…
Identify part of job requirements ∕ ∕ ∕
Describe the different kinds garment design ∕ ∕ ∕
Sketch garment design ∕ ∕ ∕
Illustrate types of fabrics ∕ ∕ ∕ ∕
Present the different types of fabrics ∕ ∕ ∕
Analyze the importance the special needs
Illustrate the kinds of measuring materials ∕ ∕ ∕
Demonstrate proper use of measuring tools ∕∕ ∕ ∕
Differentiate Parts of body measurements ∕ ∕ ∕ ∕
Correct position of body measurements ∕ ∕ ∕
Perform correct position of body measurements. ∕ ∕ ∕
Perform the procedure of body measurements
∕ ∕∕
for companies

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 67 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Identify the types of measuring and drafting
∕ ∕ ∕
tools
Illustrate basic/block pattern ∕ ∕ ∕
Prepare basic/ block pattern ∕
Manipulate basic/ block pattern ∕ ∕ ∕
Pattern lay out ∕ ∕
Make pattern lay out ∕ ∕
Manipulate pattern ∕ ∕
Define Design label ∕ ∕
Apply design of label ∕ ∕
Identify kinds of tools for cutting ∕
Demonstrate the proper use of tools for cutting ∕ ∕
Perform cutting pattern ∕ ∕∕ ∕
NOTE: *Critical aspects of competency

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 68 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
TABLE OF SPECIFICATION

  # of
Objectives/Content
Knowledge Comprehension Application items/
area/Topics
% of test

Job requirements 1 1 2

Garment design 1 1 2

Fabric 2 1 2 5

Special needs 1 1 2

Measuring tools 3 3

Body measurements 2 2 1 5

Standard body 1 1 3 5
measurements

Body measurement 2 1 3
for companies

Drafting pattern tools 1 1 2

Basic/block pattern 2 2 4

Drafting basic/block 2 1 3
pattern

Lay outing 2 1 3

Manipulating 2 1 3

Labeling 3 1 4

Tools for cutting


3 3
pattern

Cutting pattern 1 1

TOTAL 50

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 69 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Date Developed: Document No. LFI-GRM 1-01
DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 70 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Performance Test

Specific Instruction for the Candidate

Qualification DRESSMAKING NCII

Unit of Competency Draft and cut pattern for casual


apparel

General Instruction:

Specific Instruction:

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 71 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
QUESTIONING TOOL
Satisfactory
Questions to probe the candidate’s underpinning knowledge
response
Extension/Reflection Questions Yes No
1. Why do we need to make pattern?
 
2. Why do we need to know the importance of the following
steps and procedures in sewing?  
3. Why do we need to familiarize in different types of fasteners?  
Safety Questions
4. Why do we need to secure the drafting tool after we used?  

5. Why do we need to check the conditions of all the equipment  


before we proceed in sewing?

6. Why do we need to store sharp tools and equipment in a safe  


place?
Contingency Questions
7. What if you don’t have a ruler, what will you use in making  
lines?
8. What will you do if the machine is not sewing?  
9. What will happen if you cut a pattern against the grain?  
Job Role/Environment Questions  
10. Why do we need to follow the instruction in making  
pattern?
11. What are the factor affecting the garment design?  
Rules and Regulations  
12. Why do we need to review the body client’s
 
measurement in the drafted pattern?
13. What is the importance of 5s?  
 
The candidate’s underpinning  Satisfactory  Not
knowledge was: Satisfactory

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 72 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Model Answer:
1. Pattern is important in dressmaking in order to create a foundation,
which is a pattern used as the basis for the design.
2. It is important to know the importance of following the steps and
procedures in sewing in order to realize that things need to be sewn in
a certain order to avoid struggling in completing an essential step later
on.
3. We need to familiarize the different kinds of fasteners in order to find
what is best for the closure of the garments to clo0se it exactly and
directly. Fasteners must be attached to the garment correctly for
proper hang. It is important to choose the colors of the fasteners to
blend with the fabric of the garment.
4. We need to secure drafting tools after we used so that we can easily
find it and prevent from damages and not to be lost.
5. We need to secure the conditions of all the equipment before we
proceed in sewing in order to prevent problems. Good equipment is
essential for good output and safety. When not in use, keep the
equipment covered with suitable cover to prevent dust from settling on
it or rusting.
6. Dressmakers should be trained on safety procedures for working with
sharp tools and equipment but it is essential to put them on safe
place to prevent from danger and cuts. Used pin and needles should
be places on sharps disposal container and should be kept away from
children. As well as to scissors and other sharp tools, it should be
placed on a proper container or box to protect them from dulling.
7. if we don’t have ruler, we can use tailor’s square or L-square because
it is also used to transfer measurements to the draft pattern. It also
divides the garments into the desired measurements. It has perfect
squares and is useful in making straight lines and numbers. It can
also function as a tape measure.
8. If the sewing machine is not high speed sewing, check the machine if
it is threaded correctly, ensure the threading line on the hand wheel is
at the top position to put the needle into the correct position for
threading.
9. If you cut the pattern against the grain, the grain will affect how the
fabric moves as it is pulled. It is important to know which way the
grain is running, because fabric that is off-grain when you are cutting

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 73 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
the pattern pieces can cause your completed project to stretch out of
shape.
10. We need to follow the direction in making pattern so that we can
make the basic foundation in dressmaking that is drafting/ blocking
pattern.
11. The factors affecting the garment designs are age, climate,
occasion, income and occupation. Growing up, means that the clothes
and its designs change as well as to climate. The designs of the
clothes depend upon to the person who will wear.
12. We need to review or check the body client’s measurement in
the drafted pattern we made in order to have the accurate
measurement and to avoid error in dressmaking.
13. The importance of 5S is that it is designed to decrease waste
while optimizing productivity through maintaining an orderly
workplace and using visual cues to attain more consistent operational
results.

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 74 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Templates for Inventory of Training Resources
Resources for presenting instruction
 Print Resources As per TR As per Remarks
Inventory

 Non Print Resources As per TR As per Remarks


Inventory

Resources for Skills practice of Competency #1


______________________________
 Supplies and Materials As per TR As per Remarks
Inventory
Pencils 25 pcs 25 pcs Complete
Pattern Paper 25 rolls 25 rolls Complete
Tailor’s Chalk 25 pcs 25 pcs Complete
Dressmaker’s Tracing Paper 25 packs 25 packs Complete
Thread(assorted colors) 75 cones 75 cones Complete
Buttons 2 gross 2 gross Complete
Zipper 8” 75 pcs 75 pcs Complete
Record Book 25 pcs 25 pcs Complete
Zipper 20” 75 pcs 75 pcs Complete
Fusible Interlining 12.5 yards 12.5 yards Complete
Band Roll 2 rolls 2 rolls Complete
Hook and Eye 1 box 1 box Complete
(big)
Hook and Eye 3 gals 3 gals Complete
(Small)

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 75 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Machine Oil 25 pcs 25 pcs Complete
Eraser 8 packs 8 packs Complete
Needle DB x1 # 14 4 packs 4 packs Complete
Needle DB x1 # 11 3 packs 3 packs Complete
Needle DCx1 # 14 3 packs 3 packs Complete
NeedleDPx5# 14 3 packs 3 packs Complete
Hand Needle Complete
Fabrics for Blouse Complete
Fabric for Skirt Complete
Fabric for Dress Complete
Clothes line 10 m 10 m Complete

Pin 2 boxes 2 boxes Complete


 Tools As per TR As per Remarks
Inventory
Tape Measure 25 pcs 25 pcs Complete
Hip- curve 25 pcs 25 pcs Complete
Meter stick 10 pcs 10 pcs Complete
French curve 25 pcs 25 pcs Complete
Scissors 25 pairs 25 pairs Complete
Cutting Shears 25 pairs 25 pairs Complete
L-square 25 pairs 25 pairs Complete
Transparent ruler with grid 24 25 pcs 25 pcs Complete
Basin/Pail 25 pcs 25 pcs Complete
Sewing Box 10 pcs 10 pcs Complete
Tracing wheel 25 pcs 25 pcs Complete
Hanger 10 doz 10 doz Complete
Screw Driver flat (medium) 25 pcs 25 pcs Complete
Screw Driver flat (small) 25 pcs 25 pcs Complete
Triangle 16” 45 x 25 pcs 25 pcs Complete
90

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 76 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
Hand Spray 5 pcs 5 pcs Complete
Seam Ripper 25 pcs 25 pcs Complete
Pin Cushion 25 pcs 25 pcs Complete
 Equipment As per TR As per Remarks
Inventory
Single Needle Lockstitch Machines 25 pcs 25 pcs Complete
High Speed Machines Attachment 25 pcs 25 pcs Complete
3 Threads over lock Machine 10 pcs 10 pcs Complete
Flat Iron 25 pcs 25 pcs Complete
Steam Press 25 pairs 25 pairs Complete
Ironing Board 25 pairs 25 pairs Complete
Cutting Table 25 pairs 25 pairs Complete
Stools 25 pcs 25 pcs Complete
Button Holer 1 pc 1 pc Complete
Body Form/Model 10 units 10 units Complete
Calculator 25 pcs 25 pcs Complete
Hanger Rack 3 units 3 units Complete
Bobbin Case 25 pcs 25 pcs Complete
Bobbin Spool 50 pcs 50 pcs Complete
Button holer Attachments 5 pcs 5 pcs Complete
Zipper foot 5 pcs 5 pcs Complete
Zipper foot invisible 5 pcs 5 pcs Complete
Shirring foot 5 pcs 5 pcs Complete
Sleeve Board/Ham 10 pcs 10 pcs Complete
Display Cabinet 2 pcs 2 pcs Complete

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 77 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL
REFERENCES:

fit-sizing-measurements-the-fashion-industry-garment-
manufacturingrticles/10.1186/s40691-019-0187-z

Kim, H.S., Choi, H.E., Park, C.K. et al. Standardization of the size and shape
of virtual human body for apparel products. Fash Text 6, 33 (2019).
https://doi.org/10.1186/s40691-019-0187

-z

(http://creativecommons.org/licenses/by/4.0/),

https://www.clothingpatterns101.com/body-measurements.html
https://tipsinfluencer.com.ng/body-measurement-meaning-
and-importance-of-body-measurement/
https://www.brainkart.com/article/Tools-Used-For-Taking-Body-
Measurements-and-Method-of-Taking-Measurements_35612/

https://www.sciencedirect.com/topics/engineering/body-scanning-
technology

Date Developed: Document No. LFI-GRM 1-01


DRESSMAKING July 2021 Issued by:
Date Revised:
NCII
Developed by:
LFI Page 78 of 80
DRAFT AND CUT
PATTERN FOR Revision # 00
CENIZA D. LOPEZ
CASUAL
APPAREL

You might also like