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Overture

“1812”
P. Tschaikowsky
Horn 1 in F arr. by L. P. Laurendeau

 
                               
Largo

   

 
                                  

       
              
1
         

  Bsn 1  

  
                      
 
  


                                    
2

 

              
                       

    


             
  

 
                                             
3 poco stringendo

    
                                    
Poco più mosso

 
  

Carl Fischer, New York


2 Horn 1 in F - Overture “1812”

 
                                  
4


                                    
 
5 Andante

                                   
              

 
                                           
6

    
                       
7 Allegro giusto.

  
(4)

  

    
                 
   

                                       
8

     
     

        
                                        
9

 

  
                             
      
10

       

 
               
         
11

 

 
             
          
12

   

Horn 1 in F - Overture “1812” 3

                                
                

    
                                       
13

        

                          
    
14

       
 
     
  

 
                       
  


             
15
  

(4) (8)

 
             
(4)

 

   
             
16
(4) (8)

 
             
(12)

 

  
          
17

  

(4) (8)


   
             
     
18

     
(12)

   
               
         
      
     
   
      
  
4 Horn 1 in F - Overture “1812”


             
 19   
    

    
     
  

                     

        
    

           
                                 
20

  

  
                                  

                                
21


             

  
                                   
      
     

    
              
22

 
        
          

                  
23

    

      
          
(4)

  
                   
(4)



   

24

              
     
  
Crt 2

     

Horn 1 in F - Overture “1812” 5

    
  

 
   
  

                      
  
      

    
                 

      
      
  

       
                    
25


 

                       
 
27

 
     
26 rall. al Largo poco a poco



        
            

   
                      
28 Largo

  

        


      
29

                                  

30 Allegro vivace

    
 

              
                  

                        
     
31

   
6 Horn 1 in F - Overture “1812”


                       
 
  

                        
     
32

     
  
                      

 
             
               
33

  

        
           
 
Overture
“1812”
P. Tschaikowsky
Horn 2 in F arr. by L. P. Laurendeau

 
    
Largo

                          
  

 
                                  


 
         
1

          
 

   
                       
   


                                     
2

 


                                     


                                     
  


                                                
3 poco stringendo

    
                  
Poco più mosso

             
   

Carl Fischer, New York


2 Horn 2 in F - Overture “1812”

    
                         
4

        


 
            
5 Andante

                       


                                               
 


                                         
6

 

 
                       
7 Allegro giusto.
(4)

    
 

  
                      
   
   
   
 
                                       
8

     

         
                 
9

                            

         
                                   
    

 
                
               
10


 
                
  
11 12

 
 
      

Horn 2 in F - Overture “1812” 3

    
                                 
   

  
                                           
13

   

                 
14

                      
 
 
       

 

     
      
     

 
             
15

        


              
(4) (8)

 


         
16

       


     
 
     
(4) (8) (4)

      
       
17

     
(4)


 
    
       
             
(8)

  
                         
18

      
     
4 Horn 2 in F - Overture “1812”

  
                   
   
            
     
  
         

               
19

           
  

        
             
20

             

           

                        
  
       

  
                         
         



                            
21

            

                     
22

                        
 
 
      
      
             
 
       


          
23

   
(4)

    


            
   
(4)

   
 
 
    
              

Horn 2 in F - Overture “1812” 5

      
   
   
24

                     
 Crt 3

         
          
  
                 
        
     

  
                              
    
25

      
          
       

27

   
 
   
26 rall. al Largo poco a poco

       


                                   

  
   
28 Largo

    
                
 

     
       
29

            

    
                

   
   
                      
30 Allegro vivace

      


              
31

                 
6 Horn 2 in F - Overture “1812”

 

       
       
  
   
       

   
                        
 

     
                   
32

       

    
        
33

            

   
                

    

     
   
        
  
Overture
“1812”
P. Tschaikowsky
Horn 3 in F arr. by L. P. Laurendeau

 
        
Largo

                    
   

 
                                 

  

                       
1

  

 
                        
 
  


                                    
2

 

                                  
       


        
3 poco stringendo

                             
 

  
                                             
Poco più mosso

  

      
                     
4

 
            

Carl Fischer, New York


2 Horn 3 in F - Overture “1812”



                      
5 Andante


                                    
 
          

                          
                     
 

   
                         
6
(4)

 

 

                                  
7 Allegro giusto.

      

      
                                    
8

  
 

        
                                              
9

    

   
                                 
     

    
 
   

                  


                
10

 
 
  
         
     
11
  
        

   
       
                  
12

    

Horn 3 in F - Overture “1812” 3

               
 
  
    
       

13

               

      
                                        
14

   

  
                   
          
       
 


                 
15
   
 


             
(4) (8)

 


              
16

   

             
(4) (8) (12)

   
          
17

 
(4)

 


    
      
   
(8)

  
      
                                  
18

         

     
Hn 1 

     
  
                   
19

           

4 Horn 3 in F - Overture “1812”

        
  
    
                  

 
 

             
        
20

                

    
                                     
  

 

                                   
    

            
                                   
21

 

          
                       
22

   
        

 
                      
   
 


                
23

 
(4) (8)




             
(4) (8) (12)



       
           
24

   
 

            
                

Horn 3 in F - Overture “1812” 5

          
                     
25

 
 
  
                       
27

 
     
26 rall. al Largo poco a poco



        
            

   
                         
28 Largo



              
29

  

                                     
30 Allegro vivace

 


                                 

                        
     
31

   

 
                      
 
  

      
32

                     
      

6 Horn 3 in F - Overture “1812”

  
                      

     
                 
33

         

  
                  

Overture
“1812”
P. Tschaikowsky
Horn 4 in F arr. by L. P. Laurendeau

 
        
Largo

                    
   

 
                                 

  

                       
1

  

 
                        
 
  


                                     
2

 

    
                                  
  


        
3 poco stringendo

                             
 

   
        
Poco più mosso

                                   

         
      
4

                
       

Carl Fischer, New York


2 Horn 4 in F - Overture “1812”

 
 
     
            
5 Andante

  


                              
      
  
   


                                               
 

 
                     
6

     
(4)

 
 
                            
7 Allegro giusto.

         

    
                                  
8

    

 
              
        
9

                          
 

           

             
               
             

               


               
10

   
 
 
   
        
    
11

   
          


               
               
12

 


Horn 4 in F - Overture “1812” 3

    
                                           
13


       
                                           
14

    
               
               


            
15

          

           
   
(4) (8)

 

 
     
16

          
(4)


    
 
     

(4) (4)

 
       
       
17


(4)


 


        
(8)

      


       
                               
18

    

Hn 2 

      
 
    
  
                   
19

           
 
4 Horn 4 in F - Overture “1812”

    
                     
          
 


                  
20

                

       
                     

           

 
                              
         


                                     
21

    

     
                         
22

   
             

  
               
        

      
23

        
(4)


 

   
    
    
 
 

(4)



  
          
24

   

            
                

Horn 4 in F - Overture “1812” 5

          
                     
25

 
 
       
      
           
27

 
     
26 rall. al Largo poco a poco



        
            

      
       

28 Largo

            

   
     
29

      

   
 
                                    
30 Allegro vivace


 
       
                       

 
          
31

                   

 
            

          
  

      
                         
32

   
6 Horn 4 in F - Overture “1812”

  
                      

        
                  
33

      


    
   
  
     
 
  

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