Professional Documents
Culture Documents
The volume contains ten papers (one in French and the rest in English) by
Spanish, Italian, French and British scholars, an editors’ preface and a
general index (authors and titles are listed at the end of the review). As far as
I can see, it has quite a long history, being a result of two research projects
supported by the Ministerio de Economía y Competitividad del Gobierno de
España: Greeks in the Empire: the creation of a political
category and Hadrian, images of an Empire,2 one stage of which involved a
scientific meeting Ruling through Greek eyes held in Seville in 2008.
Elena Muñiz Grijalvo in her contribution refers to a very broad theme. She
concentrates on the practice of Greek religion in the works of Greek writers
from first century BC to the second century AD and shows how it provided a
statement of Greek excellence and, therefore, the privileged positions of
Greek local elites within the Empire, as well as keeping civic control in their
own cities. It was that exceptionally venerable and old religion that helped
shape the identity of the elites against their own co-citizens and before their
Roman masters who could profit from it because it served as the cornerstone
of common Graeco-Roman values and shaped Rome’s own identity; so, for
the Greeks, their religious tradition was a key device to avoid political
humiliation. These considerations are generally correct, but the author seems
to exaggerate the decisive role of Greek religious practices, losing sight of
many other factors of identity construction, as well as the transformation of
Greek religion itself under Roman or oriental influence.
Juan Manuel Cortés Copete’s article, “Hellas, Roman Province,” takes as its
starting point the analysis of Cassius Dio’s wording in 52.12.4 where the
province Achaia is designated as Hellas meta tēs Ēpeirou. In the author’s
view, this expression should be considered not as the historian’s error, but as
an anachronism and as lacking in institutional accuracy. As shown in the
second part of the paper, in the first century AD, there existed not merely the
Greeks’ identification of Hellas with a Roman province, but the assumption
of the historical, cultural and ethnic Hellas as a true political reality by Rome
herself.
Religious practices in the Greek East are explored in two other papers, that of
Arminda Lozano, who investigates the intervention of Roman political power
in the temples of Asia Minor, and that of Fernando Lozano and Rocío
Gordillo, whose text deals with emperor worship in the Delphic
Amphictyony. The former proposes the classification of temple typological
variety, demonstrating in particular that some indigenous sanctuaries adopted
characteristics of a Greek type, more acceptable to Roman authority, and
reveals the lack of innovations in Roman actions towards the temples and the
absence of clear Roman policies on Asia Minor temples: under the Romans,
the secularization of the major influential temples peaked, and they lose their
independence and political power rooted in a traditional type of Anatolian
society. The latter paper, based on a reconsideration of scarce evidence,
highlights the idea that the Delphic Amphictyony fell within the usual trends
of the development of the imperial cult in the province of Achaia and did not
differ much from the rest of surrounding cities and leagues, being an example
of the inclusion of new deities in the prestigious institutions of the Greek
past. Lozano and Gordillo opine that the introduction of a special priesthood
probably dates from the time of Augustus and that the creation of the post
of helladarches in the second century AD might be related to the imperial
cult.
The important questions of art history are treated in Elena Calandra’s paper
concerning official imperial portraits in Athens during the middle-imperial
period. Through an analysis of literary and epigraphic evidence in
combination with preserved imperial images, she attempts to show the
importance of the self-presentation of the members of imperial families from
Hadrian to Gallienus. Among the interesting suggestions, it is worth noting
the author’s statement that Hadrian’s artistic vocation and aesthetic tastes, as
well as his political purposes, may have had some direct influence on the
style and details of his portraits coming from Athens. Also deserving
attention is the idea that the presence at Athens of portraits of two co-regent
emperors, Pupienus and Balbinus, who reigned only 99 days in 238 AD,
bears witness to the very high speed with which the diffusion of imperial
images was carried out: perhaps, the first few days constituted the period for
promotion of imperial portraiture to the provinces.
The paper of Greg Woolf shifts the angle to the west, tracing when and how
the city of Rome had become one of the main centers of ethnographic and
antiquarian research, “a part of the academy” (150). Woolf focuses on the
respective roles of Greek intellectuals, Roman aristocrats and western
provincials in this process. He divides (not quite clearly, in my view) the
Greek archaeologists at Rome into two wider communities. The first
comprised those educated Greeks who came to Rome soon after the
Mithridatic Wars and enjoyed support of wealthy and influential Roman
patrons (although many Greek scholars were of lower status and less close to
the aristocracy); the second was an ethnically diverse and polyglot
community that included not only Greeks, but new kinds of writers, some of
Roman and others of provincial origins, who composed new barbarian
archaeologies using new knowledge of the west produced in provinces and
concentrated in Rome.
Maurice Sartre in his paper addresses the quite old question of Greek
intellectuals’ opposition to Roman power and, finding his answer by
comparing the attitudes of Strabo and Plutarch, defines common features and
the intersections between the two authors’ positions in spite of the differences
in their literary backgrounds and intentions. All in all, Sartre emphasizes that
from Strabo to Plutarch, Greeks’ view of Roman domination had been
modified; and if the former accentuates positive aspects of Rome’s rule
(peace, reparation of certain injustices, prosperity, etc.), the latter, without
neglecting these blessings, expresses his profound disapprobation of the
Roman hegemony that perturbed the civic mode of governance, corrupted the
city notables and flattered ordinary people.3
The Greek vision of Roman power is also the topic of Francesca Fontanella’s
article in which the works of Aelius Aristides are investigated. Recent years
have seen a wide range of detailed studies of this Greek writer’s attitude to
Roman domination.4 However, Fontanella analyzes not only the most
famous speech To Rome (Or.26 Keil), but other of Aristides’ writings which
concern the same issues (Panathenaikos, Concerning Concord, The
Smyrnean Oration, The Eleusinian Oration, Panegyric in Cyzicus); and it is
this comparative view that allows her to point out some important facets of
her subject matter, in particular the so called “hidden writing.” The Roman
empire is presented by the Mysian rhetor as a guarantee of cultural and civil
supremacy of Greek cities and their prominent citizens, but, as his The
Eleusinian Oration shows, when the Romans were unable to ensure the
peace, Greek identity might re-emerge from “hidden writing” and become an
alternative to Roman dominance.
Summing up, one can claim that the volume under review comprises various
aspects and characteristics of mutually beneficial, albeit contradictory,
relationships between Romans and Greeks. Inter alia, it confirms the growing
contribution of Spanish scholars to one of the mainstream directions of
contemporary classical studies. Every paper makes its greater or smaller
investment in deeper understanding of the Graeco-Roman cultural synthesis
which was achieved within the Empire.
Table of Contents
Notes:
BMCR, Bryn Mawr College, 101 N. Merion Ave., Bryn Mawr, PA 19010