Professional Documents
Culture Documents
______________________
A full-length comedy by
John P. McEneny
www.youthplays.com
info@youthplays.com
424-703-5315
The Very Bad Girl Scouts © 2014 John P. McEneny
All rights reserved. ISBN 978-1-62088-258-0.
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NOTES
ACKNOWLEDGEMENTS
SCENE 1
(The marshes in the small German town of Schwalm-Eder. A
young girl, GROOSELDA, 13, is in full rifle gear: ear plates,
orange life vest, and a small bore .22 rifle. She looks like the girl
on the Swiss Miss cocoa ads with long blonde braids but with
strong and determined eyes. She is unhappy. She points the gun
in the air, aims, and a loud blast is heard. Her friend, HEIDI,
enters carrying a dead pigeon. They have thick German accents.)
HEIDI: Gute Arbeit, Grooselda! Good shot as always! I shall
bring this carcass back to my Grandfather and we will have a
feast!
GROOSELDA: You are better than a bloodhound. I cannot
believe this is to be our last afternoon pigeon shooting
together, my dearest friend.
HEIDI: It is so unfair. You are my best friend, Grooselda. We
have been closer than sisters. I will be destroyed if you leave.
GROOSELDA: I know. My papa is a monster to separate us
so.
HEIDI: Without you I am nothing. Without you, this school is
nothing. Without you the town of Schwalm-Eder will be lost.
And what will happen to the rifle team? Without your
leadership, those morons from Kurhessen Middle School will
thwart our efforts at regionals and will win at Schützenverein
again.
GROOSELDA: Don't say such lies. I cannot endure thinking
of that pathetic Kurhessen girl, Adelaide Rührend, holding the
Golden Hedgehog. I hate her. And her form is pitiful. The
judges pity her because she only has one eye.
HEIDI: It is true. Schwalm-Eder will lose all the regionals and
then the Schützenverein and the golden hedgehog will belong
to one-eyed Adelaide Rührend. And you know it. You are the
© John P. McEneny
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The Very Bad Girl Scouts 7
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8 John P. McEneny
and distance will make our bond only a faint memory. I will
forget all those long childhood mornings braiding each other's
hair, stuffing our mouths with warm liverwurst, and the hours
of target practice out here in the marshes. I will forget the
thousands of beautiful pigeons whose angelic flights I've
ended with my keen sharpsmanship. You have been a good
friend. Auf Wiedersehen, my bloodhound. It will be hard to
replace your loyalty.
HEIDI: It will be impossible. Take me with you.
DAGOBERT: No. There is no room in the Volkswagen.
GROOSELDA: No, Heidi, you must stay behind and take care
of your blind grandfather and invalid cousin, Klara.
HEIDI: You must write me every day.
GROOSELDA: No. It will be too painful. I must commit to
this new phase in my life. I must abandon my past, including
you, and find soulmates in Consumption, New Jersey who
will love and accept me for who I am.
HEIDI: Wait. Take this grenade. I've been saving it for your
birthday.
GROOSELDA: Thank you. Goodbye, Heidi!
(She takes the gun from Dagobert's arms and they exit. Heidi is
left alone on stage. She drops her head and walks off, carrying
the dead pigeon.)
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SCENE 2
(Consumption, New Jersey. A girl, MANDY, 12, enters, holding
50 boxes of empty Girl Scout cookies. She is paranoid. She
throws them to the ground. A boy with beautiful hair,
BURTON, 13, enters.)
MANDY: Shut the door. You idiot! Shut the door! You're
letting in the light.
BURTON: Mandy, what's wrong? I thought we were going to
watch ice skating and hold hands. Come on, your mom's not
home. It'll be fun.
MANDY: You don't understand. It's too late. They're going to
find out. They're all going to know.
BURTON: A lot of people enjoy ice skating, Mandy. It's the
most popular sport in the winter Olympics. There's nothing to
be ashamed of. What are all those boxes, Mandy? Are those
Girl Scout cookies? Are those empty Girl Scout cookies? Aren't
you supposed to be selling them for your troop? Where did
you get that kind of money to buy so many boxes, Mandy?
MANDY: I don't have any money. My mother works at the
aquarium store and when the economy is bad, no one has
money to buy exotic fish. Listen to me. (Grabbing Burton:)
Burton, you're going to help me hide the evidence. You have
to help me.
BURTON: I thought we were just going to hold hands and
watch ice skating while your mom was out at Bingo. Vasile
Plushenko is in the nationals. He's our favorite male figure
skater.
MANDY: No one needs to find out, Burton. You're going to
help me.
© John P. McEneny
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The Very Bad Girl Scouts 11
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The Very Bad Girl Scouts 13
them to your Aunt Dotty. She's blind and she's always liked
me. It's such a rip off anyway, fifteen cookies in a box for four
bucks! Obscene! That's almost 24 cents a cookie, Burton. Do
you think she has a thousand dollars? She'll never know the
difference.
(Burton spins her around and slaps her.)
Stop! Wait.
BURTON: Did you hear that sound?
MANDY: They're here. They know.
BURTON: I'm getting out!
(Five Girl Scouts enter: PEPPER, RASHIDA, MAD DOG,
FRANKIE, and TOASTITO. They swagger with a confidence
not usually seen in 13-year olds.)
PEPPER: You're going nowhere, salty. You hears me? Mad
Dog, grab the pretty boy.
(Mad Dog grabs Burton.)
BURTON: Please. No. Not my face. I'm a teen model.
MANDY: Pepper, please. You don't understand. Did you
break in? I was sure I locked the front door.
MAD DOG: So we pick a few locks, so what? That's what the
locksmith badge is for.
MANDY: (Approaching Pepper:) Pepper...
PEPPER: You dumb Dora. Get your mitts off the marbles
before I stuff that big yap of yours with a finger sandwich. I'm
guessing by the looks of this sorry sight of empty boxes and
the cookie crust sticking to your chin that you ate the whole
mezuzah, Mandy.
MANDY: Not every cookie. I think I left a Carmel Delight.
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The Very Bad Girl Scouts 15
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The Very Bad Girl Scouts 17
SCENE 3
(A bell rings. Consumption Middle School. Dagobert and
Grooselda are standing in the hallways watching other students
pass. The students are all wearing bright sashes across their
chests that say INSIDER. They also wear orange armbands.
There are two empty chairs. In one chair is an 8 x 10 of Burton
and in the other chair is a picture of a fish. Dagobert is wearing
his very best lederhosen and traditional Wegener hat with a red
feather. Grooselda is wearing a traditional Dirndl dress and
apron. Both have their socks pulled up to their knees. They carry
notebooks with pictures of teenage pop stars that were popular
five years ago. Occasionally a student will pass them and they
will smile desperately, only to have the child pass them by.)
GROOSELDA: These American children are so much bigger
boned than us. Is it true that they eat cheese at every meal?
DAGOBERT: And the boys wear such low rising tight jeans.
There is no room for the breath. There is no room for the
necessary movement that must occur. It is barbaric.
GROOSELDA: I wonder if we shall make some friends today.
It is almost noon and no one has approached us yet with an
offer of friendship.
DAGOBERT: Yes. It is odd. Have you continued to smile,
Grooselda? Positive body language will draw in the friends.
Stop slouching.
GROOSELDA: Don't tell me what to do. You are not the boss
of me.
DAGOBERT: Oh yes, I am, you slope-backed crow. You are to
listen to me. I am six minutes older than you and a boy! Plus I
had more friends than you back in Schwalm-Eder.
GROOSELDA: If Papa would only give me the key to the rifle
locker...
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day at all. She came home to find her trailer burned to the
ground and no remains of either of the teens. She didn't have
any pictures left so she taped a picture of her favorite fish to
this chair: the Fantail orange filefish. Easy to take care of, easy
to love, and no matter how lost they get, they always return
home. She set up a reward for her daughter's whereabouts in
the amount of $1000.
SLICEY: It's really torn up the entire the entire student body
community, as you might imagine.
DAGOBERT: Is that why everyone is wearing orange
armbands?
DUNCAN: No, that's to bring the Diet Coke machines back to
the cafeteria.
GROOSELDA: Nothing like this could ever happen in
Schwalm-Eder. I wish I was back in Schwalm-Eder. I miss
Heidi and my shotguns.
SLICEY: Are you too good for Consumption? You got a lot to
learn around here, Broom Hilda! If you think you're going to
join the Detective Club then you got another thing to think
about!
DUNCAN: But Slicey, the dean is going to disband our
organization charter if we can't get another member in the
Detective Club. He said we're elitist.
SLICEY: Duncan, please! Why is elitist so bad but elite is like
something great!
DUNCAN: Those are just semantics. You're just frustrated
because of your broken elbows. Let's just give them an
application and...
SLICEY: I said no! I'm not taking these two outsiders in our
club!
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The Very Bad Girl Scouts 21
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SCENE 4
(Bell rings. Consumption Junior High School. LAURA
DILLMAN, head of the Outsiders Club, stands center. She is
addressing five new students. She gets to wear a crown. She
wears a sash that says "Insider." NATTY, BORATEAM, and
JEFF are seated with Laura Dillman in the middle. They are
wearing nametags. Borateam has an eye patch and a small white
mouse.)
BORATEAM: Are you like the student council president or
something?
LAURA DILLMAN: I'm more of an ambassador really. A link
between the known world here at Consumption Junior High
and the other world which we don't know. Your world. The
outsider world. I am a bridge. An arch. A bond. And today...
(Long pause. Lowering her voice:) ...it is my honor to say with the
simplest of words: Welcome, my new friends. Welcome to
your new world. Welcome to the Outsiders Club.
NATTY: Why are you wearing a crown?
JEFF: I have a problem bonding with new people. It's hard for
me to make friends.
LAURA DILLMAN: Well, Jeff. Consider us family now here
at Consumption Junior High. In fact, consider me your
"practice friend."
BORATEAM: I'm afraid too. I feel vulnerable and frightened
by all the new strange faces. I keep wondering who will be my
friend? Who will I eat with at lunchtime? Will I fit it? Am I
always going to be that kid who keeps a mouse in his pocket?
I'm really concerned, Laura Dillman. How will I have an
identity if I can't find people who will give me an identity?
These teen formative years are very important to my social
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The Very Bad Girl Scouts 23
and wants to join our circle of friendship. Let's close our eyes.
There, that's good.
BORATEAM: Your hands are very warm.
JEFF: I feel warm all over.
LAURA DILLMAN: Just imagine how warm you're going to
feel when you actually have friends. Concentrate on all the
new friends that you're going to make.
(They begin to gently hum. Enter Grooselda and Dagobert.
Grooselda holds a bundt cake.)
DAGOBERT: Guten Morgen, fellow classmates. My given
name is Dagobert Ganspicker and this is my twin swester,
Grooselda.
GROOSELDA: I brought the home-baked Bienenstich, also
known as "Bee Sting Cake."
LAURA DILLMAN: I know you think you can make friends
by giving out baked products but you can't. You just can't.
Trust me. I've tried.
NATTY: It's like buying love.
GROOSELDA: But I put the German honey in it.
BORATEAM: Are you like foreign exchange students?
GROOSELDA: I knew a girl once who also had one eye. Her
name was Adelaide Rührend from the Kurhessen Junior High
back in Schwalm-Eder. She is probably holding my Golden
Hedgehog right now.
BORATEAM: How did she lose her eye?
GROOSELDA: It was at the Schützenverein Junior Sectionals
two years ago. Her M08 Magnum spontaneously exploded.
Everyone ran for cover like flying katzen cowards. Some
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The Very Bad Girl Scouts 25
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(A chill goes down Laura Dillman's back. Her eyes go wild. She
touches her neck, ready to bolt after Grooselda and knock her
teeth in. She then composes herself.)
LAURA DILLMAN: Who...who told you to mention...who
told you...told you to say that?
GROOSELDA: What?
LAURA DILLMAN: I don't know what you know or what
you've been told but I think you should leave right now, you
Italian interlopers. I don't think either of you are right for the
Outsider Club. Please leave your sashes here.
JEFF: They didn't get their sashes yet.
LAURA DILLMAN: It's just as well.
GROOSELDA: I know nothing. Nichts. Please. I am just a
simple round-faced German girl looking for friendship. I have
interests in marksmanship and thought perhaps the Girl
Scouts might...
LAURA DILLMAN: Don't talk about them. We don't talk
about them.
GROOSELDA: I did not mean to displease you. I even
brought the home-baked Bienenstich.
DAGOBERT: Stop crying.
NATTY: I don't have conjunctivitis. I have very moist eyes.
DAGOBERT: I was talking to my sestra. Dry your tears,
Grooselda. We do not want to friendship with these cold
American classmates. We will find our own way in the world.
Fraulein Dillman, you are not a kind girl. All Grooselda asked
for was information about the local Girl Scouts chapter.
LAURA DILLMAN: Stop. I beg of you! They have ears
everywhere. Get out of here. Quick everyone throw your
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The Very Bad Girl Scouts 29
SCENE 5
(The Detective Club. Duncan is sitting at his desk going over
expense receipts and taking mysterious notes. There is a diagram
of the disappearance of Mandy and Burton with all sorts of
arrows leading to potential suspects. Slicey is sitting at a front
desk with a giant sign that says "reception.")
(Enter Dagobert.)
DAGOBERT: Excuse me, miss. Am I at the Detective Club?
SLICEY: Do you have an appointment with Duncan?
DAGOBERT: No. I am seeking a social club for young people.
Duncan gave me his card. And...
SLICEY: Well I never! Duncan McGrath-Lantingua! You have
defied me again. Our Detective Club will never be considered
cool if we take in every stray outsider.
DAGOBERT: I would very much like to join your mystery
community. I am in the process of finding friendship. I have
many skills and character traits that may enhance your club. I
have had a very difficult six weeks of American school. I have
had to eat alone at my table in the cafeteria. I try to read a
book so people do not look on me with pity but they don't
even look at me at all. I used to have my sister for
companionship but no longer. She took the initiative to
acquire a job at the shopping community and that fills all her
hours. So now I don't even have her. I don't know what to do
with myself in the hours I am not doing my schoolwork. I
walk the halls and have become oddly self-conscious how my
arms rhythmically move in rhythm or not. I have developed a
deep concern on what kind of clothing I put on in the
morning. This is not like me at all.
DUNCAN: Seventh grade can be a rough year.
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SCENE 6
(The Gap. Grooselda has taken a job at the local mall. Her co-
worker, GLEN, 16, has a complicated crush on her.)
GROOSELDA: Fold. Fit. Slip. And under. Fold. Fit. Slip. And
under.
GLEN: Your folding skills are very impressive, Grooselda.
You're like a German-crafted folding machine.
GROOSELDA: Dankeschön, Glen. You have been a helpful
and supportive assistant manager.
GLEN: You keep this up and you'll be a shift leader in no time.
The Gap has always been the fertilizer for nurturing fresh
retail talent. It's very exciting working at the mall. Fast paced.
Tons of human interaction. A great place to discover who you
really are. Best decision I ever made in my life was to go into
retail.
GROOSELDA: Ja.
GLEN: Did you hear they're closing the Friendly Fish Forum?
GROOSELDA: Where will the pet owners of Consumption
acquire their fish?
GLEN: The manager said she needed all her time to find her
lost daughter. Do you remember that news story a few weeks
ago about the missing teens?
GROOSELDA: I do not follow American newspapers. I prefer
German rifle periodicals.
GLEN: We've been working together for almost four months.
GROOSELDA: Ja.
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The Very Bad Girl Scouts 39
SCENE 7
(Back in Germany. It is late at night. On the top of Wüstegarten
Mountain. Heidi is trying to pack her bags as quietly and
carefully as possible. KLARA, 12, is a sickly girl confined to her
bed.)
KLARA: Heidleweiss? I need my bedpan changed again.
Would you be a dear little bloodhound and change my sheets?
I am very uncomfortable.
HEIDI: Oh Klara. I'm sorry I woke you. I thought that sedative
that I put into your milk would have knocked you out till
morning.
KLARA: What are you doing, cousin? Are you packing? Are
we going on a trip?
HEIDI: No, cousin. Only I am going on a trip. I'm going to see
Grooselda in the States United for America.
KLARA: No, you cannot. Who will take care of Grandfather
and me? I am sickly and bedridden. Who will take care of the
goats? You are our only source of support.
HEIDI: Grooselda is my only friend in the world. Without her
I am lost.
KLARA: Who will push my wheelchair? Who will read bible
passages to our blind grandfather? Who will milk the goats?
Who will rub the lifeless muscles in my legs every night? You
are abandoning us.
HEIDI: Yes I am, Klara. You are all too dependent on me. I am
enabling you.
KLARA: Nein. Nein. Nein! I can't walk. I will become indigent
and be forced to crawl down the mountain to the town of
Schwalm-Eder and beg for Euros. I will have to eat out of trash
barrels.
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The Very Bad Girl Scouts 41
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SCENE 8
(Grooselda is sitting alone on stage. She takes out a handgun and
looks at it. She then takes out a rag and begins to shine it. She
stops. She takes out a pink cupcake and puts the entire cupcake
in her mouth. Her brother, Dagobert, enters.)
DAGOBERT: There you are, Grooselda. I have been searching
for you for hours.
GROOSELDA: Ja. I am now found.
(Note: Her mouth is full and the words might not be fully
understandable. Dagobert has seen his sister eat cupcakes this
way many times while in a depression and has trained himself to
understand every word she says.)
DAGOBERT: I'd like you to come out tonight with Duncan,
Slicey, and me. We are going to go through some old school
transcripts.
GROOSELDA: No thank you. Those are your friends. Once
again you have bested me and found a claque of friends while
I remain alone. Again sitting home on a Friday night with only
my pistols for company. Go away! I'm now going to console
myself with Hostess snack cakes.
(She puts a second entire pink cupcake in her mouth.)
DAGOBERT: Why don't you join us tonight?
GROOSELDA: I have nothing in common with those people.
DAGOBERT: I don't have anything in common with these
people either. You don't have to make a friend that is just like
you. You have to make compromises sometimes. Do I
necessary like fingerprinting the cafeteria, or interrogating the
custodial staff, or being bossed around by Duncan? No. But
ultimately, they're decent people who seem to tolerate my
company and that is a lot. And I am willing to oversee their
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The Very Bad Girl Scouts 43
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SCENE 9
(The underground lair of the Girl Scouts. Mandy and Burton are
tied together with yarn.)
MANDY: Stop crying, Burton. I can't think.
BURTON: We're doomed. We're never going to be found.
They've probably stopped looking for us! And all we've had to
eat for the past four months is cheese. I've lost all muscle mass.
My modeling career is over. I'm never going to look like Vasile
Plushenkolost. My digestive track is a mess. And this yarn is
unbreakable.
MANDY: Stop. We're going to get out of this lair. The Girl
Scouts can't hold us here forever.
BURTON: Look at my bloat!
MANDY: I just wonder why they haven't killed us yet? What
are they planning? Why would they keep us alive like this?
They know my mom runs the aquarium store so they know
there's no money for ransom. No one escapes the Girl Scouts,
Burton. Once there was a girl named Laura...Laura what? All
this cheese has destroyed my memory. There was a girl named
Laura that escaped once. How did she do it?
BURTON: Quiet. I hear them coming. Oh no—they're going to
make us eat more cheese. I need fiber. Shh. Mandy. Shhh.
(Enter Pepper, Rashida, Mad Dog, Frankie, and Toastito.
Following them is Grooselda.)
PEPPER: Welcome to our secret lair. We keep it musty and
murky to intimidate our enemies. Over there is the crafts
corner—Toastito will show you the beading room later—over
here is the gym and boxing ring. Back there is Miss Lick's
laboratory. Don't go in there—she's working on something
really special. And here is the rifle range.
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The Very Bad Girl Scouts 45
© John P. McEneny
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46 John P. McEneny
PEPPER: You finished with our secret plan yet, Miss Lick?
MISS LICK: Almost. Nanotechnology is quite a challenge. But
soon we'll be able to take our test subjects and insert the
mainframe wires. Soon all will be at your mercy.
GROOSELDA: You are very dangerous girls.
PEPPER: Yep! Unstoppable. And, Gap, we're looking for a
sharpshooter to fill out our gang. We need a true marksman.
GROOSELDA: You want me to use my riflery skills for
crime? But it is my gift.
PEPPER: And in return, we will be your friends.
(Note: During Grooselda's asides to the audience, all the
characters on stage are able to hear her.)
GROOSELDA: (Aside:) This is a moral conundrum. I am
desperate for friendship, yet I have always thought of myself
as a rigidly moral person opposed to anarchy.
PEPPER: But first, we have to see proof of your gun skills. Are
you carrying?
GROOSELDA: Of course.
(Grooselda pulls out a gun.)
PEPPER: Test subject!
MISS LICK: Not Mandy! I can't risk losing her yet. I still have
use for her in my laboratory. Take the other one.
(The girls grab Burton and make him stand.)
BURTON: No don't. You've done enough. You've ruined my
figure. Ruined my career. Taken me from my loved ones.
Denied me the essentials of fiber, mirrors, and television.
GROOSELDA: So you want me to shoot the fat boy?
© John P. McEneny
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The Very Bad Girl Scouts 47
© John P. McEneny
This is a perusal copy only.
Absolutely no printing, copying or performance permitted.
48 John P. McEneny
© John P. McEneny
This is a perusal copy only.
Absolutely no printing, copying or performance permitted.
The Very Bad Girl Scouts 49
SCENE 10
(The Outsider Club. Laura Dillman is teaching the outsiders
how to make friends.)
LAURA DILLMAN: Firmer handshake, Borateam. Excellent.
More eye contact, Natty. I don't care how they greeted each
other in Moon Junction. Now everyone think of an opening
phrase you could use to approach a fellow student.
JEFF: Did you know that in Iceland there are 100 words for
snow but only one for love?
LAURA DILLMAN: Excellent, Jeff.
BORATEAM: How about that game last night?
LAURA DILLMAN: Good.
NATTY: Can I ask for directions?
LAURA DILLMAN: No, that will just burden someone. Get a
border collie if you need directions. This is about finding
friends, Natty.
BORATEAM: I can't do it, Laura Dillman. I can't. I just freak
out when I have to talk to new people.
LAURA DILLMAN: Put down your mouse and you listen to
me. You will never get your Almost Accepted sash at this rate.
Next lesson, let's break into twos and practice our trust falls.
Now remember, no matter what, you MUST catch your
partner when he falls. Friendship is all about trust. This is
going to be difficult for you, Borateam. Focus!
(Enter Duncan, Slicey, and Dagobert.)
DUNCAN: Excuse us.
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50 John P. McEneny
© John P. McEneny
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The Very Bad Girl Scouts 51
DAGOBERT: Ja.
LAURA DILLMAN: I'm not afraid of you, Duncan.
DUNCAN: What are you afraid of, Laura Dillman?
JEFF: What is so wrong with the Girl Scouts?
LAURA DILLMAN: Shut up. You're still new here. You're
still an outsider. You don't get to ask questions.
DUNCAN: But I do.
LAURA DILLMAN: It's hard to explain. You're a boy, you
wouldn't understand the desperate and clawing need an
adolescent girl has for friendship. You don't know what it's
like to not have someone to share your thoughts with. To not
have someone who will smile at you. Someone to hold your
secrets. To walk next to. To know you're not just you. Because
let's face it, you're just not enough. I needed to be something
bigger than just myself. I needed friends. A girl without a
friend is nothing. I was nothing.
DUNCAN: What's this have to do with the Girl Scouts?
LAURA DILLMAN: They're bad news, Duncan. But they're
strong and fierce. And they're an efficiently organized group
of girls with a clear leader. That's a big deal in middle school. I
was drawn in by the structure and promise of sisterhood. The
validation of badges. The safety of numbers. I was a young girl
from Tigerhassing; unsophisticated, and vulnerable—they
took me in—gave me an identity. I belonged. Finally belonged.
SLICEY: What are you yabbering about?
LAURA DILLMAN: It went too far. I can't talk about it.
DUNCAN: Tell me!
LAURA DILLMAN: Never.
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52 John P. McEneny
© John P. McEneny
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54 John P. McEneny
© John P. McEneny
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The Very Bad Girl Scouts 55
SCENE 11
(The girls are hanging out in the secret girl cookie scout lair.
Frankie enters carrying an enormous box over her head. None of
the other girls help her, as it would insult Frankie to have her
strength challenged. She plops the heavy box down on the floor.)
FRANKIE: I'm back. UPS left this parcel behind. I wonder
what's in it? I hope it's those switchblades that we ordered last
month. Let me go ask Pepper.
MAD DOG: Better not—she's in one her moods. She's been
working with Miss Lick all morning in the laboratory. She's all
jumpy and jittery. This is worse than when she was preparing
for her bee wrangling badge.
TOASTITO: Hey Gap, you done penning the g's.
GROOSELDA: Counterfeiting is an art form in and of itself.
(She hands a freshly drawn dollar to Toastito.)
TOASTITO: You're a gal of many strengths, Gap. We're lucky
to have you.
FRANKIE: Hey Gap, will you help me braid my hair?
GROOSELDA: Of course, that's what girlfriends do.
MAD DOG: Hey, after we finish spray painting the
orphanage tonight, do you want to have a sleepover at my
house? We can make slam books.
GROOSELDA: Ja. I would enjoy that very much.
FRANKIE: Is it true that you've used a bazooka before?
(Enter Pepper and Miss Lick.)
PEPPER: Alrighty you long faced creeps. It's here. Miss Lick is
finally ready to share the big deal.
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56 John P. McEneny
MISS LICK: I've been working on the project for almost three
months.
PEPPER: That's right. Girls, our days of petty larceny are now
over.
MAD DOG: We still thinking of poisoning the Thin Mints?
Taking out all of Consumption?
PEPPER: Nah. We're thinking bigger.
RASHIDA: Tell us, Pepper!
PEPPER: I'm talking robotic technology.
FRANKIE: What are you going on about, Peps? I've never
seen you so excited.
PEPPER: Robotic technology.
MAD DOG: What's that?
GROOSELDA: A branch of engineering science that deals
with the creation of tools that mimic the mechanical structure
of humans.
PEPPER: Gap is right. Robots!
RASHIDA: Pepper, what are we going to do with a bunch of
robots? You're talking crazy.
PEPPER: Am I? Am I, Rashida?
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