SAMUEL FRENCE MURFRENCHCOM RENCHIONDONCOUK | agent | 10 OUT OF 12 ANNE WASHBURN 150n 978-05 | SAMUEL FRENCH 9 lnaasr{1900 OF 120s he ys y the Soho ep 8 New ok Cy 8 ‘Shy 35,2015 the pfornance wa dred by es Dae hes Dod nn, hs tn Town, ol by Bry Pane conus by ene Het an yop Googe Hatin i eg Ree "The Product Ste Manger as Spo, Tec at sraceansce, Quincy Mer nenstine sscreca Sieh NAR ‘ion Per rast, seen Kin eqn ‘ame erga seme it Row uyeustans Thomas Jo Ryan ons Mendy Re Seon 6 8) Leigh Wade ‘CHARACTERS So ha bith od et on age eran Ser gi OLD Laby sate) PAUL is CARSTATS) {MK ls CHAD “Ssh st A sag, yi es a he cis em nh SETTING ime “Tce ts, IMPORTANT oe ted ton hr ee id a aang AUTHOR'S NOTES Begining in he sue of 208 ean ting down te ding fechreentle Tone tes =e nds tan el ‘croton ace mopar oboe!WHO IS ACTUALLY REAL AND WHO ISN'T: he St tp asin of in ply eine ashe eats {oe tom the oe emer coe ple a beat ‘hs all of hve caueratin weve peseroie Speers ‘Sere iced ong he howe ist eanpetnbne hie tok ple Iie hou eer took place, or exe dough tse Wee ‘Speer ements te eer preseconded anate om2 LIGHTS, SOUND, COSTUME, and #3 wer etey peeved SSIAGE MANADER wa gen denbed ice mets ‘ronnie ne snhines preven) though wes er cng thesege nce ews th we a ies to thee A omens wh ake ice i he Dose ih ceo ho we so tec on age cn ster take place, o thro te spats {Se might deped on the sagen space of ach prodvetin put tere presence su eobay te an of he ead he land nthe hose bso be wade ea = vo ight ornER ‘Whiner gt of sme ie, They prays he thei Ufacesete ape Beg forded age 7s cam a th a at ater pee nsiyou else Heese ho wh op ot peri Nw irk heer erences or Toa ne sue os Kec epee ‘SPECIAL THANKS he utc, ae cm of Have Love Stange aro Unis ty he es Tops ppiton pera lhe ‘Comat, the hernainstet a The Pingo Ones The ger Te Sl the Os ath hae Th, gu Burs Ar Bigs Horr Aro he ts, cer ad otis of An tad 2c NPT, En Courng Map of Vase wth 3, the so Cony nia le Woods Rant nd Te Cian Pre Fy, al of wh ia eto ep nom if ha ks fame Com Ay Eh, Ke Gato, Racha Hane, Litt Poni By Par Ligh Sern Anau Sone Justin Towson Char Tener hase a sn xis res ‘oh te i ad hgh “Tasks oth Che Thar Whe op on era re thats fo Enna Gf or tng i te wr ofthe hens wate be te fling Bae fr elon tet jy th he ge Brn in Dvr, Alec nl, Nee Hold, Sindy Hor, Krier Ku nr Mate Ze Moy, Es Okt, Ale aif Kts ha, Past “Mas Tt, Cn Wo el as Dive hl Ke Aa te Gage Rowton1 PRESHOW. (Pree are net fares of carpentry nabs — Somdust, sorts, rubbihy aod Bis, candy tapos te and the A8M i aloraataly | Siang ten into a dustpan, and vacwuming festog:) (Dra is being dnd int big Bach gakage gon sage) 5, (erste, 1 Be igh hee. (990 gs fits) (fr lng while she returns, and continues ssuwp and vac} (Phere is low materi hume coming fo all the shar the pas, erly oeligle ‘muraring.) (8 eres, holding Bune of loi cong} (Grasially we do hear a faint but distinct fntertent str of intrction from WAGES ‘and SOUND. We will cowtinue to hear this, ‘sea eset, unl the ply bags) JLs “TEST TEST TESTING TEST TEST TEST (We her JASE ad the ASM ver he had.) STAGEMANACIKE Jammie are you on headset? Check, check, Irmie you there? 9 Tm here! ‘SIAGEMANAGEE. Great, thanks. re you on headset Erik? sik you there? sul, Esl’s not on ye, he's sill changing into his lacks, SEAGEMANAGES Great, Fl come back him, Joel? Do we have Joe? Bs He! STAGEMANSGHR. Okay excelent. (Sound of channel swith) STAGE MANAGER. (Dien tone ond torent) Do Uae Tights? aauits. You do STAGEMANAGLR. Wonder, And who fs programing for yo today? LIGHTS. Tim bu he's in the bathroom, here you want 10 est is aeadse yah? SIAGEMANAGER. Io GHEE. Let me jas (Sound of fumbling sigh dfs background mum) {4GHIS. Alright hiss Tim, yo good? [STAGRMANAGER, Wondestal. Thanks Jule! icaREs Thanks Molly. STAGE MANAGER Alright, Sound? Soul? (This net fine i ac, mo the hea tn hone) STAGE MANAGER, Robert can you pick up your headset plese? I just wan vo run a bre test SOUND, Of right, sure (Feat fbn) soup. How's this ou got me? STAGEMANAGER. We Hsve you Thank you so much, SOUND. Sure thing.2 (OUR PLAY BEGINS (At once, the matring hum ists in lune all onsenaons ae oul fora wd oto thn) ucts, Going davkt (Dorks. Babe cass) (Afra moment, Vacuusing sap) AS. (tight srs.) Thank you dark LIGHTS. (Qt) Lights Go, (Lights do something incredibly vivid, and ‘omprehonies) SOUND, Sound in the house! (As doe snd) 3. HALF HOUR. (Sound cuts ut. Lights change) (ns ight p again on en.) (28 for npnge om the for ofthe fk roe with ‘a seneagun working ona wal ormparing a hinge foraomethng Thar i ay of eis ys side.) (Phe vacuum onde one on the tag) (as) STAGE MANAGER. Ladies snd Gentlemen weleome to our tech rehearsal, We are at half hour. Actors please ‘make sure you're signed In, We'll be starting from the top of show in thity minutes. Once again Ladies ane Gentlemen, we are at hal hom. Please make se sou'esigued in ap. Thank you half hour ia Ese 2 Ub buh, What is that you're eating? 1 Pink salty gros hings EX That’ hati look like fron ap eee. Well won't say tehat it looks like. Okay: it looks fetal EB. 1dhiok they're sisimp. shrimp chips, Or crab? They were just lying here. (lust of package) Yes, shrimp, “That's why they're pink. Theyee Japanese 1408. Oh. Japanese, Right Are they good? 2. Unm. they're crunchy. (ns the bease) oars, Im serving, ‘8M. Do you want an apple? Lhave apples. UHGHTS, No. Iwan. (Abstract something bed, ‘When was the fast dime you hal a Fyn?sat Ob, My God. Years, ears (at)Yon wanta Foyt? Trans, 1 avent had 3 Faayu for fve years That were forever Tong horrible aftertaste. (Small paws) ¥ con't franca Banyan (Calls out) Br whats that 964 casi? (2 los yp) Cats) Nevermind, Lon wantit Fon’ ‘mie, everyone signed in? ‘si, All bands on deck Sas. Wonderful. And ow i everyone doing? Sa Siget esl in soeetclshes, she has 2 question about her skirt sat Ts Beth dow there? ASML She was here just a moment ago, Tm currently vsscking her dow Also is gay down here. Hake vith Chip earlier and he's bringing im (ans and we're ping to plo them in a soon as we're done with the Exiling eon. su Alig A ocelot out abr) 1 (Phe mead elt cain, ab a sere, Coins to pl fore) rgHTs, Can Lace 1360702 ‘dd group 17 ‘Add group 160050 Update (as) (Canela ith echt Crick cnt) (Afterapousesanen of hast diving ticks.) Fos, we'se going dav (Derk) (Lighting business ound the fsights) Agi, hs er head) ‘eb You bo what Teli? Bsery tect, st the end of ey Meche Tend! up with raises, right on my dig from ‘og atthe seas inthe dak 15. You should get your vitamin Clevel checked. bez Realy? cha 2 Yeah. OFD or B, a Hi, isa, Are yo Drie alread? Yeah thats sor of extreme, Thats more Uk leukemia fe Yeah noc yet ut just recalled, What 19 come aacares up again os bef) fea resumes ding, Completes dviting, Walks nthe wings.) [OUND ofa wood at wight vcs, ceadas, om) (Site) {OUND of the wood bu with wilder ements ald) pmector Hey Rober? SOUND. Yo. DIRECTOR. Which scene this? You're messing with SOUND, fms wih index cad DIRECTOR. I should be more wopically a this point ya? SOUND, Tough this was prety crpically. bv the st DIRECTOR. Could it be lnle more tropially? What about that agua? SOUND. [added tha ater on, then Tdeleted i DIRECTOR. Coil we add eck in? SOUND, In this scene? DIRECTOR Vali? SOUND. Ts'tit cheesy? 20 ovr or tz DnweroR. 1s SOUND, lati ‘RECTOR, Further ana More inthe distance, SOUND. I wil give ita whi, DIRECTOR. Kind of obscuréa. "Thai you SOUND, Do you want to specify where? DIRECTOR. At your discretion. For the moment We'll probably semove it, Ukimatly SOUND. Goseha, Jor! cl you pice up that exaeto Rom the table or did soaneane else? EL Nope, Bz W's tot dere at al (Thor's lw rome fora moment then i fades on) (Somithing shift ta 4G, his ak) (ne sect SOUND) 12, Did anyone pick wp a yellow box entterexaeto knife from this tale? ‘A, Robert are those cicadas? ‘souNn. Ui hu AD. Thought, [remember che Fist die T saw cicada. Twas four [erat vas an alien SOUND. They're big (Cada sword sends 1p) ake i104. (eae sound pups wp.) 1 (Lowa hal weer both singing) Did you pick up chat ‘ext from the table Because withontitT am not able ‘Tomo any tsk, all oF my tasks Ast am asked {stir ewuning agin.) (Noi ftp aoe) ‘SOUND. Could om give more bottom to tat dhunder ene? “Can you Bl on the bottom (Pas) (Singing abated) “SBC ROTTON, WY GALS GOT "ENT Untrot ff) Ob an totally il thew. 12. [STAGE MANAGER. And Eliot this mag light is or yo pinCEOR. Oh is that my mag Hight? Oh good STAGE MANAGER. You see, itclicks on ad off up here. pmicrow. On and oft STAGE MANAGER Yup, DIRECTOR. Wow-dert (Sound again with mare Bosom.) (There is wei tiny tir of vary bef Jomals singing, tomahing old and complicated ‘eundivg) ‘Su, Hey conld we have another table back hese? ‘SIAGEMANAGER. Why do you need another table? {a5 Wardrobe wants STAGEMANAGHR. There should be ~hang on. SOUND. (A genenal anu casual announcement.) Very Loud ‘Sound in the house, (Comply verpoaering noise.) (ight di ond aly specif argo ight ting pent the very core ofthe stag) Fades out) STAGE MANAGER. Jamie, 'm on my was.fo) Pats ith ml iors) (ade) (ihe pin gone) (The StAG8 MANAGER cis up ona the tae Gres off} (As wt hear the sou of dil from Bind the ut) (A il shi mp oan Sime) (A fight hinds on.) STAGE MANAGER, Ladies and Gentlemen we're at five Tniantes. Fhe minutes for places at top of show. five ta) (a Bs ry ta from the wing, lf teste (ig br, las a house, bbs bch in.) (entrain, fom ide stars uot dag, fd esses ff} (a) (The sound of electrical tape ing msc in he owe) (ae) 11GH148. Alright Mr; Foster please show me...group 601 please 27rachll op 60 out “min. © Okay yeah so show me group 60 focused on the ‘handelie at all. huh inwhite aso aun a7 (Theft dime)DmRECTOR. Are we stl waiting for the Sound o uit? STAGE MANAGHR, Yes we ste: ‘STAGEMANAGER, Joanie you good for me co call Places? fs ‘everything good for Places? sa. We need jus few more minates. Siget sil geting Ther akit worked out and we just uipped breaker #950 in going to go Bx it sa Is his the [ss Ben brought In onc of those eect teapots and he Torgot and plugge itn, We aed about it Su When you have a moment, make a ithe gn. {3 (Afrmatoe,) Pun gomna make a ite sign RECORDED FEMALE VOICE. (Very Lue and suena out of ‘wouhar,) “Hello!” (Sofes)"Hello and weleome (Somat ith te ight.) ‘Somat sith the igh) “Hello, and welcome to Soho Repertory Theatr. Please ike this moment to tan off your electronic flesces completely ~ the vibrate sewing i anlble = ans, (la sc.) Mlly no one found & phone around here did they? ‘Stack MANAGER. No, but we'l Keep an eye out JAKE, Thanks Moly SOUND. I've seen people not only tent di Thal the phone wp 1 see it beter. scat. I grabbed s phone ov of a wenager’s hands. She ‘ous texting duwing the entire show. I grabbed icant placed it under my but (earl) (aan pers ansage, thas his es ned os fut oe, rears otage) (A conversation in the far bac of he atari whi i vente) tof pskage) (ON he pened on age) [IRECTOR, en is this your shin? EN. Ihave tno shirts, This one, and a blue strpier one. “This one ithe one T thought we decided we hike the 1 shows, but (opstage) A theater this sive ad fellow audience members and J Most sts dhe Hight of your LED screens dstsering in | DIRECTOR. Do we lke dat shire the most? the eet of an emeagency (Cus ut) eostUME, We do, DIRECTOR. Aight Love it “COSTUME, Do you want me to bring the other one back ‘again? We can sce engin, DIRECTOR (Bes) No. (Beat) ove it EN. ike thine, “DIRECTOR You! do, do yous BN. DIRECTOR. Then I change no. We can sil go with that thir, Although ow I question ay taste and judgment. MEN slater arty, and rence sel frm the slag) What are we wating for now? nthe event of an emezgency please reer dhe way pomentered.” “Thank yout ane! enjoy the show” _AVOICE WATCH WE DON'T KNOW WHERE TT OOMES FRONT Ts DISTINCT, Please Fetrace your steps. Through fre While screaming QAR eters he house eft ot comple) total period costume, He scans wndernath the seals esto of fot fe 00)STAGK MANAGER. So wee sl wating for them to ge into Costume STAGHMANAGAR, Jamie how muh Tonge SM We're Uke tro minutes aay STAGE MANAGER, Tex mines ‘pmascrOR. F'n no longer ready, (A ti pass. Dhar ae suds Sone taste.) Hal adenine, half tera inedcng tne) ‘yu ide dh, du dc 12. He is rokin"| [ESANDES an an sola, otter ‘STAGE MANAGER. Gays [ERAN (Rly digging nt it) Let she /Light STAGEMANAGER, (WV shot hrar this i the howe as wl.) ‘GUYS Wrong chanel gays 8.01 1 Sony! SEAGE MANAGER. Keep it coo, elas. 1 Right ight! (Sime srt af mechanical ik as they presumably sich another channel) rca, Going davk on sage (Dark he da) My knee caps are col, AD se daft hes My kneecap get cold when its drafty (ir ud hey fg) 5. FIRST CUE (it wher as we make slight Icey forward in tie) (Dramatic ight st and we see on stage) (VA in a big shir and a hoodie for warmth ying taking, fay to DIRECTOR soho stand tar he We er he) (ser areas, he's edn a bi) {Unconcioay she marge: her sit round de ah contesting he Bening gh he tomatic bok at hel The AD hoses wy, ening end Ueki necicn) (Dnenstge ie WOM, bot staring ine hi al owe) cn on a nan me A ng cel alg the ge wl eang fer had sl it heh, When he coves te der he st fot of Opn iter yn ‘pea aio f ne ed bch nit) (Suen fons of) ae rc ee Zonta ee SS (ae) STAGHLMANAGHE Janie you al set backstage?“ so our ort STAGE MANAGER, Folks, we'll be beginning in just a (ae) (A Bright soadge of tight materializes om the floor tft ay frm i) (GEN tales one long oe sideways and ents i shade his es, the hows) iN. Thls for me? {AGHET, (Abstract) No bu stay..stay thee Fora mmoment Ifyou wow, (BEN stays Fe ales Dry. Stik aft out at fan absurd angle, trac, Stands} (Thigh intensity changes) (a wade moras 20 that it sinus hi.) cars, Mis. (WEN takes one lang ap sides ack to hs od postion) (EVA and the DIRECTOR Have finished their onsen ond roared to the seri} (0 sreces vague) SOUND. We're good to go [think SIAGEMANAGIR, Fabulous. Jule? LiGsHTS. Lights is waiting. [STAGE MANAGER, Elst? We're ready? DIRECTOR. Yup. [STAGE MANAGER. Laces and Gentlemen, Tyant to thank you far your work so fr ant thank you in advance for your patience daring what wil bea loug process Actors, yo already know this bu cis your time to say Lean’ sec? "Ted hep, Tm tered Places for top of show Places fr top of show please. (Aron ade of the stage) (Stage is bare) STAGE MANAGER, Standing by backstage. Standy Lights 101 = 102 house Ligh’ and Sound 13. STAGE MANAGER. Quiet in the house [SEAGRMSSAGER. House to half and Sound t= go (Howse igs half. Mads ella bgins ope.) Hose out and Sound 2~ go (Elowselighs out, ond sound of alight brea, inkong) Tights 101, Go (Pie's lng fuse, Bare sage) (Phe igs av nonin vey 20 shay DIRECTOR. This isthe count? STAGE MANAGER. This the count (Ae hs point eget ack.) (Phe ncTORS ener he di, sua emt) ight 102, Sound $= Go (Phere big pop sound, ft an old fashioned Hash ah gogo) ed eh op ry aa, igh mh (VR, right at the ade ofthe stg, in a tate tin tf drs ith ig shirt ~ hating eae iv one luo seer anther) (BEN, sly tnd, sanding back eid her es res he's ang ator} (A slighty surat titi of binds «lay of igh alah grden) : (A itching Ghar.)eva, (Rather ou.) Chatles. (fs hoa jolts wp «look of ebmast pane om his fice) eze you Tite pinscroR. Okay 0. [STAGE MANAGH, Ladies and Gentlemen we're going 10 old Chases? (Phe actor samp sigh) ‘agHtts, What do you think? Dngcton. Well. I chnkt’s dagusing, unfortunaceh aca, Too ch vsbilty? DIRECTOR. It looks Uke the begining of «play. scars. Right DIRNCTOR. Why dL think a dim was preferable toa good ‘oliashioned blackout. cre. Why ined. DIRECTOR. I Know why: because chere ino ach ting a8. “good old fashioned black out Te here no mayo elite that exit light? SEAGE MANAGER. (Cosirming) We can ellminate the exit Tih (A pauses umacrow. One day Pm going wo eliminate that ei light [STAGE MANAGER. (Plasenth:) Not on ray watch. DIRECTOR, Thats one square foot of masking petweeis me, and theatical bls Rcbter [STAGE MANAGER, We'te tot covering the exit ight. aca, Remeber thatthe aisle Fights aren't on, They're Tooke So that’s going to be part of dhe overall ight bleed profile as well mmecroR. When are they being xed? [STAGE MANAGER. The guy coming in on Monday 0 We att ge tert ip before fist preview. nding DIRECTOR. And they cant jos ta broken un.flye STAGE MANAGER. They can't DIReCTOR. Where sthe love, De. Fora ~ do what you can, “What [feel about that cls is that I could not hate it {wae my idea, and I epuld not have come up with a ore underwhelming one a SOUND, [C4 bic solemn. DIRECTOR. In way I want them to ence wih nothing bat ‘then Think no, we aren't Garman. mean nt ihr Heneeds Te something- ‘something. * soni le soneingometi IMnpcron, omen Be yond vb comeing Decoy cud wi (Ab nth of sng mr orbs fr imaself.) me I hn for te Reb ao) nt op mo ee) itt tt conan Arte wp as ele = DmmecrOR. 1s ery long I igh el acini Got DIRECTOR. Bes ong lucas, Uh hl, SAGEMANAGER We easy? oHES. Ligh rey SOUND Need a see more‘punecron, (A bri snatch of song, a dep far German, cen, more ce jus for hse) ISTE HUNT DADE HLABBERGAST ISPSWRIVERRST Dg PIE NST [STEIN HUNT DIF FARDIE BLABBERGAST. ISP WEAGUNST DI HEI HENS. ANI "STEN IsrMEN saUND, Otay good tf. SaGeaANAG Excellent io, wee rear 10 0. ‘puwucron, Eva, my davtings Ber say dearest I tink we Hera uy geting you are in de pate dark, Pet me Eno what we ean do top ys with th twa, l the pte dark? DIRECTOR. More OF ls. BVA. Olay. Cool [While oll shat is happenings the ACTORS nse) wun looks up into the ight, Looks over stage vit) ‘vs sons word in, in drama fase, eng he it as se does 20.) the twrms back pls er shirt back fare he rr ay, end then ese, hain the sek omar sha doc 0 0 19 go maxima ffes) (Ske may do this few mare tne, not so ch mtg paste aro ceil storing and tempi to esrebale th ett se) en, watching is hs hands abo his hea pe then. ae pontine fo lemon ls Me ds fe sft mere) eve chats with BEN i a ow ove, a8 the foes so unconsciously chunking the expand ine aginst ea ee, ri 10 rm nl, neil, df fashion.) {s1cHT emerges brie, pers out into the house rs acta) Through lt ofthis ar ae a fo od ges of sox) “STAGE MANAGER, Olay guys we're going to stand by 10 fo back tothe top ofthe show and go through Your ances wi, this ae i the dark, Jamie ad Baik re golig to be standing buckstage (oasis you. (The chs ace shi from the right op Kt fo aneatre wash om sag and the hese ligt) laces please Ladies and Gentlemen, pices (eva ond EN dif fit.) sackaanaGim. Everyone in position back there? 4 Al gow suai by backsag, Sandy Lights Ne ee asda stage MANAGER Qi nthe hose ‘Thos anacan Howe o hal ad Sound 1 (Cie ig fs be ge {Stay igh th dion, of pb ajling By hn dn mae ny tango ona mon ein eter ‘eeatn an cre gridit ton epithe) Hoe out and Sound 2-0 (Boe igh ou, and sand of ih res Dindng.) “ gi 01.(The mot: stout esos isl indo melo, ind of driving and oi, and the volume nce “Te sound i definitely coming from backstage, fom a specif oaton, and then abraptyi.0 (he oerhend spre) (this oi the stage is lak.) SEAGE MANAGE Sound 2.5.0 (Actigneape riser in volume New Yr rash ows, ‘Tie nyu, cs, rms, houting hing) Ligts 102, Sonnd 8 ~ Go (how's big pep sound, tke an ol fashioned sb eoie ff) {And the lights ae up ory dn, Bright end hot om) (evn, some in the mil ofthe stage and BEN wre he as before) (A sightysurrcdtsiterng of is, 0 Hay of Teo ight ish ged) 8, Real: 1 Fania. (BEN ook ac, oi himself ep or tao ti aed thon Dat.) DIRECTOR. Weil.that's no good. STAGE MANAGER, Hold. (A hos aa hr and) pinwcrow. al? a, Lea'tsee a damn puwecror. Yah, ean se that. ‘ex. You know these was that bright bright ight then the wasn’t Jot of time toads, wa, J dir awe the frst IN, Maybe if we bad Hime ro ast. DIRgcTOR. And all T could see was dhe radiant glare than ‘ny enemy the exit sign. And hen actors, seaming roid on stage in a radiant glare. 1A Do you hove what i was Tike? Tews like that agar ‘Alien Poe sory. Where the man isin the dark, ad he evo there's it DIRECTOR. Eva we're going to restate you, further from ‘the yawning gap. Pn big an of actors nor punmeting Inte the sedience EVA. Me to. DIRECTOR I mean they've paid realm ‘Bn there, at least wo bindred pounds, pointy bits ‘Can we also et tiny dots of glowtape om the edge of the stage? Tiny ones 42, (Lows mutt.) He doesn't now there's a pit Me finds ‘ut there'sa pit DIRECTOR. Ben I vhink ys exo say as yon ave, And took at i all chose Nigh vio goles forthe ctr. sa god “o,f? es amp a Tigh Tm not eligi atyoir cot pope, eat our caro THGEMANAGIR. Guys you cn lane this dark © (TRA hes emer fom be vith orl fin ape om bor wa tea rel. Shes fercng oma hole packer Sh nas dan sd punch dt go tp tat cof oe the vy tip of be stage) «Aid ie Jamie, maybe I could get some ape ere? For my mark? «= ms Of Ben Link ye don't wan a mat lowing bot Righin the middle of my tard won dark Not fs not 2 queaon of He or deathSSEAGE MANAGER You're on your mark Ben. ‘we Ta, Bu i's strietly by chance. DIRECTOR. V've gota lot of faith in you Ben. STAGE MANAGIR. And Bva we're going (The doo in the wall upstage opens ond SIGHT peop nd, The door cas agin. Afr awl she emer fom ofage: she has 0st si. She is crying a ees and sowcer) (Ste ois BEN nd VA sho on hating} (Tha che of he stad ching} (Somohins ~ probably it flows from gesting, which egos “REN and SIGE en BVA ase squaring of wth their oe tons, a ind of he ‘motion rp and seer combat in which they are eid not to actu igpat the ens with ony fore, but oo earful t make enoug contact so tha the ny inc nk.) (Meanie) 1 [ave to say that there's resiate yn over made, Ast Kd be dose Wa be dose, SSEAGE MANAGER. Rva ean we have yon at pox (A foes ff the tne ining, wast wie age) eva, Where heres? DpmECTOR. Theresh to the ltt a pace and back a pace, (She dor thi) Another hal pace. (She des that) Tats fine, right? zeal sal part of me that ‘inks uotoreyele would he the worst parchase I please [STAGE MANAGER. Now. cas. Yup. 'SEAGE MANAGER. Eva please hold while we relight you, (Ligho up righ on EWA.) (The rig) (Phen some other chan) (Wee coo henvng tagging.) VA This ight ew bright, el chat es judging ne DMECTOR The light ijt doing job. Fm dng you. Wigley naGemsyasane (VA sts tongue ont) (Oh that’s le. Theze willbe one move light ight in oe ig 94 Hecllent JpmectOR Ant sal gies sight in the sage, 8A, Facoliene Licker, Alit Rieherwe'v good. MANAGER. Alright. a, would you tp foveal? (Gta dos ori, Okay ean you et ie ee Uh ha STAGE MANAGER Soi back a ck BVA. hh ots know. Now you know, when soutne gone to fn Abie) Wout that we all ela glace light. Hlevus know when wee gone on fae (hte ACHE is ork) UAE nthe fen chang with the AD) He.o iw our or is sake. Hey {n,So Elliott asked me to pass hese on 10 you. JAKE, These ae notes? STAGE MANAGER. Alright we're defor a ten, Take ten ewonjone ‘BEN. Thank you ten ae Apna) se EZ é 5:4 va. Thanks tent ei tight a it at this pol 0. at Uh hh. {seen sf) Av, Andi was actally one that Carla asked me tof THAT SAE VOICE WHOGH WE: DOWT ENOW WHERE TE cours spesiially mention toy ROM IFS DSTINCT. Ths you for tigi of tine = sit, Coo ich nor yours to give. Thank you for sas, ow ‘Ab. She sid is.a moment where he prec language i aPsKe for the ponding of my heart for tender pring veily important so, You know lapis. And youve ANd Is fis evanescng summer for the wk fall foe Hind of been, You endo appoint aly words the giter of my bees nthe winter for {JAKE Uh bu, Olay wel, great man. Pook ait SEE etter re nome of pce or sacs [av And if you ever bave any, you know, questions of ng pase thank you for my every sung mca Fel ice Tacs Er animale A RMMHN OMEN. Tse saeasm. honk on Ten, or watever mean obvaly moe going wo hve anor fr everyting but Fan ge aot ARE Ui. okay then, 10. Great an Yea sae, Wit do SOUND. I just bought this sweater and Tehik 1 hate Tear tll you what it to wear sweater {hate a sch aT hate his one ‘COSTUME. No Low wat you mean. God SOUND. nen Tm igh gh 1 that bel ‘costo Un soup. You cell me “COSTUNE. I ues i depen on Who you are. ow pot well enough 50 oun Yea. hte it (AEDIRECTOR: Would that eal al «gan light toh hen poet as) vs let me Rove[DO IMPS EAT APPLESAUCE? EB Toe got sande IS Is hat what you're doing Are you eaing a sandwich? 48, Par not eating ic right now. 1 You sound mailed (Wohi front tin tie) (dn OLD LADS, ino igre) (eis dea all im Bac, ad blak il ours ef.) [et Like yor can't hear me? (EN stands ay, a rapes tee) 31 can bear you. But ic sounds a lle Hike 1m hearing sou through asandvich (The ganden soundtrack from before has Become i ‘hiker morph, fost.) (Sound of om adjusinent,) coe Sie Diente Se Fetes pote secon o mista lie Geter voou,ocbaccene a eco tees Salsa and els cheese. ‘that hot ret ei meh re ing ching aly gods carmen ste nt Lo pleated Un Pari, (OLD LADY, Did he have prayer book, among is elie? CHARLES. Not among ther, no. But I have no veason tf believe that every single one of his possessions werd retained, ‘OLD LADY. (Fn of Bas} You do wo tink that th ‘would. fom one of their comrades..that they woul ea CHARLES, Ilo not think that they would regard it ‘sealing, precisely, Sailors have a notoriously fui odious of proper And they dink a great deal, mar fof dhem and that makes them, worse men some tan they really ow how to be: ‘OLD LAY, Do you think that Richard drank a great deal (Over tne ti) ucaz1s, Can we hold pleat [STAGE MANAGER, Lai and ge DIRECTOR. Who's eating oranges? we've olaing please, Ccastunt. Do yo want a pet? ie grocery sone. DReCTOR. Tan jo piece. Pie een sore Normal gin rat {SOUND ent suis 9, Gent que. 1 Geant No, unt imayo. One teat of eee, Costunt. Biz youCaeeren Us the hone) 1b, Okay Vn going to pas, But thank you Evi You're ‘good map ita pinch DIRECTOR. (umn weer his bth) SENG MINSTER AEA (oy pe) Iraivanensr ie re sie ren NS ND MAES ae ‘nso TS aoa rss ae "STEIN oe ee mn worderng iu. cou happen gain "Maybe with dinner invotved? First? ‘ppen agai “STAGE MANAGER, Five minstes DIRECTOR, Oh never never mind, Now fave hand of orauge peel. Licss, Geting better..okd exe For x second please 26 delete 352 hie the state oF 58 please ucAMT and while we're at ite aight as well Took a dh transion, That tanston is ickety ticker rickets SEACALMANAGER. Jolie you're si EVA Tike food, RF Food js jst awesome. om. he plygh gone whee da he himbus of panie and ertciny right over by un ae ight over by any left How am 1 know dat P setting everything very cl wig on ole? nn fe 63 a0 os We're going o need avother mine RECTOR. Iya yons pense ‘sel acs He ke Be ects Staaraunc Goseh oe lam Show me group 80 facts on the back on ; a BEY the Ou Code They mene in their own |SEAGHLMASAGER, This i just your profonna reminder ihe rte we're not making it chougl the work Ist the end of the day. acit1s. This is ota surprise, sel. SSUAGE MANAGER. Just your profor GIES hea you reminder.‘@ostme. I can't even get Facebook. You know where is eal, Payurights. Or was it Playwrights. Somewhere Pye been rece. MCC? STAGE MANAGER. [always fee! like: there's no excuse, ‘people, Its already dark oom full f electric aD, (Net claro Uist.) One of my techs if you el “aslep, ea take his eet out and place them on your ‘desk Hl ais. (ACEI and WEN axe rong ies, with 4 fos etur) (hile eames otf the wings ad rmewes te oking hae) (They sl rn ios place bth staring) (the hese: someones mang. Something rom the 0) cits. ui, group 26~oh god ~ group 26.nd group SIpLAGHTS, The goal x sil ro do a rm before first preview, 61 Nghe ac fall [STAGE MANAGER. Tha’ sil the goal, group 26.00 GIFS. fe lke thas etely possible. omen STAGE MANAGER. It's entirely possible. Bva w the sage “please, Bua Anders to the stage vn 86 a fall ee (Weer er often as she dart on.) “Tim, are the focuses absolutely hot on 61 and 707 eels a ttle bright in the center Um wondering, there's way we ca ~just ll one? Kit 02? on’ Kill 62 ek town by 10 pois. severse 71? There we go. That's Sie the back dha ruck up. auad..we're good 10 STAGE MANAGER, Super. Actors 10 the stage for t tranion please. pingcror, You know I had ‘rans Tat night STAGE MANAGER. Thisone? DIRECTOR. [ hoes I suppose transition Had 2s chil (wen ond SIGR Aft oft) ‘costume. sil 30 sow “STAGE MANAGER, SO slow: ete tam here Lam here Tam! 1 nightmare about 1 remind me GENANAGEE. Okay sandy Lights 141-144 ‘Standby Sound 32-37paar wc. fos) Og) wee AT paces Lights 14, Soul 32-8 fren is sing os ring de, San at any at ne eer he of the pen om pe) kg. (Phe ic geek om hea) sound 527. fava pause for women) “Go. the siting soe to) (av los) ‘sound 8 (and afer moment) Reruns her iting) Go. (strtching sound see) biik-#0. A ode eck ein) Sound 385 ce. ea lnk up siting sue a) sik go Gh pounding om the wel A, sata, Rol (A i er chr ad els gi me ara te ri, tring th a) ik cease (The puning eses, core.) 1 pose A fe) al Ligh 142 go, Sound 36 ~ “he wal pris Highs, a misty Hight orl) 66. (dah frst snd nereasingly in sotame ait re tering i song nglse) ys ig wih foe) rights 18-0. “ako Wall 50 rae din sds fom he a) on Teas hear euiing De a dm suns fom the ag.) NAG Lighis 144 and Sound 87 an O1p wos in vcking cei th Bac Relining haf) Ero Tha wast of suting! MABAERL Do you wan wo go back? iced co go bak? “Gin hat song ay problems? GFR, We're fine. Nba isk Eases Bumper oes) Cvs. IN sila ed abit cn Sarma) F MANAGER. Moving 00, ladies an oe 1g om, ladies and gentlemen.Ligh changes again, sound mp, the garden ih a bce che, ep fats (Ths i isi) (These coma) “euD LAIN Did ie havea prayer ook, among his lec (Under ihe) srAGMANAGER. Happy? LIGHT, Happs, 1s betes lappy ‘The blackout was a. (Aboot) “STAGE MASAGAR. Was it. Noted. CGIARLES, Not aming them, no. But {have no reason to ‘relieve that every single one of his possessions were recained, ‘OUD LADY. (Intake of bath) You do not think that they Melk fon one of their comrades..that shey would ‘ina ‘GHARLES. I do not think that dey would regrd [eat ‘ealing, precisely. Sailors have a posoriously fluid Sou or property And they drink great deal, mam 2A then and dat makes thera, WoIse met sometimesh than they really sow how to be ‘ou tapy. De you think that Richard drank a great dea {CAIARLES. [how for fact, Ma'am, that he ci Got OF Tar auce he took drop, from sine time. Most 1 Uo An he would have been regarded, as unfriendly he did ot. ‘ou LADY. Unffienly, No, Tat is one dng which could hove be said sont Riad, that he was an unsiiend boy. Or man Friendliness i generally counted as great good, jother men, by erly an Wil HO Fuck, ‘ADU, (A pat lating.) one second one veoond OUD EADY. No Ihave i have it He will uot call yon... ck. “(RD has found the binder aad leaping fusiousy rohit) |SPAGE MANAGH To secon For your Faults AD, (Alma ome te wth ng tn.) To account for famphars ts abou tine romembering and not airs toes) Tie elk ener ino yout vices and support your Rese ot of ellomlip. 1 (Bt anda nerer ben a endy woman, “The ent sanplir to be tend. Re would have heen | ele fe GE) Loc tis (a 01D CADE) Thon Fa gre lea feo o be wnheny- But Tam He ter fora aea Reh er SB ete He tepcied ic with may milk 1 mppoee | Teaiiaiuts Nin, ad you teow ha ta) ute (GQUARLBS. There weve very few things in his postion ee eee fe owen tarieonie nai os Bc yop Thesis an old apple tree, in your orchard. Richaec [ae ty so Gl we Pit eta ct notice eee nae« we our ort i aus, He si that yo ovo i 6 en 1 9 Mm ream, a he recognize at ihe ene. Bu Be his light a be lamers Tewhenewe he could. a “oun tame, He was ry despair. Throughout his borhood i ay pay he cae t gen one way oF note | Pitgek t punished ia every single nigh unas, He said that he neatly died cling a en an wpe’ branch, almost atthe top, a0 spe way suddenty ite door inthe wiper wal opens, PAUL seb gh hy sur ters hi, he ass erik (eth) ravi cows the door in a stow amd bent manne) amas (Running Bac hough dist rota ntl ie aap) He si that he nest et hin bing th eee ad almost reached the top when the brandy tinny ane fl tn et efor he ane =o Gjanee._ ono a lower one, He landed deel Pacrantgch, ds wind knocked tight fom Mi te gan at fling managed so catch told of Deane eley and hang ter rant tet gor Knowing he couldn’ hang oe dik comets, this ay he does’ now ‘dd’ know how — anti finally Be the gained te sre to aul Mise $e tay on that branch in the crown of te eee igual watching the day 2 a an hour he igh Hever have, ean eons pring, athe aed the ask come Con eae tite blossoms. That dhe ts ight atl de taded they were ghosts, and Fexgrance = stein him there, of course He side ned 1 talling For is ‘eganizs. I would like. Very much, “fn apple tee of my on, “Tecate euting tof There's a chance igh ake hol. know tisis am odd request. Jou tADy: That me Lightaing biasted “Thinking every Noo eer ey were uansiucen, gol, and then i 9 out OF 8 a and exe pest don aga was quite night he Se Mon were ters angry, he sald and sent him to poe thout his supper, but he never spent Rapper Teen Intening to te voices of is family down by the foe below: dont know ie ever ll you tat wnat ce OND LAE. AD ‘No, Noe never di : Lwonld tke to hase arent It might, from that tee, A branch, 1 have may garden st home, aed two year 2g pete gro Ty ok a Geno Missa sin Mr Wry sh i neh Tel Tat a doppoinent, ont pe Lean offer you one ohn oy foro ie ery thee wa a Hoon whe he ugg, Tan fod oie there are ef hs which bing np mia memories “No a‘a you are coo kind L would not Roa pei cng hat on Fe pian my fate never reed the top ut for hat PD ved cain tor hin, and finaly weDIRECTOR. That isn't the imp mask surely? That horsibl hing? Ccostust, 1° option for an imp mask, DIRECTOR. (Mil) That i Very very much, “GEES Gotche. Let me ry Something out, DIREEHOR a hat int your sit, si? IAA, tas, sme pont fos his narod ont |i these he has br opening and lasing ‘COSTUME. It cant go avy. You did Tike it when it was ae Fears he dor ey ty etivouss) mgcrow. id Ti TPAD srthes his arms we, as if obetionthy, ‘ering is sir tthe howe.) 1 i twas much was rawer ooking CoOsTUME, So rater looking good: DIRECTOR. [think rer looking s very good, (rues) FE sil sold 0s bed shade of ye, And rng soba wn bse) omecrom Det i isi coor asc ei an 3 ites wus a npn your atic th onli, blonged wo a duke of [Ad hey tered ka tte, T ought bi he cuts were aly, Doctor Ford Laces, What are you thinking. mEGTOR. Think this is, goer sight but {tink {UGHTTS, Is this in che ballpark of what we were ki abou? DIRECTOR, [think it might be too ordinasy {aGHMT, Does it want to be muri? DmecrOR. I think, ao dink chat setsaly.¥ chk hl it wan to be just lite bit iliant somehow, aon the edges ces. More light? DIRECTOR. No, no, sot Lot of ight it seems hike 2 seen "which takes place in, the shatows on a acer. I's pari with al of dhe curtains drawn, righ ‘asically [pmuGTOR. 1 dou’ tink if'sthe breakfast nook itis ig in all aout bt Tt, hat, soning, whe, very much ta at He vey io ral coment. = 1 hin the eusting should be a surprise, to everyone _acAIT, So anormal nothing spooky nothing impy ppuwcron. No, but theses that aurora of light, aroxsd clipe, you Know what Pin caking about (Oticnpase)ga Tne ne nthe wns Concent (Tree's a noent hee PSL das sak) : a. (Very sy ery debra Wold yu Whe m6 ‘hang? Right nov (Tiny bat) | Rector. We'll move forward. But wth the shir as planned {PAUL ms his had, Sts gh the don ond does i fbi i.) ‘necro, Con we take it fom, fom he tee mOIDEN wen enc SIGET replaying a game wh Ne rae sot wer the rocker ond she gent is sae ia bi nd he erst pul is fo 0) in time) Mt she ats i yma a he coven fend tS bs ox ri.) arent suns a clack, hing 1 td, sn general, Jers sti Ramlgaper. Av exqite wallpaper: Baeey | Tekan hc parr pape Lak tone Mein ene te Fenn, oe Ms tomo tert an 0 «She atc sy “Tone tat, fs hp ee lth the ae th Sits eit tne dpe Av as heen sence MANAGER. Alright “he was my despair’ acars. Tm sorry, fom “ne rcs ied.” cart wanacion My apoogles. From "he wet dic” nan SIGET reassemble hese) icy died eibing that Simost atthe sp and nea tower one, tel fe pet: Cvs’ hms prem EM pee the per Bose hes eyo Fa Te hand Tre sre oa, abo Eee ta of ares harsh Ba Eee re nthe, con i then, ‘conan, He soi that hen Te was on an upper beails fv way stacy ane ell feet below it bat only by chance, (We hear ea. thinking) ‘pan, Pat yunsel so the test, Where ae you Trudy, Carstairs’ study. Myth : teat oyouteat s (0 ear, from bebind flee BE: Te 808 PMG elke th dig come though 2 ct of whe sso") aut That is not what hear hauids which understand, tactics. Hands fami a “ot singe adeserable subtleties. Upon the Realy, 1, see syith cigar smoke, And time and lesser sping for fashion hace Rally, ater years, fr thin of paper you se i many dvawing rooms i, conning weit he Kine, dns ay | non, Hsee int many drs ae any drag rooms, Never quite vo nce sift)te our oF tt te our or it 5 sgh Butter eu 4 be eS No might ook EE 1 oe nek ob he et om BE ‘wall SIX PACK, ay am mn he ee tatty es i hig whire forward) “pve 2 Hind of #807 sent beteanevceno tone ait iicnmscron ic onstage working ih BA od FIN ting 2 kg momen and Matting etn oa fl of he 0) “pnt nies oe hoping a ow ous) Peas owe: next to hiss.) lc > vermont dm ped a | MH choose ane. Q je, A dit of feat. For 1 There ot me, eared, and ten as Pao va tm, hab a Tale. png Ths WalPaP es ToS Me hi ines my eu 8 ra heb ve rina) = ane realized cp a me And al grow ae, And on ex nine wi omy ead ADORE ay aan cn {il ookarund me a4 5 com around me alee works of NT rere been surpass 15 26% eae Emel was aurpaseed, LONE 98% py has preset he paper Ouse 8 ese a gable oF WHEE Toe orb, tee wane, nh Ce ene Hetten CHARLES an (he ‘OUD EADy) ‘Never, Nevermind the gable of ice during aul monclg we in eat tt eis wee Hae at gh sts toners roe i: atin ance wey) then contest inp ve) race MANAGER. Hold pease vpmencror. Okay wis our Heine rears, Tas sour Tights tan iwecroR. Love ie Fight bck in dhe big. 1 sca, ight? Tes ‘tip. outweigh this chip by, lke, teh os ip bs fen hungry, There It no instinctive hot have ta have dis ei. T don't Bat | fortis sen? te wha el he sea ete, Fe ind apnea acs So ht ely helpAD. You have a trainer? sa. Yu. AAD. Lmcan of cour, Like et jut the guy at he gy he's your whole trainer? AXE. onto his ents AD. But he's not just guy you go to he actsaly has ‘esponsiilly for your ss Ye {AD That's hg job, {I. Yeah, he's good. He's an asshole, which helps me out ‘lot. give you his name you want ‘AD. Oh um. Yeah. Yeah. I don’t think, but yeah 2 Think par of yon tres someting, ad prt of ‘Bats someting the pare of you tha loves sarntfog “ins And sight 18 Olay Fit of al. dlchocomy fo, sigh? Not three ASML Trovomy? 1B Whatever the tenn i BY sok ne /tody/spirit which i three. Things : on a once. Our ain i dvied in to hates $6 F don’t think we can have a wiple nape te _tomething HE Melis ofall ink shar jot our ban aking bos Ye iis, What else is there wo wi? romeday a ie {KE He's ely good, Here, let me fish his mmber ont off as has ‘ay phone, {Bhat hat Fro saying. What Pm saying 6 that our 7 braltt is et up to dichotomize: Bnet ‘world ~ because Bee etre the werd i’ arta ie _ ich. We jos perceive that ne Ya en’ we part of dhe world? log, poting al of ths aside jas for the (What sbout my brain structure means dee Sentimental part of me which i AD. Ob uns thanks, Yea, JHE es no probe, Make sre you mension jis ie works on a referral uly sytem chat’ 0. Coal, Coo {ARE Oko, Yo ‘AD. Ob. Uh, oh let me gee my phone. (esting and sot cing ashe gs wp.) BB. hated that episode. But it move me, crew wipe Asst Yap. 1S. had an emotional response. And then T hated mse for heing sich a sucker 2. think fou ay i wins how gh, 15 I dn’ tary . 1a. Same thing, I think you have to sespect fou’ me pit 3. Um. |B Otherwise you're seting up, lke, an arial mind oay/ spirit dchorowny Bs wa ready? Bo cat cn to move people They a at Apne shot vaccyig think eee ie Hingabout how don't ink Tor cee 188 nur ind of «way. Brey nen Lot Laon think fe made anpeac ng na ons bat Ie define, Ive dency se, ‘orcaseee eee ne ovr ori 0 our oF ie G (A tiny see) ass Idi Once. BB. Didyou. Who? ‘suf. My dad. Told The was om tof Tihink, But yea. (in pouse) a. Yeah Tha counts xe, 9174341390 [9, 1TABELIONE "ys Yop. ‘ab. Okay, Got it Ja ass. His name i Ricky Cortines AD. Robt Foakedethastots AltghE ‘person Trainer You (Aion he hn) Fey Beth should I have booby for the bode vere GostusOn yu doa need er Sb es Tego : . 1c corset thing anyway Mepihioe good o be Lint of pling ou gh | cone 1 pie, Were you dng jo ti oe es pina but if thats too much to deal with crt sl with in the ae my charters could be stacked | Fhe Ba jot v0 you know Tm aking for bazoomabas. the cso om stage has om stage has recently conclude, ‘aid heDIRECTOR har epi of the ous, "BIN Aas shifted tothe wings, ENA i ilo hiny— well he was dying of cancer and meds so, he was sort of sseeptDley J (A he tp iin. )eines er er weap : ee Espen now U dou’ Anow. Ica tlt Marie le a oe Fis ecsontas th MD. am so not gy. Not hat hese a9 aon ee Be FT were gay 1 would Hot ak ae a oat be concerned that yon woul A ay gd wey hl ey To Re roel be on eae sant, Nova problem ta. Apsara Toor, a8 pw? ‘fr ome ras he i te et in aa se aot of wrk oH esac. Nd cm Arita, Yo v0 YO gO Stan You gn he chi si sp triton ny pble 1 be ecg or 8 Smee eke tht 9 so whip it outa ‘Smathappens to be temoring his shirt.’ bet ip Bra your agent must kno BB? ou Sl wont Ul, yea Yad. My agent com i (Leshing devon at ‘am fine? a Eiht noma ont ae Be ncnSiGe, Filion you don’t rind if weve breastier do yon? IMECTOR. (Inthe Bouse. Hla een desing someting “Gees, oa? ‘1GE Rober, Bra and me are going boobier for this you ‘don't mia do you? 1 pimecror. Oh my god. I did't hear chat question, Telefnely dive snswer it. Beth? ‘COsTOME. fine with me. fa. Iocan with your a en sve or anything piecron. Tis js strictly berween you girls, Women tener Beth want in de way of fine with ane ‘wa, We mast, we mms SIGE EVA, (Chanting) We mast incREASE ot RECTOR. Dest Jus Uno fn confdesial whisper) howl we ask Caste 8 (WATER FRATURE | @itefawhin (Pre Fores is wrod) © ita is on a ladder, adjusting a bulb, his head not Oa adjusting ae Sip WaAcem Nigh ladies an gendenan, we a back a places s = {aw hank seryone fr mining Fos hn | fe We Have or and atl hus Yo go el we end ai ithe ce nt we os Sefer hank you in adrace for ening to pee im Fades noe fn these.) Yor page HL os nr ust! prmscrow ase mens pt ober conn of ose dance = . rnc an ee Thabo AC fp nthe won ie nih dhe payin the next 40 minutes we ca all go piwcroR. No one is going ouside the bounds of nom hand take the next to anda all dave of hysologica strate, a8 fas TKN. ‘ap. Thow but ona, Fm Jos thinking = DIRECTOR. Carla didn’t say anything ding sditon Mipowt Dress size anv eharacter Vn going (0 sun ins ne ‘ap Lahoud put it my notes hough shoulda? DIREGTOR. (Mipase,) Ye, by all means YAGER, Actors co the stage. Actors 10 the stag the mosquito, Actors mike stage. nessDIRECTOR. (A bat) Thats ight bes, You doa’t mean for all of it you jst mean foe the forest scenes pmECrOR, Jost fr the Fores fon. ilsce what [can do shere's a ot of gel pIRNGTOR, Besh we need his hair to have the power of varia ‘costunt. Beaween the modern and the other scenes? pimecroR. Yat’ ght. osTUste, Thats great. And chats all very well a good Rut owe were deljng he las of pgs jos 10 zr tte costume changes i tie. “stag MANAGER Actors othe stage, aes ad gentlemen. ‘at Molly, we can’ find ake Te isn't down dere? Sat He wor here at half hour. But we ant find inno HAGE NANAGER Did yor look onside? Is he stoking? Hooked oun. SEAGEMANAGER,Diel you ty his ~ SM Not ye STSGEAASAGIN. Aight, Til. Look ~ and he's non athroom. sak, (ie not mates) No. Uv has aby appar, als in modern drs, rather trond) fpmecroR, Come on people, up mp. Eva Hup hup. She docs a bri machin place an then discos ay SOUND. “hup up.” You don’e hea that so much. Lo ite, insCTOR. “hup-hup people, huplunp" dha’ a leader erm, Phas SOUND. Wha you need is quit. iacton Ths ight, do ned qi. He, ove PU ee ete reve mea ae + eget Wis gure “aECTON. With ir. Reba Aan -c00N9 bace) Fao Ye, wn, wth i case i Fae Quin ST (ng eon it oneal macron Os. te “ | costes. QU... fnser0R Yow wt wo ok cup. ae ea ena ate iy. Edo not need 1 know about this ridicules OUND tng) “thing This qui ting. No. Tess0 clear co Actually important. Whatever the heli ‘Pu ordering you. As your leads that ies 0 lon’ think Im 4 quising, peal. Right. No, 1 know that worl Wcily Lean‘ think of any more. ‘Drsintersd.} Vm dosensesire if anyone veces ca te gta oi hve he ee ng ipaD TEBE oy | i STAGE MANAGER. We're ising ae sv. Qua. Somat Bra st en ty the logy in is at, 0 een "prorat ta lting sit, ot all aun) mucin oh fr fin ater han meat rots) ate! od ode he tage se ‘age! Jeo Hole, the stage! SEAGE MANAGER. Pa jos giving him a call now . Ike haa Maly ihe ee tie, We nest yo ‘onthe stage immediately, tank you. ‘SoUND, Ob hey there's 2 spil here, Major major spill. [STAGE MANAGHE, Spill where. SOUND. Right over i STAGE MANAGER. Alright, Jamie. ‘Yup! STAGLAANAGER, Joe we have spi in th home. pen SOUND, Looks like it's an enti water boule upended SIAGEAANAGER, Wate SOUND. A big ters. ‘il. On ay ay STAGE MANAGER, Anting- ; 'SOUND, (Sicking his hud da lak) No es avery lacy. Tle ini Hood, Right down the ase Just damp. LIGHTS, I almost ike ke a water feature (Sound of a channel vith) ik, [found your exacto knife under 3 EL No, Tune better one now SOUND. il pur it on my able ‘ia. That one ean roti hel Send of ca itch.) | jot. nese ovr tyson | PAC, (With eat detoration,) Our box office onan F PAUL You don't lose us 19 our or iz (Fm the back of the house) {JAKE Listen, Ven Inereily sory DIRECTOR. Young Jake eve yo ate, 0 call and Tabsototely ost cack of tine, My tol apologies DIRECTOR. (hass01:) Apology sceepred and yo hase your butt up onto the sage you wh KE. Sovry Moly SHAGE MANAGER. Teed wo ce theater in costae Re (Micmpous}OF course. igh abou that [SIGE MANAGER. (Apolay act): NUL Jake. You've decided 1a join us ARE. (Genera) Pm really sory everyone, A946 be out ofthe ase In one mind you not to leave the 3. ll be totally care ‘reutmed. (Bfirtea) 1B, Guys. 1s happening, AML (Unde he read Sup {BL What's happening. Bone going co want wo get wp here man, PIE (rents etn) Bley Pa AER Di yon actualy, absolutely” lose track ofthe tne? 1. rac of the time. You are punta ou ate always two mies carly Correct. And then, every now andl a phone call. You “lose track” You ‘ow’ Tose track, You know exactly what tne i Yon {ploy calculus, Tha these extra ten minutes, we fal Power personage in Los Angeles ~ I'm Jue _ Bissing: here ~ are more pressing than ten minute te Hi 0m, more valuable. Or please forgive me, Deng 4 the moment Yo Pincus, Poeas you swnen yo apoTouies a pd. Which ty any of eis le (vy qui, Ar i tye Be “oul shi! wage Pa yove nee vag 8 we aa nt i i egonor Bee x Sen gases ee ate faba ew a sop aay fe WO wrt pn ts of eer spmecron. Pa auditorium.) a rah a ro sg a ay et TS “ nent ter test ps re 96) nu fay Sige wo oe ‘you are bow sezors (oT (hres tl silence) Se SR ug a ae vison mer a ne sat eg ee Teeter iy dont we calla ten mle oe nee: (Mitt) ty fm ye) Paul enough pace acer Ten nas FFP mines FI pl scp moron Yoong ord SBN AT wif a canis yen aN on so re ne STAGE MANAGER, Sore, : ante i ere eon ao) a) “eva, Godidarwe ig Pani you fuckin srainer can't stand it % You smoke? “ ee a mie a cd {yr T don't 20- tn Be oe pon sme — wich is st bullshit ~ “such bullshit sgon't you. ae \ 40 ‘But you can. You know bow to do it a a Mayo ntact a MMe no see yar ag 145 oe ait BP tote Tonk och suman, Ad ou Bee Shah sa wh wt wnt eich yo ae 9 ct Cheat a Se at a si cy comer secre nam me wap) ‘You fucking facking, river see (Kind of om comic) Nain Here aeeeen (she storms a)| | 6 te our ort mero. (Moslight on antomatc.) No fie, No daskness “This s the malady ofthe American Theater, Any Iet's make ita fifteen. STAGE MANAGER, Fiflem minotes everyone. ion [nb (Tiyng tobe postive por of normalising the station.) ‘Thank you hee hee bokeh i an interns.) (Sing itso, house igs up fle) SUAGHE MANAGER, (Her voice comes, not frow Ker yok, but “om the geal sound ston) Ladies and gentlemen this dur Bften minute break, Please be back prompsy in cen suinutes Fifteen sinter ladies and gentlemen, Fifteen minutes %. GopEsses (A hie frand wi eran tenor) (SIGET is ying in the pink v00m, stretching foul and singing a randy serie of wariants on sevlde/se) 1 Guys Twant co warm you. Ifyou were thinking of going owt. 1s stl gh ou cheve 493 “ie bursit barns" Yeah chats why Tring my dinner Bh And dinner is? 2 Tonight dinner ia horrible mieronave deep ash plzza Som the del on the corer. 1 Right ge Ie ue. Sometimes the goal i jos stay alive. (SIGE hits 2 poticutr rhythmic bit of mtn) SIGHT. Goddesses, govldeses, never seen with swine Goddesses goddesses, never seen with swine (Which the pick up on and one and then ll ert homasing along) Sor, 28,8. ‘GODDESSES. GODDESSES, NEVER SEEN WIE SWINE [GODDESSES GODDESSES, NEVER SEEN WIE SWINE {vd oe 50 of umd he sh, all meson, saps out rhs and fechas into ind of EYE rl shee she cat be follows.) (They cantina on fort beats) ‘GonpEss¥S, coMESSES, NBER SEEN WITH SWINE [GOMDESSS. GODDESSES, NEVER SEEN WITH SINE (tt can't hold it aint her contrary mse) AL (Speratv tf.) ISTEINE HUNST DIE FAR DIE FLARBERGAST(ae a Renee pe Nour opis Someta on:m i nes SCENE HOASE eae Hamas STsunNHwss Omi ine Binet Wh Biya cine hei 458 (Shh cial, rt ging clog haa di farce Maegan | A "67 che ha RA I i ee Panga 454 Seine fn hea FLED be Suche hes ea (Pity thy Wi ante" tane GE iat ang ee ne our or iz e 10. DYING INSIDE, (A bri ump for) (There iach Anda side table with «bok. (A te) (She gc othe chai asd picks wp sha which shes ot danating fom it Wraps ier har Sone) (ie aks.) {VA Is that how downstage i's going to be? [STAGE MANAGER. on the mark VA. that ceally how davnatage we hed it the rhea STAGE MANAGER. Shou be DIRECTOR. Protenn, Eva? VA. [just chought..jt seems really fn, Te seems stra that would, see. I fees tke ison of my pepe STAGE MANAGER. (Paton) That's whete it's heen VA. Real? STAGE MANAGER. Ifyou want Lean temas, 4. No, But do you think we could mane it PURPCTOR, (Delicate) Tell what Eva why don't you shit t where you want it and we'l see (Ste lols atthe tail, Looe around the rom. Looks back th chaz Goering vy han.) (Se walks over to the table, and. mowes it conertaga scoch mie then a fo) (She wails bach to the chair. She stands by the ‘ha anomines remoting her shat axing ‘wcing the abe} UA, Conl we have ir there?cron, cies. Wr me G0 come ont te ean eof, “amas ht mat nee old sas.) ae “ MIE, phim we pug mr tcom ding break ~ for the, ‘moment just release. ‘everything. * Abight, tm top of scene please. (Pho iach Anata side tab V8 nie, ) (Ste sto he ha Ste tt dangling ‘Soule "fom a picks ub shh, (She loks..she ses the bk.) (het around She get te hc) (Se emacs 0 tt a fom it (Ske reads fom it jor, es start. it was deliberate, ‘rant ith book.) hick 2M Wiabsi ncin ‘amin eri, begins to while She ks a enter ed the whole res neve He Cen no gH Bat as & prone serie oe Pas Iwas aged on te tac nd by hippest en nthe high he nay ae hipped me. tei snd El cary i fon ‘awhile, Dut do tot suppose tha ic will be a scar so do not Know if wil remain when Tee you next Hay be that you will never sei (Anethe ers ‘lashed a man, {said tothe mate let me do it. te Sao il spre hits ~ he mas aan Iwan ety $e 25° the mae supposed teat to do ogo ea fain aid no, Ive watched you beat men, Pi goa, hander, go no softs; you ean watch me, smd ywortay ep init eso, Ewanted to kiow what ts eae the tive I took my own lashing. i's imposible bes i you choose ie Our heart fs Dut our fe is mde fram that hich we cannot choose. The main I hahed secede {ook ine in the eye again, though he would Inve nt ‘hat same injury iT ad done te noes (Another tates) (You have me chinking about my body. ve been ooking at my gu Isa solid gut, nat ajellyonesanrt fon mind it. sa man’s actimiaton of maton Ti Proud oft een, ina way, bt then twllece a awny oy, tri tke a si My body it what ted eo hele {HFT honest, k's not what Thelen in now $0,are me rally ne cutting that last fetes? ¥ mea, {ill doit i have to doi, but F thought musbe ee exe ening i STAGE MANAGER. We're doing the fetes: DIKEGTOR. As far as Hnow Catt i sill on the fence on the leer, et Meare ltrs. petecy grat tes. Yn happy ‘0 my. Jost that when Fay the eter ater enkegi i £ ate mes lees | een advance, kaon = feet the audience de quiet inst STAGE MANAGER. Moving on, DIRECTOR. Nove. Moving on, VA. Right, Moving on, our ov rs n a, WAS A Lass (ig chan fora) (AW of this swe PAUL. ad the DIRECEOR. are siting twat wey back ofthe stage hing discussion chai turned upstage whch em cant ear cw ely make nd thes face) (Phon's tights tinkering and tn, basically ‘until ging engage) DAKE and BEN ar inthe ack ofthe housy ‘alkng, their ier pte lone) ‘ARE. ‘The frst time I saw Pal, Linea, in the flesh Iwas in 4 Richard Foreman show: wa dwar, "BEN. You were in & Richard Foreman shows RE. Tas a dha BEN. thought you got sucked straight into 1, [This was seven, eight years ago. Fresh out of calloge, Avert and very excite! to bea dart {mean I couldn't believe. That vas beyond my gol, ede Gime, Hal excceded my dream of glomy And 1 wx onstage one night and I saw Pal in dhe audience. ke five feet away of something It lake ‘ay shit ou Because Chal studi hin, In eeheot Pale ‘Wet Veal 1 had a wacker who F gues, in retract, wae prety hip. Imean {didn't know. AIT knew we feo bein resented to me a. Kd of, as ol mats ‘ol the canon Mov. Wha vs this ess? JAKE, I was called Downtown Theater NVC, TEN. Was a clas, JAKE, Bennington NEN. Oh, yeah, SueERE espe JAKE. So Vin onstage. I see hm, I iterally don't even remember what happened ext all 1 kaow is tar motional places Afterwards turn to one athe wee {fvaefs Yi like breathless Pm ike: ow was F Hom ea 1a ir {vant 1 do deat an any a Wh th Silvester disithenen 7 (Sinallish pase) everything Heould see him i. Probably I should have sal something to him. But 1s ongvh pase) ‘BEN, Yeah. That might have helped. (ong oat ‘The first tine 1 saw him perform I was scing yome show at Nada which is ong gone it wis tis ton {filngea, dive theater I gues, onthe Lower Eat Site Kind oF dank JAKE Yeal now Nada BEN. (Sth stot.) This tong before your time KE. Tio of EN, From the elas? ‘HARE. Nab. ink Jost fom around. When f got here, I masa legend BEN. A bend. JAKE. History. Ke wax history, tot of people were lke Eo % People were I ASU (Been ster vee) Bene SEN. (Dida) Yate #34 Sotry to intrrups, but you were looking for your seript? '8EN. Ob okay, great, Thank you. ASU, (A voy pole Sup. Yup (A smal ncombobulaing bat) REN, History ‘Thats hilasious. 1 was cheap. Kt was extra cheap, ‘Cheaper than...ell than other spaces which areal sone now, JAKE. When people tale abot the ‘90s, EN Right. The Historical‘. Well twas dirty ~ lot a people realy loved i. 1 never loved it that low ecling {tvink that's hard. Toerinsically hard. An entail citing is hard too. The Ohio could be hard ~ the Ohia= JAR. eal hat ws RN, Right. Of course. [forget (A partly bright eve ha lane on PAUL and Be DIRECTOR. The DIRECTOR thn sigh, Sguinting bit, and raves his hand to dsmins ‘the cue Brom this fot om the ight tinkering is subduod and taker places in pars of the stage ‘ay fom them) JAKE. But that was wed yom fst si, BEN, (Sing) Sure a jus been in the cy afew months. I applied to a conservatory training program. 1 was going to be & ‘Stakespeavia actor. But I dida'e get in. Sot moved wo [New York because I didn’t know what else to do aud ‘Imet people and they sid ob, you have to go sce this shove. And T went w go me i And I didn’ kw hat 4t,vas, Lad Tterally never seen anything like that. Thad no concept how or where oF why Ke would ever secur 'o anyone vo do that. Iwas profoundly peered. And inthe mide ofall of was this parson Pan ‘And did't see him in anying else until sie months Inver. tn another thy place. And I thought uh,‘And the titel time 1 sae his, I don't even remember hat it was Le was in, it was sterile, but someting licked and T thought T Wane To. Work With This Person, Iwas like I shook my fs tomate the heavens ‘And had this goal. Lad’ eapply tothe conservatory. And three years ater Twas east i a play with im Teouldn't get up my nerve for swo weeks, Finally we were at drinks after and 1 sald yout Know..and he «couldn't ave Been nicer about it Ata he realy made 8 point co, to be encouraging. Which meant the odd "had an offer This was a year Iter, a year and a half later Thad avery strong offer to come on to LA an ie Wasn't for sure...butdhey wanted took at efor this Pilot and it would have been avery big comeument if skwete picked up. And [did't low.. le role Td ove the script. mean I didn Uke it at all. But there ‘were big names and itwasa bt of money ad {thought {should go out there ight? OF cause, Of couse ys 0 out there of couse and F was.troubled about it aud {ra into him, literally on the sxe and Lae ‘were friendly we weren't friends burt we rat into each, ‘other on the street, chatted for ra nines and ls please can T buy you a drink and weit was almost sort ‘ofhilatious we rotated in place avid sight bends en ‘bas, fake Ish Pub and ye walked in and we tlhe for hous and hows And shen Lealled my agent and Usd no JAKE, Did the show get picked up? (A poss bat.) MEN. Yes ‘You know it Ks sll ranning, rally Tean't bear ty the name Ws ora grea show: erally wot (Sinai pose.) a quote? nts WN. No. ‘Teather half ofthe te Indulge in Net yt sli of 1 imagine this x something you strug with yourself, from the other end oft (it of pause) WHE, (Dalits) ve aesaly been, ery tacky. he prjects Tye ben involved in. BEN, Right, OF conse.| Ce ee 12, ‘THE RIGHT sir {nthe fos. he Dan.) (Tires imps have rope outa the stage and are smaving ford mth indent Mca ae nth of ‘hem, bat ther lng go nthedak frgorelaoe, and posit some sort of gone thedark up face largely hooded.) (Pe snnds of a jute at wight) UGHEES. Can we hold a momen? STAGE MANAGER Hold please (Thin lac.) MATES, That yas late on 254 SISGEMANAGER Was late. ‘MGUES. It needs to be bum bara baum buny bad bum, ‘bam bam bum ~ you eal i hete ~ bum bcs bad and here it needs to be completed SIAGE MANAGER. Olay. Wii. So i+ ~ burn baba bum bum toads bom, Bum — Wait. Pin jase going to nie Standiye Sound 68, Sound 63 - go, (0% how the mas. The np ng i ih the mus.) GIES. (Along with that bi) bom Bada bun bun bada tu tam am tan = adalat a have called it ” ‘STAGE MANAGER. Hold. um bads bom bn bada bua, baum hu bum ~ ay, ke: {UGH Shall we run through it again? STAGE MANAGER. Inips, will you please retract? We are ‘going to an this aga From the mar, (Phe imps rp) STAGE MANAGER. Ready hackstage? ASM. Realy 2 Ready STAGEMASAGIR. Standby Lights 252 & 258, Standby Sond eves 62 & 68 Lights 252 & Sound 62~ go, Lights 258 & Sound 63 ~ go (Phe ins sec) (Pe moment (The ment pases) aGHE, Let's hota (icon) “STAGE MANAGER, Hold please {AGH bum bad born bu bela rm, bans Bm ba ‘ham baa umn bun Bada us, us use bee STAGE.MANAGHE. bum bada bum buan bad bata, bom ‘bum bum. Oy: Pm going to look at this addizonaly om my break LIGHTS, Why don'e we run dough it again, SLAGEAMANAGHR This? I don't Know that this a this point Is the best use of or tine. (A boat or t0,5 LIGHTS. IF T'm going to cut the eue is simpler to juss do [SEAGEMANAGIR, Why don’t take look ait on my break. {GHA 1's 2 hat on a hat Anyway: Honesty Why dont jus cut i. (Tait) Ce 254 delete enter (ew) (Bat) (Bee)