Professional Documents
Culture Documents
After an unpredictable year, the Grammy Awards are set to premiere on March 14th and
provide insight into what kinds of music are valued in our current social landscape.
Courtesy of GRAMMY.com
Taylor Swift has won album of the year twice before – in 2010 for
“Fearless” and 2016 for “1989” – and “Folklore” is all but certain to make
her the first woman to win the Grammy’s biggest award for the third
time. Her combination of critical and commercial success makes her
likely to join the likes of other three-time winners Frank Sinatra, Stevie
Wonder and Paul Simon. It would be a deserving win, too: “Folklore”
beautifully captured the spirit of 2020 with its hushed tone and narrative
songwriting. If an upset is going to happen, look to the radio queen Dua
Lipa’s “Future Nostalgia” or the well-connected Jacob Collier’s “Djesse
Vol. 3.”
This award goes to the song with the best production and vocal
performance of the year, and with past winners like “Uptown Funk,”
“This Is America” and “Hello,” it is a very hit-driven category. Grammy-
darling Billie Eilish, fresh off her sweep at the 2020 ceremony, is
nominated again with “Everything I Wanted” and has the potential to
repeat her success this year. Beyoncé is nominated not once but twice for
“Black Parade” and “Savage,” the latter as a feature on a Megan Thee
Stallion song. However, Dua Lipa is likely the favorite here with her
retro-smash “Don’t Start Now.”
Songs that aren’t sent to pop radio usually aren’t frontrunners to win pop
genre Grammy awards, which is what makes Taylor Swift and Bon Iver’s
“Exile” all the more interesting as a contenter in this category. Adding to
the weirdness is that one contenter is the first K-pop song to ever be
nominated (“Dynamite”), one is in Spanish (“Un Dia”) and one is by the
critically-reviled Justin Bieber (“Intentions”). In a normal year, that
would mean that “Rain On Me,” an acclaimed moderate hit by two huge
pop artists, would be the favorite. However, “Exile” is the kind of song
Grammy voters eat up, and it should be able to ride a “Folklore” wave to
a win here.
The alternative genre’s only category at the Grammys may boast the
strongest lineup of any this year. The critically-worshiped “Fetch the Bolt
Cutters” by Fiona Apple has a mind-blowing 98 score on Metacritic to its
name and will walk away with the award here, but it has some
noteworthy competition nonetheless. Beck won the 2014 Album Of The
Year Grammy, Tame Impala is commercially-beloved and Brittany
Howard has the kind of cross-genre support that would normally suggest
wins in the general field. Above them all, though, has to be the guitar-
smashing Phoebe Bridgers’ “Punisher.”
In another category that got a name change last summer, the duo of
Chloe x Halle merits a win for their outstanding effort “Ungodly Hour.”
They might just get it, too, being the protegés of Beyoncé that they are.
They face stiff competition from the commercially-successful and Album
Of The Year nominated “Chilombo” by Jhené Aiko, but the pair may walk
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away with the win despite seeming like underdogs on paper.
Because the alternative genre lacks song categories, its strong year has
translated into many cross-genre rock nominations. Once again, Fiona
Apple is the favorite (this time with “Shameika”), yet Phoebe Bridgers
has the better work (“Kyoto”). HAIM, who were nominated for Album Of
The Year for their excellent “Women in Music Pt. III,” are also contenders
here with “The Steps,” and they may be able to pull an upset. Notably, all
the nominees in this category are women or women-fronted bands for
the first time ever.
Bad Bunny’s “YHLQMDLG” should easily walk away with a win here
after the artist’s dominant 2020, although some older voters may favor
the veteran “Pausa” by Ricky Martin, who won this category’s award
back in 2015. Bad Bunny was another name many hoped to see in the
general field, but he was not quite as lucky as Rosalia last year, who
managed to both win this category and pick up a nomination for Best
New Artist.
The COVID-19 pandemic made music video creation far more difficult
than the average year, and the steep drop off in quality from last year’s
music video nominees reflects that. Normally, the Grammys nominate
four small songs and a big song, with the award going to the hit, but this
year, the Recording Academy nominated not one, not two, but three
widely-known songs. Harry Styles’ “Adore You” has a cute premise
involving an ever-growing fish, and Drake and Future’s “Life Is Good”
music video has the pair pretending to be trash collectors, fast food
employees and more. However, Beyoncé will win this category thanks to
her inspiring video for “Brown Skin Girl” and her name recognition
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among Grammy voters.
Jack Antonoff, who was robbed from a well-deserved win last year by
Finneas O’Connell, should finally pull off a win this year thanks to his
work for Taylor Swift, the Chicks, FKA Twigs and more. If he doesn’t,
Andrew Watt, known for producing songs like “Break My Heart” (Dua
Lipa), “Midnight Sky” (Miley Cyrus) and "Take What You Want" (Post
Malone ft. Ozzy Osbourne & Travis Scott), may win. Flying Lotus,
producer for the Thundercat's “It Is What It Is,” could play the dark horse
role.
Want to make predictions of your own? Enter the Recess 2021 Grammys
Prediction Contest by filling out this form here and compete against the
Recess staff!
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