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  • Vlado Milosevic - Bosanska Svita - Kolo - Violoncello

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    Игор Бабић
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    This document is a musical score titled "Bosanska svita" (Bosnian Suite) for violoncello composed by Vlado Milošević. It contains notation for six different musical sections labeled A through E. The first section, labeled "Kolo", indicates the piece should start slowly and gradually increase in speed and includes performance markings for dynamics, bowing, and tempo changes throughout the piece.

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    Vlado Milosevic - Bosanska svita - Kolo - Violoncello (1)

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    This document is a musical score titled "Bosanska svita" (Bosnian Suite) for violoncello composed by Vlado Milošević. It contains notation for six different musical sections labeled A through E. The first section, labeled "Kolo", indicates the piece should start slowly and gradually increase in speed and includes performance markings for dynamics, bowing, and tempo changes throughout the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    12 views1 page

    Vlado Milosevic - Bosanska Svita - Kolo - Violoncello

    Uploaded by

    Игор Бабић
    This document is a musical score titled "Bosanska svita" (Bosnian Suite) for violoncello composed by Vlado Milošević. It contains notation for six different musical sections labeled A through E. The first section, labeled "Kolo", indicates the piece should start slowly and gradually increase in speed and includes performance markings for dynamics, bowing, and tempo changes throughout the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Violoncello Bosanska svita Vlado Milošević

    Kolo
    (Postepeno ubrzavati)  = 112
              
                           
    pizz.

      

                                     
    A

      
    10

          
                     
    B C

               
    arco

     
    20

              
                  
         
    37

    
               
    D
              
    55

      

               
      
    E
      
    D1

     
    77

         
                 
     
    98

                         
     
    107

    poco a poco cresc. e accel.


                                      
     
    114


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