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  • Despues de Todo-Flauta

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    Daniel Pineda
    6 views2 pages
    The document appears to be musical sheet music containing various symbols and markings. It is divided into labeled sections and includes indications for tempo, dynamics, and repetition. The sheet music contains a mix of notes, markings, and lyrics in an unfamiliar language or code across multiple lines and segments.

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    The document appears to be musical sheet music containing various symbols and markings. It is divided into labeled sections and includes indications for tempo, dynamics, and repetition. The sheet music contains a mix of notes, markings, and lyrics in an unfamiliar language or code across multiple lines and segments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    6 views2 pages

    Despues de Todo-Flauta

    Uploaded by

    Daniel Pineda
    The document appears to be musical sheet music containing various symbols and markings. It is divided into labeled sections and includes indications for tempo, dynamics, and repetition. The sheet music contains a mix of notes, markings, and lyrics in an unfamiliar language or code across multiple lines and segments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Flauta Despues

    de todo
    Son del arbol

                   

     = 180 A

               
    INTRO

                  
     

                   
    8

     
               
       
             

    15

     
                   
    B


         
     Estrofa C

     
    20

                        
             
    D

     
    46

              
             
             
    65

           
                 
              
    77

                  
    E

                 
    84


                     
     
    2

                  
    97

     
          
        
           



    104

     
         

               
    D.S. al Fine F

           
    111 

                 
         
       
    120

                   


      
    G

         
    125

         
        
     3

        
    I

          
    X4 H
    130

          


            
    140

            J        
              
    X4
    144

                
     
    Fine

           
    148

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