Jodlowsky - Respire

Pierre Jodlowski
Respire
pour 11 instruments, vidéo et bande son
for 11 instruments, video and soundtrack
Commande de / commissioned by : Integra - 2008
éditions Pierre Jodlowski

www.pierreJodlowski.fr
RESPIRE
Performance note
• duration : 15 minutes
CLARINET
INTSTRUMENTS “eolian” sound, with a lot of breethe
- bass flûte / Alto flûte in G - violin 1
- E-flat clarinet - violin 2 SLAP slap sound bisbigliando
bisb.
- trupet in C - alto
- trombone - violoncello
- percussion (see below for details) - contrabass 4 strings
- Electric guitar (6 strings)
- Electric piano - see details N.B. : the guitar, the bass flûte and the contrabass sound one TRUMPET
octave below than the written pitches ; all other instruments
N.B. : there are 2 sords used in the score ; normal mute (producing a soft muffled sound) and jazz mute (the sayndart metal muteused in jazz)
sound as written in the full score
STAGE POSITION > only breethe (colo- > for those breethe sounds 3 differents
red noise sound “pitches” are notated corresponding to 3
without pitch) different sounds (low, medium, high)
fl 1. cl trp. vlc. e-guitar
percussion
alto
E PERCUSSION
vl 2. pia
no
tom 2 high medium low congas
maracas (egg)
vl 1. tom 1 low medium
cond. cb. cymb. 3 (splash piccolo)
cymb. 2 (chinese medium)
DRUM SET INSTRUMENTS cymb. 1 (ride medium)
FLUTE symphonic
bass drum
“eolian” sound, with a lot of breethe
snare drum medium guerro
“eolian” sound, with a few breethe, notated pitch must be well perceived
N.B. : those sounds are normally played with standart position of mouth (mouthpiece
“open”) but the indication “mouthpiece close” can be found, meaning a different sound
T.R. Tongue-Ram    
J.W. Jet-Whistle (ascending and descending very fast) metal brushes soft vibra stick snare-drum stick big bass-drum soft stick
slap sound (combination of key noise and hard attack)

CUT
key noise (only key noise by pressing strongly) > “ride-bell”, play on for cymbals :
the dome of ride cymbal
muffle resonance
MULTIPHONIC CONSIDERATIONS leave resonance
multiphonics notation starts from this chord which is the basicall fingering for
a C flat (with thumb of left hand pressed) ; standart position of hands. > play at the side of the instrument
so, to achieve this exemple, release the fingers which are not notated > play at the center of the instrument
(with thumb of left hand still pressed) ; in this case, the multiphonic has
to be played with breethe with a crescendo…
GUITAR ELECTRONIC, VIDEO AND AMPLIFICATION SETTINGS
> the 6th string is tuned on D below normal E > all the instruments must be amplified with adapted microphones
> the percussion must be amplified with several microphones (if possible, one for each particular instruments /
> There are 3 different sounds expected with amplifiers : minimum is : one mike for snare drum, one mike for symphonic bass-drum, 2 overheads)
SOUND 1 : SOFT DISTORTION + REVERB
SOUND 2 : CHORUS + REVERB > the instruments are amplified on a standart loudspeakers system with, according to the size of the room, clus-
SOUND 3 : HARD DISTORTION (METAL) ters and surround loudspeakers.
Those effects can be achieved either by standart effect pedals or digital presets such as GuitarRig from > the mixer should be place at center of concert hall in order to achieve a good balance
native instrument factory. > the adding of compressors and reverb should be usefull according to the acoustic of the concert hall.
> VOLUME PEDAL is necessary for specific dynamic notation
> FOR BENDS : some can be achieved with fingers and some may be achieved with guitar bend. > generally speaking, the color of the amplified sound must be electric (not a conventionnal classical amplifica-
tion but more a “rock” sound, to get close to the sound of guitar and EPiano)
> the soundtrack is linked to video and must be sounding on the same amplification system than the instru-
E-PIANO ments.
> use a standart 76 notes keyboard with a virtual E-piano such as Elektrik piano from native instrument > the balance between electronic sounds and instruments should be achieved in a “fusional” way
> There are 3 different sounds expected : > the soundtrack is produce via the MAX/MSP software or any program which allows to trigger a videotrack
SOUND 1 : SOFT + REVERB (with slight chorus possible) - ex. Native instrument MK1 reverb preset containing stere soundtrack (DVD is possible but may be quite difficult to start at a precise moment - according to
SOUND 2 : FADE ATTACK + SLOW CHORUS - ex. Native instrument MK1 ADSR envelope with long attack or conductor gesture).
MK1 phaser (if this sound is prefered for mes. 39 to 61 play with very soft dynamics)
SOUND 3 : DISTORTION - ex. Native instrument MK1 SATURATOR
Those effects should be stored as a performance setup to allow quick changes. > the video is projected on a wide screen just behind the musicians / the size of the screen must be as large as
N.B. : some other sounds should be proposed according to the color and spirit of the global music the occupation of stage by the musicians
> the resolution of the beamer must be HD if possible as the original format of the video is full HD (1920X1024).
> if not, a minimum of 1024X768 beamer resolution is required
STRINGS > the 3 films, containing video streams and audio streams are encode on standart QuickTime format (with
PhotoJPG compressor) and provided at the 2 different resolution mentionned above
ON BRIDGE the “on bridge” indication means to play ON the bridge with the notated pitch. This may
produce an unstable noisy sound
SP molto ponticello (quite close to bridge)
ST molto tasto
N normal sound
standart harmonic notation (where the highest pitch is the sound produced and the 2 low
notes the fingering)
fingering notation of harmonics : for those sounds, press slightly the string on
the notated pitches and focus on harmonics produced
RESPIRE Pierre Jodlowski
A B q = 56
!
" &&& $$$ '' $$ (
mouthpiece close
! # !
> ENTER ON STAGE, SIT DOWN, WAIT FOR B
'$
% % % % % % % %
1 2 4 6 8
Bass Flute $ " "
pppp mf pppp
! # !
"$
Clarinet in Bb % " % % % % % " % " % %
-
)* )* )* )* )* )* )* )* )* )* * )*
START VIDEO PART 1 AT CONDUCTOR SIGN
! # ,. ( + + ! ) * *
START VIDEO INTRODUCTION,
$
MUSICIANS ENTER ONSTAGE (APPROX 30 SEC.)
" + + + + + " % " + + + +
LIGHTS : A GLOBAL WHITE AMBIANCE, AT FULL POWER,
COVERS ALL THE STAGE. FADE OUT THIS AMBIANCE AT THE pp / /
END OF INTRO. ONLY MUSICIANS PROFILES REMAINS f
! & # !
> ENTER ON STAGE, SIT DOWN, WAIT FOR B medium noise, straight
Trumpet in C $ % " + % % % % " % " % %

mp
" '' '' '' '' '' '' '' ' ' '' '' ''
# ' !'
" )$
SNARE DRUM (snare off)
! rub the brush on the skin
! 1 / 1 / 1 / 1 +
0 % " % "1 / 1 /
Percussion
mp
0 ppp mp p
! # !
Electric Guitar $ % " % % % % % " % " % %
#
! # !
$ % " % % % % % " % " % %

Electric Piano
2 % ! % % % % % # % ! % %
" " "
A B q = 56
-4
3' ' ' '
# 5 /''$ )
-4 4 3. -4
! > ENTER ON STAGE, SIT DOWN, WAIT FOR B con!sord. '$ -3
3
play on the body of instrument - noise sound (lot of amplification)
)'$ /' / 1 / /' 1'

4 3
Violin $ % 0" ) ) / / / )$ ) % "
!)
" )$
f ppp f mp
0
-4
3' 4' ' '
# 5 /''$ )''
-4 -3 3. -4
)'$ )' / /' 1'

3 4 3
/ / / )$ )$ )$
> ENTER ON STAGE, SIT DOWN, WAIT FOR B con sord.
% ! ) //1 !)
Violin $ " f
% " "
ppp f mp
0
-3 -4
' ' ' ''
3'
# 5 /''$ )''
-4 4 3. -4 3'
/ / /' )'$ )'$ /' / 1 )'$
3 4
! )$ !)
Viola 6 % " ) ) % " " // 1

f ppp f mp
0
-4' -3 -4
'' '' 4' '
# 5 /''$ )''
' '
4 3. -4
)' )' / /' 1 / /' 1'
3 3 3
! )$ / / / )$ )$ !) )$
2 %
Violoncello " f
% " "
ppp f mp
0
-3
' ' '

# 5 /''$ )''
-4 4 3. -4 3' '.
/ / /' )'$ / /' 1 )'$ /' ( %
3 4 3
! )$ )$ !)
2
"
Contrabass % " ) ) % " "
f ppp f mp
0
2
! ! 3
''( $ 8
mouthpiece close mouthpiece close
# " 9 7
B. Fl. $ " (
&& ((
+ 8 % % % '''' + 8 &&& 8 %
10 12 14 16
" " '' "

&& ! !" ' ' & ! !"
!!* !*"
! !
pppp f ppp p p p
) /" ) ) $ )/ $
mf mf mf pp
SLAP ) /!
! # " 7 +
"$ " 9 5 ( / )$ " /$
% % ( ( + " % % % % " (
Cl.
: /, ; :/;
mf
- pp
mp ppp
pppp
* )* -/ ,,,
! ) * * * / / 7 < < < =( +
)* $ /* - )* $ )* $ /* - )* $
+ + + + + + + # "
Tape $" / / / / " + + + "/ /* "
f *
" ( <; &

! # "/ - 7
C Tpt. $" % % % " ) + % % % " %
ppp mf
'' '' '' '' ''.

8$
HAND # (move hand with circular movements on the drum - start slow
0 "! 1 / 1 / / ( + # "1 1 1 1 7
press the skin of the drum with nails)
Perc. " % " " %
(poco) ppp mp pp mp pp mp pp mp ppp
SOUND 1 : SOFT DISTORTION + REVERB

!
$" % ( # % " % % % % 7 %
E. Gtr. . " " "
#
volume pedal 0 0
noise sound of amplifier
SOUND 1 : SOFT + REVERB
$ "! % % % #
" % "
" % % % % 7
" %
E. Pno.
2! % % ( . + + 8 # % " % % % % 7 %
" " " "
> /*/
,?+
mp
'' '' '

4 4' '
- /? $ /? $ /? /?
'' '' ''
/
)' /' / 5'; '; 5 +
3
! !
Vl. 0 " / / 1 )$ 1 # "% + + + + 8 7 %
" % " "
pppp just audible
f 0
-4
'' 4' ' ' '
4 - -3 -3 -4
)' /' / /' )'
3 4
Vl.
!
$" / / 1 )$ 1 #
" %
")
" ) / / ) / / / )$ + 7
" %
mp
f 0 f 0
-4
'' ' '
4 -3 -3 -4
6 "! / /' 1' /' )'
3 4 4. 4
Vla. )$ ) ( / 1 #
" %
")
" ) / / ) / / / )$ + 7
" %
mp
f 0 f 0
'
4 -3 -4 -3 -4
2 ! /' / 1
3 4 4 4
Vc. " )$ ) ( /. 1 #
" %
")
" mp ) / / / ) ) / / / )$ + 7
" %
,+? $
f 0 f 0
-/
+ $ " && $$
)
Cb. " "
1 // // + :// :1
ON BRIDGE
2! # " 27
'' '' '' '' ''
1 8 1 " + " %
0 mp 0 pppp pp
pp 0
3
!18 7
mouthpiece open
-
# 5 <B, 5 ( 8
" &&& $$$ '' $$
3
# @ 7 + # @ . 7 @
5
'$
% % % ( '' (
20 22 24
B. Fl. $ " " A " ' A ''' " " A
))$
ppp f ppp f
))
9 ($
SLAP
7 # @ 7 # @ 7 # @
Cl.
" :)
$ " " :) $ A % " % " % A % " + " % A
p ppp : /,
mf
/ # / 7 / # / / # /
$ 7" + + + @
A %. + + + @
A %.
7 + + + @
.......................................... .................................. ..........................................
Tape " " " " " A
7 # @ 7 # @ 7 # @
C Tpt. $"
& " &$ A ( " & " &$ A ( " &$ " &$$ A
0 mp 0 0 0 0 0
" )$ " /$ / / / / ) ($ 5 / / /.$

# start to accelerate circles a little #
@ /. . / /. @ . /
/ //./ /// # 9
acc. poco a poco
0 7" ) # 7 ) # 7 + @
3
.
Perc. A // " A / " /// " / 0 A
0 mp small notes with the other hands, soft percussions
# '
" /'
12
7 # @ % 7 % # % @ 7 @
E. Gtr. $" . " A " " A % " % A
#
0 0 ppp with mediator, or nails, back and forth movement
> //. /
noise sound of amplifier muffled sound with right hand
3
$ 7" % #
" % @
A % 7
" % #
" % @ 7
A % " + ( ; ( #
" % @
A
C9 ( $ 9 ($
pp
E. Pno.
27 % # % @ % 7 = + # % @ 7 # @
" " A " " A % " + " % A
>> //, / //,
-
mf
,+?
p
/? /? /? /? (gliss. harm.)
'' '';
! 7 ' '';
:/
@ 'B 5 7
" ($
% # % % # B ( + @ 7 # @
Vln. 0 " " A " A % " ( " % A
pp mf
' '9 ' '9 ' '. ' '.

II
III ON BRIDGE
$ " ( D//' /' ( $ ( -/' /' ( $ :/' /' ( 1/' /$' 2' -'
3 3 3 3 II
7 # @ 7 ( # 5 A@ % 7" # @
" + /$ '' '' '' ''
% ( " + ( ' " + ( '
3 3
/ / / A " A
-/ / /
Vln.
ppp pp p- mp pp
>/$ >/$
EFFFFFFFFFFFFFFFFFF
> / @ > & & 7 >-'
arco ord.
'
' A '; " B ( $
poco legno, unstable
>& & # >) >& @ >& 7 >& # >) # >& /
6 7" ( ; " A ; " " + "
@
A
3f
Vla.
ppp ! soft dynamic variation ppp pp
-/ --/ /$ -'
'' '' '' ''
/ $ -/
/$
I ON BRIDGE 3
' ' '
3
/
3
2 7 ( D// /
3
# 5 A@ 7 ( # 5 A@ % 7" # @
II 3
'' '' '' '' '' ''; '' '';

3
/ ( " + ( / / ( % / / ( " + ( / ( " + (
I
Vc. " " A
ppp
B pp
B p mp pp
2 7 -& # -'
- :-'
B ($
-
@ 7 # @ ; 7 # @
" "
Cb. " ; A " " ; A " + " % A
ppp
3 p
3 mf
4
!26 @
E.FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF
# . <,
mouthpiece close
7 + @ 7 ><, # @ 7 G
% ( && && " && ( 8 % 5 9 + % A &&.
28 30 32
B. Fl. $ A " A " " " && A
pp 3 mf f
: <, ppp
.................................................................................................................
3
" 1) $ A 1/ " 1/ ($ ($
@ . 7 1) # 9
bisb SLAP
@ 7 # @ 7 9 G
"$ A
Cl. % " % " 8 A % " + A
pp ppp mp : /,
mf
$ A@ . 7 / + # / + + @ 7 / + # / + + @ 7 / + G
% " "
................................................
A %. " "
............................................ %
A . " A
Tape
@ 7 # @ 7 # @ 7 G
gliss. with opening mouth (open filter effect) (jazz mute)
C Tpt. $A ( " & " &$ A ( " &$ " &$$ A ( " % A
0 mf 0 ppp f 0
" /$
. # /. @ . / / @ .
0 A@ / 7 ) / //./ /// 7 / # //) 7 ) G
3
. .
Perc. " " // / A / " /// /// A / " A
mp pp
@ 7 # @ 7 # @ 7 G
(still tremolo, fast, may be a little irrgular)
E. Gtr. $A " D/ " A " / " D/ A % " % A
#
mp ppp
9
$ A@ % 7 5
" /, ( + #
" % @
A % 7
" % #
" % @
A % 7
" % G
A
p
E. Pno.
2@ % 7 % # % @ 7 # @ 7 G
A " " A : //. " % " % A % " A
p *
,4 mp
:) H
,?+ ,?+
/? /? /? /? -/? )
! @ ';
/
7 '; + 5 'B # 'B ($ + ( '; @ ' 7 # @ 7 & G
Vln. 0 A " " A B 5 " % " % A % " ) A
ppp
mf ''
EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF ppp
2' ($ ( -'' 1' " '' ($

-3 -' '
$ A@ '' '' " '' '' A '' '' ''
% 7 ( ' # ' @ 7 ( # 8 @ % 7 % G
'B ' '; 'B
3 3
Vln. " " A " A
ppp p ppp ppp mp ppp
ppp p ppp
7 -)
gliss. molto lento SP ord.
Vla. 6 A@ 7
"
#
"
@
A
7
"
#
"
@
A "
G
A
mp mf
1'
($
:3 ' '
' ' # ' '
@ '
" 'B ( ' ' A ';
3
2@ % 7 ( 7 % # % @ % 7 % G
Vc. A " " " A " $A
ppp p ppp ppp p ppp
2@ 7 # @ 7 # @ 7 G
" A
Cb. % " % " % A % " % " % A % " % A
5
!34 G
C
&&& $$$
.
ORD
&& $$
( + % ''' &&& ( + 7 5 # @ 7
A % "
36 38 40
B. Fl. $ A " " &$
&& && &$$
BISB .......................................................
f ppp ppp f ppp ppp
sf
SLAP > -
ppp
/,
G :/ $ 9 B 5 + 7 # @ 7
"$ A % % + :/ :) :) :/ + 5 " % " % A % "
Cl.
; ;
ppp mf ppp : /,
mf
< < < ( < < < < ( < < < ( < ( @<
Tape $ GA ; ( ; ( + 5
. ; ; ( + 5
. ; ( ; ( + 5
. ; ; ( + 5
. ; ( ; + ( 7
" % #
" 5 ; 5 A;
7
"
-,
$ GA 5 /B + 7 5 # @ 7
(low shuffle sound)
< $$ " &$

C Tpt. % % 8 % % " A % "
mf - ppp
G '' ' ' ' '9 ' ' '

ppp mp
/'$ )' /'$ /' ( $ )' /'$ )' +$

(latéral fast tremolo) CONGAS rubbed tremolo with hands
0A ) ( 8 7 # @ 7
Perc. " % " % A % "
6 /
pp pp
f
/ $
'
12
E. Gtr. $ GA % % % + 7
" % #
" % @ 7
A % "
#
pp mp ppp
" ))) $$
-, SOUND 2 : FADE ATTACK + SLOW CHORUS
$ GA % % 5 /B + 8 % % 7 >)*))
"
# * @ 7
A % "
E. Pno. p
2G 7 # @ 7
mf
A % % 5 9 + 8 % % " % " % A % "

:/
/ H
-,
,+
C
! G :/
B ($ ( 8 7 % # % @ 7
Vln. 0 A " " A % "
ppp (sempre)
3' ' 3' '

-/' -/' -/' -/'$
3 3 3
" // $$
poco vib.
$ A -/ -/ 8 -/ -/ 8 -/ -/ 8
. . .
N SP
G ( + + 7 D)) # ( + @ 7
" A % "
-
Vln.
ppp p ppp p ppp p ppp mp ppp mf ppp mp 0
-)4 -)4 -)4 -)4 -)4 7 '; $ # -) $

4
poco pont. pont. SP SP N
/ '3 ' '3 ' '3 ' '3 ' '3 @/
Vla. 6 GA ; ; ; ; ; " 5 + " A;
7
"
p pp mp pp mf pp mf pp fp pp mp pp
' ' ' '.

/' /' /' /' ) 7 -)
" -/ $
. . .
ST senza vib. ST poco vib. SP
$ GA / / 8 / / 8 / / 8 ( + "
# ( + @ 7
A % "
-
Vc.
ppp p ppp p ppp p ppp mp ppp mf ppp mp 0
?
2G 7 ) # @ 7
III
" A
% % 0 % % % $" " A "
&&
Cb.
pppp
6
!42 7
EFFFFFFFFFFFFFFFFF
B. Fl. $ " 5 &&$$$$
@ / 7 ) # / @ &. & 487 &. (
" &&$$
T.R.
# # @ #
A ; " ; ( + + + % A /9 5 "
44 46 50
" A & & " & "

ppp sf ppp pp 3 mf -,mf
- /, /, EFFFFFFF -
/. / /. /
($ ( 7/, ( A@ % 7" +
5
7
"$ "
# 5/ B ( >/, A@ % 7" ( >/, ( B # + 5 9 ( B "# 5 /. 5 = >/ / / 5 ( . ( A@ #
3 3 3
% " + + + %
3
Cl.
; ; " ; $ $ "
mf > / > /,
-,
p pp p
pp mf
$ 7" 5 # < @ < 7 # ) @ / 7 -/ $ -/ # @ #

Tape + " 5 + 5 A ; " 5 5 " ) 5 A /" + " % A % "
$ 7" 5 < $$ # @ 7 # & @ 7 # @ #

(low shuffle sound)
C Tpt. " &$ A % " + < " < A % " % " % A % "
ppp - pp mf pp
7 '' # '' @ '' ' # ''

-, '
@ '' 7 /'' (
mp
/' //)'
. . .
" )$
(rubbed tremolo with hands) normal tremolo with fingers of both hands
0" )
7 + . + # @ #
Perc. A / " " / A / " " % A % "
pp mp pp mp ppp
''
/
5 '
:/
12 14 (slightly irregular, very nervous
E. Gtr. $ 7" % #
" +
@
A
7
"
#
" / % @ 7
A % " +
#
"
@
A
#
"
#
p pp
" ))) $$ " ))) $$ " ))) $$

7 *
$ " >)))
# * @ 7 * # * @ 7 * # * @ #
A % " >))) A % " >))) A % "
E. Pno. p p mf
27 % # % @ 7 # @ 7 # @ #
" " A % " % " % A % " % " % A % "
H H H
! 7 -/ @ -/
A -/;
7 -/ $ -/ A -/;
7 -/ $
ST poco vib. ST poco vib. ST
% # @ # @ # #
Vln. 0 " " 8 (
; " ( " 8 (
; " ( " % A ; "
ppp mp ppp ppp mp ppp ppp
" // $$ " )) $$
N poco vib. SP N SP N SP
7
$ " D))
# @ 7 # @ 7 # @ #
Vln. ( + A % " D)) " )) + A % " D)) A % "
ppp mp 0 ppp mf 0 ppp f p
/$ # -) $
4
7 /; $ # -) $
4
# '-) $
4
SP N SP N SP N create tremolo progressively
A '';
6 7" ; 5 + @ / 5 + @ / 7 /; @ / #
Vla. " A ; " " A ; " ( + " "
mp pp mp pp mf pp
$ 7" -) " -/ $ A % " -) " -) A % " -) " -) $ A -/

@ .
N poco vib. SP N SP N
# ( + @ 7 # + @ 7 # #
Vc. "
ppp mp 0 ppp mf 0 ppp f p
7 /% # @ 7 # @ 7 # /% @ ( #
Cb.
"$ " " A " " A " " A "
pp mf p
7
! # J.W. ( $ # --) -/ + # --) -/

D
" && $$ ''' ( $
9
3 3
" &$
B. Fl. $ " 9 + + "
52
% ;
54
; + "
" " " "
:-/ mf pppp 8 f mf pppp
ff
# --/, ($ " -/ $
senza vib. senza vib.
-/ -) -/ -)
" # . # . "
"
3 3
Cl. $ " B + + " % " + " ( 8 " + "
f pppp mp pppp pppp mp
$ "# ) $
< <
" ) $ 99999999999999999999999999999999999999 " / " ) $ 999999999999999999999999999999999999999999999 "
" / / + ( # " / / + ( # "
"/ ; ;
-
Tape
$ "# /B ( $
-, " # " # "
C Tpt. + + " % " % " % " % "
f
# 9 $
" )* $ " )* $
+ + "
BASS DRUM " # lv
& " # lv "
Perc. 0 " /* ( " % " % "
mf mf mf
#
$"
" / 8 # % " % # % "
E. Gtr. " " " " "
#
ppp
" ( >D//// >D)))) $$$$ " ( >D//// >D)))) $$$$

$ "# " ))) $$ " ))) $$
% # # "
" ; " ; "
E. Pno. mp mp
2# % " % # % " % # "
" + (
3
" " " " "
p
:/ /
H H
! # -/
D
--) " :-/ ($ # " + :-/ ($ # "
vib.
Vln. 0 " " :) " % " :) " % "

B B
mp ppp mp ppp mp
senza vib. senza vib.
-// -)) --// ($ -// -)) --// ($

#
ST vib. N
- "(
SP N
# " (
SP N
# "
Vln. $ " // )) " ; B " % " ; B " % "
ppp pppp mp pppp mf
)$
SP
EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF
SP
B ($
N N
6 "# ''
-/
SP
" 8 # )$ / " / + 8 # )$ / "
Vla. " " " " "
mf pppp fp
-? 4? -? 4?
$ "# -/ ( $ /? )? ($ # )$ /? )? ($ # )$
9 "( / " ( / "
+ + " ; B " " ; B " "
- - -
Vc.
-/? -/?
f pppp mp mf ppp pppp mp fp ppp
/? )? /? )?
# "( ; B ($ # " ( ; B ($ # "
"$ "
Cb. % " " % " " % "
pppp mp pppp mp
8
! "
mf
# -) /, ( $ ($
/ , 9 " 5 9 ( :/.
( :/. ( :/;, + :/, "#
3
" ( ( :/; 8 #
56 5 5 5
% + " ( ( ( (
58 60
$" " ; " . " , B

B. Fl.
, : /, /,
f pppp mf
bisb ................... senza vib.

mf
"$ " -/ $
" -/ $
" /; ( -/ -) " -/ $
poco vib.
.
-/ -)
" ( 8 # 3
. / # #
Cl. "+ " ( + " ( + + "
pppp pppp mp pppp fp 3 pppp mp pppp
)) $$ -5
. ( 5;, ( "# ) $$
// //
$ "" )) $$ 999999999999999999999999999999999;, # " - "
( " // + // 5 ( 5. // 5 ( 5
. . ( 5. ( "#
9999999999999999999999999999999999999999999 999999999999999999999999999999999999999999999
Tape
/ " ) "
& -<
B ($
<
C Tpt. $ "" ( ; #
" % "
" % #
" % "
" % #
"
ppp mf
*
($
lv
" )$
" # lv " #
3
. 9
Perc. 0" % " % " /* /* ( ( /* /* "" %
#
"
)) $$
mf mf pp
SOUND 2 : CHORUS + REVERB

"" (slight bend)
"
$" % # % " % # % " + #
E. Gtr. " " " " "
#
0 mf
/ ) $$ >D)))) $$$$
$ "" ( >D///; >D))) $$ " ))) $$
# " ( >D////
" ; " ))) $$
# " (
"
>D////
;
>D)))) + #
"
-
:/ $ 5 >/; $ :/ $
E. Pno. mp mf mf
2" % # " + / # " #
"+ ( + " + ( %
3 3
" " " "
p
:/ / p
:/ /
H H H
vib. vib.
! " :-/ ( $
4 4
// ( $ // ( $
. 9 . 9
SP N SP N
" )$ -/ "" ( " )$ -/ "" (

Vln. 0 " +
:) # // )) # // )) #
B "
ppp mf
-
mf ppp pppp
-
mf
-
mf ppp pppp f
-
senza vib. vib. vib.
-// -)) --// ( $ -// -)) --// ( $ # 4 -// -)) --// ( $

" )$ -/ " (
SP N SP N SP N
"
$" (
# % " ( " #
; B " " ; B ; B "
-
Vln.
pppp mf pppp mf mf ppp pppp f
:E;FFFFFFFFFFFFFF -) $
SP
EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF
N SP
'' " ')

N rall. trém. a niente
6 "" / + 8 # )$ / " / + 8 # /
; ( + #
Vla. " " " " "
pppp fp pppp fmp pppp
//? ))? -/? 4?

//? ))? -/? # ' //? //? -/?
$ "" ( / ($ # )$ " ( / ($ " )'$
" ' / ($ #
rall. trém. a niente
; B " " ; B " / ( ; B "

- -
Vc.
-/? -/? -/?

pppp mf fp ppp pppp mf pp pppp f
/? )? /? )? /? )?
fmp
" ( ; B ($ # " ( ; B ($ # " ( ; B ($ #

"$ "
Cb. " % " " % " "
pppp mf pppp mf pppp f
9
! # ( /; ( 5 9 ( +
, E
% ! /, 5 8 + ( /, ($ % + /, 5 + % /, ( $ .
62 64 66 68
B. Fl. $" :/, A B B B B ''' '''
3 f
f sffz
# !
Cl.
"$ " % % A % % % % % + ( /
p
- - -
<, <, <, =( + ! < <( < < ( <, <, <, <, <, <, ( < < 5 <B < < < < ( < < < . <, <, <, <, <, <, (
Tape $ "# ) + + A ( ( 5 <B
/
( + ( (
< /
6 6
$ "# & $ ! 9 ($
&$
C Tpt. A < ( + % % % % %
ppp f
-* lv. "
!
0 " )$ /* $ /* $ /* $ /* $ /* $
-/ -/ / ( 5 9
lv. sempre (mecanical)
# ! /
lv. sempre (mecanical)
CHINESE CYMBAL / / /
Perc. % A /* /
BASS DRUM "
'
)) $$
f mf f mf
/? )? /? /? )? /? /?
($
# ! 8 ? )? /?
E. Gtr. $" % A 5 B 5 /B ( ( B 5B (
#
mp
! :/ $ /:/ $ ( /3 5 //.>/; $ 5 /
://. $
- - :/5 :-/ :/ D/ $ 5 :/;
-/ :/
3
. .
SOUND 1 12
$ "# . :/ :3/
3
% % A / / / = 9 ; / / D/ / = C9 . ( (
/ /$ / / >/ / / mf
E. Pno. pp
2# !
mf p
" % % A % % % % % + 5 9
:/ /
H
mp
,4
! #
E
4
Vln. 0 " % % ! :/4
A / :/3 / :)4 :/3 / :/4 $ / / / / :/3 / /$ :-/ / / :/3 / :/4 /
B ; ; ; ; B ; B ;
p (staticco) 5 5 5 5 5
# % % ! 2 //4 2 //3 // // // 2 //4 // 2 //3 // $$ // 2 //4 )) // // 2 //3 // // $$ 2 //4

Vln. $" A ;
p (staticco)
)4 // // // 3 4 // //3 -/4 3 4
! ) // // )) // // // / // // // )) //
Vla. 6 "# % % A ; ; ; ; ; ; ; ; ;
p
3 3 3
(staticco)
+$
ST
Vc. $ "# % % !
A % % % % % /
pp
3
#
4
! )?
3
/? /? )?
4
/? /? /? /?
3
/? /?
4
/? /? /? /? -/? /? $ /?
4
/? /? /?
"$ "
Cb. % % A ;
p (staticco)
10
! ! . . . 9 /, 5 8 /, ( $ #
''' 5 + + ( %
70 72 74
B. Fl. $ A &&& ''' &&& ''' &&& ''' ''' B B A
-f
/$
f
mp
>/ >/ /
! -/ $ -/ -/ #
senza vib.
Cl.
"$ A / /$ / / ( ( / ( % A
(staticco) pp p
-
< < < < 5 <B < < ( ( 5 9 < < <, <, <,6<, <, <, ( < < < < <, <, <, <, <, <, #
Tape $ !A /
( / (
<
( ( ( ( ( ( ( A
5 :/9 ) :/ ( $
. 9
$ !A #
soft mute
C Tpt. % % % % :) / ( + A
ppp ff
! -/ / ( 5 /9 / -/ / ( 5 /9 / -/ / ( 5 /9 / -/ / ( 5 /9 / / -/ / ( 5 /9 / / -/ / ( 5 /9 / / < $ ( + #
Perc. 0A * * * * * * B( A
,+ ,?+
mf f f
/? /?
p p
/? /? /? / /? /?
? ? CUT
E. Gtr. $ !A + ( ( + 5 /B / + 5 B + 5 B + ; + ( ( + ( + #
A
#
3 mf 3
$ :-/ $ >/ $ /.:://

f
- 3 /.- /:/ - -
$ !A 5 //.D/B ( /. ( :/ / $
:/ :/ D-/ -
5 >/ :-/ -
( >/B /$ / :/ / 9 DD//
3 CUT
/ D/. / / . . :/ :/ #
3 6
5 + ( +
// A
. . / / ; / D/ / / /
p mf
/ / 3 p 3
5
f mp
E. Pno. p mf mf f
2! % % % + . + + ( 5 9 ( % % #
A / :/ A
p mp
,4
! ! / / :/3 $ :/ :/ :/4 :/ $ :/3 :/ :/ :/ :/4 $ :/ :/3 :/4 :/ :/3 :/ :/4 $ :/3 :/ :/4 $ :/:/3 :/4 :/:/3 $ :/4 :/
SP
:/ 5 + + #
Vln. 0 A A
; B ; ; ; B ; ; B
5 5 5 5 5 5 5 5 5 ff
cresc. poco a poco
:// $$
3 4 3
:// $$
4 3 2 //4 // $$ 2 //3 //2 //4 // 2 -// 5 +
SP
! /
$A / // :// )) :// // // :// :// // // + #
Vln.
B A
ff
cresc. poco a poco
// // //3 // 4
))
3
// // 4
// // 3
// // 4
// // // 3
// // 4
// // 3
//
3
// // 4
// //
-/
SP
/
Vla. 6 !A ; ; ; ; ; ; ; ; ; ; ; ; B 5+ + #
A
3 3 3 3 3 3 ff
cresc. poco a poco
/$ -/ 5 +
N SP
$ !A ' ' '

#
molto vib. lento poco vib.
/ / / / /
SP ST
/ / ) / )
'
Vc.
; ; ; B + A
mp pp mp mf p pppp ff
/? $ /? $ /? $
3 4 3 4 3 4 3 4 3 4 3
! /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? /? 5 + #
"$ A
Cb. ; B + A
mf ff
cresc. poco a poco
11
!76 #
F
$ A ''' $$$ '' ( $ 9 ($ 9 ($
# 9 +
78
% %
80
%
TR
+
82
%
TR
+ 7
B. Fl. " ''' ' < /, < /, "
pp ff - pp
-
f
B ($ 51/; $ 1/ 1) $ 51/; $ 1/ 1) $
# # -/ 7
Cl.
"$ A % " + + + % % + "
f ppp mp ppp mp
<, <, <, # <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ #A 5 "
7
"
$ #A # & < ($ ($ >-/,

9 ($ ($ 9
/, 7"
remove mute
% % % + + + + + + +
" B B & < -
C Tpt.
sfz mf mp sfz mf mp
3 3
#
BRUSH on bass Drum
0A % # #
/ )
lv #
/ )
lv #
/ )
lv #
/ )
lv #
/ )
lv #
/ / ( / #
/ / ( / 7
Perc. " -* -* -* -* -* -* -* $"
pp p pp p pp p pp mp p mp mp mf p mp mf p
-/, $ lv.
# # + :/; / /$ 7
3 lv.
E. Gtr. $A % " % % % + % + ( % "
#
p mf
*
>:>)))) >:>)))) ($ >:>//// ($
*/ / . 3 D/ / >/
$ #A # / ( / / 7
3
% " % ))) + % ))) + + B /// + B "
>-/
" >)))) $$$$ ($
)>))) )>))) />/// 9
E. Pno.
2#
A % $
# 2 + $ + >))) 2 + $ + >))) 2 + + $ >/// /// 2( 5 /// 7"
) ) / / B
H H H H
,+
p mp
F : )? $ )? $ )? $ )? $ )? $
! #
" :&) $$ &) $$ &) $$ &) $$ &) $$
Vln. 0 A % # 7
"
mp
4 3 3
4
SP
// // 99999 "
poco vib.
# # . . . . 3 7
)$ )$ )$ )$ /$
3
%
3
Vln. $A " )$ )$ )$ )$ /$ // // // // // // // // // //
mp
:) $ )$ )$ )$ / :-/ $ / :-/ $
4 3 4
/ / / :-) / /
)$ )$ )$ )$ / /$ / /$
poco vib.
Vla. 6 #A % #
" / / / ) / / 7
"
mp f
? ? ? ? ? 4? ? ? 3? ? ? 4? ?
$ #A # )$ )$ )$ )$ / /$ / /$ 7
III
% " / / / ) / / "
- - -
Vc.
mp staticco f
4? 3 4?
# # )? $ )? $ )? $ )? $ /? / -/ $ /? /? -)? /? /? -/ $ /? 7
"$ A
Cb. % " "
mp staticco f
12
!84 7 . 9 - .
T.R
% G % % + '''' &&&& '''' 5 = :/B, =( 8 + '''' &&&& 7 && !

86 88 90
B. Fl. $ " A " &&& A
sfz p f -
, ' &
ppp
7 1) G 1)
mysterious, with some breethe
D/-/D/-/D/ -/D/-/ 99999999999999999 D/ -/ D/ -/ D/ -/D/ -/ D/ -/ 999999999999999999999999999999999999 D/-/ D/ "

SLAP
7 !
"$ " ( + 5 9( ( 8 % + %
7 7 3 6 7 7 3
Cl. A A
f :/
-,
ppp pp mf pp
<, G <;, ( <;, ( <;, 5 . <, ( <, ( <, 5 . <, ( <, ( <, 5 . <, <, <, <, <, <, 7 *
Tape $ 7" ; ( + A 5$ ; ; ; 5$ ; ; ; 5$ ; ( ; ( ; 5
5$
. ; ( ; ( ; 5 .$
5 " )
!
A
< &
(helicopter effect)
B ($ ( 8
< 9 9 9 9
$ 7" G ; 7 !
mute
C Tpt. % A % + + ( < << < << < < < < < < < <<<< < << < < <<< < < < < <<< ( ( + " % A
mf (straight) pppp mf ppp
with hand
5 <;
low sound
'
"!
!"
5 5 7" 5 5 /,/,=+
- #-
)'
# (center)
7 G /,/,/,/,/,= + !
put snare on
% % % ( ( +
$" 0A A
Congas
;
Snare
6
Bass Drum
6
/ )9999999999999999 ) $$
p pp
=
6 mf 3
=
mf
)) $
vib. and gliss. with slide
7 G // ))
/ :/ /. 7 / /$ !
SOUND 1.
% % + ( % ( . ( " /$
3
$" A ; >/ / // A
-
E. Gtr.
#
(vol.pedal) 0 mf ppp mp
-*)
- > >/// ) > >/// / >:>//// / >:://// D/
7 ($
>:>//// ( -
$ /$ /$
7 ( G + )) ( : /// D)) ( : /// D/// / ( / D// / ( /// D// / ( 9 !
$" /// A )) )) / / / // // " /// /// A
-
2 7 //// ($
/
E. Pno. f
f
G 7 5 5 !A
mf
+ % % % % B ( 8 " :/ $
f
" A
p ,4
H H H H
p
,+ ?9
: )?
! 7 G 7 ($
/
+ !
Vln. 0 " :& A " ' A
:) /
mp pppp
>) /$ / >/ ) / >/ /

$ "999 )) 999999999999999999 A /999 / ) /$ / -/ $ ) --/
7 G 7 !
molto vib. rall. vib. a niente
. . .
) / D/; ) / " / A
-/ / / / ( +
Vln.
f mp mf p
mf
;
: ) 99999999999999999999999 /
rall. vib. a niente
/ :) / / :) / / :) )
molto vib. pont.
ST
/
Vla. 6 7" ) G
A
; ; ; ; 7
"
!
A
f mp pp mf
? ? ?. 4? ? ?. 3? ? ?. 4? ? ?. 3? ? ?. 4? ? 3? ? 4?5 ? 3?
Vc. $ 7" ) G /
A / ) / / ) / / ) / / ) / / / / /$ 7 /9 /
" // $ !
A
/ /4 $
mp pp
3 4 3
/? /? )? /? /? )? /? /? )? /? /? )? /3 /4
3
/ / /
7 /? G 7 !
(II)
; ; ; ; ;
"
Cb. $ " + A " + A
ppp mp ppp mp f ppp
13
9999999999 999999999999999999999999999
! !
G
*/ -
'''' ( $ */ $ 5 -*/ $ -/ $
9 / ! -
J.W. (poco)
A B 5 ( A :')
7
vib. vib.
( + + /$ 5 ( + + ; (
92 94 96
'
B. Fl. $ A
8 ff
', ; ;
8 ff-
/ 1 / 999999999999999 :1; / / :1; / / 999999999999 :1; / / :1; / /99999999999999999999 / 1 / 999999999999999
mf f p ff p
/ /
5 >/; $
7 6 7 7
! ( ( ; 7 -/B ($ !
"$ A % + ( A A %
8 ff
Cl.
p mf pp mf ppp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, ! <, <, <, <, <,
Tape $ !A / ; '' / ; '' / ; '
/ ; '
/ ; '
7
A % A
$ !A + ( / ) / ) / ( D) ) / 7 -/B ($ ! +
; ; $; A A
8f
C Tpt. $ /$
p straight, in the sound of strings p mf
!
HANDS -/ < -/ < rubbed trem. 7
LINE 3 : TOM 1 (bass)
% ! + - "(("
0A + ( + B5B + ( + B 5 B '/ ( /// / /
. +
lv lv lv lv
'
/ / /* / / A A
-* -* -* -f*
Perc.
f -
3 3
> ) 999999999999999999 / 999999 / 9999999 > ) 999999999999999999999999999999999

// @
mp mp f
f
:/ /
5 :/ :/ $ B ; ' 9 ($
SOUND 3 : hard distortion
! ; 5 :/9 ( 7 !
5
( + ( %
$A .
> ' A A
> ? /* =
E. Gtr.
#
=
:/ :-/
8ff
mp pp p mf
3
-)
D>//// $$$ D>//// $$$ D>//// $$$ D>//// $$$ D>//// $$$ 7 >/>//, ($
p
>*/ -
$ !A >//
>/ >/ >/ >/ ! ::))
/ $ / $ / $ / $
>// >// >// >// A B A (
*
*/ $ */ $ /$ /$ /$
7 >>-//, ($
E. Pno. mf f
2 ! >/* >/* >/* >/* >/* >/

:/ $
* * * ! //
A A B A /
,4 ,4 A mp ,4
/ / / / / /
A A A A A A A A A
- : /* $
mp mp
H
mp f
f
#
-/ )4 / /3
senza vib.
G ) / ) /
! !
poco vib. acc. bow movements up to tremolo, aswell as pressure on string up to noise
Vln. 0 A
; ; 7 B ($ ! :) / :/
A A
mf 8 fff ff
4 / :/3
/ >/4 /3 / >/4 >/3 >/4 >/3 /4 >/3 / >/4 7 / ($ ! :)
SP
! >/
$A 2/
/ /
/; 2 / / /; 2 / 2/ /; 2/ 2/ /; 2/ 2/ /; 2 / A 2/ A
8 fffB
Vln.
f mp mf ff
2/ / 2 / 2 /9999993999999 7 9 :-/B ($
ST sempre molto legato, quasi port
! / / / / / / / /.
SP
6 !A / / / / / / / / / / / / / /
(port) 7
; ; ; ; ; ; A A
8 fff
Vla.
mf
3 3 f
FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF
? ?. 4? 3? ?. 4? 3? ?. 4? 3? ?. 4E
7 >&9 ($
(III)
$ !A / 2 ! */ */ */ */ */ */ */ */ */ */ */ */ */ */ */
/ / / / / / / / / / '' A A
8 fff-
Vc.
6 6 3
?#
f mf f
3? ?. 4? 3? ?. 4? 3? 4?
/. ?
! / / / / / / / 7 /9 ($ 2!
acc. bow movements up to tremolo, aswell as pressure on string up to noise
"
Cb. $ A A A %
> /' /' /' /' /' > /' /' /' 8 fff /'
mp -
............................. ...........................
14
? ?
? /? : / /? /
! !
-) -) / -
BISB BISB
/ /
:-) :-) 7 B ($
(poco) (poco)
'' ''
; ; 7
98
///
( ( ( (
100 102
B. Fl. $A A "
p p p p ff
3
f f f f
-/
/:/ 7A B ( $
12
/ -/ 999999999999999999999999 D/ -/ D/ /-/ 999999999999999999999999999999999 / >/:/D/ /:/ /

! 7
" % % %
5 5 3 7
Cl. $ A "
mf fff
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ !A + 7
A /
7
"
'. 7 '' ($
9
$ !A /$ >/ $ /'
5 . . 5 D/9 / 5 :/9 7
C Tpt.
) >/ / ) ) A / "
f fff
! -/ / = 5 ( - - /// / - - - - -/ -* .-
/ / ( ( /// / / / / / 5 //= ///
-
5 /// / /. . 7 % 7
/// / /
0A ( 5 / ( + / ( / 5 / / 5 A "
Perc.
3
B
p f
9
$ !A + 5 D/B / / / 7 D/ ($ 7
dynamics with volume pedal, play with intensity
5 9 / / A "
?: / $ :/ $ B =
/ /$ 6- - :/ $ B
E. Gtr.
:/ :/ f :/
* :/
#
ff -
- - - -
mf
-/
::))) ::))) ::))) ::/// > //
!
$A ( ( ( ($ >/// /// >/// >/ ( + 7 // ($
A B
7
"
// ///
E. Pno. f f f f
:/ $ :/ $ :/ $
fff
2 ! // // // // 5 B ( ( 7 % 7
A / :/ ; A "
- : /* $ -/ : /* $ -/ : /* $ -/ ::: ///
A A A A A
: /*
/ /4 / /3 / /4 4 4 -/
! ! )
) ) ) )
Vln. 0 A
/ :/ ) / :/ ) / :/ ) 7 / ($ 7
A B "
ff mf fff
! ) / :/4 ) / :/3 1/4 :/ / :/3 :/4 1/4 :/ / :/3 :/4 1/4 :/ / /3 :/4 -
7 '/ ($
Vln. $A ' A B
7
"
ff fff
E.FFFFFFFFFFFFFFFFFFFFFFFFFFF9
A / ($
SP
. .
6 !A / 7 7
7 7 5 5 3 6 7
/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / ///// / / / / // / / / / / / / / / // / "
-
Vla.
fff
$
2 ! */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ */ ) -/
SP ST
/ ) / 7 7
Vc. A ' '; ' '; A 'B ( "
C4left hand slap. C4 C4

f 6 7 3 7 7 7 7
fff
#
4 7 9 ($
:/* $ $ :/* $ :/* $ :/ $
2! ( 7
" A :/*99999999999999999999999999
( . ( . ( . ( . 5 .
3
Cb.
:/ :/ :/ :/* / :/* :/* A / "
mf mf
molto vib.
f f - -
fff
15
H
! 7
104
% # % 7
106
( # % 7
108
( # % 7
110
( # % 7
112
( # % 7
114
( # % 7
B. Fl. $" @I " &$ @I " &$ @I " &$ @I " &$ @I " &$ @I A
p mf p p mf p p f p p f p p ff p
7 # 7 # 7 # 7 # 7 :) # / :*/ 7 ) # /$ 7
Cl.
"$ " % @I % " % @I % " % @I % " % @I % " @I " @I ; A
ppp mp
/,
//% / / 7 /, / / / 7 /, / / / . 7 <, <, <, <, ,
5 7" < <, <, <,
$ 7" % %
# # # 7 # # # 7
Tape @I /. 5 " / @I /. 5 " / @I /. 5 " /, < ( @I /. 5 " @I /. @I /. 5 A
remove mute
C Tpt. $ 7" % #
@I % 7
" % #
@I % 7
" % #
@I % 7
" % #
@I % 7 +
" <
#
@I <.$
7 9(
" < <
9 # . 5 7A
< @I <
@ cut resonance
p mf p p mf p
7
0"
% # % 7 % # % 7 % # % 7 % # % 7 % # % 7 % # % 7
Perc. @I " @I " @I " @I " @I " @I A
@ cut sound poco
@I >/.$
7
$" % # % 7 % # % 7 % # % 7 # bend down
7 # 7 # 7
@I " @I " @I " @I . " @I . " A
/$ /$ /$
E. Gtr.
#
mf
) )* f )* p
subito mezzo piano (keep in the soft part of sound up to mf indication)

) 7 )) 7 )) 7 )) 7 ))
$ 7" % #
@I % 27
" ))
#
@I % " )
#
@I % " )
#
@I % " )
#
@I % " )
#
@I % 7
A
E. Pno. mp mf f
2 7 ))
@I : /.$ @I : /.$ @I : /.$ @I : /.$ @I : /.$ @I : /.$
# 7 % # 7 % # 7 % # 7 % # 7 % # 7
:: // $$ :: // $$ :: // $$ :: // $$ :: // $$ :: // $$
" ) " " " " " A
A A
mp
H
! 7 senza sord. % # % 7 % # % 7 % # % 7 % # % 7 % # % 7 % # % 7
Vln. 0 " @I " @I " @I " @I " @I " @I A
7 # 7 # 7 # 7 # 7 # 7 # 7
senza sord.
Vln. $" % @I % " % @I % " % @I % " % @I % " % @I % " % @I % A
7 4 7 4 7 4
(III - IV)
6 7" "DD)) " DD)) "DD))
# 7 # 7 # # # # 7
senza sord.
% @I % " % @I % " % @I % @I % @I % @I % A
Vla.
* * *
mp mf mf
4 pizz. left hand + arco

4 4
27 # 7 # 7 # 7 ) # 7 ) # 7 ) # 7
senza sord.
" % @I % " % @I % " % @I % " ) @I % " ) @I % " ) @I % A

*, *, *,
Vc.
mp
mf mf
4 4
# 4
@I :/ $ @I :/ $
IV
# . 7 /. ( # . 7 /.
@I :/.$
27 # 7 # 7 # 7 7
senza sord.
" "
Cb. % @I % " % @I % " % @I % " % " + " ( + A
mf f
16
I q = 66
/ /
! 7
/ 124 ) //
116 T.R.
# 9( .
T.R.
#
T.R. J.W.
7 95 . # 9
T.R
7 >/ :/ ;
A / :/ $ 9( . @I /9 ( 5 + % + ( 5 = =
118 120 122
B. Fl. $ A A :/ / A / "
/ /, /$ -,
-, - -, -, pp
f
pp fpp f pp f ff f
/,
7 / # /B ($ # 7 # 7 5 / >/ (
"
Cl. $ A A ( % @I % A % A % " % % % = 5 >/
mf $
$ 7A
<, <, # %; ( (
big crescendo % ( ( # % 5 7A %; ( # %; ( ( 7 *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
< < < < < < < < < < < < < < < < < < < < < < < <
*, *,
< <
*, *, *,
< < <
*, *,
< <
*,
<
Tape A ; @I ; A "
- -/
C Tpt. $ 7A % #
A % % #
@I % 7
A % #
A % 7
" % + ( /
;
) / 5 /$$
; =
mf
# /''$ '
/'$ # ' 7 /'' # /''$
.
@I / $ 9 $ ($ 9 / $
-
CONGAS with Hands KIT "(
( "
0 7A %
A A A
7
" / ( + % + / B ( +
-,
Perc.
ppp
sf sf sf sff f
ff
$ 7A >/ A /$ /$ @I /.$
# # 7 # 7
(cut sound)
A / A / ( " % % % %
/$ /$ /$
E. Gtr.
D/ / /
#
pppp
/ / 7 :/ $ ($
9 * *
>:/>/// //// >:/>/// /
5
27 % # % % # 7 # /
// ::>//// >:D//// :>/// :>/// :>/// " >: //, / ( + % ( ///
3
A A $ @I :/ / A / :// :>/// A :>/// D:>//
/ / 8 fff -/
B ;
// $$
*/ / / / / / / / / / / -/
/ / 7 / ($ // ))
/$ ($
*/ .
# >// $ //
E. Pno.
/ # / / 7 / / / # / / / / /
A D> / $$
27 % ( / // // )
A ; @I A A " B
p ,
4 ; /- / B
H A A A
3 5
H
pp f
I q = 66
:/ ) /$ /:/ )
molto vib.
! 7 # :/ $ # :/ $ 7 :-/ ($
ST N
Vln. 0 A % # 7 ( ;
A @I A A " B
ppp 8 ff f
7 >/9 ($ :/ ) /$ / D-/ :-)

ST N molto vib.
7 % # # 7 # ( ;
/$ /$ /$
$A A @I . A A "
8 ff-
Vln.
/ / f
/$
ppp
EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF:/ / -/
// ( $ D/ :/ / $
9 )
N
A DD// $ //$$
ST
6 7A % # #
@I /$
7
A /
#
A /$
7
" ( ;
; 8 ff ;
Vla.
ppp f f
> -/,
/ $$
/
# 1/ $ B ($
N
B 5 5 /.$ -/
/$
/ )
ST
27 % # 7 # 7 ( / / / )
A A @I A A "
8 ff ;
Vc.
-
ppp f f
27 ' # ' ' @I :&''$

7 '' B ($ 4
/'$
# .
A /$
# 7
" A /
(acc. trém.)
A :& A " + + ( . %
8 ff / )
Cb.
ppp (go to harmonic sound) f

17
-
> -/, :-/,
q = 56
! 7 B ($
>/ / >/ / :/ :/ / / : /130 /
/ B 5 / :/ / B 5 128 / >/ D/ / > / D / 7 B ($
5
/:/ /
5 T.R.
B 5 # ( # # #
126
+ / /:/ ( / %
/ $ /, @I
% %
132 134
B. Fl. $ " A A A @I
/ / / :/ :/ >/ :/ :/
ff ff ff 6 6 fff
3 ff-
> -/,
5 5 p
- -/,
p p
>/
7 / $ :/ -/ D-/, / >/ >/ D/ / , / >/ 7 B
A ($
,
=5 / B 5 :/ / / # :/ = :/ / # # #
Cl.
"$ " B ( + 5 5= ( A 5 5 % % @I % A % @I
ff mp ff fff
f 7
5
% ( %;
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, # %; 7 %; % ( % ( # % # %
Tape $ 7" ; ( < < < < < < < < < < < < < < < < A ( ( A ( ; ; @I ; 5 A ;
#
( ( @I
:-/, D-/, /, / >/ -,

($ = 7A :/B ( $
>/, -/,
/ /:/ 5
3
C Tpt. $ 7" :) :/
; ( B 5 5 / / ( B # 5
A ( B % % #
@I % #
A % #
@I
5
/$ /$
f pp mf ff fff
# '';
/
'
lv.
- 5
($ ($
-/ / $
/ / 5$
-9 -9 # -/ ")
) "
5
7
0" % + 5 5 / / = / / = 7A % % # #
Perc.
/ / B A ; @I A @I
f 5 ppp f
fff
7 # 7 # . # #
$" % % % A % A :/ :/ @I /$ A /$ @I
/$ /$
E. Gtr.
#
/ / /
>:://*// $$$$
fff
: */ */
>::/*/// >::/*/// *
//// # 5 /B /
$ 7" % >::////
* A
7
A % % % #
@I % #
A % #
@I
2 7 // ( $ // $$
@I // $$
9
# .
E. Pno.
:::/// $
# 7 # / #
/$
+ D// // // // // //
::: /// $$ /$
" / A A A / :/ / @I
* / 4
,
-, / D /* /* -* /* / /
fff ff A* *A A A A fff H
,/$+
>/ ) q = 56
! 7 % + ' ' # '' 7 '';
/
(
sord.
% % # % # % #
Vln. 0 " A A @I A @I
ff fff
-/ > / D-/ > / / :/ :/ D/

7 / / / / >/ // D/ :/ /:/D/ / / / > / :/D/ / :/ D/ D/ >/
:/ # -/ :/ D/ / 5 7 / ($
- sord.
# # #
% % % %
3
Vln. $" :/ A B A B @I A @I
mp f
3 5 fff 5 6
ff
/ */ */ */ */ */ */ */ */ */ */ */ */ / : / D / / : / D / > / / : / > / / D / > / / / D / > / : / D / /

6 7"
) # 7 B ($ # # #
sord.
Vla. A A % % @I % A % @I
f f
5 6 7 5 fff
/ / -/,
2 7 -) /
:/ :/ $ >/ -*/
# D/ / / 7 B ($ % % # % # % #
Vc. " A A @I A @I
f f
3 fff
2 7 9 ($ :/ - # '
:/ $ ' @I '.
# 7 # #
" " / A /$ A '
Cb. + / / / A / @I
- - fff
/ / /$ /$
f ff
pitch down the 4th string
18
! # % 7 9 ($ 138#
T.R.
" # @ J G
/$
% % % + % + + % %
136 140 142 144 146
B. Fl. $ @I . A / @I " '' && '' && '' && " " "
3 ff-
p
, p mf 0 p mf 0 p mf 0
# 7 # " # @ J G
Cl.
"$ @I % % A % @I % " % % % % % % " % " % "
J
# %; 5 %; 5 7 ( ( # %; 5 "
$ @I # @ G
Tape A @I " % % % % % % " % " % "
# <$
$ @I < ( 7A % # % " % % % % % % # % @ J
% G
C Tpt.
; B @I " " " "
/$ / < CUT
'; 7' J
3 * "&
# # B " 5 /.$ 8 # @ G
lv.
0 @I % A @I ( " / + 8 + + /. + 8 ( /. + ( /. + + ( /. 8 % " % " % "

-* -*
Perc.
ppp f p
ff f
9 ($ +
# 7 # "
(cut)
# @ J G
$ @I /.$ /$
. A / @I /.$ " 8 % % % % % " % " % "
/$ /$ /$
<
E. Gtr.
#
/ <
# % 7 # " # @ J G
$ @I % A % @I % " % % % % % % " % " % "
9 ($ +
E. Pno.
2# . 7 # " # @ J G
@I / $ /$
. A / @I /.$ " 8 % % % % % " % " % "
:,;
<
K
! # % J
staticco
% 7 % # % " >11 11 11 11 11 11 # @ G
Vln. 0 @I A @I " " )) + " % "
pp 0
J
staticco
#
$ @I % % 7 % # % " :11 11 11 11 11 11
# + @ % G
Vln. A @I " " )) " "
pp 0
" 111 11 11 11 11 11 # )) J
staticco
# %
6 @I % 7 % # % + @ % G
Vla. A @I " " " "
pp 0
2# % 7 # " # @ J G
Vc. @I % A % @I % " % % % % % % " % " % "
9 ($ +
J
" @I /$'' '. 7 '
@I ''.
SP ON BRIDGE
2# . # " # @ G
/$'
Cb. A ' " 8 % % % % % " % " % "
/ /$ /
mf
START VIDEO PART. 2 AT CONDUCTOR SIGN
J q = 110
19
! Gon new mesures for groups of repeted

N.B. : in this part, accidentals are only repeted
DON'T MOVE
A. Fl. $ " %
notes 148
% %
150
% # % G
" "

DON'T MOVE
G # G
"$ " %
on new mesures for groups of repeted notes
+ % + " % "
/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
Cl.
> /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, > /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
ppp mf ppp ppp mf ppp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, # E -% -%
Tape $ "G " + , , "G
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, #
DON'T MOVE
$ "G % 8 < < < < < < < < < < < < < < < < < < < < < < < < < < < <<<<< <<<<8 8 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <<<<< " % G
C Tpt. "
" <9 ($ +
(cut res.) DON'T MOVE
G
0" / + + % + + % + + % + + % # + G
Perc.
/ / / "
mf

DON'T MOVE
G
$" %
% % % # % G
E. Gtr. " "
#
DON'T MOVE
$ "G % % % % # % G
" "
E. Pno.
2G % % % % # % G
" " "
J q = 110
! G
DON'T MOVE
Vln. 0 " %
on new mesures for groups of repeted notes senza sord.
% % % # % G
" "

DON'T MOVE
G
$" %
on new mesures for groups of repeted notes senza sord.
% % % # % G
Vln. " "

DON'T MOVE
6 "G # G
senza sord.
% % % % %
Vla. " "

DON'T MOVE
2G %
% % % # % G
Vc. " " "

DON'T MOVE
2G # G
" "
% % % % %
Cb. " "
20
! G %
152
8
154
8 + % "
A. Fl. $" /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, "
G "
Cl.
"$ " + +
/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
8
> /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, > /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
+ 8 % +
> /*, /*, /*, /*, /*, /*, /*, /*,
"
ppp mf ppp ppp mf ppp ppp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, "
Tape $ "G "
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, "
C Tpt. $ "G % + <<<<<<<< <<<<<<<<<<<<<<<<<<<<<<<<<<<< % + <<<<<<<<<<<<<<<<<<<<<<<<"
ppp mf ppp ppp mf
G
0" / + + % + + % + + 8 + + + 8 + "
Perc.
/ / / / / "
mf
SOUND 2
G
$" % % % % "
E. Gtr. "
#
SOUND 1
$ "G % % % % "
"
E. Pno.
2G % % % % "
" "
! G % % % % "
Vln. 0" "
G
$" % % % % "
Vln. "
Vla. 6 "G % % % % "

"
2G % % % % "
Vc. " "
2G "
" "
Cb. % % % % "
21
! "
156
%
DON'T MOVE
% G ( "!
" 8 + + +
158 160
A. Fl. $" /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
DON'T MOVE
" G !
Cl.
"$ " > / / / / / / / / / / / / / / / / % " 8 + >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, + + /*, /*, /*, /*, >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, ( "
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, -*, ppp mf ppp ppp mf ppp
E -% -% G <, <, <, <, <, <, <, <, <, <, <, <, <, <,
f
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, !
Tape $ "" + + , , " "
f
*<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<, *<,
*, *, *, *, *, *, *, *, *, *, *, *, DON'T MOVE
C Tpt. $ "" < < < < < < < < < < < < + % G
" % + !
"
ppp mf ppp
ppp
9 $
(cut res.) DON'T MOVE
" + + + G !
Perc. 0" / <( + + + " / + + 8 + / / + + 8 / + / + + 8 + / "
mf
DON'T MOVE
"
$" % % G % % % !
E. Gtr. " "
#
DON'T MOVE
$ "" % % G
" % % % !
"
E. Pno.
2" % % G % % % !
" " "
! " %
DON'T MOVE
% G % % % !
Vln. 0 " " "
DON'T MOVE
"
$" % % G % % % !
Vln. " "
DON'T MOVE
Vla. 6 "" % % G
" % % % !
"
DON'T MOVE
2" % % G % % % !
Vc. " " "
DON'T MOVE
2" G !
" "
Cb. % % " % % % "
22
! ! DON'T MOVE
K
A. Fl. $ " (
162
% I %
164
+ +
/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /, " /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /,
****************
ppp
-
mf
pp mf
$
DON'T MOVE
! I
Cl.
"$ " ( /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, % " + /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, 8
*****************- ppp mf ppp
ppp mf
<, <, <, <, <, <, <, <, <, <, E -% -% , , ,
I < < < <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "! + + + , , "
f
DON'T MOVE
C Tpt. $ "! % % I
" % %
9 $
DON'T MOVE
! I
(cut res.)
Perc. 0" / + + 8 < ( % " / + % / + %

mf
DON'T MOVE
!
$" % % I % %
E. Gtr. "
#
DON'T MOVE
$ "! % % I
" % %
E. Pno.
2! % % I % %
" "
! ! DON'T MOVE
K
% % I 8 + (
Vln. 0 " " /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, (
ppp mf ppp
DON'T MOVE
! % % I
Vln. $" " 8 + (
>/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
(
ppp mf ppp
DON'T MOVE */, */, */, */, */, */, */, */, */, */, */, */,
Vla. 6 "! % % I
" % 8 +
ppp
DON'T MOVE
2! % % I % %
Vc. " "
DON'T MOVE
2! I
" "
Cb. % % " % %
23
! I 8$ 8$
DON'T MOVE
!
$ " /, /, /, /, /, /, /, /, + >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, >/*, /*, /*, /*, /*, /*, /*, /*, + %
166 168
"
* * * * * * * *
A. Fl.
ppp ppp mf ppp
-/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /,
DON'T MOVE
I !
Cl.
"$ " 8 + ( ////////// / / / / / / / / / / / / / / / / / / / / / / (
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
+ (
-
% "
ppp ppp
mf ppp mf
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, E -% -% !
Tape $ "I + + + + , , "
f
DON'T MOVE
C Tpt. $ "I % % % % !
"
DON'T MOVE
I
0" / + % + % + % % !
Perc.
/ / "
DON'T MOVE
I
$" % % % % !
E. Gtr. "
#
DON'T MOVE
$ "I % % % % !
"
E. Pno.
2I % % % % !
" "
! I DON'T MOVE
!
Vln. 0 " ( /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, ( + + % "
* * * * * * **** ************ * * * * * * * * * * >/*, /*, /*, /*, >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /,
ppp mf ppp ppp mf
- mf
DON'T MOVE
I
$" 8 + + ( ( + % % !
Vln.
/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, "
ppp mf ppp
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
6 "I / / / / / / / / / / / / / / / / / / / / +
DON'T MOVE
8 + + % !
Vla. "
ppp mf ppp
mf ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
2I % + + + + % !
Vc. " "
ppp mf ppp
DON'T MOVE
2I !
" "
Cb. % % % % "
24
! !
L
********
% + + % + + + >/, /, /, /, /, /, /, /,
170 172
A. Fl. $ " /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
ppp mf ppp ppp
!
Cl.
"$ " 8 /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
8 +
/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
+ %
ppp ppp mf
mf ppp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "!
C Tpt. $ "! % % % 8 >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
ppp mf ppp
/* /* /* /* /*
(guerro, play mechanically, like a human sampler)
!
0" + + 8 + + 8 + + 8 + + 8 + + 8
Perc. $ $ $ $ $
6? ?
p
/ )$
E. Gtr.
!
$" % % % % + ($ B
#
mp
>1* * * * *
(sounds like harmonics of tape)
$ "! + >>11
1 + >>1>1
1
1 + >>1>1
1
1 + >>1>1
1
1 + >>1>1
1
1
E. Pno. mp // ))
2! % % % % + + ( ;
"
! ! 8
L
Vln. 0 " + ( ( + 8 % 8$ + ( /, /,
>/*, /*, /*, /*, /*, /*, >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, >/*, /*, /*, /*, /*, /*, **
ppp mf ppp ppp
!
$" % 8$ ( -/ / / / / / -/ / / / / / / / / / / / / / / / / / / / -/ / / / / / ( + 8 %
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
Vln.
ppp mf ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
Vla. 6 "! % % % %
ppp mf
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
Vc.
2!
" % % 8$ + + 8
ppp mf ppp
2!
" "
Cb. % % % % %
25
! ! >*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, +
M
" ((((
7 G !
174 ord.
+ 8 % + % 8 +
176 178
A. Fl. $" " &&&& " >/*, /*, /*, /*, /*, /*, /*, /*,
-, fp
ppp
mf ppp
DON'T MOVE
! 7 G !
Cl.
"$ " 8 +
/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, " /*, /*, /*, /*,
+ " % " + ( >/, /, /, /, /, /, /, /, /, /, /, /, /, /, >/, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, (
************** ******************
ppp mf ppp
ppp mf ppp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, 7 <, <, <, <, G E -% -% ! <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "! " " + + + + + , , "
f
DON'T MOVE
C Tpt. $ "! % % 7
" % G
" % !
" % %
! EE( + E, E, ( +
" B ($ + +
, ,
G -/ "* *
(maracas, egg, close to mike)
! / / 7 ( /; /
DON'T MOVE &
Perc. 0" + $ + 8 + $ + 8 " % " + + / + + /
pp ff mf
? /? $ /? )? $ /? /? $ /? )? $ ? ? DON'T MOVE
" B ($ + +
cut
! /
$"
7 ) G < % ! % %
E. Gtr. " "
#
* *
>>1>1 >>1>1
DON'T MOVE
$ "! + 1
1 + 1
1 7
" % G
" % !
" % %
// )) // )) )
7 )
E. Pno.
2! + + ( ; + + ( ; G % ! % %
" " " "
! ! DON'T MOVE
M
Vln. 0 " / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / ( 8
7 % G % ! % %
" " "
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
mf ppp
DON'T MOVE
!
$" + + 7 % G % ! % ( >/, , , , , , , , , , , , , , , , , ,
Vln.
/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, " " " ******************
ppp mf
ppp mf ppp
" 8$
*, *, *, *, *, *, *, *, *, *, *, *, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
6 "! / / / / / / / / / / / / 8
DON'T MOVE
% 7 % G % !
Vla. " "
ppp
ppp mf
DON'T MOVE
2! % % 7 % G % ! % %
Vc. " " " "
DON'T MOVE
2! 7 G !
" "
Cb. % % " % " % " % % $
26
! !
180
$ " >/ / / / / / / / / / / / / / / / / / / / >/ / / / + + /, /, /, /, + +

182
/, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, >/*, /*, /*, /*, /*, /*, /*, /*,

*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, * ** ** *** ******************** ****
A. Fl.
mf ppp ppp mf ppp ppp
! */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, -*/, */, */, */, */, */,
Cl.
"$ " 8 + ( ( + 8 %
ppp mf ppp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "!
!
$" + 9
C Tpt.
>/*, /*, 5 /*, /*, 5 /*, /*, 5 /*, /*, 5 /*, /*, 5 /*, >/*, 5 /*, /*, 5 /*, /*, 5 + 8 % %
ppp mf ppp
! E, E, *. E, E, * E, E, E, E, *
Perc. 0" + + ( + + ( / + ( 8 / + + ( + + + ( / +
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, > */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
E. Gtr. $ "! ( ( + %
#
ppp mf ppp ppp mf
!
$" % + + ( >// // // // // // // // // // >// // // // // // // // // // // // // // // // // // // // >// // ( + + // // // // // // // //
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
E. Pno. ppp mf ppp
2!
ppp
" % % % %
! ! %
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
8 + +
*/, *, *, */, *, *, */, *, *, */, *, */,
// // // /
Vln. 0"
ppp mf ppp ppp
*, *, *, *, *, *,
/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, -/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, (
Vln.
!
$ " *, *, *, *, *, *, *, *, >/ ( + % ( +
ppp ppp mf ppp
8$
*, *, *, *,
Vla. 6 "! / / / / + + 8 + >*/, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, + 8
ppp ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
mf
*/ > / */ > / */ > / */ > / */ > / */ > / */ > / */ > / */ > / */ > / */ > / */ > / */ > / */ > / */ > / */ > /
ppp
2! + + % +
Vc. "
ppp mf ppp ppp
1
' -/ ( $
S.T. flagolets, smooth, airy
! +
"$ "
Cb. B 8 %
p ppp
27
! !
184
"
DON'T MOVE
!
/*, /*, /*, /*, >/*, /*, /*, /*, + + 8 % %
186
$ " >/ / / / /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, " "
*, *, *, *,
A. Fl.
mf ppp
DON'T MOVE
! " !
Cl.
"$ " /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / 8 " % % "
ppp mf ppp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, " E -%-% !
Tape $ "! " + + + + + + ,,"
f
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
C Tpt. $ "! + + "
" % % !
"
ppp mf ppp
! * E, E, "
DON'T MOVE
!
Perc. 0" / + + ( + % " % % "
> */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
E. Gtr. $ "! 8 % "
" % % !
"
#
ppp
DON'T MOVE
!
$ " // // // // /// /// /// /// /// /// /// /// >/// /// /// /// + + 8 " % % !
// // // // >//, / //, / //, / //, / " "
E. Pno.
*, *, *, *, *, *, *, *, * * * * *, *, *, *, *, *, *, *, *, *, *, *,
2! " !
mf ppp
" % % " % % "
! ! */, */, */, */, */, *, */, *, */, */, */, */, */, */, */, *, */, */, */, */, DON'T MOVE
0" / / / % " % % !
Vln. " "
mf ppp
! *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, "
DON'T MOVE
!
Vln. $" ( / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / // ( + " % % "
ppp mf ppp
DON'T MOVE
Vla. 6 "! % % "
" % % !
"
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
DON'T MOVE
2! + % " % % !
Vc. " " "
mf ppp
DON'T MOVE
! 2" !
"$ "
Cb. % % " % % "
28
! !
N
188
% + >/*>/ / / / / / / / / / / / / / / >/>/ / / / / / / / / / / / / / / + = >/ / / / // / / / / / / / / / / /
190
A. Fl. $ "
*, *, *, *, *, *, *, *, *, *, *, *, *, *, /*, /*, / /*, /*, /*, /*,
ppp mf ppp ppp mf
! *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, $
Cl.
"$ " 5>/ / / / / / / / / / / / / / / / / / / >/ / / / / / / / / / / / /B ( + + /* / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
+
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "!
!
$" % + ( >/ / / / / / / / / / / / / / >/ / / / / / / / / / / / / / / / / / ( %
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
C Tpt.
ppp mf ppp
! *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E
(with back and forth movement)
Perc. 0"
F
ppp mf ppp
/ / // / // / // / // / / / / // / // / / / / // /(
$ "!
hold bend
E. Gtr. % %
#
ppp
3 3 3 3 3 3 3 3 3 3
mf ppp
5 5 5 5 5 5 5 5 5 5 5 5 6 6 6
!
$" + //:/ // / // / // / // / // / // / // / // / // / //:/ // / // / // / // / // / // / // / // / // / // / // / // :/ // / // / // / // / // / // / // / 8 8 />>// D/>>///>>// D/>>///>>// D/>>// />>// D/>>///>>//
ppp mf ppp ppp
E. Pno.
2! % % % %
"
! ! +
N
Vln. 0 " /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / /* / + % %
ppp mf ppp
!
$" % % + + ( /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /,
* ********* * * * * * * * * * * * * * * * * * * * *
Vln.
ppp mf
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */
Vla. 6 "! % + + + + + / / / / / / /
ppp mf ppp ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
2! 8 + + + 8 %
Vc. "
ppp mf ppp
2! */?, */?, */?, */?, */?, */?, */?, */?,

" "
Cb. % % % $ + + +
ppp
29
! !
192
= + + = >/,
$ " / >/ /*, /*, /*, / /*, /*, /*, /*, / /*, /*, /*, /*, / /*, /*, /*, /, /, /, / /, /, /, /, / /, /, /, /, / /, /, /, /,
A. Fl.
*, * * * * * * * * * * * * * * * *
ppp ppp
! *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
Cl.
"$ " 8 + ( / / / / / / / / / / / / / / / / / / / / / / / / / /
ppp mf
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "!
!
$" + +
C Tpt.
>/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, >/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
ppp mf ppp
Perc.
! *E
0"
*E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E
mf
*/, */, */, */, */, */, */, */, */, */, */, */, */, */,
E. Gtr. $ "! % + (
#
ppp
6 6 6 6 6 6 6 6 6 6
!
$ " / >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// / >>// D/ >>// /, 5
mf ppp
E. Pno.
2! % %
"
! ! >*/, *,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*
>/,
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/
*,
/ 8
Vln. 0"
ppp mf ppp
5 5 5 5 5 5 5
!
$ " /, /, ( + + // :/ // / // / // / // / // :/ // / // / // / // / // / // / // / // / // / // / // / //
* *
Vln.
ppp mf
ppp
Vla. 6 "! / / / / / / / / / / / / / / / / / / / / / / / / + + 8
mf ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
2! + + + +
Vc. "
ppp mf
?
! */, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?, */?,
"$ "
Cb. + + 8
mf ppp
30
O *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
! !194 DON'T MOVE
!
>/ / / / / / / / / / / / / / / / / /
/ /, /, /, /, / /, /, /, = % % " (
196
A. Fl. $ " />/ /, /, /, //, /, /, /, / /, /, /, /,
*, * * * * * ** ** ** ** ** ** *
mf ppp ppp mf
! *, *, *, *, *, *, DON'T MOVE
! > */, */, */, */, */, */, */, */, */, */, */, */, */, */,
Cl.
"$ " / / / / / / ( + 8 % % " + (
ppp ppp
<, <, <, <, <, <, <, <, <, <, E -%-% ! <, <, <, <, <, <, <, <, <, <,
Tape $ "! + + + + + + + + ,,"
f
DON'T MOVE
!
$" % % % ! %
C Tpt. "
*E *E *E *E *E *E *E *E *E *E
! *E *E *E *E *E *E *E *E *E *E
DON'T MOVE (with straight movement)
Perc. 0 "! % % " /

mf
ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
!
$" ( % % ! %
E. Gtr. "
#
mf ppp
DON'T MOVE */, */, */, */,

! % % % !
$" " + + + +
E. Pno. ppp
2! % % % ! %
" "
*/, */, */, */, */, */,

! !
DON'T MOVE
O
% % % !
Vln. 0 " " + + + (
ppp
5 5 5 5 5 DON'T MOVE > */, */, */, */, */, */, */, */, */, */, */, */,
!
$ " :/ // // // / // /// / // /// / // / /// // / // /// / % % !
Vln. / / " + +
ppp ppp
DON'T MOVE
Vla. 6 "! % % % !
" %
*/, */, */, */, */, */, */, */,

DON'T MOVE
2! + 8 % % ! %
Vc. " "
ppp
DON'T MOVE
! !
"$ "
Cb. % 2 % % " %
31
*, *, *, *, > */, */, */, */, > */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, > */, */, */, */, */, */, */, */,
! >/ / / / +
198
( ( +
200
+ (
*/, */, */, */, */, */,
A. Fl. $
ppp ppp mf ppp ppp
> */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, ( $
Cl.
"$ ( + + B
mf ppp ppp mf ppp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $
*, *, *, *, *, *, *, *, *, *, *, *,
C Tpt. $ % % + + / / / / / / / / / / / /
ppp
*E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E *E
Perc. 0 / / /
mf pp mf
>/ >/ >/ >/ >/ >/ >/ >/ >/ >/ >/ >/ >/ >/ >/ >/ >/ >/ >/
/ / >/ / >/ / / >/ / >/ / / >/ / >/ / / >/ / >/ / / >/ / >/ / / >/ / >/ /
(arp. sul 1, 2, 3)
E. Gtr. $ %
#
ppp
5 5 5 5 5 5 5 5 5 5 ppp
mf
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
>>/, / /, / >>/, / /, / /, / /, / /, / /, / /, / /, / /, / /, / /, / /, / /, / /, / /, / /, / /, / ( $
9
$ + + (
* * * * * * * * * * * * * * * * * * *
ppp mf pp
E. Pno. mf ppp
2 % % %
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
! ( + 8 + 7/, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /,
Vln. 0
* * * * * * * * * * * * * * * *
ppp
mf ppp
> */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, */, */, */, */,
Vln. $ ( 8 ( ( +
ppp mf ppp
/* */ */ */ */ */ */ */ */ /* /* /* /* /* /*
mf ppp
*/ */ */ */ */ */ */ */ */ */ */ */ */ */ */
Vla. 6 + + + 8
ppp
3 3 3 3 3 3 3 3 3 3
mf ppp
2 */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
Vc. % 8 + + $
ppp mf
: */, */, */, */, */, */, */, */, */, */, */, */,
2
"
Cb. % % 8 2
ppp
32
P
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,204 */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
! ! */, ($
DON'T MOVE
8 8
202
% " "
A. Fl. $ " B " "
f ppp mf ppp
DON'T MOVE 7 */, */, */, */, */, */, */, */, */, */, 7 */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
! " + "
"
Cl. $ " % % " ( "
ppp mf
E -% -% , ,
" < < <, <, <, <, <, <, ,
" < <, <, <, <, <, <, <,
Tape $ "! + + + + + + + + , , " "
f
($
*, DON'T MOVE
C Tpt. $ "! /
B
8 8 % "
" % "
" %
mf
DON'T MOVE
Perc. 0 "! % % "
" % "
" %
DON'T MOVE
!
$" % % " % " %
E. Gtr. " "
#
DON'T MOVE
$ "! % % "
" % " 8
" 8
E. Pno.
2! % % " % " %
" " "
P
* * * * * * * * * * * *
! ! 9 > */, > /, > */, > /, > /, > */, > */, > /, " > */, > /, > */, > /, > /, > */, > */, > /, > */, > /, > */, > /, > /, > */, > */, > /,
Vln. 0 " 7/ ($
DON'T MOVE
8 8 % " + +
*, " "
f ppp mf
DON'T MOVE
Vln. $ "! % % "
" % "
" %
DON'T MOVE
>*/, */, */, */, */, */,
Vla. 6 "! % % "
" % " +
" + (
ppp
($
*, DON'T MOVE
Vc. $ "! /B 8 8 % "
" % "
" %
f
: */,
($
DON'T MOVE
2! B " "
" "
Cb. 8 8 % " % " %
f
33
! %
206
+ / / / / / / / / / / / / / / / / / / / / / / / / / / / 5
A. Fl. $
7 */, */, */,

ppp mf ppp
*/, */, */,

-*/, */, -*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, */, */,
Cl.
"$ ( + ( ( (
ppp
ppp mf ppp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
C Tpt. $ % % / / / / / / / / / / / / / / / /
ppp
Perc. 0 % % %
(arp. sul 1, 2, 3) / :/ D/ / :/ D/ / :/ D/ / :/ D/ / :/ D/ / :/ D/ / :/ / / :/ D/ / :/ D/ / :/ D/ / :/ D/ / :/ D/ / :/ D/
E. Gtr. $ % 5
#
ppp
5 5 5 5 5 5 5 5
mf ppp
/ >/ / / / / / / / / / / / / / / / / / / / >/ / / / / / / / / / / / / / / / / / / / >/ / / / / / /

$ ( 8
ppp
5 5 5 5 5 5 5 5 5 5
E. Pno. mf ppp
2 % % %
*, *, *, > */, > */, > */, > */, > */,
! >/ >/ >/ 8 8 +
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
Vln. 0
ppp ppp
5 5 5 5 5 5 5 5 5 5
Vln. $ + // :/ // / // / // / // / // / // / // :/ // / // / // / // / // / // / // / // / // / // :/ // / // / // / // / // / // / // / +
ppp mf ppp
>*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */,
Vla. 6 ( + / >/ / / / / / / / / / / / / / / / / / /
mf ppp ppp 5 5 5 5
f
* *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
$ + + >/, / / / / / / / >/ / / / / / / / >/ 8
Vc.
*, *, *, *,
ppp mf ppp
2 >*/, */, */, */, */, */, */, */,

"
Cb. % % + +
ppp
34
! " :-/, DON'T

Q
($
208 MOVE
+ 8 % % %
210
A. Fl. $ " B
ff
DON'T MOVE
"
"
Cl. $ " % % % %
Tape
"E
$" + + + + + + + + + +
-%
,
-%
,
<, <, <, <, <, <, <, <,
f
$ "" /B ( $
-, DON'T MOVE
C Tpt. + 8 % % %
mf
DON'T MOVE
Perc.
"
0" % % % %
DON'T MOVE
E. Gtr. $ "" % % % %
#
*/, */, */, */, */, */, */, */, */, */, */, */,
DON'T MOVE
"
$" % % % +
ppp
E. Pno.
2" % % % %
"
*/, */, */, */, */, */,

! " -/, DON'T
Q
$
MOVE
Vln. 0 " B ( + 8 % % 8 (
ppp
mf
DON'T MOVE
Vln.
"
$" % % % %
DON'T MOVE
Vla. 6 "" % % % %
DON'T MOVE
Vc. $ "" % % % %
-, DON'T MOVE
2 " >/B ( $
" "
Cb. + 8 % % %
mf
35
! " +
212
+
>/ / / / / / / / >/ / / / / / / / / / / / / / /
" / 214 > / / / / / / / / / / / / / // / 8 + =/ / / /
$" "
*, *, *, *,
A. Fl.
-/ 7/ / 7/ / 7/ / 7/ / 7/ / 7/ / 7/ / 7/ / 7/ / 7/ -/ 7/ / 7/ / 7/ / 7/ / 7/ / 7/ / 7/ / 7/ / 7/ / 7/
ppp mf ppp ppp
" " 7*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
"
Cl. $ " " + + 8
ppp
5 5 5 5 5 5 5 5 ppp
mf ppp
, <, <, <, <, <, <, <, , <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
" <
$"
" <
Tape "
C Tpt. $ "" % "

" % % %
"*"*
" " ( */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, "( (
"
Perc. 0" % " ( + 8
ppp mf ppp
$ "" % " % % + + + / :/ // /
5
E. Gtr. "
#
ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
"
$"
"
" + + :://D/://D/ :// D/ :://D/://D/://D/://D/://D/://D/://D/://D/:://///////// / ::///////////////////////////// ////(
mf ppp 6 6 6 6 6 6 6 6 6
E. Pno.
2" % " % % %
" "
*/, *, *, *, *, *, *, *, */, *, *, */, *, *, *, *, */, */, */, */, */, */, */, */, */, */,
! " / / / // / / / / / / / /
" ( + + >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
Vln. 0" "
mf ppp ppp mf
Vln.
"
$" % " +
" :*/, */, */, */, */, */, */, */, */, */, */, */, :*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, :*/, */, */, */, + 8
ppp mf ppp
: */, */, */, */, : */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, */, */, */, */, */, */,
Vla. 6 "" % " +
" + + +
ppp mf ppp
Vc. $ "" % "

" % % + :/ / / / / / / / / / / /
ppp
2" "
" "
Cb. % " % % %
36
! "
216 DON'T MOVE
$" // / / /// / / // / / / / // / / / / / / / / // / / / / / / / / // / / = % %
218
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
A. Fl.
mf ppp
" 7/, /, /, /, /, /, /, /, /, -/ -/ / / / / / / / / / / -/ -/ / / / / / / / / / / / / / / / / / / / / / /
* *** * *** * */, */, */, */, */, */, */, 6 6 6 6 6 6 DON'T MOVE
"
Cl. $ " + + %
mf ppp ppp mf ppp
,
" < <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, E
Tape $" + + +
f
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
C Tpt. $ "" + ( % %
ppp mf ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
Perc.
"
0" 8 + ( ( %
ppp mf ppp
DON'T MOVE
$ "" :/ / / / / / / / / / / / / / / / / / / / :/ / / / / / / / / / / / / / / / / / / / :/ / / / / + 8 %
5 5 5 5 5 5 5 5 5
#
E. Gtr.
mf ppp
DON'T MOVE
"
$" + + / / / + %
6 6 6 6 6 6 6 6 6
// / / / / / / / / / / / / / /
>> // / // / // / // / // / // / >> // / // / // / // / // / // / // / // / // >// // // // // // >// >> // // // // // // // // // // // / // / // / //
E. Pno. ppp f ppp
2" % % % %
"
! " >*/, */, */, */, + 8 + (

*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
%
Vln. 0 "
ppp ppp mf ppp
DON'T MOVE
"
$" 8 +
5 5 5 5 5 5 5 5 5
%
Vln.
>/ / / / / / >/ / / / / / / / / / / / / / / / / / / / >/ / / / / / / / / / / / / / / / / / /
ppp mf ppp
> */, */, */, */, */, */, */, */, */, */, > */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
Vla. 6 "" % + ( %
ppp mf ppp
DON'T MOVE
Vc. $ "" :/ / / / / / / / / / / / / / / / :/ / / / / / / / / / / / + % %
mf ppp
DON'T MOVE
2"
" "
Cb. % + ( /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, %
ppp mf ppp
37
R
! "
220
% % # >*/, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, 224>*/, */, */, */, */, */, */, */, */, */, ( */, */, */, */,
" + + + +
222
A. Fl. $"
ppp mf ppp ppp
" # */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
Cl.
"$ " % % " + ( + %
ppp mf ppp
" -% -% ,
# < <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $" + + + + + + + , , "
# , , , , , , -, , -, - -,
$ "" <, < < 5 <, 5 <, <, 5 <, <, <, <, <, <, <, <, 5 <, 5 <, <, 5 <, <, <, <,
rythmic part with drums, close to mike
C Tpt. % % " < 5 < < 5 < < 5 < < <
f
, , , , , , ', -', ', ', ', ', ', -', ', ', ', ', ', ', ', -', ', ', ', ', -', ', ',
# ' 5 ' ' 5 ' ' 5 '
with trumpet
"
0" % % 5 5 5 5 5 5
Perc. "
mp
E. Gtr. $ "" % % #
" % % % %
#
))) $$$ >)))) $$$$ ))) $$$
" % % #
$" " + >)))) ) $ ) $
E. Pno. mf
2" % % # % %
" "
)$ )$
R
! " % % # % >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, ( + +
Vln. 0 " "
ppp mf ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
"
$" % % # % + + (
Vln. "
ppp mf ppp
Vla. 6 "" % % #
" % % % %
Vc. $ "" % % #
" % % % %
2" #
" "
Cb. % % " % % % %
38
! # */, */, */, */, */, */, */, */, */, */, */, */,
226
*/, */, */, */, */, */, */, */, */, */,
(
228
+ + :*/, */, */, */, :*/, */, */, */, */, */, */, */, */, */, */, */, 230:*/, */, */, */, */, */, */, */, */, */, (
A. Fl. $"
f ppp ppp f ppp
# -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, ( :*/, */, */, */, */, */, */, */, */, */, */, */, :*/, */, */, */, */, */, */, */,
Cl.
"$ " + + +
ppp f ppp ppp f ppp
, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape
# <
$"
- -, , - -,
$ "# ( <, 5 <, <, 5 <, <, 5 <, <, < < 5 <, 5 <, <, 5 <, < <, <, <, <, <, <, <, 5 <, 5 <, <, 5 <, <, <, <, <, ( <, <, <, <, <, <,
C Tpt.
B
', -', ', ', ', ', ', -', ', ', ', ', -', -', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ',
Perc.
#
0" ( B 5 5 5 5 5 5 5 5 5 (
E. Gtr. $ "# % % + ( +
> /*, /*, /*, /*, /*, /*, /*, /*, > /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, > /*, /*, /*, /*, /*, /*,
#
ppp mf ppp
))) $$$ >)))) $$$$ ))) $$$

#
$" + + +
>)))) ) $ ) $ >////
E. Pno.
2# % % %
"
)$ )$
! # */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
Vln. 0 " 8 (
ppp f ppp ppp f ppp
# % % + + >*/, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */, (
Vln. $"
ppp f ppp
> */, */, */, */, > */, */, */, */, */, */, */, */, */, */, */, */, > */, */, */, */, */, */, */, */, */, */,
Vla. 6 "# % + + ( %
ppp f ppp
Vc. $ "# % % % % %
2# >*/, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */,
" "
Cb. % % + ( +
ppp f ppp
39
! # DON'T MOVE
S
% % % % %
232 234
A. Fl. $"
DON'T MOVE
#
"
Cl. $ " % % % % %
Tape
# E
$" + + + + + + + + + +
-%
,
-%
,
<, <, <, <, <, <,
f
<, 5 <, <, 5 <, <, 5 <, <,

DON'T MOVE
$ "#
with drums
C Tpt. % % % %
f
/,
', ', ', ', ', ',
with trumpet
DON'T MOVE
Perc.
#
0" % % % % 5 5 5
mp
)
:))
DON'T MOVE
E. Gtr. $ "# % % % % +
#
mf
DON'T MOVE
#
$" % % % % + >)))*)
E. Pno. > *))
2# % % % % +
"
f
! #
S
DON'T MOVE
-)4
Vln. 0 " % % % % +
f
#
DON'T MOVE
4
Vln. $" % % % % + )-
f
1-)
4
molto vib. expr.
DON'T MOVE
Vla. 6 "# % % % % +
ff
DON'T MOVE
4
Vc. $ "# % % % % + >)
f-
2#
DON'T MOVE
-4
" "
Cb. % % % % + $
)
f
40
! #
236
% %
238
>*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, 240>*/, */, ( + :*/, */, */, */,
A. Fl. $"
ppp mf ppp ppp
# */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */,
Cl.
"$ " % + + ( +
ppp mf ppp ppp
, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape
# <
$"
-, , , , , , -, - -, -, , -, , - -,
C Tpt. $ "# < < 5 < 5 < < 5 < < <, <, <, <, <, <, <, 5 <, 5 <, <, 5 <, <, < <, <, < < 5 <, <, <, <, < < 5 <, 5 <, <, 5 <, < <,
-', ', /, -', -', -', -', ', -', ', -', -',
# ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ', ',
Perc. 0" 5 5 5 5 5 5 5 5 5 5
)) $$$
lv
) )) $$$
lv
# ) % % + :)) )
E. Gtr. $"
#
mf
)))) $$$ )))) $$$ )))) $$$

# . .
$" //// ( >)))*) //// ( >)))*)
* * * * *
*) $$ */ > *)) *) $$ */ > *)) *) $$
E. Pno.
2# ) / ) / )
" ; ( ; (
mf
! # )$ )$ */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
SP
Vln. 0 "
) + +
ppp ppp f
' '
)' /'
# *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
Vln. $ " )$ / ( / / / / / / / / / / / / / / / / / / / / / / / / / / +
mp ppp ppp mf ppp
6 "# 1/ 1) ''
D/ / )$ / / )
SP
Vla. +
mp ff mf ppp
Vc. $ "# ) $ )$ / + + % + + >/* / / /

ppp
ppp
SP
# )$
"$ "
Cb.
)$ / + + % %
ppp
41
! # :*/, */, */, */, */, */, */, */, */, */, */, */, 242 :*/, */, */, */, */, */, ( + +
/> / / / / / / / / / 244 /> / / / / / / / / / / / / / / > / / / / / / / / / / / / / / /
A. Fl. $"
f pp
5 5 5 5 5 5 5 5
ppp mf ppp
# -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, ( -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, ( -*/, */, */, */, */, */, */, */,
Cl.
"$ " +
f ppp ppp f ppp ppp
, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape
# <
$"
, , , */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
C Tpt. $ "# < < < <, <, <, + % % +
ppp f
', ', ', ', ', ', -/ / / / / / -/ / / -/ -/ / / / / / / / / / -/ / / / / / /, -', ',

# - -/
Perc. 0" 5 B ( / 5 ( ; 5 5 ( ;
mf f mf
$ "#
arp. sul 4,5,6
% % % +
5 5 5 5 5
E. Gtr. / >/ / >/ / >/ / >/ / >/ / >/ / >/ / >/
:/ :/ :/ :/ :/ :/ :/ :/ :/
#
ppp
/ ) >/ / / / / / / /
# . >/ / / / / . .
$" //// ( >//// ( / ) ; ( / / ( ; ( >//// //// ( /
* ;
*/
E. Pno.
2 # /; (
> // /// ))) . : // // > // // ///
" ( ; $ :/// /// /// ( >// /// ( 2 :/; / ( ; ; (
/
H mp f
! # */, */, ( -*/, */, */, */,

*/, */, */, */, */, */, */, */, */, *, *, *, *, *, *, *, *, *, *, *, *, *,
/
Vln. 0 " + + ( % + +
pp ppp f pp ppp
*/, */, */, */, */, */, */, */, */, */, */, */,
#
$" +
5 5 5 5 5 5 5 5
%
Vln. /// / //// / / /// / //// / //// // ///////////////
ppp mf ppp ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
Vla. 6 "# % + + ( %
ppp f ppp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
$ "# >/ / / ( % + ( 2
/ / / / / / / / / >/ / / / / / / / / /
Vc.
ppp ppp f
mf
: */ / / / : / / / / / / / / / / / / :/ / / / / / / / / /
#
"$ "
Cb. % % 2 + + (
ppp mf ppp
42
/ -/
! #246
% 7
DON'T MOVE
% #
248 / /: /
B ($ + + G
DON'T MOVE
% #
A. Fl. $ " " " " "
ff
# -/, /, /,
* * * */, */, */, */, */, */, */, */, */, DON'T MOVE DON'T MOVE
7 # G #
"
Cl. $ " " % " % " % "
f pp f
7E -% -% G E
, <, <, <, <, <, <, <, <, <, <, <,
# <
$" , , # + + + + + + #
Tape " " " "
f
*/, */, */, */, */, */, DON'T MOVE DON'T MOVE
C Tpt. $ "# ( + 7
" % #
" % G
" % #
"
ppp
-/
/ / / / / / / / / / / / " / ($
/ / -/ / / 7 < - - - G -9
CUT
/
DON'T MOVE DON'T MOVE
#
0" 5 5 ; ( + # + + % #
Perc. " " /// "
f mf mp f
$ "# / >/ / >/ 5 7" % # % G % #

5 5 5
E. Gtr. / >/ / >/ / >/ " " "
:/ :/ :/ :/
#
-/ :/ $
f
)
pp
#
/ ) 7
DON'T MOVE
# :/ $ G
DON'T MOVE
#
$ " /; ( " % " ( " % "
2 # /// /$
f
E. Pno.
( )
$ >>))
7 % # + ( G % #
" ; " " " "
H
-/,
! # -*/, */, */, */, */, */, */, */, */, */, */, */, )$
G B ($
Vln. 0 "
7 % # + + % #
" " " "
f pp 8 ff
*, *, *, */, */, */, */, */, */, */, */, */,
# / / /
$"
7 % # % G % #
Vln. " " " "
f ppp
-) $ -,
" B ($
G /
6 "# % 7
" % #
" + + % #
"
8 ff
Vla.
pp
*, *, *, */, */, */, */, */,

" /, ($
2# / / / G 9
+ 7 % # )$ + + % #
" " " "
8 ff-
Vc. $
ppp pp

2# 7 # G #
" "
Cb. % " % " % " % "
43
*/, */, */, */,
! # > */, */, */, */, */, */, */, */, */, */, */, */, > */, */, */, */, */, */, */, */, */, */, */, */, > */, */,
250
T
% % ( +
252 254
A. Fl. $ "
ppp f ppp ppp
# -) $ ) ........................ > */, */, */, */, > */, */, */, */, */, */, */, */, */, */, */, */, > */, */, */,
bisb. */, */, */, */, */, */, */,
"
Cl. $ " + + + (
f pp ppp f ppp
# -% -% <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $" + + + + + , ,
C Tpt. $ "# % % % + + /, /, /, /,
* * * *
/, /, /,
* * *
/, /, /, /,
* * * *
/, /, /, /,
* * * *
/,
*
ppp f
/ / / / / / / / / / / / / -' / / / / / / / / / / / / / -' / / /
Perc.
#
0" 5 5 / 5 + 5 5 / / 5 + 5
p f p f
$ "# % % % % / :/ / / / / / / / / / / / / /
5 5 5
E. Gtr.
#
>> >))) $$$ >> >))) $$$ >> >))) $$$
ppp
/ /
# )$ /// :// // )$ /// :// // )$
$" ( ; ( ;
f
E. Pno.
. .
$ "# )$
)$ // ( / / )$
)$ // ( / / )$
)$
)$ / )$ / )$
> -) $
4 -)4
! # )$
T */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
) >/ >/ / / / / / / / / / /
Vln. 0 " 5 + +
ppp ppp
:-) $
f f ppp
4
) : */, */, */, */, : */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, */, */, */, */,
Vln.
#
$" ( %
f ppp f ppp
-)4 $ :*/, */, */, */, */, */, */, */, */, */, */, */, :*/, */, */, */, */, */, */, */, */, */, */, */, :*/, */, (
''
)$
SP
Vla. 6 "# + +
f ppp f ppp
' 9 ($
4
)$'
SP
$ "#
acc. arco to tremolo
-) $
+ + %
Vc.
)$ /
f ppp
2# */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
" "
Cb. % % %
ppp f
44
*, *, *, *, *, *, *, *, *, *, *, *, */, */, */, */, */, */, */, */, */, */,
! # / / / / / / / / / / / / 256
( % 7
258
% "
DON'T MOVE
%
A. Fl. $ " A "
f ppp
-*/, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */,
DON'T MOVE
# 7 "
"
Cl. $ " + ( + A % " %
ppp f ppp
"E
, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
# <
$"
7 + + +
Tape A "
f
$ "# /*, /*, /*, 5 + :*/, */, */, */, :*/, */, */, */, */, */, */, */, */, */, */, */, :*/, */, */, */, */, */, */, */, */, */, 7 "
jazz mute
C Tpt. ( A % " %
ppp ppp f ppp
-/ / / /, -', ', -/ / /
/ ($
# / / / / / / / / / / - 7 -9 "
DON'T MOVE
0" ( 5 / 5 5 5 5 / A " %
Perc. ;
f mf f mf f
SOUND 3
$ "# :/ / / / / / / / / / / / / / / / :/ / / / / / / / / / / / / / :/ / 5/ / / + + 7 % " %
5 5 5 5 5 5
E. Gtr. A "
#
/
f ppp
:/ >/
/// >> >/// :/ :/
:/ :/ >/
# :// // / :/ ; 7 "
DON'T MOVE
$" ( ; ( ; + ( + A " %
E. Pno.
: // > //
. / >// 7 >/
$ "# // ( / / // ( :://; + :/ ( :/
;
+ A
"
" %
/ /
H
! # >/ >/ / / / / / / / / / / >/ >/

( + / >/ / / / >/ / / / / / / / / / / / / / / 7 / >/ / / / "
DON'T MOVE
%
Vln. 0 " A "
f ppp ppp 5 5 5 f 5 5 ppp
# */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
$" ( + + 7 % " %
Vln. A "
ppp f ppp
-*/, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, */, */,
7 -/, /,
* * DON'T MOVE
Vla. 6 "# % ( A ( "
" %
ppp f p
:/ / / / / / / / / / :/ / / / / / / / / / / / 7 :/ / / / " DON'T MOVE

Vc. $ "# % ( 2
A " %
ppp f ppp
2 # */, */, ( >/ >/ >/ >/ / / / / / / / / / / >/ >/ / / / / / / / / / / 7 "

DON'T MOVE
" "
Cb. + ( A % " %
ppp ppp f ppp
45
U
/ / >/ :/ D/ /
! "
/ :/ D/ / >/ /
6
:/D/ ( $ :/:/D/ / :/ / > / :/ D//264

# />//D/( +
260
% % + 5 + % %
262 266
A. Fl. $ " " B
ff
7 mp mf
6 5
6
> / > / / : / D / / D / > / :/:/ D/ / : / D / / :/ : / / / > / :/

" # -*/, */, */, */, */, */, */, */,
Cl.
"$ " % % " + ( % % +
mp
5 5 5 ppp
" -% -% # <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $" + + + + + + + , , "
:) $ / $
C Tpt. $ "" % % #
" % B ( + + % %
pp ff
"
0" % % # +
"+"
% % % % %
Perc. "
E. Gtr. $ "" % % #
" % % % % %
,+
#
:/ D/ / :/ D/
/ >/ /
:/ > / / / > / / / : / : / D / D / :/: / / / > / -
/ :/ ( +
(CUT)
"
$" % % # + % %
"
f p ff
E. Pno.
$ "" % % #
" % % % % %
H
)$
U -4
! " :-/, -/,
Vln. 0 " % % # ( + + % %
"
fp ff
> -) $
4 -/, -/,
" # *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
Vln. $" % % " ( + + ( / / / / / / / / / / / / / / / / / / / ///
ppp f
-)4 $
fp ff
:-/, -/, : */, */, */, */, : */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, */, */, */, */,
Vla. 6 "" % % #
" ( + (
fp ff ppp f ppp
2" # *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
Vc. " % % " % % $ / / / ////// / / / / / / / / / / / / / / / / / ( + +
ppp f ppp
2" #
" "
% % " % % ( + +
Cb.
/*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*,
ppp f ppp
46
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
! # / / / / / / / / / / / / 268 / / / / / / / / / / / / / / ( (
:*/, */, */, */, */, */,270 :*/, */, */, */, */, */, */, */, */, */, */, */, 7 :*/, */, */, */, 272" DON'T MOVE
% %
274
% #
A. Fl. $ " A " "
ppp f ppp ppp f p
- */, */, */, */, */, */, */, */, */, */, */, */, - */, */, */, */, */, */, */, */, */, */, */, */, - */, */,
# -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, ( +
DON'T MOVE
7 " #
"
Cl. $ " A ( " % % % "
f ppp ppp f p
"E -% -% #
, , , , , , <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, , <,
# < < < < < <
$"
7 < + + + + + + + + + + , , "
Tape A "
f
:) $ / ) / /
" B ($ +
DON'T MOVE
C Tpt. $ "# % % B 5 ( 7
A " 8 % % #
"
pp mf pp ff
) ) / / <
' ' ' 7 ' " B ($ + "(
("
DON'T MOVE
#
0" % % + 8 % % #
Perc. A " "
*/ : */ /* */ : */ /* */ */ */
ppp f
/
" B ($ +
cut DON'T MOVE
E. Gtr. $ "# % % 7
A " 8 % % #
"
#
volume pedal p
3 3 ff
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, * * * *
/ / / / / / / / / // // // // // // : /// /// /// /// /// : ////, ////, ////, ////, DON'T MOVE
#
$" % + + 5 7 " % % % #
A " "
pp ff
E. Pno.
$ "# % % % % 7
A % "
" % % % #
"
H
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
! # 7 "
DON'T MOVE
#
Vln. 0 " + ( + % A % " % % % "
ppp f ppp
/ / // / // / / / / / / / / / / /
# */, */, */, */, +
DON'T MOVE
$" + % 7 % " % % % #
Vln. A " "
ppp
3 3 3 3 3 3
ppp f pp
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
Vla. 6 "# % % $ 6( 7
A % "
" % % % #
"
ppp f p
( :/ / / / / / / / / / :/ / / / / / / / / / / / 7A :/ / / / ""
DON'T MOVE
Vc. $ "# % % 2 % % % #
"
f p
:/ / :/ / / / / / / / / / / / 7 :/ / / / " :/ ( $ +
DON'T MOVE
2# #
" "
Cb. % % + + ( A " B 8 % % "
pp f
47
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, >/ / /
! # +
V
>/ / /D/ /:/ :/ :/ D/ / /
6
( + + + (
276 278
A. Fl. $ " ;
pp f p ff
6
- */, */, - */, */, */, */, */, */, */, */, */, */, */, */, - */, */, */, */, */, */, */, */, */, */, */, */, 6
:-/ ( $
,
/, / :/
5 5 5 / / >/ / / >/D/ /
5
#
" + + ( + / / :/ D/ /
5
Cl. $ " B
pp f p ff
/
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "#
:) $ )$ / :-) :/ :/ $ ) )$
C Tpt. $ "# ; (D/// /
ff
# . -/ / . -/ / . //(
Perc. 0" / ( / + ( ( / ( / ( ( + / ( / + ( / (
f mf f
# ? G ? ?
// $$ // // $$ ) $$
$"
:) $
E. Gtr.
// -// ))
#
f )$ :/ :/ )
::):)) $$$
>:>//// D>:://// :/ - :/ : :// // :::/// D/-//
5
D//
6
))$$
#
$" D//:://D// )) + :::/// DD// :: // D// : / / ( /// D///
6 f
- >> // :: //
E. Pno. ff
#
$" % % % % %
H H H
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
! # :) $
V molto vib. expr. >/ / /
:/ :/ :/ D/ /
Vln. 0 " ( +
f mp f mp
6
:) $
molto vib. expr. */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
# )$ / ( +
Vln. $"
mp f
)$
f p mp
molto vib. expr.

)$ / : */, */, */, */, : */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, */, */, */, */,
Vla. 6 "# ( ( (
f p mp f mp
2# % + +
Vc. " /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, ( %
mp f mp
2# >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, (
" "
Cb. % % + +
mp f mp
48
.................... / / /, -/ -/ -
/ :/ >/ D-/, -/,
! #
5 6
-
// / :) :-)
bisb.
:/:/ 7
//
280 3
A. Fl. $ " + + 5 ( :/
/ / 5 ( / >/ D/ ( ( ( %
282 284
D/ A
6 3 fff
-/
/:/ / 1/ 1/ 1/ $ / / / >/ D/
>/
7 B ($
6
#
"
Cl. $ " / />/ ( / / > / / / / :/ ( 5 / D/ :/ / / 5 (
5 5 6 7
/ >/ D/:/D/ A
6 f
>/ >/ / >/ >/ >/ D/ / :/ :/ / / fff
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, ,
7 < <,
Tape $ "# A
:/ $
- -,
)
55///
- -
>/ D/ D/ :/ / >/ / D/ / 5 / >/ D-/ 5 :/ / >/ / / 5 /B 7 :/B ( $
$ "# D/, -/, + >/ D/ / :/ ( 5>/ D/ D/ :/ / (
5
C Tpt. B A
6 6 6 7
6 6 ff
/ 6 / / / 7A /9 ( $
# / / + -/ / / / -
Perc. 0 " /. ( ( / ( /
. + ( ( / ( / / ( 5 /
? =G
/ 7A / ( $
9
# $
(same position)
5
6
E. Gtr. $" : / /:-/ :/ )$ :/ / : / :/ : / :/ :/ : / :/ :/ :/
/
#
/ / :/ :/ mf
/ :/ :/ / :/ :/ D/ :/ :/ D/ :/ :/ ff
# -// :*/, */, */, */, */, */, :*/, */, */, */, */, */, */, */, */, */, */, */, :*/, */, */, */, */, */, */, */, */, :-/ D/ :-/
6
/// 5 // / / / :/ :/ / :/ / 5 5 7A
7
$" / / / / / %
p ff p mf 7
E. Pno.
# 7
ff
$" % % % % A %
*/, */, */, */, */, */, */, */, */, */, */, *, *, *, *, *, *, *, *, *, *, *, *, *, *,
! # /
*/,
:/ $
'' ''
/
Vln. 0 " '
7 +
'
B ( + + ( A
mp f p
*/, */, */, */, */, */, */, */, */, */, */, *, *, *, *, *, *, *, *, *, *, *, *, *, *, */,
-
D/ / '
/ / :) /
'
#
$" + + ( 7 %
Vln. A
mp f
*/, */, */, */, */, */, */, */, */, *, *, *, *, *, *, *, *, *, *, *, *,
p
*/,
6 "# / :/ D/ :/ / 7A >/ ( $
6
% ( /:/ /:/ D/ :/ / >/ / >/ D/ / :/
6
Vla. B
ppp f pp 6
/ >/ / :/
2 # >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */, */, */, */, */, */, */, */, */, */, */, >*/, */,
( + / / / :/ / >/ :/ /
/ :/ / / D/ :/ 7 B ($
Vc. " A
mf
5 ff
mp f mp
*/ */ */ > /* D-/*
. 3 */ */ */ */ */ */ : */ */ :*/ */ /* : */ D */
2# 7
pizz jazz expr
" " /*
Cb. % /* /* :/* A %
mf 3 fff
49
! " DON'T MOVE

%
286
% %
288
%
A. Fl. $"
DON'T MOVE
"
"
Cl. $ " % % % %
E -% -%
Tape $ "" + + + + + + + + + + + + + + , ,
f
DON'T MOVE
C Tpt. $ "" % % % %
DON'T MOVE
Perc.
"
0" % % % %
DON'T MOVE
E. Gtr.
"
$" % % % %
#
DON'T MOVE
"
$" % % % %
E. Pno.
"
$" % % % %
! "
DON'T MOVE
Vln. 0" % % % %
DON'T MOVE
Vln.
"
$" % % % %
DON'T MOVE
Vla. 6 "" % % % %
DON'T MOVE
2" % % % %
Vc. "
DON'T MOVE
2"
" "
Cb. % % % %
50
W
! " -1 > */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
- -1 -/ ( $
(CUT)
+ 8
290 292
A. Fl. $ " B
ff p f
" 1*/, */, */, */, */, */, */, */, */, */, */, */, 1*/, */, */, */, */, */, */, */, */, */, */, */, */, */, (
Cl.
"$ " % % +
pp f p
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ ""
-
B ($
:1 1 / / (CUT)
C Tpt. $ "" 8 %
ff
Perc.
"
0" % % % %
-
:1 1 / (CUT)
" B ($ + 8 %
E. Gtr. $"
#
,+
ff
>/
/ / / /
:/
:/ $
" :/ :/ /
$" ) 1 1 %
ff 6 6
E. Pno.
"
$" % % % %
H
W */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
! " 11
-4
B ($
1 / (CUT)
Vln. 0 " + (
ff p f
*/, */, */, */, */, */, */, */, */, */,
/ ($
" 4 9
(CUT)
$ " :1 1 + 8 + (
-
Vln.
p
ff
-4 : */, */, */, */,

/ ($
(CUT)
6 "" :1 1 + 8 + + +
Vla.
B
ff p
2 " 14 / ($
9
(CUT)
" 1 + 8 %
-
Vc.
ff
-4
/ ($
(CUT)
2" 1
" "
1 + 8 %
Cb.
B
ff
51
*, *, *, *, *, *, *, *, *, *,
! " >/ / / / / / / / / / ( :*/, */, */, */, 294 :*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, :*/, */, */, */, */, */,
( 8
296
%
A. Fl. $ "
p p f p
" 1 */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, 1 */, */, */, */, */, */, */, */, */, */, -*/, */, -*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */,
"
Cl. $ " ( ( 8
pp f p pp f p
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ ""
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, :) $
C Tpt. $ "" % + ( +
p f p ff
8$ /$
" -/ -
0" % % + / / ( ( .
Perc.
/ /
f
B6
E. Gtr.
"
$" % % 8$ // // // // ))
#
,/+ / / > / /
f
/ : / D / / D/ :)
8$ / :/ :/ /
"
SOUND 3 : DISTORTION
:/ :/ /
$" % % :/
f
6 6
E. Pno. 6
"
$" % % % %
H
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
! " :/ )$
Vln. 0 " + ( + + +
p p f p f
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
: */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, */, */, */, */, */, */, */, */,
EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF
Vln.
"
$" + ( +
f p p f p f
)$
: */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, :-/ / / :/ )
Vla. 6 "" ( 8 8$
f p ff
2" % :/, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, :/, /, /, /, /, /, /, /, /, /, ( + 2 %

Vc. " $
* * * * * * * * * * * * * * * * * * * * * * * * * *
p f p
8$
2" 4
" "
% % // 1
Cb.
- 1
f
52
D/ $
E)FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF
! " :/ D/ / / :/ / / - : / D / / > / :/ D/
/ / :/ 5300 +
6
%
298
+ / / 5/ / / / / > /D/ /
A. Fl. $ "
ff 6 6 ff
7
1*/, */, */, */, */, */, */, */, 1*/, */, */, */, */, */, */, */, */, */, */, */, */, */, 1*/, */,
*/, */, - / / > / :/D/ D / > / :/ D/ /
" / >/ /B ( $ // / ( ( /
"
Cl. $ " + + ( + // > / D/ + 5
pp f p ff
6 6 ff
7
6 mf
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ ""
:/ $
-/,
-/, / $
5
D/ :/ / :/ :/ :/:/ :/ / D/ D/
C Tpt. $ "" ( B ; ( / / / / :/ :/
/ / :/ >/ 55 ( B ( + 8
5 5 5 ff
mf
" /+ //5 / / / / / /+ -
0" + /$ / + 5 / 5 5 /$ / / ( 5 /B ( / / / ( (
Perc.
/ / /
" 6 >B/ $ /$ / / G? ?
E. Gtr. $ " 11 + + + / / / +
/
: ))
#
f ff
) :::/// : // /
6
:/ / )))) )))) -
3 6
"
$" // : / // // . >:>//// D>:://// /// /// >:://// / D/// // >:/>/// 11
1
1
// // /
E. Pno.
mf // - ff mf :: //
"
5 f
$" % % 2 % / /
/ / >>1
1*
H H H -
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, -/, , , ,
! " / > / / :/, D/, , , ,
/ >/ / :/,
Vln. 0 " % ( + + (
p f p ff
:E;FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF : */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, */, */, */, */, */, */, */, */, / / > / / :/ D/
/ / >/
Vln.
"
$" + + ( + + (
)$ p f p ff
3 6
:1
>/ $
/ :/ D/ / /
B ($
-/ / /
Vla. 6 "" % 8 >/ / / +
f ff ff
7
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
2" )$
''
Vc. " % ( + +
p f p
ff
2" 4 '' :)) :// ) $$

" " D-11 D-)) $
acc. arco to tremolo SP
Cb. + + + )
ff p
53
-
! " :/ D/ $ -
/ / 302 - - / / : / / > / D / : / DON'T MOVE
5 / / / / / >/ D/ / / :/ / D/ ( / D/ / :/ :/ ( / D/ :/ :/
/ B ($
6 6
/ 5 / :/ / >/ + 8 %
304
A. Fl. $ "
6
f 7 7 p fff
- */, */, */, */, */, */, */, */, - */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, - */, DON'T MOVE
B ($
7
"
"
/ >/ :/ D/
Cl. $ " :/ D/ / + + 8 %
p fff
mp
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, E
Tape $ "" + + + + + + +
f
*/ -) *) -/ DON'T MOVE
$ ""
>/ / :/ /
B ( B B 5 ; B ($
C Tpt. / / / :/ + + 8 %
ff
f 5
/ / / /9 ( $ ($
- -
/ / / / / / /9
DON'T MOVE
"
0" ( / / ( ( / % %
Perc.
/ / ;
= 6 6
3 6
5 G
f f
? G = G = G
- D= -/ :/ / -/ :/ G
- D=
/ :/ 5 / :/ D-/ :/ ( $ B ($
" - / -/ DON'T MOVE
$" / 5 :/ / :/ + 8 %
) / / -/ :/ - :/ D-/ :/ fff -
D/ :/
E. Gtr.
-
#
- 5 CUT
-
6 6
*
D>>>//// /
D//// >>// D// ::)) $$
>>> 1 1
mf
: 111 DON'T MOVE

"
$" // % %
)$
mf
E. Pno. mf 5
: )) $$
2" % + % %
"
H *
/ / / / / / / / /$ ) -/
! " B ($
DON'T MOVE
Vln. 0" + 8 %
/$
p
3 fff
:/ / / :/ / / ) :/
/ ($ B ($
DON'T MOVE
"
$"
; ; + 8 %
Vln. B
p
3 fff
6 "" >/B ( $ ($
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
+ + 8 %
Vla.
B
p fff
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
2" /
" ' + B ($ + 8 %
'
Vc.
p fff
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, DON'T MOVE
B ($
2" )
" "
Cb. ) + 8 %
p fff
54
X >)$ )$ )$
! " %
306
% 7 % #
308 310
%
A. Fl. $ " " " $ $ $
fff
$ -) $ -) $ - */, */, */, */, */, */, */, */,

" 7 # -)
"
Cl. $ " % % " % " +
fff p
-% -% <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "" + + + + + + + + 7 +
" , , #
"
)$ )$ )$
C Tpt. $ "" % % 7
" % #
" %
fff
"
0" % % 7 % # % % % %
Perc. " "
)? $
" >>)) $$ )) $$ )) $$
" % % 7 % #
)$ )$ )$ )$
E. Gtr. $" "
#
)$ )$ )$
:: )) $$ ))) $$$ ))) $$$
/ >/
/ :/ D/ / >/ / :/ D/
fff
"
$" % % 7 % # )$ / /
" "
# ) $$ ) $$ ) $$
f
E. Pno.
2" 7
)$ )) $ )) $
" % % " % $ " :) %
H
fff
H
*/, */, */, */,
X )$ )$ )$
! " 7 #
Vln. 0" % % " % " + +
fff p
)$ )$ )$ */, */, */, */, */, */, */, */, */, */, */, */,
"
$" % % 7 % #
Vln. " "
fff p
6 "" " D-)) $ D-)) $ D-)) $

% % 7 % # %
Vla. "
fff
2" % % 7 % # D-)) $$ D-)) $$ D-)) $$ %

Vc. " " "
fff
2" 7 #
" "
Cb. % % " % " )$ )$ )$ )$
fff
55
*, *, *, *, *, *, *, *, *, *, *, *, */, */, */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, : */, */, */, */, */, */, */, */, */, */, */, */, 316 : */, */, */, */,
! # / / / / / / / / / / / /
312 */, */, */, */,
( ( +
314
A. Fl. $ "
p ff p p ff p p
- */, */, */, */, */, */, */, */, */, */, */, */, - */, */, */, */, */, */, -*/, */, */, */,
# -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, (
"
Cl. $ " ( + +
ff p p ff p p
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "#
)$ )$ / / / /
C Tpt. $ "# % %
fff
# ', /, /, -', /, /, -', /, /, /, -', /,

Perc. 0" % % % %
/? )$ )$ )$
mf
/ / /
#
CUT
E. Gtr. $" + +
/
#
f
* * * * * * * * * * * * * * * * * * * * * *
:/ D/ / :/ D/ //, //, //, //, //, //, //, //, //, //, //, //, //, //, //, //, //, //, //, //, //, //,
$ "# / / :/ / / >/ / :/ D/ >/ + + ( ( + + (
/
/
p p ff
2 :/ / / :/ D/
E. Pno.
$"
# % + / >/ / ( + + % %
:/
H
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
! # ( ( + +
Vln. 0"
ff p p ff p
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, */, */,
Vln.
#
$" ( + ( +
ff p p ff p p
: */, */, */, */, : */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */, */, */, */, */,
Vla. 6 "# + + ( + -*/, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, */, */,
p ff p p ff
*/, */, */, */, */, */, */, */,

2# % + + :*/, */, */, */, :*/, */, */, */, */, */, */, */, */, */, */, */, :*/, */, */, */, */, */, */, */, */, */,
( +
Vc. "
p ff p p
2#
" "
Cb. % % ( /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, + +
p ff p
56
! # /, /, /, /, /, /, /, /, /, /, /, /, 318 /, /, /, /, /, /, (
* * * ****** * * * * ** * **
+ / / / / / / / / / / / / / / /320 / / / / / / / / / / / / / / / // / / / + / / /
A. Fl. $" /
ff p
5 5 5 5 5 5 5 p
p ff
- */, */, */,

p
# -/ / / / / / / / / / / / -/ / / / / / / / / / ( -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */, */, */, -*/, */,
*, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, *, */, */, */,
"
Cl. $ " ( +
ff p p ff p p
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "#
/ :*) $ D*) $
>*) $
/
C Tpt. $ "# + + + +
fff
# /, /, -', /, /, /, /, /, /, /, -', /, -', -', /, /, /, /, -', /, /, /, /, -', /, /, -', /, /, /, /, /, -', /, /, -', /, /, -', /, /, /, -', /, /, -', /, /, -
Perc. 0" 5 / / 5 5/ 5 / ( /
.
)? $ /?
f ff
/ / / )
#
)$
E. Gtr. $" : // // : ))
/ )
#
+
)
,
ff
* * * * >/ / / >/ / / / / / / >/ / / / / / / /

//, //, //, //, / / / / / / / / / / / / / / / / /
#
$" + +
6 6
/ / / >/ D/ / / / >/ D/ / / /
6
/ / / >/ D/ / / / >/ D/
6 6
p
5 5 5 5 5 5 5 mp p
:/ :/ : / >/ D/ :/ :/
E. Pno. mp ff
2# % % % % %
"
H H
*, *, *, *, *, *, *, *, *, *, *, *, */, */, */, */, */, */, */, */, */, */, */, */, */, */, > */, */, */, */, > */, */, */, */, */, */, */, */, */, */, */, */, > */, */, */, */, */, */, */, */, */, */,
! # / / / ////// / / / ( + (
Vln. 0 "
p ff p p ff p
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
: */, */, */, */, */, */, */, */, */, */, */, */, : */, */, */, */, */, */,
Vln.
#
$" ( + %
- */, */, */, */, */, */, */, */, */, */, - */, */,
ff p p ff p
*/, */, */, */, */, */, */, */, */, */,
-*/, */, -*/, */, */, */, */, */, */, */, */, */, */, */, -*/, */, */, */, */, */, */, */,
6 "# -/ / / / / / (
*, *, *, *, *, *,
Vla. ( + (
?
p p ff p p ff p
*/, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */, */,
2# ( + :/:/ / / / / / / / / / / / / / :/ :/ / / / / / / / / / / / / / :/:/ / / / + +
Vc. "
ff p 5 5 5 5 5 5 5
p ff p
* * * ****** * * * */, */, */, */, */, */, */, */, */, */, */, */, */, */,
2 # /, /, /, /, /, /, /, /, /, /, /, /,
" "
Cb. ( + /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, /*, (
p ff p p ff p
57
--/, --/, >)$ / / >/ D/ :/
/
! # / / , / / > /,
Y )$ /
> / / / 5 B( + B ($ # / :/ B ($
322
/ / / + + +
324 326
A. Fl. $ " / $ $ "
7
-/,
fff fff mf fff
-/
- */, */, */, */, */, */, */, */,
-/
--/, $ -/ -/
-/, / > / :/
# 55 / //:/
:/ B ($ B ($ 9$ / 5 "# + B ($
"$ " + + + 5 ; /:/:/ -/ ( + +
7
Cl.
//
ff 7 fff fff :/ / 6
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, ,
# < <, <, <, <, <,
Tape $ "# "
*/
/$ ) /
B ($ :-/, :-/ / / )
:/, ( $
-
C Tpt. $ "# 5 ; + + + 5 B( + + B 5; + #
" + B
fff fff
/, < CUT
-, '
/ ($ / ($ / / 5 / /'
# . / / / / // / /
6
9 - #
0" ( / / / + 5 /( / ( /. + / /( + 5 / " +
Perc.
B
p ff
($ +
#
CUT
-/ /
CUT CUT
#
$ " :) $ % + + D/ / / >/ ( + %
3
)$ B >/ / "
-) $
E. Gtr.
#
>:>//// $$$
ff
-,
>::////
3 6 3 6
# > :/// :/ :/
(>: /// >: /// >:://// //// //// :/
( >: /// >:://// # D:::/// DD/////
6
$ " // /: / >/ D/// /: / >/ D// / /: / >/ D/ : / D //9 5+

6 6 6
5 B( + + . 5 + +
/ $$ / $$
D //// //// //// //// //// ///$ "
/, / * D //// D //// //// ///$
E. Pno. fff -
2# % % % % % # %
" "
> / / : / / > / -/ $
4
! #
Y 4 -/4 4 4 4 -/4
( '$
:-// :-/ :-// :-// # / :/ /:/ / /
'; ( ( '/ 5 '/ 5+ ' '; ';
/
';
Vln. 0 " % + + + + + ( ( " 5
; ; 6 6
fff fff mf
fff
'. ' ' 4' ' ' '

4. 4. 4. 4. 4.
# :/' ( ( /' 5 :/' 5+ :/' :/' ( /' # :/'$
-/ $
$" % + + + + + ( " 8 5
-/ -/ -/ -/ -/ -/
Vln.
fff fff
-/ -/4 -/4 -/4 -/4 -/4 -/4 $

6 "# # /$
''; ''; ''; '' ''; ''; '';
Vla. % / ( + ( / + 5 / 5+ + / + + / ( ( / " 8 5
fff fff
-/4 -/4 /-/ $$

4 4 4 4
/-/ ( /-/ /-/ /-/
Vc.
2#
" % ''; + ( /''
;
+ 5 /'' 5+
;
+ '' + + ''; ( ( ''; #
" 8 ''; 5
fff fff
*/ / - / >/
/ / /; / /
2# ; ( >*/ />/:/ #
pizz. jazz
D/ / / >/ ( +
" "
Cb. % + 5+ + >/ / " +
ff
3 3
3
58
:/ /$ / >/ / / >/ D/ >/ / D/ >/ :-/ D / : / D / / > / :-/ D / : / D / D / > /
! # (
328
$; $; 5+ %
330 / /
+ (
>/
;
) 332
B ($
/ :/ /
A. Fl. $"
6 6 7 7
:-/ 7 *) $ 7) / -/ -) $
"
#
Cl. $ " / /
>/ / 5$ + + + +
fff
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "#
-*/ // / >)$ :/ )$ :/ :/ :/ /
C Tpt. $ "# 5 ; ( + + ; 5 / :/
fff 6
/ / / . ( 5 /''$
- / / <
0 " / ($ / / ($ ($
# 9 -/ -/ . 7
-9 -
/$
CUT
B
+ ( // ( ( // 5 / / + +
7
Perc.
/ /
G =6 6 B >$
3
:B/
)
#
CUT ? G 6= / / // /
E. Gtr. $" + + %
/ > / / :/ D/ / / :/ / :/
)) :/ /
#
>::://// $$$ >::://// D::: ///
ff
>:>//// -
/ $$ D:::///
-
7
# / :/ / >/ / //// :/ D:///

( D:: //
7
:/
$" ( /// $$$ //// $$$
B 5+ % >/ :/ / ( + + +
/ // / / /; ///
E. Pno.
2# % 2 + /// + %
3
% %
" //
-*
-/4 $ -/4 $ -)4 -*/ :-*/ :)

! # /$
Vln. 0 " ( ''; 5 ( /; $ 5 % ''
) + ( ; + ' +
--*/ --*/ :/ $
fff
/-/ $$ -4 $ '
5 ( //; $ 5 '; '
4 4
)-)
Vln.
#
$" ( ''; 5 % '' + ( ; + +
fff
:)
:// $$
-4 -/4 $ -4
'
-* -*/
6 "# ( ''; 5 ( :/ $ 5 % :))
'' + ( ://
''; ''
/ + ( (
Vla.
;
fff
/-/ $$ -/4 $
4 4
5 ( /; $
/ > / / : / / >/
)-)
2# ( ''; '' :/D/ />/ /:/ 9 ($
7
" 5 % + + / / >/ :/ D/ +
Vc.
6
:/ D/ /
6
/*
fff
*/ */ : */ : /, D /, /,: /, >/, , ,
- - - -* -
2# + >*/ */ */ */ */ :*/ D*/ / */ :*/ ( + / :/ */ >*/
" "
+ 5 + 5 +
3
Cb. ; /* /* /* ;
3 3 3
59
-/
:-/ D / / /$ :/ / >/ :/ D/ D/ $ > -/ / : / D / / :-/ D / D / > / / : / /
! # :/ D/ / >/ ( B
/ > / :/ D/ / D/
/ ( ; 334
/ > -/
; (
/
; 5
/ /
= =
A. Fl. $ "
7 7 7 7
-/ $ -/ -/ -/
ffff
/ / / /
# / / / / >/ D/ / 5 5 ;
"
6
Cl. $ " 5 / 5 5 >/ D/ :/ /

7 ffff
5
<, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <, <,
Tape $ "#
-/
/ ) :/ / > / / :/ / > )
C Tpt. $ "# / :/>/:/ // :/
ffff 6 6
5 / / / / //// $
-/ -/ / / - - -
#
0" 5 / / 5 / / 5 (
6
/
/ ( . / 5 /
3
/ / / 5 /
Perc.
/ /
F 99999999999999999999999999
? ? ? ? ? G6 =
6
?
p
?
fff
G G G G
finnish with head movements, like hard rock player hold bend
# 3
. / :/
$" / /$ / $$ / /$ / / / :/
/$ /$
/ / // /
E. Gtr.
/ / /
#
/ / / / : /
>/ > // >::: ///// : //// D:: /// D> : : //// : //// :D::: ///// :D::: //
///
CRAZY 6 6
: /
::// >: // : / : >: / D : / / >>: D>////
# :::/// / >>:/// > :// :/// :::/// :/ : /
::// / :/ DD// DD// 55 DDD//// : / D
5 5 /
//
DD/////
: / D /
DDD ////
6
$" D/ > /
// : /DD //:: // > / > :
://
/ >> DD// D// 5 + D/ 5 B 5
D // >>: /// D // :: //D // DD // D// 6 6
ffff 6
E. Pno. 6
2# % + . ( + %
"
ffff
$
:-/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ :-/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ :-/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/

6
! # / / // / / / / / / / / / / / / / // / // // / / / / / / / / // / // / / / / / / / /
Vln. 0 " ( 55B ( 55 B 5
ffff
6 6 6 6 6 6 6 6
:-/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ D-/ -/ -/ -/ -/ -/ :-/ -/ D-/ -/ -/ -/ -/ -/

:-//
6
-/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/
# / / // / / / / / / / / / / / / ( / / / 5 5 / / / / /( / / / / / / 55 / // / 5 // / / / / / / / /
Vln. $" B B
ffff
6 6 6 6 6 6 6 6
6 6 6
9 9 6
6 "# >// // // / / / / / /
6 6 6 6
/ / / / / / ( :// // // 5 5 // // // // // ( // // / / / / 55 / / // // // 5
6
>//// / / / / / / / /
- - -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ - -- - -- -- - - -/ -/ -/ -/ -/ -/ -- - -- -/ -/ -/ -/ -/ -/ -/ -/
Vla.
ffff
-/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/ -/
6
2# / / // / / / / / / / / / / / / ( / / / 5 5 / / / / /( / / / / / / 55 / / // / 5 // / / / / / / / /
Vc. " B B
ffff 6 6 6 6 6 6 6 6
- - -/ -/ $ -/ -/ -/ >-/ -/ -/ D-/ -/ >-/ -/ D-/ :-/ -/ -/ -/ > -/ :-/ D-/

2# :-/
free, loud with finger noises
" "
Cb. / >/
ffff 3 3 3
60
-/,
! # B ($ +
STAND-UP VERY SLOWLY, FACING THE PUBLIC, AS THE LIGHT FADE OUT DON'T MOVE
CUT DON'T MOVE
7
336
+ % % % % % % % % % %
338 340 342 344 346
A. Fl. $ " A
:-/, CUT DON'T MOVE

B ($ +
# 7
"
Cl. $ " + % % % % % % % % % A %
HHHHHHHHHHHHHHHHHHHH HHHHHHHHHHHHHHHHHHHHHHHHHHH HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH7A HHHHHHHH %

FADE OUT ALL LIGHTS UP TO BLACK BLACK
Tape $ "# HHHHHHHHHHHHHHHHHHHHHHHHHHH HHHHHH HHHHHHHHHHHHHHHHHHHHHHHH
D-/,
DON'T MOVE
B ($ +
C Tpt. $ "# + % % % % % % % % % 7
A %
/ <
B ($ +
DON'T MOVE TURN VERY SLOWLY, FACING THE PUBLIC, AS THE LIGHT FADE OUT DON'T MOVE
#
0" % % % % % % % % % 7 %
Perc. A
6
-/ CUT DON'T MOVE
B ($ +
#
$" + % % % % % % % % % 7 %
E. Gtr. A
#
>>:> //-///
B ($ +
CUT DON'T MOVE STAND-UP VERY SLOWLY, FACING THE PUBLIC, AS THE LIGHT FADE OUT DON'T MOVE
#
$" + % % % % % % % % % 7 %
A
E. Pno.
2# % % % % % % % % % % 7 %
" A
:-/,
! # / $ DON'T MOVE STAND-UP VERY SLOWLY, FACING THE PUBLIC, AS THE LIGHT FADE OUT DON'T MOVE
0" B( + + % % % % % % % % % 7 %
Vln. A
:-//,
$
DON'T MOVE STAND-UP VERY SLOWLY, FACING THE PUBLIC, AS THE LIGHT FADE OUT DON'T MOVE
#
$" ( + + % % % % % % % % % 7 %
Vln. B A
>/, /( $ +
9
Vla. 6 "# + % % % % % % % % % 7
A %
-
-/,
/ ($ +
2# + % % % % % % % % % 7 %
Vc. " B A
:-/,
B ($ +
2# 7
" "
Cb. + % % % % % % % % % A %

Jodlowsky - Respire

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Jodlowsky - Respire

Uploaded by

Copyright:

Available Formats

Pierre Jodlowski

Commande de / commissioned by : Integra - 2008

éditions Pierre Jodlowski

slap sound (combination of key noise and hard attack)

SP molto ponticello (quite close to bridge)

Trumpet in C $ % " + % % % % " % " % %

Electric Guitar $ % " % % % % % " % " % %

$ % " % % % % % " % " % %

)'$ /' / 1 / /' 1'

)'$ )' / /' 1'

Viola 6 % " ) ) % " " // 1

' ' '

" " '' "

" ( <; &

'' '' '' '' ''.

SOUND 1 : SOFT DISTORTION + REVERB

'' '' '

" )$ " /$ / / / / ) ($ 5 / / /.$

' '9 ' '9 ' '. ' '.

'' '' '' '' '' ''; '' '';

E. Gtr. $A " D/ " A " / " D/ A % " % A

2' ($ ( -'' 1' " '' ($

< $$ " &$

G '' ' ' ' '9 ' ' '

/'$ )' /'$ /' ( $ )' /'$ )' +$

A % % 5 9 + 8 % % " % " % A % "

3' ' 3' '

-)4 -)4 -)4 -)4 -)4 7 '; $ # -) $

' ' ' '.

" A & & " & "

$ 7" 5 # < @ < 7 # ) @ / 7 -/ $ -/ # @ #

$ 7" 5 < $$ # @ 7 # & @ 7 # @ #

7 '' # '' @ '' ' # ''

" ))) $$ " ))) $$ " ))) $$

$ 7" -) " -/ $ A % " -) " -) A % " -) " -) $ A -/

! # J.W. ( $ # --) -/ + # --) -/

" ( >D//// >D)))) $$$$ " ( >D//// >D)))) $$$$

Vln. 0 " " :) " % " :) " % "

-// -)) --// ($ -// -)) --// ($

$" " ; " . " , B

bisb ................... senza vib.

SOUND 2 : CHORUS + REVERB

" )$ -/ "" ( " )$ -/ "" (

-// -)) --// ( $ -// -)) --// ( $ # 4 -// -)) --// ( $

'' " ')

//? ))? -/? 4?

; B " " ; B " / ( ; B "

-/? -/? -/?

" ( ; B ($ # " ( ; B ($ # " ( ; B ($ #

# % % ! 2 //4 2 //3 // // // 2 //4 // 2 //3 // $$ // 2 //4 )) // // 2 //3 // // $$ 2 //4

$ :-/ $ >/ $ /.:://

$ !A ' ' '

$ #A # & < ($ ($ >-/,

E. Gtr. $A % " % % % + % + ( % "

% G % % + '''' &&&& '''' 5 = :/B, =( 8 + '''' &&&& 7 && !

D/-/D/-/D/ -/D/-/ 99999999999999999 D/ -/ D/ -/ D/ -/D/ -/ D/ -/ 999999999999999999999999999999999999 D/-/ D/ "

>) /$ / >/ ) / >/ /

> ) 999999999999999999 / 999999 / 9999999 > ) 999999999999999999999999999999999

2 ! >/* >/* >/* >/* >/* >/

/ -/ 999999999999999999999999 D/ -/ D/ /-/ 999999999999999999999999999999999 / >/:/D/ /:/ /

C4left hand slap. C4 C4

@ cut sound poco

subito mezzo piano (keep in the soft part of sound up to mf indication)

Vln. $" % @I % " % @I % " % @I % " % @I % " % @I % " % @I % A

/ / / / / / / / / / / / / / : / D / / : / D / > / / : / > / / D / > / / / D / > / : / D / /

/, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, /, >/, /, /, /, /, /, /, /,

2! /?, /?, /?, /?, /?, /?, /?, /?,

DON'T MOVE /, /, /, /,

/, /, /, /, /, /,

/, /, /, /, /, /, /, /,

7 /, /, */,

/, /, */,

2 >/, /, /, /, /, /, /, /,

/, /, /, /, /, /,

! " >/, /, /, /, + 8 + (

! # /, /, ( -/, /, /, /,

, , , /, /, /, /, /,

2 # /, /, ( >/ >/ >/ >/ / / / / / / / / / / >/ >/ / / / / / / / / / / 7 "

-4 : /, /, /, /,

$ -) $ -) $ - /, /, /, /, /, /, /, /,

/, /, /, /, /, /, /, /,

- /, /, */,