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Consider The Rape of The Lock As A Social Satire
Consider The Rape of The Lock As A Social Satire
At the very outset of the poem, the poet laughs at little men engaging in
tasks so bold and at gentle ladies who are capable of such ‘mighty rage’.
The vanities of the ladies such as their love of gilded chariots, their
ambition to get married to peers and dukes or men of the higher social
position are indicated in the opening canto. Even after death, the ladies
retain their temperaments and transform into four kinds of supernatural
creatures. Early in their youth, these ladies learned to roll their eyes and to
blush in a coquettish manner. The weakness of these ladies for
entertainments and for masked balls is too ridiculed. The poet makes a fun
of love letters which these ladies received from their fans and lovers. The
world of Belinda was a target of the poet’s attack. The satirical book is
formed to delight at once and lash the age. It is an assault on a social pre-
occupied with superficialities Belinda, the central character of the poem is
described as the “cosmetic powers.” The Bible was among her cosmetics
and this demonstrates how the people of the age were insincere in their
pursuit of religion. Belinda is depicted in Canto I, as a warrior getting ready
for the battle, the battle to entrap men by her graces and charms.
Ariel, the leader of the sylphs engaged to protect the chastity of the
beautiful Belinda, is not sure of Belinda’s purity of thought. There was a
hidden desire to come in touch with amorous gentlemen. He says,
During the time of Pope, the ladies kept domestic pets such as dogs and
parrots. Belinda had her shock and Poll. She set many stores for these
pets. Their domestic pets were as important as their husbands. The poet
has admirably satirized them in the poem.
Pope does not spare the men of his society. He has brought them out to
pay their dues. These are beautiful passages in which men were
castigated. In one such passage, Pope describes how the Barons worship
the ladies. The Baron is described as building an altar of twelve vast
French romances with three garters, half a pair of gloves, and all the
trophies of his former loves. He sets fire to it with his sighs and with tender
love letters.
The conversation that the ladies had at the court did not spare his eyes.
Such a conversation was always empty of substance. The talk generally
centered round dance parties, court visits and the scandalous behaviors of
some member of the court. The parses in the conversation were felt filled
by snuff-talking, fan swinging, singing, laughing, ogling and all that. Even
the judges and jurymen are ridiculed for hurrying to get back home to
satisfy their hunger. The poet says: