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extend access to New Literary History
Anthony P. Cohen
ingeniously demonstrated t
national identity in the tra
dagne (France)/Cerdanya (Sp
Now, the position has been t
ethnicity -politicized cultural
is, that it is invoked only t
This position, associated prima
ethnicity studies for more
herently unsatisfactory for r
here in any detail. But suff
merely as a tactical identity,
the symbolic expression of et
draw attention to the idea that when we consult ourselves about
who we are, that entails something more than the rather ne
reflection on "who we are not." It is also a matter of autobiogra
of things we know about ourselves; of the person we believe our
to be. By the second, the symbolic expression of ethnic identit
refer you to the multivocality of ethnicity. If, instead of annou
myself as, say, Sri Lankan, I say "I am Tamil," I do not me
suggest that I am just like every other Tamil. I do not hav
sublimate myself in an anonymizing "Tamil-ness" in order to su
that Tamils have something significant in common which d
guishes them from Sinhalese. But because ethnic identity is expr
through symbols, it is possible for this internal heterogeneity
preserved, even while masked by common symbolic forms.
I put these two matters together-the self-consciousness of
nicity, and the symbolic form of ethnic identity-to suggest th
political expression of cultural identity has two distinctive regi
to which we should attend. The first is used for the appar
dogmatic statement of more or less objective doctrine: "I a
Palestinian"--and certain things will be understood as follo
from that. The second is for contentious statements which treat
ethnicity as the context of, or as an aspect of, identity with v
uncertain implications: "I am a particular Palestinian." The apparen
monolithic character of ethnic identity at the collective level t
does not preempt the continual reconstruction of ethnicity at
personal level. Ethnicity is not a dogma, although in certain c
cumstances political leaders and others may attempt to politicize i
to the point at which they can enforce it dogmatically.9 But this
comparatively rare, since ethnicity is so frequently a matter
dispute, and can only rarely command consensus for longer t
the very brief period of a specific campaign. Ethnicity has a defi
appearance but rather indefinite substance.
II
Ethnicity, then, is the politicization of culture; ethnic identity is
a politicized cultural identity. In what kinds of circumstance does
culture become politicized, intentionally put to the service of identity?
I would suggest that the minimal conditions are that people recognize
that ignorance of their culture among others acts to their detriment;
that they experience the marginalization of their culture, and their
relative powerlessness with respect to the marginalizers.'0
With ignorance of a culture goes the denial of its integrity. Because
culture is expressed symbolically, and thus has no fixed meanings,
it is often invisible to others, especially to powerful others. In his
book To Square with Genesis my colleague Alan Campbell argues that
the Brazilian government would not acknowledge the cultural des-
ecration of Amazonian Indians which followed hard in the wake
Wednesday, 10th October. ... The media watch and report. Particular not
is taken of the "valuable and varied 'instruction' in Saami culture" which
the strikers-with megaphone in hand-offer: communal singing, Saa
poetry, joik and historical legends. Sometimes a person steps out of
crowd, grasps one or other of the Saami group and tells him (in Saa
that he himself is a Saami-adding that this is something he had kept sec
since coming to live in Oslo.
The Saami group already shows concern lest the crowd turn in an
on the police should they come to take them (the strikers) away. Th
remind everybody that "our action is one of passive resistance. The Saam
people are a nation with strong traditions of passive resistance." ...
Thursday, 11th October. . . . In their reporting from the scene, journali
mention "black" and "silent" figures standing inside the large windo
the parliament building overlooking the tent and the milling crowd
Eidsvolls plass. The dark silhouettes are those of members of parliam
The imagery and the contrast is unmistakeable: inside the building a
dark and, for once, the politicians are not talking; outside, all is light an
life.21
The strikers were arrested and the tent was pulled down. Their
"spokesman" assured journalists that they were not going to give
up, but intended to continue their hunger strike quietly-"in the
Saami way" (198). And, indeed, this is what they did.
What has to be noted here is that it is the very everyday emblems
of their culture, by which they have been recognized and stigmatized
in the past, which they now turn against the state to denigrate it
and to proclaim their own moral cause.
The strikers shrewdly used their own symbols--lavvo, joik (ballad)
passivity-to politicize their culture and to transform the value of
their identity. As Paine put it, "Saami ethnicity was demonstrated
on a basis of self-ascription and self-advocacy" (201). As a strategy
of assertiveness, this reversal of stigma has become characteristic
during the last quarter century: blacks became "beautiful"; ladies
became "women"; Eskimos and Lapps became, respectively, Inuit
and Saami.
The imperative need to posit culture as identity can arise fr
many different circumstances. I mentioned earlier those of a p
be warlike or aggressive; so
constrained in its thought an
system or whatever. There is
culture as a body of substant
of symbolic form which pro
dictate what is expressed or
this respect, culture is insub
shadows. It is not so much that it does not exist as that it has no
ontology: it does not exist apart from what people do, and therefore
what people do cannot be explained as its product. Culture can b
invoked as a means of representing them-as, for example, whe
it is deployed as identity. But in those circumstances it must b
regarded in the same way as any other symbolic expression: as being
inherently meaningless but capable of substantiation at the discretion
of those who use it-multireferential, multivocal, an infinitely variabl
tool.
The old saw, "when I hear the word 'culture' I reach for my
gun," has been attributed to sources as disparate as T. S. Eliot an
Hermann Goering, Bertrand Russell and Malcolm Muggeridge. Th
word culture ill-used does make me pretty angry. It is not synonymou
with ideology; it is not to be inferred from scattered shards of ancien
pottery. But my anger increases to apoplexy when I hear cultur
magnified and reified as "the culture of" a people. If we are th
agents and substantiators of our cultures, rather than their creatures
we must resist the temptation to depict culture as the monolithi
determinant of our behavior. If culture did have that character, it
would equip us with uniform rather than with identity. Culture is
a matter less for documentation than for interpretation; it is more
faithfully and sensitively depicted in metaphor than in museums.
Its intellectual fascination lies in its extraordinary versatility, which
is precisely what makes it such an eloquent representation of identity.
UNIVERSITY OF EDINBURGH
NOTES
2 See Robert P. B. Paine, "Norwegians and Saami: Nation-state and Fourth World,"
in Minorities and Mother-country Imagery, ed. Gerald L. Gold (St. John's, Nfld., 1984),
p. 212.
3 See, e.g., Fredrik Barth, "Introduction," in Ethnic Groups and Boundaries: The Social
Organisation of Culture Difference, ed. Fredrik Barth (London, 1969), pp. 9-38; and
James A. Boon, Other Tribes, Other Scribes: Symbolic Anthropology in the Comparative