T

h ; rf,IA
4
g E G '{l*!{* "l
I rf^
\__[__ _____T"_ r rl
.
{
& I "*
i&
F
t *
E
g
rf,\
? TE:F _
-x*----_-_?r. G
- _ _,#
F, *.**"Y 1 {t, I
oFBPV
,sa1ou alaur.s eu arqr s€Bq-arqnop aw a
pa-r
.,u*- *u*ff*u="&lfi-':iffi#=ffiffilfrHH::l^i1,il:
ssa1tm sarqd gu ul sdols a1dp1a1pig1 's8uule Jo uolpas qaua.ro; sdols aldrupenb io 'a1fiq'qqnop 8ur.sn
auo olul pJoW aldtuls qpua puedxg'aufig rp azzoNrJ s,$ezo4 rrrorg uopsa.r3ord p.rorp B sI araH 'II X
ulslA strIs3 u}tr$lA
or
be far are Notes two
string
played apart .to too
adjacently the
same the on played to be are notes two the either because is This
shown
aluaturutslIr palpu8ls3p qf,ea uo urroJrad ot alqrssod lou sdols alqnop 8u1mo11o1 aql arP ,(qm 'or
strings (on adjacent together
Played simultaneously are notes two when is stop Double ;d*1s alqnop E sI lurtr;\d -6
or
on
violin violin the method
uorlpod p#p{+ ,tq truusr$ s} }suLkt 's
X
type a euIIoTA aq+ rrs
fingering of third position is
flattened C- string the where seems Danse macabre Saint in is
An example 'alduruxa u€ pATr
altered to give acoloristic effect is string open an is when the pitch of scordatura eff.&n4wp.is3s dq *uB#rfi sr +Er&\A 'd,
G elrrlCITA firie u* fiu1,rt"$ AI *r{} $} }Ertl\/t -9
D
e{}ua} aq+ uc sur"r+s ff aq+ sT lBr{A,4. '$
sT
G
e$$H{t alqnsp #{g uo sm;}# tr sq} {eqA& 'p
G iHtrorA aq+ uo ffurra$ ffI BL{+ s} }HqM .c
string D the on means it &tr ln# Io suluuaur aql $x lBrk\& 'r
C- D- DG $$Hrtr aTqntrp .p
oITAs *p
CGD A
CGDA HIOIA 'q
GDAE UII*IA 'g
:+u61.un#*sr4 rpsCI uo ssq#ls uads aql aursN '1
marked with an “X”.
s8w*49
You may skip those questions
I fitr$"xn0A a$s"[
 Adagio

Yln. 1

3?. D*fine th* f*trl*wing termts that p*rtai:-r t<: ilte h*w:
closest where the hand holds the bow
fln frmg is the part of the how to

b" heel same as frog

the of the bow furthest away from hand
e.tip is part
v
d. lffhat is the down&mw sign? The up-b*w nign? n
Portamento is a way to connect two notes far apart in amore expressive
13- vVhat is rneant by p*rtarrt*rut*7
was
14. What ls the differenc# betw*en psrtamesrt* enC glissmndm?
portamento asks the Player

to make a minimal slide between the two notes whereas gliss directs the Player to slide with GHV"

the player Plucks the

L5" Explain pixuieats. A pizzicato is a
technique where

string instead of bowing it .

hand pizzicato
left-hand pixxicat* and how is it indi*atsd? A left
is when the
L6. l Fhet is

player plucks the string with the left hand at the hall of the instrument
denoted by 9 't
' "
.

17. What is the most common designation used to tell string players to put on a mute?
Con sordino

3.&. 'f* take o'ff the mut*? senza sordino

natural harmonics are pitches produced by touching
1S. What in a natural harnt*nic?
a string slightly art various points called the node .
 F.
py 5 p
minors m3
ncanentdOctave
l
minor
3rd
*# -ffi.q
s"
60
°
iI^
°
•
É -0--0
{"1
/''r'q'p
lElEuolllspury 8q*ro1o3 al{l ro} sauo$a^o xls ts4J aw lno allrM .gz
certain a after
played note is be heard
can that or series of a a It is dffi#a# Ju$.1\uerxs AqluHaur $T +eqgd "pr
overtones pitches
. or and the
node finger to touch the fourth the third string to stop the thumb using by
.
can on a the
created be it cello the uh finger above with the ythe node lightly touches
and finger the "*{{43 sq}
simultaneously first the
pitch with stops the player
violin on the
uo PUE ullolA aql uo pa)npoxd 8I ryuoulreq IEIqfRr€ ue dprvr aq+ uaa^rlaq aruaiaprp aql aqlrrsag .gU
sound
:
g k
of
6=-0 E- ⇐
¥
i. £ ¥
:
7 K
&
cello viola Violin
('aq man plmos Fn1J€ aqt l?rllvr puu uopslou 1carro,
a$ qloq alt.tM) 'ollaD puu /EoI^'qlol^ :8r4ato11o3 aqt Jo qlea ro, slTuowrsq IBIrf$re aaql at}.rM .zz
.
more
string the open lightly than the of the
touching finger manipulation it involves
.$tr
however natural to similar are harmonics artificial dlru{}L$rELT IHIITII+JB uH $I Tur{M
I
K sort
'

g :} 1
g. T T
of
. =
a a →
:
g % If &
cello
baes viola violin
('aq ffru punos 1unlD€ arp luq*r puu uoaelou paJJoJ
aq1 q10q a1pL$ 'sluaumnsul tuws pa^{CIq rnoJ ar& Jo l{rBo ro, srr.uouuBrl [prn+Bu o^a+ a]pM .otr
 sr
abdominal muscles
, ,
movement of both throat and movement of abdominal muscles movement of the throat muscles
,
movement of lips 'lualrrn4sul puri\,rpoort € uo olBrqrA salnpo.rd.radEd aql sfu^,l JnoI aluuN .z X
.
breath one in slur the under notes
the all play to the player indicates slur i"r6.dsld pq* u o; rreorrr "rn1s B s#*p lEqM "g
6
G- auogdoxu$ cgIE -$
G
F tuoqqqpug .q
' . Bb pur..rqcqfl .g
%auogdoxes.rotrsl Bb
T
C pu.rrE,) .e
tb (o1oc4d)1aurrcpfI .p
(o1***ld) +eqrsl) fr *p
auoqdoxus ouuldoe .q
÷
A
leq.rqt olP .s
alTTa:T o:o, a'n:o1wra e.r sr teqlt t 3t 3 arpprur e qryd ua$F^^ aw Ir .s
lTi lTeT: A zuogdoxus ol1u .f
F atng ol[8 ,I
G lrJsrI r{q{suffi .rI
D pt4rupq €
D srxlqdsxss #$l"ffi; .$
C *s
laulrelr)
A taulrBpfl .p
*il
BG {*1o*nyd} laur.ru1} ff
A slJ$r{d$x8# sUErdCIS 'q
ft +*ur"r8l) s+F *s
le$arimJlsq 8q^aoIIoI aql ro} qplrd uapua,r, aql €} lErI^ (o) I appFrr q rpild grnprmos aw .?
fi
. a way mark the a on
harmonic creating at
string
half node
a the is It e$ul*aCIIqra*CI dq +uuprffi sI +st&!t .S
of touching equivalent woodwind
by reed mechanism or directly either motion in column air the set to
is
*uuaur aiwwru#w$a p"r**{, aw ss*p }BuLlt 'a
instrument the into blowing of the method It
,
,
,
.$sT{TtrJeS
saxophone clarinet oboe flute pU}A&pOOlvl ,T}1{}} SqA #UXHN "I
marked with an “X”.
You may skip those questions #ffbffi{rLp*#M
ffi $Ias.xTl#A asafr
 Senza vibrato
S- F{ornr dr:*s *Re designate a passase to he played with*ut vibrato?

the players use

9. How is double and triple tonguing achieved on woodwind instruments?
syllables like
"
te
"
or
"
ke
"
to articulate double or triple tonguing
is A fluttertongue produced by
I"il" Describ*fiutter tongui*g. What is the German !v*n'd f*r it?
rapid roll or Flatterzonge (German)
a
fluttering of the tongue -

A2
L1. If two oboes are to play the same part, what is the marking on the score?

12. How does one designate the second clarinet to play a passage alone if first and second are notated on

thm sffne linc? 1° or i depending on the player playing alone

used to emphasize
13. Why is the designation sols sornetimes used? Whv is it superfluous? It is
the fact that particular line or melody is the most important event occurring in the
orchestral texture at that moment

X
14" What *re rnutrtiph*nics?

X
15. Nafile s*ffil€ $p*(iel effects for w**dwinds in use t*day.

16. Give the rn,ritten renffie$ sf the foll*wing i:'rstru$remts:

a. piceol* c. alto #ute e, mboe
rva
8k¥
& &
-

.
-0
& ⇐

b. fiute d. bnss $lute f. Hnglish horn

Eo
on

& •
& ,
e*
lsSw;tr*
uro.ry papadxa d1ar.n1no,r aq deur leql spurmpoon uroJl padxa lou JoleJlsaqilo ue uE) letl\il '02
X
a'L{+ ,.,{q luesux $} +Br{&{ .6I
X
;+auTrBp aql w* ltrarq
u$o$$eq .B
:urcrt qqlsug ')
:aoqfi -q
:s+nlJ "H
eslu*wnJlsur smrla*I{O$ at{+ Io $}T+srraa}u"rH1d} IE,T+srfiil.T sqtr sJH }Bt{M .*t
X
"+aurrul) aq? Io sralsrfra; ssJq+ +srTJ aq+ affixsN .dT
6=0 6-0
.

g-
&
6§= ==°
u0o$$uclEJlrrtr) '[ .t{
a$uu; uall{.T*/\ ,sfiuoqdcxus {trs
6=0 I
:
µ og &
8m
aJfiLrrts/p soqs "4 usoss€q "I
X
a$uu"x uaprJivr ,sla$r;u1; ge 'S
 TS
iladlurul d plru r$oq d aWlo uoglsod$rrErl atil q ailararfip;r.{l sI }EWVI 'lr
original tube the length of along the points at certain inserted is it
. an g,.X.x*&{ }T s$Op ,arrG},[ i4*#Jl] u q ]Eq&t .$
is crook A
u was
shaped which pipe additional
instruments valueless for usually
period barque the in playing trumpet style of ;Suir{u1d *w*rlr $} lBr{M '$
p;rs#Bl) sqa Sur;np papu*urap ppud sHA*, +Ht{*11 "p
X
epoTrod lsaq$lq *q+
'saaardqlnour sqru pue'auoqruo4'utoq'pdurn4 arn uaa,.l,rlaq saluaJalJlp aW aqIJJsaO '€
X
(3 uo 'p
o3
1ffi U0
fi[ lls "q
duo'p
'cl prrE 'E'E'i"uo salra8 J[uoulruq aq} Jo slelu€d uazras ls4I aql aleloN 'z
. is
values A valve horn has three rotary inserted where the mouthpiece
opening the at from a coil of brass tubing construed is A natural horn
'pdruna Jo uJor{ aAIeA s pue ladrunrl ro lrroq 1uJn+Eu s uaafilaq a)uara}Frp aW aqlrrsa6 'I
marked with an “X”.
You may skip those questions sslfJ#
ffI JIs$nffi#A +ssJ,
 allows the player
S" [&&at d*es a valve d* on a hrass instrument? It
to lower the pitches depending on how many valves the player
is
pressing
9. Dsscribc rn hat happens wh*n a trumpet pla3'st d*press€$:
€ro the first vmlve pitch is lowered by a whole tone
b. the seennd valve pith lowered by a semitone
lower by a minor third
(o the third vah",e
lowered by perfect nth
d. the tirst anrt third valve a

lowered by a major 3rd

s" the s*cond anel third valve
lowered by a minor 3rd
f" th* first and seeond valve
lowered by an augmented kph
S. ell three valve$
L0. lArhat are the pmsitions sn the trcmbone? lAlhat effect d* they have? there are 2 different
positions on the trombone each position carries its own
.
harmonic series

3"1"" F{*w many p*siticlns ere there on th* tenr:r tr*rxhnr"le? 7

12. Name the fundamental pitches in all positions on the tenor trombone,
Bb A Ab f Gb F E
r

I.S. What er* the positi*n$ sn the bm*s tromhfrne?

X
14. What note is difficult to perform on the bass trombone unless a Gb or E trigger is present?

A note softens the dynamics

I"S. What doe$ a nrute du t* a brass instrum*nt?
of the brass instrument
straight mute
X.S. Which is thE standmrd *rchestral brass mut*?
cop mute
17. Narne $smf; other brass rnute$. wliispa ,
mute
,
solotonemilf

X
18. What is a Wagner fuba? Name Bome composers other than Wagner who have used it.

X
I"9. Hlhat is the maj#r differenf;s betwesn a euph*nium firld a bsritsne?

*?
ttu
€s
sffi{r+ uJsr{ aru #LsH '6a
X
epalnpCIrd
eluowrulsul ssErg aql Jo prmos arfi ol atnqrJtuo) ilaq aql Jo ralauIpip aql saop 1vIoH 'gz
X
4as*dsLruJ+ $luawnJ+$rdr
asaql oCI eseqn+ qg;o';t'fd qg t :uearu seqnl SrnrrrolloJ aql;o; suortreuSrsap qelrd aql op $Wvylz
i
sub
:
g
±
iHqn] aql 3* *fiuler fiq+ sT +BL{.&,t '$r
"puTrss sl} pffis apTstrsTqdo uE aqrril$a(l '$r
X
,r# .S
{il
q}${M "pA
X
;4adrmnr+ nt{} rr* p#prmAu sq p1not{$ slTrr} Smrvrc:{trCI} aq} }t:
.€u
# ;s4aduunr.* IIH r{}, q)+Td ua+lrr/l/t +ssr6"*{ oq} sI }}31{&t
F
.E
td uI "p c,;} uT
G C
uI "} lJT .s
Bb e{3 pb effi
pdwn.r1 e rog qalld uaill,r/vr aq+ q luq/vr'Gl) applru sl qtrld Sqptmos aW JI .UA
I
aqlHa
yo uo4rsodsu€J] aql sT lerlM eu€oru ,uJoq osseqlg,r pue ,,ruoq olIB 1g,, suoqeu8rsap aql op leqM .IZ
'E4saqlJo ,,tuoqdurfs ruapour 'a8,re1 u;o luaualdruoD sseJq Ipnsn aql atu€N .02