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Ombra

fedele anch'io
Idaspe (IRB 3)
Riccardo Broschi
Giovanni Pietro Candi

              
= 70
3 3
3 3 3 3 3 3

   




        
3 3 3 3

        

        
           
                
4 3
3 3 3 3 3 3 3

      

  
3 3
3 3

     


  
                             
        
                        
7

           
3


3 3 3 3 3 3 3 3 3
3

         
3

 

                          
       
                                
10 3

 

          
3 3 3
3

     
3 3 3 3
3

                

 

   
14

  
3

    
  
Om bra fe de le anch'

            
3
3 3 3 3 3 3 3


    


3 3

     

           

2

         
   
17

io sul mar gi ne di le te se

                 
                       
3 3 3
3 3
3 3 3 3 3 3 3

     
      
   

       

    
20

   
guir vo' I'l dol mio che tan toa

                        
3 3

        
3 3 3 3 3 3

     
 
       
       

    
  
22

  
do ro sul mar gi ne di

               


           
3
3 3 3 3 3 3 3

     

        
       

    


   
24

  
le te se guir vo' I'l dol

                        


3
3 3 3 3 3 3 3

        
    
        
   
3

            


26

               
        
mi o che tan

       
3 3 3 3 3

   
3 3 3

  
        
        

                  
28

                        
3 3 3 3 3 3 3 3

                       
      
        
 

    
    
30

   
to, tan

                     
   
3 3 3 3 3 3 3 3

     
        

       

  







 







32

                         
     
3 3 3 3 3 3 3 3

           
   
   

    
   

4

   

  
  
34


to a do ro.

  
                     
3 3 3 3 3 3 3 3 3 3 3 3

     
  

        
       

                                    
37 3 3
3 3 3 3 3 3 3 3 3

        
3

   
   

       



   
40

  
3


Om bra fe de le anch'

                       
3 3 3 3 3 3 3 3

    

   

       

       
42

 

                      


io sul mar gi ne di
3 3

      
3 3 3 3 3 3

        
       

5

   
 
44

  

       
le te sul mar gi ne di

                   


3 3 3 3 3 3 3

      
3

       

    
  
46

  
le te se guir vo' I'l dol

               


           
3
3 3 3 3 3 3 3

     
  
       
   

      


48

                        


mi o che tan
3 3 3 3 3 3

           
3 3

  

        
       

   
        
50 3

                           
3

        
3
3 3 3 3 3 3 3

        
3 3 3 3 3



            
           
 
6

           
53 3
3 3


  
                         
to,

                        
3 3 3 3 3 3 3 3

 
         
        


                

56

 
 
   
che tan toado ro, che, che tan toa do

    
         

  
 

       
 

       

  
 
60

                             
       
             
ro.

           
3


3 3 3 3 3 3 3 3 3
3


3

          

                            


        
63 3

          

 

   
3 3 3
3 3 3 3 3 3

                

     
7

      
Fine

          
67 3 3 3

         
3 3

   
    
 


3

     
     

                 

        
= 140

  
70

  
             
Che bel la pa ce'e que sta che'a con so lar sen re sta'il mio mar to ro

       
 
            

           

   
                   

 
78

 
   
               
che'a con so lar sen re sta il mio mar to


       
  
                          
 

    D.C. al Fine



     

      
87

  

ro, il mio mar to ro.

       
      

    
        
 

 
 

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