PIANO Vocal Score - AcT 1 Les Misérables SCHOOL EDITION Performed entirely by students A musical by Alain Boublil and Claude-Michel Schonberg Based on the novel by Victor Hugo Music by Claude-Michel Schénberg, Lyrics by Herbert Kretzmer Original French text by Alain Boublil and Jean-Marc Natel Additional material by James Fenton Adapted by Trevor Nunn and John Caird Original Orchestrations by John Cameron New Orchestrations by Christopher Jahnke, Stephen Metcalfe and Stephen Brooker Originally Produced by Cameron Mackintosh School Edition specially adapted and licensed by Music Theatre International and Cameron Mackintosh (Overseas) Ltd. NOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cuts, use a soft black lead pencil only. NOT FOR SALE This book is rented for the period specified in your contract. It remains the property of: PLEASE RETURN ALL MATERIALS TO: MTI MUSIC LIBRARY 31A INDUSTRIAL PARK ROAD Mieere Tehases Hiienamnemonnns NEW HARTFORD, CT 06057 421 Wes! Sath Stee! New York, NY 10019 (212) 541-4664 Copyright © 1986, 1987 Cameron Macintosh (Overseas) LtdLes Misérables School Edition Piano Vocal Score Act One 1. Prologue... 1 2. At the End of the Day... 3. 1 Dreamed a Dream, 4. The Docks... 5. Cart Crash. 6 Fantine’s Death... 7. Little Cosette... 8 The Innkeeper’s Song. 8a. The Innkeeper’s Tag. 9. 10. 11. 12. 13. The ABC Café..... 14. The People’s Song. 15, Rue Plumet.... 16. A Heart Full of Love. 17. The Attack on Rue Plumet.. 18. One Day More.Les Misérables School Edition Piano Vocal Score Act Two 19. 20. 21 24, 26. 27. 28. 29. 30. 31. 32. . 205 Building the Barricadi Javert at the Barricade. The First Attacl The Night... The Second Attack. The Final Battle... The Sewers... Javert’s Suicide... 275 ‘The Café Song (Empty Chairs at Empty Tables). Marius & Cosette. The Wedding... Epilogue... Bows.. Playout.....BIANOIVOCAL Les Misérables - School Edition The Chain Gang Javer Les Misérables #01 Jean Valjean Farmer School Edition Labourer Bishop : Constable 1, 2 A Musical by ALAIN BOUBLIL and CLAUDE-MICHEL SCHONBERG ing and Piano Reduction by English Text by Editing. eer HERBERT KRETZMER ACT ONE ‘STEPHEN METCALFE and PETER Prologue Andante, molto marcato (4 = 80-84) 1815. Toulon. The Chain Gang, overseen by brutal wardens, work in the sun. bz = Ale Copyright © 1986, 1987 Cameron Macintosh (Overseas) Ltd k01, “Prologue” wv 10) Moderato (J = 88) THE CHAIN GANG: = ay a we huh, Uh-huh, = Uh = Uh-huh, CONVICT I: ‘The (CHAIN GANG) down, look down, Don't look ‘em in the eye. Look down, look down.wv a 401. ‘Protegue” a, (convier convict2: sun is strong. It's hot as hell be-low. : Ive (CHAIN GANG) Look down, look down. There's twenty years tog done no wrong, Sweet Je-sus, hear my prayer. Look down, look down, Sweet Je-sus doesnt ca 89) convicrs, 1 know that shell be true. (CHAIN GANG) Look down, look down,av + #01. “Prologue” convicr« When I get free, you won't see me (CHAIN GANG) all for - got-ten you. 36] conviers: How long © Lord, _be - fore you let me die? down, look down. Don't look ‘em in the eye. (CHAIN GANG) down, look down. You'll al-ways be aslave. Look down, look down. You're stand-ing in your grave~a 401. “Prologue” 8 wenn 3 3 Now bring me pri-son-er 2-4-6 - 0-1, Your time is up and your pa-role’s begun VALJEAN: Yes, itmeansm free. 7 It means you get your yellow tick-et of leave. + 1 stole a loaf of bread. 1 broke a win-dow pane. You are a thief You robbed a house.By om 401, “Prologue” 2 (VALJEAN) My sis-ter’s child was close to death. ‘And we were starv - ing, gavern) You will starve a-gain un- I know the mean-ing of those nine-teen years. less you learn the mean-ing of the law. Five years for what you did,a 201, “Prologue” My name is Jean Val - jean. ‘cause you tried to run. ‘THE CHAIN GANG: Ja-vert. Do not for-get my name. Do not forget me, 2- 4-6-0 - 1 (CHAIN GANG) down, look down. You'll al-waysbe aslave. Look down, look down. You're stand-ing in your grave.Ww. 401. “Proegue” [70) Pochiss. meno mosso J-86 VALJEAN: 3 Free-dom is mine, the earth is still, feel the wind, [breathe a-gain and the sky clears, a oo ony 1 Rae poco rall. A Tempo the world is wak-ing Drink from the pool, how clean the Never forget the years, the waste.for what they've They are the guilt = y, —__ =~ A Tempo ral. The what this new world will do for me, day be-gins and now let's see fps sy OT. ll 89} Allegretto J=98 He fads workon farm. goad vaw =10- 401. “Prolegue [94] Recitative (Not too slow. like speech) FARMER: Youll have to-go, Ill pay you off Tor the day. Collect your bits and piec-es there and be on your way. a a VALJEAN: You have giv-en me half what the oth-er men get. This hand-ful of tin would-n't buy my sweat. a LABOURER: You broke the law, its there for peo-ple to see. Why should you get the same as hon-est men 100) Attegro J-83 VAUJEAN: And now I know how free-dom feels, the jailer al-ways at your agitato__——__ ——w a 401, Prolene” heels, It is the i This piece of hhand that makes me cursed through - out the nig, , POCO meno mosso rall. dirt be- neath their feet Andante con rubato J=100 a Come in, sit, for you are wear-y, and the night is cold out a “uePv a2 401, “Prologue” Though our lives hum -ble, 125} ‘VALJEAN: He let me eat my fill, had the li-on's share. ‘The sil-ver in my hand cost twice what I had eared. geo id cee poco rall., Atempo 1% Tn all those nine-teen years, that life-time of de-spair. And yet he trust- ed = = apW “13 01. “Prologue” played the grate - ful ser and thanked him, poco rall. rall. Lento 13% a But when the house was still I got up in the night, ‘Took the sil-ver, took my Allegro Molto J=136144 fling the sve cup, =w ee 401. “Prologue” Poco meno mosso (pesante) J=118-120 duis brought back by two CONSTABLES ia a AAANA AK ANANAAAA NAANNANA AAAAAAAA Sf CONSTABLE 1: Tell his Rey erence your sto = ry. ‘CONSTABLE 2: lodging here last night. You were the hon-est Bish-op's guest. And then, out of Christian good-ness, when herT a5. 201. “Profegue” rit, (CONSTABLE), You main - tain he made a pre-sent of this sil - ver. (CONSTABLE 2) BISHOP: learned about your plight, That is right. But my a a Moderato 4-82-86 [156] eistion The BISHOP gives VALIEAN friend, you left so ear-ly, sure-ly some-thing slipped your mind. You for -got I gave these al-so, Would you a ee a =F vo silver candlesticks. yall, A tempo 15 leave the best be-hind? So Mes - sieurs, you may re - lease him, For this, ee A Tempo The CONSTABLES leave all. man has spo-ken true. I com - mend you for your du-ty, And God's bless-ing go with ——— —~ — ——. — 15a -16- 401. “Prologue” Atempo 166) -otta voce Atempo all, colla voce (poco accel.) But re-mem-ber this, my broth-er See in this some high-er ™p a —— 1, Colla voce Poco accel. Poco ralll. Poco accel. You must use this pre-cious sil-ver fan hon - est man. Pid mosso (non colla voce) —_—Poco accel. ii by the Pas-sion and the Blood, = — By the wit-ness of the mart-yrs, pochiss. rall. rall, Lento VALJEAN is left alone . ae God has raised you out of dark-ness, I have bought your soul for God. —_ TT dim. -16-id -17- 201. “Prologue” [183] accel. accel. rit Poco meno mosso (¥ = 98) [189 VALJEAN: fal-len so far and is the hour so late_ That no-thing re-mains but the ery of my hate, The -17-201. “Prolegue” SS cies in the dark that no-bod-y hears, Here where I stand at the turn-ing of the years? -18- aw Non pitt mosso [196] If there's a-noth-er T missed it twen-ty long years a-go. life was a war that could nev-er be won. They chained me and left me for me a num-ber and mur - dered Val-jean theyav -19- 401, Prologue” Just for steal-ihg a mouth-ful of bread. Pochiss. rit, Poco piit mosso Allegro J=122 [207] cvatyeany 20 One word from him and Td be back 2 bbe-neath the lash, u- pon the rack, In-stead he of - fers me my a 19pv my shame in - side me like a knife. What spir-it comes to move my 0? Tam reach-ing but 1 fall andthe night is clos-ing in And 1w 5 -21- £01, “Prologue to the whirl - pool of my from the Jean mf craavenpre TI LIU ol tFtcrtrtr molto rall. "LF CLF Lf ty zee? Pitt mosso (in tempo) He car up hs yellow Ticket of Leave eeePIANO/VOCAL Les Misérables - School Edition Chorus cn At the End of the Day He Valjean Moderato, maestoso J=80-84 eye 1823, Montrueilsur-Mer. Outside the factory owned by the Mayor Monsieur Madelaine (TEAN VALJEAN in disguise). Rall. Molto allegro J. = 132 GN De HeWw 402, “At the End of the Day” (18) CHORUS (The Poor: nis. mf At the end of the day youre a-noth-er day old - ex ‘And that’s all you can say for the life of the poor, 2av a 402, “At the End of the Day” (CHORUS) strug - gle, its a war, And there's no-thing that an = y- one's giv At the end of the day you're a-noth-er day — cold-er.w 4 202, “atthe End ofthe Dy” 30, (cHorus) And the shirt on your back doesn't Keep out the chill right - cous hur=ry past, They dont hear the lit tle ones cry - ing, winter is com-ing on fast day nearer toav 5 202. “At the End of the Day (CHORUS) end of the day there's a noth - er And the sun in the momn-ing is wait-ing to rise Like the (cHorus aie) waves! crash onthe sand, like a storm that'll break an - y see - ond, waves! crash on the sand, Like a storm that ll break an = y sec - ond. There's a hun - ger— in the land, reckoning still to be feck - oned, And there's by- aa 202, “Atte End of the Day” 5,71 — gon-na be hell to ‘At the end of the gon-na be hell to At the end of the FOREMAN: The FOREMAN and WORKERS, including ‘At the end of the day you get no-thing for FANTINE have emerged jrom the factor. Sit - ting flat on your butt doesn't buy an - y -21-av 402. “At the End ofthe Day” 33 WORKER 1: WORKERS 1 & 2: ‘There are child = ren S| WORKER 2: child-ren have got to be fed, WORKERS 1 &2: And we're count - ing (WOMAN) And we're count - ing our 8ae a 102. “Atte End of the Day” bless - ings. Have you seen how the fore-man is fuming With his ter - ri ~ ble breath and his wander ing hands?pv #02. “At the End ofthe Day Take a look at his trous-ers, you see where he Ws be-cause lit- tle Fan-tine won't give him his way: fore-man is al-ways in heat. does= nt Took out, watch how sheav =10- £02, “At the End of the Day” She'll be out on the CHORUS (The Workers): With e-nough in your pock -et to last for (CHORUS af) B land - lord, pay the shop, Keep on graft-ing as long as youre a - ble, shop, Keep on graft-ing as long as you're a ~ Keep on and = lord, pay the 3.Pav -l1- 402. "At the End of the Day” graft - ing tll you drop, ble, Well, you've b,oa A 202. “At te End of the Day” GIRLS: (srabbing a letter from FANTINE) ‘And what have we here, lit - tle in - no - cent Come on, Fan-tine, lets have all the news. 1 (reading the leter) ‘Dear Fan-tine, you must send us more mo-ney, your child needs a doctor, there's no time to Give that letter to me, it is none of your bus-'ness 3w ore £02, “At the End of the Day” a hus-band at home and a Is there an-y-one here who can swear be-fore God she has no-thing to fear, she has no-thing to = __* oo ‘They fight over the leer. 102) attegro J=130-132 VALJEAN: VALIEAN rushes on to break up the squabble. What is this fight-ing all a - SS Seoe a 02. “At the End ofthe Day” ¥ H out, Will some-one tear these two a~part? This is a fact~'ry, not a cir-cus. Now, come on, lad-ies, set-tle oO — a I mun a business of re = pute, am the —-May-or of this town. mm oN oS am (To the FOREMAN) you to sort this: ny He goes back into the factory.we =. 402. “At the End of the Day” =) cams At the end of the day she's the one who be - gan it There's a Kid that she's hid-ing in some lit - te town. she has to pay, You can guess how she picks up the ex - tra she's earn - inggle -16- 02. “At the End ofthe Day” i [126] Poco meno mosso And the boss would - n't 1p __FANTINE: true there's a child and the child is And her fa - ther a- band-oned us, leaving us flat. Now she lives with an inn-keep-er man and his wife and I pay for the child, What's the mat-ter with 3And there's trou - ble earn-ing our dai eamn-ing our dai [134] for ly bread, y bread, all when there's trou - ble -17- 202. “At the End ofthe Day” A tempo At the end of the day shell be no-thing but trou-ble, for She's the one with her hands in the but - ter, She's the one with her hands in the but - ter 38.ww a -18- 402, “At the End ofthe Day’ gon-na end gon-na_ end us who'll have — to (ad) FOREMAN: T might have known the bitch could bite, I might have known the cat had claws. I might have guessed your li-tleww -19- £02, “At the End ofthe Day” yes, the vir - tu - ous Fan - tine. Who keeps her - self so. pure and clean, You'd be the cause, Thad no doubt, (Of an-y trou-ble here-a - bout, You play a vir-gin in the light But need no urg-in’ in the ) (FOREMAN) night! GIRLS: She's been laugh-ing at you while she's hav-ing her men. WOMEN: She'll be no-thing but trou-ble a-gain and awv -20- #02, “At the End of the Day” You must sack (WOMEN) FOREMAN: (spoten) + 7 _Right, my gil: On your way! Rall. Segue as one 41.PIANO/VOCAL Les Misérables - School Edition I Dreamed a Dream #03 Moderato (J = ca. 84-86) FANTINE is left alone, unemployed and destitute wit OF IBF SBR IF S ‘There was a time when men were kind, When their voic-es were soft mp erese. poco.a poco ‘And theirwords in-vit-ing, ‘There was a time whenlove was blind And the world was a song oaa ae 203, °1Dumed a Dream i senza rall. colla voce And thesong was ex-cit ~ ing ‘There was atime. Then it all went wrong. A Tempo (4-74) — [17] non troppo cantando I dreamed a dream in time gone When hope was high and life worth as I dreamed that love would ne-ver die. EELS403, "I Drewmed a Dream” wv [25] Poco pitt mosso e pitt cantante I dreamed that God would be for - giv-ing Then I was young and un - a —_——. ‘And dreams were made and used and wast-ed. No song un-sung, no wine un~ was no ran- som to be paid. a = [33] Poco pitt mossowv 4 208, "1 Denno a Dream” With their voic - es soft as thunder, As they tear your hope = ia rall. As they tum your dream to shame. rr ft frPr f Atempo He slept a sum-mer by my side He filled my days with end - less my child-hood in his stride _—_—2) he Pid mosso was gone when au -tumn dreams the years ~46— to 403, "I Dreamed a Dream”av + 203. ‘1ramed a Dre” 58 poco accel. (60) Poco pit ‘And there are storms we can-not —_wea-ther. doo) SF appasionavo had a dream my life would be So dif-frent from this hell I'm aby rall. Colla voce liv - ing. So dif-frent now from what it seemed. Now life has killed the dream 1 = 3 rall, Applause Segue 7, 41-PIANO/VOCAL Sailors 1,23 Prostitutes Old Woman Fantine Whore 1.2.3 Pimp Bamatabois Javert Jean Valjean Moderato 4-76-80 8 Sev-en days at sea Les Misérables - School Edition The Docks #04 (Lovely Ladies) SAILORS, WHORES and sheir CUSTOMERS, BD] PIMPS; FANTINE wanders in SAILOR I: smell wo - men, Smell ‘em in the ait. SAILOR 2: ‘Think 1M drop my an-chor in that har-bor o-ver there, Love - ly la = dies, Smell ‘em through the smoke, SAILORS: Even stok-ers need a lit-tle stoke, Eeav 404, “The Docks” PROSTITUTES: 7 e — i Love - ly la = dies, Wait-ing for a bite, Wait-ing for the cust-om-ers who only come at night. Love - ly la - dies, Ready for the cal, Stand-ing up or ly-ing down or an-y way at all (12) Recitative Bar-gain prices up a-gainst the wall ears ‘OLD WOMAN: What pretty hair, What pret-ty locks you've got there! 49w a #04, “The Docks” (OLD woman) What luck you've FANTINE: Don't touch me, leave me a-Tone. (OLD WOMAN) Til take the Tot Let's make a price. Il give you all of ten francs. rall. It pays a debt What can I do? It pays a debt, Ten francs may save my poor Co-sete, Just think of that! Just think of that!w + £04, “The Decks” Atempo SICK WHORE: 17, sick e-nough to drop 6 PIMP: Bel-ly burns like fire Will the bleed-ing ev-er stop? Cheer up dear simile SICK WHORE: a Plen-ty more like you dear if you can’t keep up the pace, On-ly jo-king dear-y knows her place. sieey 5 404, “The Docks” (23) Pitt mosso 4-86 rime: FANTINE reemerges ther long hair now cut short. Give me the dirt, Who's that bit over there? WHORE 1: mons ‘A. bit of skit, she's the one sold her hair. She's got a kid, sends her all that she can T might have known, al - ways some man. all. la = dy, come a~long and joinav ~~ 404, “The Docks” Quasi Recitative (meno mosso) 30) WHORE: Come on, dear-ie, why all the fuss? You're no grand-er than the rest of us. poco rall. Life has dropped you at the bot-tom of the heap. Join your sis-ters, WHORE 2 Make mo-ney in your sleep. FANTINE goer of with 34, WHORE 1: Wuores: ‘on ofthe sailor. That's right, dear-ie, let him have the lot That's right dear-ie, Show him what you've got.wv 7- #04. "The Docks” A tempo [37] FRosrrrures: Old men, young men, take ‘em as they come. Har-bor rats and al-ley cats and ev-'ty kind of scum Poor men, rich men, lead-ers of the land, See them with their trous-ers off, they're nev-er quite as. grand, Al it takes is mo-ney in your hand 42] Moderato 4-96-10 Love-ly la-dies, Go-ing for a song, Got a lot of cal-lers but they nev-er stay for long,£04, "The Docks Ww + Poco piit mosso 446) FANTINE: Come the hate that'spv ~9. #04. "The Docks” (no rall.) rall. molto SF ¥ al- read - y dead? Recitative — 'BAMATABOIS: 57] (awetidressed gentleman) a Here's some-thing new, I think Ill give Come clo-ser, you, I like to see what I buy. FANTINE: us-ual price for just one slice of your pie T don't want you, No, No. M'-sieur, let me go. ey No, not at all BAMATABOIS: ae a Is this a trick? I wor't pay more. You've got some nerve, you lit-tle whore, you've got some a-10- FANTINE: Allegro molto (J. =132-134) you, you bas-tard, try an - y molto rall. E-ven a whore who has gone to the bad won't be had by a 7 Allegro, maestoso 4=118-120 AAAAAAAA AAAAAAA A AAAAAAAA wg —_—* AVERT v quick-ly, whats the sto-ry, Who saw what, and why, and where? Let him give a full de-scrip-tion, Let himpv a #04, “The Docks” oF and speak who saw . Who laid hands on this good. man here? What's the BAMATABOIS: When this pros- H - tute at-tacked me, you can(84) gavern ¥ answer for her ac-tions when you maka Tull re-port. You may rest asvsuredM'-sieur, that she will Poco meno mosso FANTINE: ‘There's a child who sore -ly needs me, Please, M’ - sieut, she's but that AVERT fan-swer to the court -59-a3 104, “The Decks” all. [92] attegretto (J-96) av goto jail, shell die! JAVERT: 93, +. heard such pro-tes-ta-tions ev-‘ry day for twenty years. Lets have no more ex~pla-na-tions, Save your rall. Moderato (4-90) VAUJEAN: con poco Rubato [100) (emerging from the crowd) FANTINE gives a ast, despairing ery eee das she is arrested by the CONSTABLES. of your time, J way to please the Lord, -60—£04, “The Docks ra Youve done your du-ty, let her vert, I do be-lieve this wo-man’s tale, JAVERT: oe But M-sieur Mayor. be. She needs a doc - tor, not a senza rall. all, VAUJEAN: Where will this child with - out 61-wv =15- 104, “The Docks” Andantino J-80-84 [744] (wo raxTINe) = = rt = Tye seen your face be = fore, Show me some way to A rall. A Tempo How have you come Im such a place as this? (118) M'-sieur, don't mock me now, I pray. Ws hard e-nough, T've lost myav -16- 108, “The Docks” Tempo —— and tuned a - side. [126] A Tempo Moderato P 1 nevrer did no wrong, My daugh-ter’s close VAUJEAN: P Is it true what [ve done? oo To an in-no-cent soul? Had 1 only known then, 6av a7 404. “The Docks” poco pitt mosso Allegro molto J=130 2. BYSTANDERS: ‘Ghouted Look. all. But M-'sieur Mayor.PIANO/VOCAL Les Misérables - School Edition Character #05 Jean Valjean Onlookers 1,2,3,4 Cart Crash Fauchelevant Javert ER BYSTANDER: (Liistesso tempo) ANOTHER BYS' oe (showed) "W's a runaway car!” sda £05, “Cart Crash” Allegro molto Fl 1 VALJEAN: There an = y one here who will res - cue the ONLOOKER2: ONLOOKER 1: Don't go him. Mi sieur Mayor ONLOOKER 4: load is as heav-y as hell Twill kill you as ONLOOKER 3: If you the ac = id will fall ~66—They manage to pulPAUCHELEVANT clear FAUCHELEVANT: all. M’-sieur le Mayor, You come from God, youpv + 205. “Cart Crash” A tempo, accel JAVERT takes VALIEAN aside. ng * 36] Recitative JAVERT: ‘A man your age To be as strong as you are. a ‘A mem-'ry stirs, You make me think of a man From years a-go, A _man who broke his par-ole. He dis-ap-peared. For-give me, si, 1 would not VALJEAN: Say what you must, Don't leave it therewv 5 105, "Cart Cash” Allegretto (not too fast) (d= or. 104) aj JAVERT: = ly known one oth do what you have done, = vit fromthe chain gang, he's, ”, 8 found his hide - a - way And he's just been 69wv a 05. “Cart Crash” Well, of course, he But he could - n't : ral. [55] A Tempo, Adagio JAVERT leaves. VALIEAN is alone le Andante 9] vausean: He thought that man wasav #05, "Cart Crash” ‘This stran-ger he has found this man could be my chance. eS Why should I save why should I right this wrong? Poco rall. have come so far and strug-gled for so long. — -n1-w + 105. “Cart Ch” [74] Lento - recitative pitt mosso con accel. g It 1 speak 1 am__—con-demned. If silent I am damned, 1 stay [73] Moderato (J= 90) 1am the mas - ter of hun - dreds of work - ers, they alll look to me. ee FE 2 rall, ‘a= ban - don them, how will they live SS ‘am con-demned T stay silentaw 9- 405, “Cart Crash” AE ae Andante (J=70) damned. pg NEN ELD SN EN EEN ES Can I con-demn this man to slav-er-y, Pretend 1 do not feel his PEN ESN po po SN SN NN ES ‘erese. poco @ poco 1 a - gon-y? ‘This in-no-cent who wears my face, who goes to judg-ment in my place, Who am aN Sate Poco pitt mosso % P Can 1 con-ceal my-self for ev-er-more, Pre-tend I'm not the man 1 TN Sao ae P 4205. “Cart Crash” must my name un-til I die be no more than an al-i-bi, must we =10- ee Ancora poco pitt How can I ev-er face my _fel-low self a-ain. My soul be-longs to God, I know, I made that bar-gain long a-go. He a es ek ee ee rall. > g ==. =. SS SS = SS SS =e “ os . zs f = = A = - = + 4 7 =wv a 108. “Cart Crash” 95] A Tempo, Allegretto (J = 98) ¥ rR Who am ee tel ee a el sn He unbutons hs shirt to reveal the 7 ‘munber on his chest see it's true, This man bears >av -12- £05. “Cart Crash” A Tempo (non piii mosso) no more guilt’ than you. a [106] A tempo, Adagio 3 ba ; be. -16-BIANOIVOCAL Les Misérables - School Edition Fantine’s Death #06 Adagio (J = cz. 60) Poco piii mosso —_—$—$—_ —_——_ (=70) 2 pochiss. ral, = — x FANTINE: Co-sette, its tumed scold, Co-sette, its past your bed -time. rall. You've played the day : and soon it will be night. Come to WP [13] Adagio Co-sette, the light is fad - ing, Dont you hear ter wind isav #06. “Fantine’s Death” 1 will sing you Jul - la - bies and wake you in the VALJEAN: [21] Pia mosso our time is run-ning But Fan - tine, I swear this on my ~78-” st £06. “Fantine’s Death” Look, Monsieur where all the child - ren play [29] Poco meno mosso Take her now Shall live in my pro - tec - tion. child will want forav + 06. “Fantine’s Death” Good Mon - sieur, Hy, all. Meno mosso none will ev-er harm Co-sette as long as tam liv - ing. {37| Poco Rubato hand, the night grows ev-er cold - er Take my child, 1 give her to your ‘Then T will keep you warm. —_———<—.Pv e > 106. “Fantne's Death For God's sake, please stay till I am sleeping and ‘Take shel-ter from the storm. ._——_. | all, Molto ral. Meno mosso m 45 (She dies wi a smile. JAVERT enters.) mt a JAVERT: 8wv — 106, “Fantne’s Death” [48] Moderato (J =88) ——— jean, at last, we see each oth-er plain, "M’-sieur le Mayor’, you'll wear a dif-frent chain. —— nf ———_| mp sa, _ VAUEAN: ~Dre-tore you say a-noth-er word, Ja-vest, Be-fore you chain me up like a slave a-gain, + 7 This wo-man leaves behind’ a suf-Fring child There is none but me who can in-ter-cede.av 106, “Fantine’s Death” 7 (ALJEAN) ‘Then Tl re-tum, 1 pledge my word, Then Ill re- tur, JAVERT: You must think Ive hunt-ed you across the years, Men like you can never change, Poco rall. (VALIEAN breats a chair and dhreatens JAVERT withthe Broken pieces).wv e £06, “Fantine’s Death” 1 swear JAVERT: ‘There is no place for you _——— And I will raise her to Where-ev -er you may — hide ——w ~9- £06. “Fantine’s Death” 1 rall, ; ee eee SSS 7G] Allegro (d. = 132) TerAehrarin JAVERT is knocked out ‘and VALIEAN escapes Poco rit.a [VOCAL Les Misérables - School Edition a Little Cosette #07 {ile COSETTE is working as a drudge inthe THENARDIER'S inn a Montermel Adagio (J-66) A Tempo T like to go thee in my ——av £07, “Little Cosette” Not in my cas - tle : ot tn myca-te on Thee is ale = dy alin whe ee # Holds me and sings sing to see and she's soft to touch, She eee oe a Rit. 20 says: "Co-sette, I love you ve-ry much” 1 know a place where no one's ee T know a place where no Crying at all isnot -87-av a 407, “Litle Cosette Recitative [2g] MADAME THENARDIER: (rushing in, followed by linle EPONINE) Now look who's here. The lit-tle Ma-dam her-self, Pre-tend-ing once a-gain she's been so awfully good. Better not let me catch you slack-ing, Bet-ter not catch my eye, ‘Ten roteten francs your moth -er 23 sends me. What is that gon - na buy? Now take that pail, My lit tle Ma-dem“ _ 407, “Little Cosette” Moderato pesante J=120 2% 36-2) We should nev-er have tak-en you in inthe first place, how stu- pid the things that we like moth - er ike daughter, the scum of the street! Pid mosso (Cling 10 LITTLE EPONINE) E-po - nine, come my dear E - po-nine let me see you. Youav 5 £07, “Little Cosette” 8, (LITTLE EPONINE enters the stage.) ook ve = ry well in that lit - te blue hat ‘There's some lit-tle girls who know how to be - have and they know what to wear and Tm say-ing “Thank tive Sill there, Cosette? Your tears will do you no good. fe Andante (J-70) COSETTE: Please do not send me out a - 9, 3 1 told you, fetch some wat-er from the well in the a -90-aw inthe dark 407. “Litle Cosette” 53) Recitative MADAME THENARDIER: E - nough of that MME. THENARDIER: Go! Allegro Segue -91-Cees Les Misérables - School Edition Thenardier Chon seus Le Innkeeper’s Song #08 Andante (4 = cz.72-76) 3] THevaRDteR (greeting anew customer) Wel-come M'-sieur, Sit your-self down and meet the best inn - 9+a 408. “The lankeeper’s Song” Hon-est_men like 21] Pitt mosso Mas-ter of the house, _Dol-ing out the charm, Read-y with a hand-shake and an o=pen palm. Tells a sau-cy tale. Makes a little stie, Cust-om-ers ap-pre-ci- ate a bon vi-veur,Pv Glad to do a friend a fa no- thing gets you no - thing Ey Mas-ter of the house, Wat-er-ing the wine Mak-ing up the weight, ‘ry-thing has got £08, “The Innkeeper's Song” little price. to re-lieve them of a sou-or two. Pick-ing up their knick-nacks when they cant see straight areav + 408. “The Innkeeper's Song” Bv-ty-bod-y loves a land = lord Ev'ry bod =y's bos 7 om Triend, (pochiss. accel.) 9 do what-ev - er pleas - + sus! Wont I bleed ‘em in the end! 5D] Poco pitt mosso (THENARDIER) Mas-ter of the house, Quick to catch your eye. Nev-er wants a pas-ser-by to pass him by. ‘Horus: = Mas-ter of the house, Quick to catch your eye. Nev-er wants a pas-ser-by to’ pass him by. ~95-Ww 5 08. “The lankeeper’s Song” Ser-vant to the poor, But-ler to the great Com-fort- er, phil-os - o-pher and life-Tong mate, Ser-vant to the poor, But-ler to the great ‘Com-fort-er, phil-0s -o-pher and life-long mate, Ev-'ry-bod-y’s boon com-pan = ‘ty-bod-y's chap > er one. Ev-'ry-bod-y's chap - (THENARDIER) all. lock up your 7 sus, wont I skin you to the bone.- a £08. “The Innkeeper’s Song” A Tempo Primo [69] weENARDIER, (1o-another new customer) En-ter M’-sieuz, Lay down your load ——-Un-lace_your boots and n, (taking his bag) ‘This weighs But here we strive light -en your purse, : Here the goose is cooked. Here the fat is fried, Anda £08. “The Innkeeper’s Song” ral. fied. 7] A Tempo (THENARDIER) MME. THENARDIER: BOTH: Food be-yond com-pare, Food be-yond be-lief jin-cer and pre = tend its beef. af ‘MME. THENARDIER: ‘THENARDIER: BOTH: 91, Kid-ney of a horse, ling up the sau - sages with this and that MME. THENARDIER: ‘THENARDIER: 95 Res - i-dents are more than wel Bridal suite is oc - cu- pied. —tld se 108. "The Innkeeper's Song” plus some lit - le ex-tras on the side. VO3] sive.THENARDIER: © THENARDIER: BOTH: Charge ‘em for the lice Ex-tra for the mice. Two per-eent for Jook-ing in the _mir=ror twice. MME. THENARDIER: ‘THENARDIER: BOTH: 10, Here a lit-tle slice, There a lit-e cut’ Three per-cent for sleep-ing with the — win-dow shut ‘THENARDIER: MME. THENARDIER: 11 When it comes to fix - ing pric - 6s, There are lots of tricks he knows.wv 5 £08, “The Iker’ Song” (pochiss. accel.) BOTH: How it all + es, All them bits and piec - es, Je - sus it's a-maz-ing how it grows! Fig] (Pochiss. pit mosso) ‘THENARDIER: Mas-ter of the house, Quick to catch your eye. Nev-er wants a pas-ser-by to pass him by. CHORUS: Mast-er of the house, Quick to catch your eye. Nev-er wants a pas-ser-by to pass him by. But-ler to the great. Com-fort-er, phil-os- 0-pher and life-long mate, Ser-vant to the poor, But-ler to the great Com-fort-er, phil-os - o-pher and life-long mate -100-a : mw -10- 108. "The innkeepers Song Give ‘em ev 'ry-thing Ive Give ‘em ev-ty-thing ve got (THENARDIER) rall. Dir - ty bunch of geez - Tit We lot Poco meno moss0 [13] mavane rienanoves 1 used to dream that I would meet a_ prince. -101-