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  • Prelude No. 21 BWV 866 in B Major

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    Đại Lâm Nguyễn
    16 views3 pages
    The prelude is in cut time and has 83 measures. It is made up mainly of eighth notes, quarter notes, half notes and whole notes.The fugue is in 3 2 time and has 101 measures and four voices. It is made up mainly of eighth notes, half notes, dotted half notes, quarter notes, whole notes, and dotted whole notes.[3] Glenn Gould said it is one of his favorite fugues, along with B-flat Minor fugue and E Major fugue that are also from the second book of WTC.[4]

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    Prelude_No._21_BWV_866_in_B_Major

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    The prelude is in cut time and has 83 measures. It is made up mainly of eighth notes, quarter notes, half notes and whole notes.The fugue is in 3 2 time and has 101 measures and four voices. It is made up mainly of eighth notes, half notes, dotted half notes, quarter notes, whole notes, and dotted whole notes.[3] Glenn Gould said it is one of his favorite fugues, along with B-flat Minor fugue and E Major fugue that are also from the second book of WTC.[4]

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    16 views3 pages

    Prelude No. 21 BWV 866 in B Major

    Uploaded by

    Đại Lâm Nguyễn
    The prelude is in cut time and has 83 measures. It is made up mainly of eighth notes, quarter notes, half notes and whole notes.The fugue is in 3 2 time and has 101 measures and four voices. It is made up mainly of eighth notes, half notes, dotted half notes, quarter notes, whole notes, and dotted whole notes.[3] Glenn Gould said it is one of his favorite fugues, along with B-flat Minor fugue and E Major fugue that are also from the second book of WTC.[4]

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Praeludium

    XXI

                 
                

              
    Piano


           




      
      
            
         
    2

             


             
     
    3


             
           
              
     


                 

    4

                      
              

      
           
    5

                   
                   
     
     
       
    6

                      
                    
      

         
            
     




       
    7

                 
       

           
              
    8

      
           
            

     
     






           
       
    9

                
          

                 
              
         
    10

                      
              
         
      

                   
      
    
       
    12

                  
              
      

    2
      
                     
          
    14

           
       
     
           

     
                                       
               
    16

       

    
        
      

      
                         
       
    18

              


       
      

    
       
                
     
        
    20


                  

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