Adagio No.

3 for Strings
Jordan Grigg

° 3 ™ ™ ™ ™ ™ ™ ™
(Oct. 2019)
Adagio appassionato con moto q=56

Violin I  4    
mf pp

3        
ff

 4 ™ ™        ™ ™
™ ™
Violin II

™ ™ ™ ™ ™
ff mf pp

Viola    43  ™ ™ ™ ™ ™ ™ ™    
ff mf pp

  3 
Violoncello 4       ™ ™
pp

  3 
Double Bass
¢ 4       ™ ™
pp

°     
      ™ ™
 ™
10

Vln. I       ™

 ™ ™ ™ ™ ™ ™
p

  
Vln. II
™ ™ ™ ™ ™ ™ p
    

          ™ ™        
pizz
Vla.  
p


       
™ ™ ™ ™ ™ ™
 
pizz
Vc.
p

 
¢ ™ ™ ™ ™ ™ ™        
pizz
Db.
p

©2019 Jordan Grigg Publishing

 °  ™ ™  ™
2

    
      ™
20

Vln. I 


               ™ ™      
Vln. II
 

                       ™
 
arco
Vla.

         
™ ™
    
arco
Vc.

   
¢          ™ ™ 
arco
Db.


°     ™ ™  ™ ™   ™™
27

Vln. I 
 
        
p

            
Vln. II
   ™

    ™     ™    ™  
p

Vla.
 ™  ™™      ™™  ™™        

   ™ ™ ™
p

™ ™ ™
™
Vc.

  ™ ™
p

¢   ™ ™ ™ ™
™
Db.
p

°    
rit. A tempo

 ™
          
34

Vln. I      

™ ™ ™ ™ ™ ™ ™
pp

     
™ ™ ™ ™ ™ ™ ™
Vln. II

    ™™                ™
pp

Vla.    

    
pp

™ ™ ™ ™ ™ ™ ™
Vc.  

    
pp

™ ™ ™ ™ ™ ™ ™
 
Db.
¢
pp
 °     
3
   
 ™   
Piu mosso q=66
  ™ 
accel.

 ™ 
44

Vln. I 

    ™™

   ™™
    
 ™
f

        
3

   
™  
Vln. II

 ™™ 
3

   ™     
f
3 3
         
3 3 3

Vla.
        


3
  
3

™ ™ 
f
3
Vc.
    

 
3
 
¢  ™
  
f
3
Db.
     
f

°                ™        
 ™
50

Vln. I   
3

 
3
     3 
    
ff

            

Vln. II

  
3

  
ff
3

        
3
    
3 3 3
Vla.
            

   ™
3

       

ff
3

         
Vc.

   ™
3

          
ff
3
Db.
¢   
     
3
ff

<>  
°   <>           
         ™
 
54

Vln. I         ™  
 <><>   
         ™
          
 ™
Vln. II
       
  
                    
             
3

  
Vla.
      
       
               
 
     ™   
   

Vc.

  
3
    
     
Db.
¢     
  
ff
 °    ™     ™              ™
4

 
rit. A tempo

 ™               ™
58


Vln. I
 
      
             ™™
ff

              
          ff
Vln. II


                ™     
3 3 3
    
3
   ™
      
Vla.

   
         
  ™  
ff

    
 
Vc.
3 3

  
ff

   
Db.
¢      ™    


 
ff

°   ™             

 ™ 
™         ™  ™ 
62

   
™  
Vln. I

 
    ™™ 
mf

                 ™
 ™
Vln. II

           
  ™™
mf

Vla.
            ™
 
               
mf


Vc.     ™ ™
 
  
mf

™ ™
  
Db.
¢        
mf
3

°   ™ ™ ™ ™ ™
rit. Tempo I q=56

    
68



Vln. I


mf pp

  
                
  ™
Vln. II

 ™ ™ ™ ™ ™
 
mf

 ™ ™ ™ ™ ™
Vla.
™      ™ 

pp mf pp

    ™         
Vc.   
    ™ 
        
Db.
¢   
 ° 
5

     
   ™
       
78

Vln. I
    ™

 ™ ™ ™ ™ ™ ™ ™ ™  
p

™ ™ ™ ™ ™ ™ ™ ™
Vln. II

    ™ ™
pp

Vla.              

 
Vc.
™ ™ ™ ™ ™ ™ ™ ™  

 
pp

Db.
¢ ™ ™ ™ ™ ™ ™ ™ ™  
pp

°   ™ ™      ™ ™   ™
88 rit.

Vln. I  
            
                ™

Vln. II
p


           
        
pizz arco
Vla.  
p

               
   ™
pizz arco
Vc.
 
p

   pizz 
¢                ™
arco
Db.
p

°        ™  ™A tempo ™ 
™ ™ ™ ™
 
  
95

Vln. I  ™ ™

 ™
                  
fff

Vln. II
       

          ™  ™™
                 
fff
3 3
Vla.      
™  ™™
3

   ™  ™
fff

™ 
Vc.  ™
™  ™  ™
fff

  
Db.
¢ ™  ™ ™
fff
 °  ™ ™
6
rit.

 ™
102

Vln. I
™ ™   ™ ™ ™ ™ ™ ™

         
f

    ™™    ™ ™ ™ ™ ™
Vln. II

            
f

   ™
™ ™ ™ ™
Vla.

            ™™  ™™  ™™ ™ ™ ™ ™
f

™
™ ™
Vc.

   ™ ™
f

¢ ™ ™ ™ ™
  ™ ™ ™
  ™ ™ ™
Db.
f

° 
112 molto rit.

Vln. I  ™ ™ ™ ™ ™ ™ ™

p

    
™
<>  ™ ™ ™
Vln. II
p

 
p

Vla.

        ™ ™
p

 ™™  ™™ ™ ™
p

      
™ ™
Vc.

™ ™
p p

 
Db.
¢       ™ ™
p
p

°  5 3
119

Vln. I  ™ 4 ™  4 ™ ™ ™ ™ ™

 5 3
pp


niente

 4 4
™ ™ ™ ™ ™ ™ ™
Vln. II

  5 3
 4   ™™  ™™  ™™  ™™  ™™
pp niente

Vla.
  4 
   ™
4 ™
5 3
pp

 4 ™  ™™  ™™  ™™  ™™
niente

™ ™
Vc.

4 ™ ™ ™ ™ ™
pp

   5 3
niente

 
Db.
¢ 4
™ ™ ™ ™ ™
pp niente
Violin I
Adagio No. 3 for Strings
Jordan Grigg

™ ™ ™ ™ ™ ™ ™
(Oct. 2019)

3
Adagio appassionato con moto q=56

 4    

 
ff mf pp

      ™ ™
™
   
11

      ™
p

 ™   ™     ™  
      ™
20

  ™ ™
2
  ™ ™   ™™
rit.

   
28

 
 
A tempo accel.

   ™
       
37

    ™
pp

               
 ™         ™
Piu mosso q=66

    ™      
46


f 3 3

    ™         
     
           
52


   ™
ff

     ™     ™     ™             
™
rit.

             
57

  
V.S.
©2019 Jordan Grigg Publishing
2 Violin I

  ™    ™        

    ™    ™    ™     
A tempo

 
61

™ ™



™
        
ff mf


3  ™ ™ ™ ™ ™
rit. Tempo I q=56

      
68


mf pp

   
       ™   
80

    ™
p

™ ™     ™
 ™ ™
      ™  
88 rit.

 ™A tempo
 ™™    ™
  ™     ™ ™ ™

97

™ ™ ™ ™ ™   ™ ™
fff


rit.

 ™
108

™ ™ ™ ™ ™ ™ ™ ™ ™
f p

 5 3
molto rit.

 ™
118

™ 4 ™  4 ™ ™ ™ ™ ™
pp niente
Violin II

Adagio No. 3 for Strings

Jordan Grigg
(Oct. 2019)

3  
Adagio appassionato con moto q=56

 4 ™ ™              ™ ™ ™
ff mf
™
pp
™ ™


2
 ™ ™ ™ ™ ™  
11

    
™ ™ ™ ™ ™ p

  ™           
              ™

21


2
                       ™
rit.

 
28

 
p


 ™ ™ ™ ™ ™ ™ ™ ™
A tempo accel.

  
37


™
pp
™ ™ ™ ™ ™ ™ ™ 

   ™™     ™™              
      
Piu mosso q=66

   
46
3
        3

f 3

     3     
  
52

             
ff      ™     
3

              
        ™      
57 rit.

       
           V.S.
©2019 Jordan Grigg Publishing
2 Violin II

   ™    ™ 
A tempo

   ™    ™                 

61

ff
 ™ ™  
mf


2  
Tempo I q=56

            ™
rit.

  
69

™ ™
mf pp


2
 ™ ™ ™ ™ ™ ™ ™  
79

  
™ ™ ™ ™ ™ ™ ™ p

          ™
   ™
rit.

        
89

   
                                
96 A tempo


fff


     
rit.

 
103

    ™™    ™ ™ ™ ™ ™ 
f p


2
5
molto rit.


113

™ ™ ™ ™ ™
4
p

5 3
 4 
120

4
™ ™ ™ ™ ™ ™
pp niente
Viola

Adagio No. 3 for Strings

Jordan Grigg

™ ™ ™ ™ ™
(Oct. 2019)
Adagio appassionato con moto q=56

   43  ™ ™ ™ ™ ™ ™ ™       
ff mf pp

2
       ™ ™       
11 pizz

 
p

                      ™  ™   
21 arco

    ™      ™™
rit.

  ™™  ™™      ™™  ™™         
28

  
p

       ™ ™
A tempo

          
36

 
pp

    ™™              
Piu mosso q=66
        
3 3
accel.
3
45
3 3
     
  
 
f 3

   
         
       
51
3 3 3 3
     
          
  3
ff
©2019 Jordan Grigg Publishing
2 Viola

              
3 3
         
55
3

                   

 3 3 
    ™
                                

59 rit. A tempo

 ™     
 
ff

 
      
rit.

  ™™

64

 ™ ™      ™ 

™ ™ ™ ™ ™
mf pp


Tempo I q=56

 ™ ™ ™ ™ ™           
73


mf pp

2
   ™ ™       
83


pizz

                 ™
rit.

      
91 arco

    3 3  
   
A tempo

 ™™        
97

     
      
fff 3

2
 
rit.

      
104

   ™
™ ™ ™ ™ 
f p

   5
molto rit.

™ ™
115

     4
p

   45   3
4   ™™  ™™  ™™  ™™  ™™

120


pp
niente
Violoncello

Adagio No. 3 for Strings

Jordan Grigg
(Oct. 2019)
7
Adagio appassionato con moto q=56
2
  3
4 ™ ™ ™ ™ ™ ™ ™ ™
pp

              
™ ™
   
18 pizz arco


p

2
    ™ ™ ™
rit.

™ ™ ™   
26

™ p

 
A tempo accel.

™ ™ ™ ™ ™ ™ ™ ™ ™
37

pp

  ™  
Piu mosso q=66
  
3
  
46
3

  
        

f

   
  
             
    

53
3

    
  
3
ff 3

       ™          
  
rit.

   ™    
56

       
 V.S.
©2019 Jordan Grigg Publishing
2 Violoncello

                  
       
A tempo


61

 
ff 3
3


   ™
rit.

™ ™    
65


   
mf

5
73 Tempo I q=56 2
 
™ ™ ™ ™ ™ ™ ™ ™
pp

                  
rit.

™ ™

88


pizz arco

 
p

  ™  ™™  ™  ™          ™™  ™™  ™™
A tempo

™
97

fff
™

2
   ™ ™ ™ ™  ™™  ™™ ™
rit.

  
108

f p p
™

   ™ ™ 4 ™
5 3
molto rit.

 4 ™  ™™  ™™  ™™  ™™
118

™ ™ ™
pp niente
Double Bass

Adagio No. 3 for Strings

Jordan Grigg
(Oct. 2019)
7
Adagio appassionato con moto q=56
2
  3
4 ™ ™ ™ ™ ™ ™ ™ ™
pp

   pizz   
™ ™
  
  
   
  
18
arco

2
    ™ ™ ™
rit.

™ ™ ™   
26

™ p

 
A tempo accel.

™ ™ ™ ™ ™ ™ ™ ™

37

pp

  ™  
Piu mosso q=66
  
3
  
46
3

  
        

f

             
            
53
3

     3         
ff ff

  
   
rit. A tempo

™       
59

     
        V.S.
ff
3
©2019 Jordan Grigg Publishing
2 Double Bass


   ™
rit.

™ ™    
65

    
mf

5
73 Tempo I q=56 2
 
™ ™ ™ ™ ™ ™ ™ ™
pp

   pizz       
rit.

   ™ ™
      
88


arco

™ ™
™  ™  ™ ™ ™ ™
 
A tempo

™ ™ ™ ™
97

™
fff

2
   ™ ™ ™
rit.

™ ™
   
108


f
 ™ ™ ™ 
p p

   ™ ™  45 4 ™ ™ ™ ™ ™
3
molto rit.

 
117

™
pp
™ ™ ™ ™
niente