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LEARNING PACKET 4 | Multimedia

Learning
Animation/Drawing Packet 1 and Concepts of Lines Quality
Techniques

Animation/Drawing Techniques
and
Concepts of Lines Quality
1.0 Learning Outcomes

 Produce cleaned-up drawings.

1.1 Introduction

Animation is the process by which we see still pictures or drawings

move. The reason why the eyes are tricked into seeing movements can be
explained by the 'Persistence of Vision' theory which states that the brain can
hold onto an image for a fraction of a second after the image has passed. If the
eye sees a series of still images very quickly one picture after another, then the
images will appear to move because the eyes cannot cope with fast• moving
images. Thus, the eyes have been tricked into seeing moving images - an
illusion - and that is animation.

To make a very effective animation, the quality of lines and

animation/drawing techniques has to be considered.

1.2 Topics/Discussion
1.2.1 Animation/Drawing Techniques
1. Dynamic Animation Pose

- These are the different action poses that the character should project.
- It pertains to the body attitude of the key drawings in an animated scene
regardless of the facial expressions.
- It includes the character's attitude, emotions, its purpose in the scene and
how it should be expressed.
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LEARNING PACKET 4 | Multimedia
Learning
Animation/Drawing Packet 1 and Concepts of Lines Quality
Techniques

2. Line of Action

- It is an imaginary line that extends through the main action of the figure.
- It strengthens the dramatic effect of the figures.
- Usually, it is a sweeping curve, a diagonal, or horizontal that exists in the
center of the character on which the entire character is built.

3.

Balance and Weight in Drawing

- Balance is dependent upon the positioning of the line of action; however,

it is not the same as symmetry.
- Considering a real-life scenario, it is easily recognized if someone loses
balance and is about to fall over.
- If an animated character appears off-balanced, yet never falls down, the
narrative is ruined because it causes confusion to the viewer's senses.
- Because of the expectations of what will happen when something is out
of balance, balance hints of upcoming action.
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LEARNING PACKET 4 | Multimedia
Learning
Animation/Drawing Packet 1 and Concepts of Lines Quality
Techniques

- For instance, if a character leans forward and points, its other arm should
certainly be stretched behind him to even things out - maintaining
balance.

- Weight is related to balance and it is considered the most realistic aspect

of movement.
-An animator has to meet the viewer's expectation of the character weight
or the object's weight that the character has in contact.
- Heavy characters should show
distinct shifting of balance and Sample of Weight
squashing of the legs as it steps,
moving slow, and deliberately.
- In a walking character, the
weight is felt on the down
position where the leg bends as
it takes the weight and absorbs
the force of the move.
- If a character is in contact with
an object, the weight of the object
is dictated by how much effort is
required to move, stop, push,
pull, or change its direction.
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LEARNING PACKET 4 | Multimedia
Learning
Animation/Drawing Packet 1 and Concepts of Lines Quality
Techniques

4. Line Art

- It is any image that consists of distinct straight and curved lines placed
against a background, without gradations in shade (darkness) or hue
(color).
- It is usually monochromatic but it can also use lines of different colors.
- It emphasizes form and outline over color, shading, and texture.
- It tends towards realism or cartoon.

5. Drawing Animation Expressions

- Facial expression is a form of nonverbal communication.

- It is one key to convey the character's mood and personality.
- It is the most vital aspect in drawing because it shows what the character
is actually trying to tell.
- The key elements of facial expressions and the parts that change the most
are the eyes, eyebrows, and mouth.
- The eyes and the eyebrows depict different possibilities of showing
emotions.
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LEARNING PACKET 4 | Multimedia
Learning
Animation/Drawing Packet 1 and Concepts of Lines Quality
Techniques

- The mouth visibly expresses emotion of happiness and sadness through

smiles and frowns, respectively
needed.
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LEARNING PACKET 4 | Multimedia
Learning
Animation/Drawing Packet 1 and Concepts of Lines Quality
Techniques

1.2.2 Concepts of Lines Quality

Line is a mark made by a pointed tool like a brush, pencil, stick, or pen. It
has length and width. Variety of thickness of lines creates surface interest. Some
lines are thick; some are thin; and many are both thick and thin.

Line drawings show a number of representations including outlines of

objects, movements, and density of objects. Line quality heightens descriptive
potential for textures, movements, lights, space, and more. The type of lines used
can enhance what the drawing should convey. The following presents the
different types of lines:

1. Fine lines/Thin lines

- These lines are meek.

- It indicates that the drawn object is light, airy, or delicate.
- Less important drawing features, but adds details to the drawing, are
presented by thin/fine lines.

2. Thick and thin lines

- This combination of lines adds visual interest.

- The variations can imply space, movement, and light.
- It balances the visibility of the outlines and the expression that the drawings
convey.

3. Power lines/Thick lines

- These lines help to create a feeling or mood in drawing.

- These are aggressive and expressive lines.
- It is used to enhance visibility of edges and outlines.
- It puts more emphasis on the drawings.

1.3 References
 https://www.tesda.gov.ph/

1.4 Acknowledgment
The images, tables, figures and information contained in this module were
taken from the references cited above.