AGREMENTS

Tremblement (Cadence) Cadence Sup~rieure Cadence Inf~rieuro Tremblement Appuyo

..

~ r~ WJ !If> (ff[([[f !If~ Hffffff I fs 6'&

Tremblement Li~ (Slurred)

4(f ; ([ rr: r .~~0!$ rfl f= af rr ; rr rr fH r

Tremblement Ouvert

DR f
Tremblement Ferme Pin~e (Mordent) Pince Double

~tTiJF ~rrrrFfrr ~ II faa rug (; lfr llf= f7fTr

4ogf: f1D
Port de Voix Port de Voix and Pin~e A i

~ £r opf odf ; B II I t;p::git:::r; 0

Tierce Coule

Double

aZ,a ,nn1 f II
Double Cadence ~

~f iT
Cadence Final
&IF : w r1Rr UffH r ~ I r
(used to close sections of a movement)

~ : 1D OK 1 r A p1 a ; FHHffrf rHf o I 0

Liasons
Various 17th and 18th Century French composers differed

~ Cq ~ f£ [f r II co some degree from these rather standard ornaments.

One sign may mean different things to different

musicians. Read the composers' prefaces.

An example of different opinion~. Cottperin Begin trills EcFemblemeats) slower

than they end.
Rameau ---- Begin trills with rapid notes and then
relax the speed.

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