Professional Documents
Culture Documents
A SKLAUS RAINER RÖHL TELLS IT, the magazine that would establish
Meinhof’s name began life in 1955 as a student newspaper called
Das Plädoyer (The Appeal).1 It was rechristened Studentenkurier (The
Student Courier) before acquiring its lasting name konkret (written with-
out a capital “k” in the spirit of orthographic antiauthoritarianism) in the
autumn of 1957.
Röhl may have had a less prominent role in konkret’s founding than
his own account suggests — some impetus certainly came from his friend
Klaus Hübotter, who was affiliated with East Germany’s Free German
Youth (Freie Deutsche Jugend). As Röhl has long since made public,
konkret’s secret sponsor was the East German government.2
Its East German sponsors encouraged the team at konkret to con-
nect with one of the biggest oppositional movements in postwar West
Germany: the antinuclear peace movement (Anti-Atom-Bewegung), led
at Münster university by a student activist named Ulrike Meinhof.3 At
its national forefront was Professor Renate Riemeck — Meinhof’s foster
mother. Röhl’s coworker Reinhard Opitz and later Röhl himself took on
the task of persuading Meinhof to join them in Hamburg. Röhl clearly
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22 FIGHTING TALK (1959–69)
enjoys telling the story of how he won the young peacenik, for himself
and the magazine: in his version his friend Opitz falls in love with her, but
it is he and not Opitz who carries home the trophy (the “precious prey,”
Röhl calls her),4 after wooing her by waxing lyrical on the benefits of
communism and playing her love songs on the juke box.
Röhl and Meinhof met for the first time at a convention of the anti-
nuclear student committees held in Frankfurt in May 1958. Her biog-
raphers regularly retell a “hate at first sight” story (“Abneigung auf den
ersten Blick”), Röhl’s tale of a mutual dislike that gave way to courtship
and marriage; the story recalls the spirited heroine of romantic fiction,
who first loathes but then loves the hero. But one of the konkret crew
who was on that trip to Frankfurt contradicts, remembering consider-
able erotic interest, on Röhl’s side at least.5 Whatever her motivations for
joining konkret were, in October 1959 Meinhof’s first column appeared,
called “Der Friede macht Geschichte” (Peace is Making History). In it,
she described the visit of Nikita Krushchev to the United States — the
first Soviet leader to be received there — and his historic but unsuccess-
ful attempt to negotiate controlled bilateral disarmament with President
Dwight D. Eisenhower.6
By the mid 1960s she was konkret’s star columnist, writing for a left-
wing readership of more than one hundred thousand. Ironically, the mag-
azine had a right-wing politician to thank for a surge in numbers: Franz
Josef Strauß, then federal minister for defense and leader of the conser-
vative Christian Social Union (CSU), had tried to have it banned. The
reasons he cited were vulgarity and crass immorality — accusations that
immediately swelled the paper’s sales.7 Tense relations between Strauß
and konkret were nothing new: in 1961 he had sued Meinhof for an arti-
cle called “Hitler in euch” (Hitler Within You), which took as its starting
point the trial of the prominent Nazi Adolf Eichmann in Jerusalem. She
had predicted that her own generation would one day be questioned by
their children about Strauß in the same way they questioned their own
parents about Hitler.8 The parallel was clearly and unashamedly provoca-
tive. Her defense lawyer, Gustav Heinemann (who from 1969–74 would
be West Germany’s president), argued that despite the provocation Strauß
had no case — Meinhof had not actually compared him with Hitler. The
Hamburg courts threw the case out.
Strauß put a dent in his own reputation with the notorious Spiegel
affair of 1962. In October, the left-leaning current affairs magazine pub-
lished a detailed report on the federal army, the Bundeswehr. A fortnight
later, in a secret overnight operation, Defense Minister Strauß had the
magazine’s offices in Hamburg occupied by police, the editors’ homes
searched, and the editors themselves arrested. He had not informed the
federal minister for justice, nor the home office, nor the chancellor of
his intentions, however, and the operation cost him his cabinet post.
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FIGHTING TALK (1959–69) 23
Three years later, and no longer minister for defense, he sued Meinhof
again — this time because she had dubbed him Germany’s most despi-
cable politician (“den infamsten deutschen Politiker”).9 Her lawyer was
Hans-Heinz Heldmann (later one of the Red Army Faction’s lawyers and
the author of a book querying the odd circumstances of its leaders’ deaths
in Stammheim prison),10 and on this occasion she was ordered to pay
a fine, and konkret to print a withdrawal of her claims; but her reputa-
tion was growing, and with it her confidence — in May 1966 she wrote
a column titled “Franz Strauß,” in which she cheekily referred both to
the disastrous Spiegel episode, and to his campaigns against her and her
magazine.11
From 1964 a photograph of Meinhof appeared next to her column on
the magazine’s opening page. That created a visual link between konkret
and its heavyweight competitor Stern, whose columnist “Frau Sibylle”
(the journalist Anneliese Friedmann) was presented in just that way,12 but
it also reflected her increased prominence, and her selling power. Meinhof
was part of an Extraparliamentary Opposition (Außerparlamentarische
Opposition, or APO) that refused to credit any mainstream party in the
postwar period with political integrity, and insistently scrutinized West
German politics for traces of the fascist endeavor. In practical terms she
was selling the magazine; in political terms she was “selling,” ever more
overtly, an idea of the Federal Republic that ran counter to its official
self-representation as a denazified, democratic state. Both her daughter,
Bettina Röhl, and East German academic Kristin Wesemann have attrib-
uted that project to the “pull” of the socialist East.13 One must also ask
about the “push” factor, however: what real or imagined circumstances
impelled Meinhof to launch a journalistic attack on the democracy that
had succeeded the Hitler regime, and how did she move from champion-
ing peace to advocating what she came to call “emancipatory violence”?
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24 FIGHTING TALK (1959–69)
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FIGHTING TALK (1959–69) 25
longest columns Meinhof ever wrote). Her dismay at the character assassi-
nation of her foster mother finds expression in an oddly familiar formula:
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26 FIGHTING TALK (1959–69)
question the veracity of those words. Meinhof throws doubt on the integ-
rity of those she imagines have assassinated the character of Riemeck, cast
as Caesar to her own Mark Antony. She herself stands, like Mark Antony,
indignant, pained, and profoundly disappointed by the machinations of a
state that ought to be just.
Emergency?
A month later she was engaging with government plans for emergency
laws (Notstandsgesetze). Until the Federal Republic passed special legis-
lation for a national emergency, the Western allies (France, Britain, and
the United States) would have the right to intervene in a national cri-
sis; in this sense the plans were a move towards sovereignty. Opponents,
however, were troubled by historical precedents: the Weimar Republic’s
Article 48 had once given the head of state powers that arguably assisted
Hitler’s rise to dictatorship.
Meinhof’s column “Notstand? Notstand!” (Emergency? Emer-
gency!) opens with the assertion that one in three West Germans believes
the situation in 1960 comparable with 1933. The reason, says Meinhof,
is that professors are losing their jobs and status now as they did then
(“Deutschland 1960 — jeder Dritte vergleicht es mit dem Deutschland
von 1933 . . . Professoren fliegen ‘wie damals’ aus Amt und Würden”).22
“Professors” should be singular, not plural: there was at the time no other
case in point except Riemeck (the Radikalenerlaß, a law excluding politi-
cal radicals from public service professions, was not passed until 1972).
1933, the year Hitler made himself dictator, was also a time when many
Germans had not yet noticed, or did not want to notice, the implications
of domestic events. Meinhof is cautioning her contemporaries that Ger-
many may yet repeat the trajectory of the Hitler regime after 1933 — if
Germans are again prepared to put their heads in the sand and let it.
She waves the red rag of Article 48: “we don’t want to start asking,”
she continues (although she clearly does want people to ask), “whether
Hitler was able to institutionalize twelve years of German Fascism because
or in spite of that article” (“wir wollen nicht in den Streit . . . einstei-
gen, ob Hitler vermittels oder trotz dieses Artikels zwölf Jahre deutschen
Faschismus institutionalisieren konnte”). Now as then, she tells us, trade
unionists are being designated enemies of the people (Volksfeinde), and
strikes could again be classed as national emergencies and violently put
down by the police and army. In a mental leap she takes her readers from
the emergency laws to Auschwitz: words like Volksfeind, we are reminded,
are the language of 1933, and that ended in the concentration camps
(“Gewerkschaftler als Volksfeinde, Streiks als Aufruhr, Lohnkämpfe als
Notstand — das ist die Sprache von Sozialistengesetz und März 33, das
gipfelte in Festungshaft und KZ”).23
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FIGHTING TALK (1959–69) 27
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28 FIGHTING TALK (1959–69)
the rhetorical cudgels of the left and the right throughout the later 1960s.
Meinhof used the comparison to lambaste postcolonial conditions across
the world; in an (unreprinted) article for konkret in July 1960, titled
“Fortsetztung des Nazismus in der globalen Politik” (Ongoing Nazism in
Global Politics), she wrote of “concentration camps” in French-occupied
Algeria.27 But the specter of National Socialism also lurks in her reports
on political conditions at home in the Federal Republic.
Meinhof was working in a context of a young investigative journal-
ism that was understandably allergic to the recent past. In January 1960,
konkret had published an article on antisemitism in the Republic. Its
author, Dieter Großherr, counted at least three hundred attacks on Jewish
cemeteries and synagogues in Germany since the official end of Nazism in
1945. He also cited a survey — taken seven years earlier in 1953 — which
found that well over half (59 percent) of West Germans were still funda-
mentally antisemitic.28 The cover of the issue listed the names of ex-Nazis
active in the new federal democracy — in the criminal justice system, in
politics, and in the military (in 1956 the German government had been
forced to admit that thirty-one of thirty-eight generals in the newly
created Bundeswehr had also belonged to Hitler’s Wehrmacht).29 Par-
liament itself was not immune to the problems of reconstituting a post-
fascist state: in 1961 (after Spiegel had given critical coverage of the case
in March, and the GDR’s weekly television program Schwarzer Kanal in
April), konkret published a piece tracking the career of Dr. Hans Globke,
secretary of state to Adenauer.30 Globke, who was consistently supported
by Adenauer, had been senior adviser (Oberregierungsrat) to the Hitler
government, and coauthor of a commentary justifying the Nuremberg
Laws of 1933 — laws that, among other things, forbade marriage and
sexual intercourse between Jews and non-Jewish Germans. Because he
had never actually become a member of the Nazi party, Globke was able
to duck postwar denazification and continue his political career. Another
scandal blew up when it emerged that West Germany’s president, Hein-
rich Lübke, had drawn up plans for concentration camps in the office in
which he worked as an architect during the war.31
These were real issues facing the Federal Republic in the postwar
period, issues that were being addressed by investigative journalists, not
only on the team at konkret. That makes it disappointing when one finds
Meinhof concentrating less on the genuine problems faced by a society in
the aftermath of dictatorship, and more on creating dramatic rhetorical
connections between Nazism and those who oppose the things she sup-
ports — such as disarmament and demilitarization — or support what she
opposes. In an article of May 1960 called “Neue deutsche Ghetto-Schau”
(The New German Ghetto), she mobilizes the connotations of the ghet-
tos — where the Nazis robbed and starved entire Jewish populations prior
to deportation or murder — to garner sympathy for contemporary anti-
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FIGHTING TALK (1959–69) 29
nuclear campaigners. The new ghetto, says Meinhof, is no longer for Jews
or the Polish intelligentsia but for those who oppose nuclear armament
in West Germany (“Die Eingezäunten sind diesmal nicht Angehörige der
polnischen Intelligenz, auch nicht Juden und halbe und nur zum Teil
Kommunisten; umgattert finden sich vielmehr die engagierten Skeptiker
im Raum bundesrepublikanischer Atompolitik”).32 Extending the meta-
phor, that makes peace activists (like Meinhof herself) the new Jews to
the federal government’s oppressive Hitler. The comparison is profoundly
disrespectful of those who suffered in the real ghettos.
The “Hitler Within You” column, with its notorious reference to
Strauß, appeared in konkret in May 1961. Even without its reference to a
contemporary right-wing politician the article is provocative — not least
because Meinhof appears to include her readers (the “you” of the title)
but not herself in the ranks of those within whom the spirit of Hitler
lives on. At the time of writing the Eichmann trial was in progress; it is
mentioned in a cursory manner. But the focus is on developing her meta-
phor: namely, that those (like herself) who oppose current mainstream
politics are Germany’s new Jews: in the contemporary context, she tells
us, anyone who criticizes antisemitism must “speak up for freedom wher-
ever it is currently under threat” (“wer den Antisemitismus geißelt, muß
der Freiheit, wo sie heute bedroht ist, das Wort reden”). Fair enough, we
might think, but the specific value of critiquing antisemitism is quickly
undermined: replacing antisemitism with prosemitism, Meinhof argues,
is not an answer; what is needed is that we “reject every kind of politi-
cal terror that is practiced in the form of administrative measures against
those who think, believe, and feel differently” (“Eine Revision des Anti-
semitismus . . . ist als Prosemitismus nur eine halbe Antwort, erfordert
vielmehr die Absage an jeden politischen Terror vermittelst administrati-
ver Maßnahmen gegen Andersdenkende, Andersglaubende und Anders-
fühlende”).33 Thinking hard about the real-life effects of antisemitism
under Hitler is not, in Meinhof’s view, what is really needed — the reali-
ties of the Shoah seem to take a back seat to “administrative measures”
against her foster mother Riemeck.
In her “Emergency!” column she had deliberately used an item of
Nazi vocabulary to characterize political practice in West Germany: the
verb gleichschalten, which described Hitler’s policy of forcing institu-
tions and individuals to toe the political line. The word returns as a
noun in her column of August 1966, “Joachim Fest oder die Gleich-
schaltung” (Joachim Fest or Gleichschaltung). In 1960 Meinhof rode
into battle for Riemeck, and now she was back on her rhetorical charger
for West German television’s Panorama presenter Fest, who had criti-
cized the emergency laws — still, in 1966, in the planning stages — on
his show in early June. He was subsequently relieved of his duties by the
state television channel ARD. The government is silencing its critics,
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30 FIGHTING TALK (1959–69)
observes Meinhof, and that proves that the much-cited Rechtsstaat (the
just or constitutional state of Federal West Germany) is neither demo-
cratic nor just, but a sham.34 There is a clear echo of her “Emergency!”
article: “Soldiers against workers — soldiers deployed to enforce domes-
tic order — soldiers against civilians — is that something new in Ger-
many?” she asked then, only to answer her own rhetorical question:
“No — the only new thing is that such methods of interaction between
the power of the state and its people are being called democracy” (“Sol-
daten gegen Arbeiter — Soldaten im Einsatz zum Schutz der inneren
Ordnung — Soldaten gegen Zivilisten — ist das neu in Deutschland?
Nein — neu ist nur eins: Solche Methoden des Umgangs zwischen
Staatsmacht und Volk Demokratie zu nennen”).35
Meinhof eventually coins a term for that state of affairs, in the col-
umn “Demokratie spielen” (Playing at Democracy) of 1968: “new fas-
cism.” The article addresses the case of Federal President Lübke. Unlike
the chancellor, the president is not the political so much as the moral
figurehead of the Federal Republic, but Lübke’s history as an architect
of the concentration camps had become an open secret. There was no
mileage to be had from exposing him; instead, Meinhof represents him as
a straw man, his story a handy alibi for those who do not wish investiga-
tions into their own political history. Whether Lübke stays or goes, she
asserts, is irrelevant, because “it is irrelevant for the new fascism whether
its figurehead built concentration camps or not” (“ob Lübke bleibt oder
geht, ist belanglos für die demokratische Zukunft der Bundesrepublik,
wie es auch belanglos ist für den neuen Faschismus, ob an seiner Spitze
einer steht, der KZ’s gebaut hat oder keine”).36 “New fascism” would
become a familiar rhetorical formula in the writings of the mainstream
left;37 here Meinhof was either coining the term or writing down an idea
in spoken circulation. She does not explain its causes or workings (we are
not told what “new fascism” is); but its existence is asserted, and while
there is an implication, via the historical-political link to fascism, that she
is basing her assertion on evidence or argument, no arguments are actu-
ally made, and no evidence given.
This kind of implied reasoning would characterize the texts of the
RAF. Critics have noted that organization’s failure properly to define or
historically analyze its notion of fascism,38 but Meinhof in her journal-
ism was already failing in exactly the same way. The result is an infla-
tionary use of the term to mean all things negative.39 That inevitably
slides towards opportunism, and thus devalues language: the specific
historical and political meaning of the word gets lost in a bid for effect.
Particularly after the Riemeck affair, “fascism” acquired momentum as
a metaphor in Meinhof ’s writing. Her assumption that a “new fascism”
defined the West German state stabilized her own position in opposi-
tion to it — she comes to occupy a position that is based on a metaphor
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FIGHTING TALK (1959–69) 31
she herself created. That position identified her, and those who were
“with” her in the Extraparliamentary Opposition, both in contradistinc-
tion to the German fascists of the past, and among fascism’s victims in
the present: metaphorically, she and her fellow travelers were now the
new Jews.
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32 FIGHTING TALK (1959–69)
Als . . . ein paar SDS-Studenten die Feier störten und diese Störver-
suche während des wirtschaftswissenschaftlichen Vortrags des neuen
Rektors allmählich heftiger wurden und allmählich unüberhörbar
und für den Vortrag des neuen Rektors unerträglich, der Schillers
Wirtschaftspolitik rechtfertigte und antigewerkschaftliche Thesen
vortrug, wie z. B. die These von der Lohn-Preis-Spirale und über
Entwicklungshilfe redete, als gäbe es keine Ausbeutung der Dritten
Welt, als das allmählich einer Mehrheit der Studenten im Auditorium
maximum zuviel wurde und sie eben diesen reaktionären Vortrag
nicht länger unwidersprochen hinnehmen wollte, nicht schweigen
wollte wo die Arbeiterschaft beleidigt und der deutsche Imperialis-
mus gerechtfertigt wurde, da gab es einen Punkt, wo die Stimmung
endgültig gegen Rektor und Professoren und Feierlichkeit und
Immatrikulationsbrimborium umzuschlagen drohte und keiner sein
eigenes Wort mehr verstand und kein Mikrophon dagegen ankam
und die Feier zu platzen drohte.45
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FIGHTING TALK (1959–69) 33
1968
During the 1960s Ulrike Meinhof (who was also known by her married
name, Ulrike Röhl) was a successful journalist and by all accounts a pop-
ular party guest in Hamburg high society. The writer Peter Rühmkorf,
a family friend, has described her as an exotic addition to such circles,
a kind of mascot of the liberal establishment.46 She later characterized
herself disparagingly during this period as a “jester for the revolution”
(“Revolutionskasperle”).47
In February 1968, very soon after she wrote her column on the Ham-
burg students’ “counter-violence,” Meinhof left the detached villa she
shared with Röhl in Hamburg and moved to Berlin with her twin daughters
Regine und Bettina. The separation was final — Röhl was seeing another
woman, not for the first time — and she applied immediately for divorce
via her solicitor Kurt Groenewold (later a defense lawyer for the Red Army
Faction). For the time being she continued to write for konkret, which had
by now acquired a readership of around one hundred forty thousand.48
1968 has become synonymous with the student movement. In the
course of that year the political situation in West Germany and West Ber-
lin grew explosive. In February the International Vietnam Congress drew
students from home and abroad, and concluded with a protest march
involving more than twelve thousand antiwar demonstrators. On 11 April
1968, twenty-three-year-old Josef Bachmann identified and shot Rudi
Dutschke on West Berlin’s Kurfürstendamm. In Bachmann’s pocket was
an article cut from the right-wing Nationalzeitung with the title “Stoppt
Dutscke jetzt” (Stop Dutschke now). Dutschke survived, but the attack
was followed by demonstrations directed against the publishing house of
Axel Springer, whose widely read Bild-Zeitung had fanned the flames of
public feeling against Dutschke and the students (Bachmann, however,
claimed at his trial that he was not a reader of Springer’s newspapers).49
During the demonstrations — at which Meinhof, who now lived in Berlin,
was present — home-made explosives were thrown; a short film shown at
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34 FIGHTING TALK (1959–69)
the Technical University had demonstrated what its title promised: The
Making of a Molotov Cocktail.50 It was the work of Holger Meins, a film
student who would later be a core member of the Red Army Faction.51
Meinhof’s columns of 1968 document a critical year not only in West
Germany and West Berlin, but in the development of her own politics.
Soon after the anti-Springer protests she wrote a piece called “Vom Pro-
test zum Widerstand” (From Protest to Resistance).52 Using the slogan
of the American student movement, it built on the notion of fighting
back — counter-violence — raised in her account of the Hamburg pro-
test. There the key term “resistance” (Widerstand) was never actually
used; in her defense of the radical students’ (verbal) attacks on university
staff, she had recourse to the more legalistic notion of self-defense (Not-
wehr). Now, in tracking a development from “protest to resistance,” she
found a name for the activism of the warrior-revolutionary that distin-
guished it from the violence of the state and its institutions: the heroic
term Widerstand. Where “terrorism” is negatively laden, “resistance” has
powerfully positive connotations.53 It is the polar opposite of the Nazi
metaphor — it connotes not only difference from fascism, but the cour-
age to fight it. On the streets of Berlin (and elsewhere), the rioters of
1968 had attacked and damaged the publishing premises of Springer, and
Meinhof draws on the positive connotations of Widerstand to render that
a heroic act. The protesters are not vandals or terrorists, but resistance
fighters: warrior-revolutionaries.
The distinction she makes between “protest” and “resistance” is that
the former is verbal (and toothless), the latter physical (and effective) vio-
lence. The move from words to physical acts of violence crosses a bound-
ary, she tells us, in bouncy syntax that communicates excitement rather
than dismay:
[During the protests over the Easter holiday period the boundary
between verbal protest and physical resistance was crossed for the
first time en masse, not by the few but by the many, and not just
once but over a period of days, and not just in Berlin but across Ger-
many, and not just symbolically, but for real.]
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FIGHTING TALK (1959–69) 35
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36 FIGHTING TALK (1959–69)
Violence
In the same issue of konkret a long article appeared, attributed to the
“Berlin Editors’ Collective” (Berliner Redaktionskollektiv). Since Mein-
hof’s departure, tensions had arisen between konkret’s Hamburg team
and contributors to the magazine around Meinhof in Berlin, who now
formed an alternative “Editors’ Collective”: a group of high-profile left-
wingers including student leader Dutschke, Iranian political exile and
author Bahman Nirumand, and the writers Hans Magnus Enzensberger,
Gaston Salvatore, and Peter Schneider.56 As individuals they were all
highly desirable contributors to the magazine (which by 1968 was losing
its political credentials, as Röhl — after losing his East German support
in 1964 because he would not toe the party line — included more sex to
make more money), but the condition they imposed for their continued
input was that their articles should be collectively written, and published
without editorial interference in Hamburg, exactly as delivered.
Their contribution in June 1968 has the simple title “Gewalt” (Vio-
lence). It is a long, inflammatory piece, rarely discussed because it has
never been reprinted. Röhl, its original publisher, describes it with some
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FIGHTING TALK (1959–69) 37
justification as a piece of writing that prepared the ground for the later
theories of the Red Army Faction.57 It picks up where Meinhof’s column
on class war (at the front of the same the issue) leaves off.
After demonstrators attacked Springer premises in Berlin in response
to the shooting of Dutschke, the unrest spread across cities in West Ger-
many. Demonstrations ended in street battles. What that means, the Berlin
Editors’ Collective explains to a konkret readership, is that violent protest
is no longer the exception that proves the (nonviolent) rule. Now the
“revolutionary legitimacy” of violence is being put to the test; violence
is “an instrument we shall neither categorically reject nor use arbitrarily,
one whose effectiveness and revolutionary legitimacy we need to learn to
understand in a process of theoretical reflection and practical use” (“ein
Mittel, das wir weder kategorisch ablehnen noch willkürlich anwenden
werden, dessen Methodik und revolutionärer Legitimität wir vielmehr in
theoretischer Reflexion und praktischer Anwendung erlernen und beg-
reifen müssen”).58 Like Meinhof herself so often, the collective writes in
the “we” form, implying that these are not the opinions of the one, but
the many. “We” refers both to the collective and to those who are now at
last uniting to protest against the system. It creates an in-group that the
reader is encouraged, even manipulated, to feel part of.
The article directly develops ideas rehearsed by Meinhof in her pieces
on counter-violence and class war. Nonviolent action, the collective main-
tains, is useless to the point of being counterrevolutionary. Words are
toothless. Violence is the only language the system understands because
capitalism relies on violent oppression for its continued existence; vio-
lence is the language of capitalism (“die Sprache des Systems”). In that
context, any violence “we” engage in is a justified response. Not only
that: because force or violence is the only language the system under-
stands, counter-violence is actually virtuous in that it instigates communi-
cation: “only since we have started using violence ourselves has a realistic
dialogue begun to develop, as the system is having to pull back its veil and
speak” (“Erst seitdem wir beginnen, selbst Gewalt anzuwenden, entsteht
ein realistischer Dialog, den das System mit unverhülltem Gesicht spre-
chen muß”; 24). The system — as the RAF will later insist — is a wolf in
sheep’s clothing, a mask-wearing fascist monster that must be provoked
into revealing its true face.
But a delicate process of differentiation is necessary if “oppressive
violence,” as the veiled but true essence of capitalism, is to be distin-
guished from “counter-violence”: the ingenuous resistance practiced by
opponents of the system. There is clearly something counterintuitive in
the argument that violence is not the same as violence. On this point the
collective proceeds both defensively and with a (verbal) offensive. Neces-
sary discussions about left-wing violence are being held back, it argues, by
bourgeois humanism, bourgeois morality, and pacifism (reading between
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38 FIGHTING TALK (1959–69)
the lines: not everyone on the left they have spoken to on the subject of
violence agrees with them). The student movement and those associated
with it distinguished between violence against things — buildings, cars,
and so forth, called Gewalt gegen Sachen — and violence against other
people, Gewalt gegen Personen — which it rejected. To take things for-
ward the collective feels that certain “differentiations” need to be made
(24).59 The article’s first section is spent constructing these differentia-
tions or distinctions.
It is a process of self-justification clearly intended to legitimize bru-
tal action, something the collective, in a frightening turn of phrase, calls
“enlightening violence” (aufklärerische Gewalt). The first differentiation
is between hidden or latent and open or manifest violence: “zwischen
mittelbarer (latenter) und unmittelbarer (manifester) Gewalt.” Latent
violence, we have already been told, is the essence of capitalism: “the class
system created by organized capitalism,” says the collective, “is per se a
single gigantic act of violence” (“die Klassengesellschaft des organisierten
Kapitalismus ist an sich selbst ein einziger gigantischer Akt der Gewalt”).
The second differentiation is between “repressive” and “emancipatory”
violence (“unterdrückender (repressiver) und befreiender (emanzipieren-
der) Gewalt”), where the latter is to be understood as the solution to
the former — the violently oppressed subject emancipates him- or herself
via an act of reciprocal violence, or counter-violence (24–26, emphasis in
original). It is crucial to the argument that this is the only possible solu-
tion: only violence, the argument runs, can overthrow violence. That vio-
lence against persons is meant is suggested by the implicit appeal to the
theories of postcolonialist writer Frantz Fanon, widely read on the West
German left. Fanon had worked as a psychiatric doctor in a hospital in
Algeria, and his book Les damnés de la terre (The Wretched of the Earth,
1961) drew on his experience of the Algerian uprising against the French.
It appeared in German in 1966 with a translation of Jean-Paul Sartre’s
original foreword, summarizing Fanon’s argument: “No gentleness
can efface the marks of violence; only violence itself can destroy them,”
declared Sartre; successful resistance to colonialism means violence to the
point of killing: “in the first days of the revolt you must kill.”60
The Berlin collective’s article is remarkable for its decisive move
away from the students’ taboo that forbade violence against other human
beings. The attacks on Springer’s publishing house were conceived as vio-
lence against things: buildings, not people. In the course of the protests,
however, two fatal accidents had occurred: one in which a press photogra-
pher was hit and killed by a stone, another when a student was killed by a
block of wood; both objects were thrown by persons unknown. The Ber-
lin authors declare the photographer and the student, along with Benno
Ohnesorg and Rudi Dutschke, victims of state violence. Ohnesorg and
Dutschke were in fact shot in very different circumstances — Ohnesorg
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FIGHTING TALK (1959–69) 39
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40 FIGHTING TALK (1959–69)
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FIGHTING TALK (1959–69) 41
revealed only to the countries of the third world — but “now we too are
feeling the pressure of beatings and shootings” (“der Kapitalismus zeigt
sein wahres Gesicht, das er vorerst nur die Länder der dritten Welt hat
sehen lassen: es wird gehetzt, geschlagen und geschossen”; 27). There is
self-dramatization here: a heroic pose, as well as a choice to identify with
those (like Fanon’s Algerians) who were genuinely involved in a life-or-
death struggle. But to compare the conflict of the German state and the
student movement with the brutal postcolonial crisis in Algeria is radically
inaccurate rather than radical politics.
The next mental shift is from the West German struggle to the Black
Power movement. The U.S. civil rights campaigner and black activist
Stokely Carmichael is cited (Carmichael first opposed, but later supported
the use of violence). Here the collective has the grace to recognize that
its own situation is not identical with the situation of those still struggling
for basic civil rights: “We are reaching the objective limits of our use of
the term counter-violence,” it concedes; “we are not living in the slums
of Detroit or New York . . . We are white. We can’t claim to be exploited,
because we belong to the privileged classes” (“Gleichzeitig stoßen wir
hier auf die objektiven Grenzen unserer Anwendung von Gegengewalt.
Wir leben nicht in den Slums von Detroit und New York. . . . Wir sind
selber weiß. Wir können auch nicht behaupten, daß wir ausgebeutet wer-
den, denn wir gehören zu den Privilegierten”; 28).
There are nonetheless, in the Berlin authors’ final analysis, two things
that justify the use of violence. The first is the (reiterated) notion that
their kind of violence is, in fact, counter-violence. It does not originate
with them. Because property and profit must needs be defended, violence
is an inevitable part of capitalism: violence, says the collective, belongs to
capitalism as the policeman belongs to private property, and as long as
capitalism exists violence will not disappear (“Gewalt gehört zum Kapi-
talismus wie der Polizist zum Privateigentum, und solange es den Kap-
italismus gibt, wird die Gewalt nicht verschwinden”). If capitalism can
only function when it is enforced, there can never be a capitalist system
that is not violent; that makes it appropriate to overthrow the violent sys-
tem violently: “we can do without violence,” say the Berlin authors (even
though they clearly do not intend to); “capitalism can’t. We can abolish
violence — but only after we have done away with the violent system”
(“Wir können auf die Gewalt verzichten. Der Kapitalismus nicht. Wir
können die Gewalt abschaffen, aber erst, wenn wir das System der Gewalt
beseitigt haben”; 25, 27). There is, they claim, a need to demonstrate
to those who do not belong to the privileged classes (and therefore lack
access to the revolutionary polemics published in journals like konkret)
that the system is brutal. To that end it is their moral duty to provoke the
system, through acts of violence, into showing its true face to the masses.
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42 FIGHTING TALK (1959–69)
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FIGHTING TALK (1959–69) 43
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44 FIGHTING TALK (1959–69)
But the later pieces for konkret — most particularly the Berlin collective’s
article on violence — clearly demonstrate how far both she and a high-
profile group of left-wing thinkers had come by the end of the 1960s
in their will to justify violent action. Meinhof was a key player in a proj-
ect to create a language that justified violence to the point of killing,
and to define those who engaged violently with current events as war-
rior-revolutionaries and heroes of the resistance. Incidents such as the
police killing of student protester Ohnesorg and the random assassina-
tion of Dutschke may well have widened her audience, but in postwar
West Germany — not, in fact, a police state — it was only really possible
to make the arguments she wished to make by means of metaphor. The
Federal Republic “is” a fascist state, it “is” Nazi Germany, it “is” Vietnam
or Algeria. These are useful fictions with a rhetorical impetus: metaphors
that justify counter-violence.
But in the game of smoke and mirrors that metaphor plays, it is pos-
sible for the writer as well as her reader to lose track of what is real. Parallels
between German radicals and suffering Vietnamese and Algerians conceal
rather than examine the crucial differences between life in the Federal Repub-
lic and life in the third world. We are left facing the question whether Meinhof
still remembered that this was a rhetorical technique rather than a representa-
tion of reality, whether the writer or the language was really in control.
Recently there has been severe criticism of her “obsessive” use of
holocaust symbols, and of her ruthless functionalization of the Jewish
experience.75 We face the question why a serious journalist felt that such
drastic use of language, leading toward the justification of extreme vio-
lence, was necessary or excusable. Her columns suggest that the dramatic
end of Riemeck’s professorial career affected her profoundly, coinciding
as it did with parliamentary discussion of the emergency laws as a further
attack — in Meinhof’s perception — on political freedom and civil liber-
ties. When the laws were passed in the face of massive peaceful protest,
she clearly felt she had failed politically; not even her expert use of lan-
guage had been enough to influence the course of events. That coincided
with the activities of the Frankfurt arsonists, who seemed to demonstate
the high-profile effects of action over words. There is developing notion,
over ten years of column-writing, that journalistic intervention in pol-
itics — verbal protest — is simply not enough. It does not deserve the
heroic term Widerstand (resistance). From here it is a small step to the
idea that language is politically toothless, that action trumps words.
In her earlier journalism she had functionalized Auschwitz to demon-
ize a postwar government, and her Berlin Editors’ Collective used the
notion that “new fascism” already existed to propose the use of violence
in West Germany and West Berlin. Violence against persons was justi-
fied via identification with groups perceived to be exposed to unjustifi-
able violence: later no longer the Jews, but the peoples of Vietnam and
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FIGHTING TALK (1959–69) 45
the third world, Black Power activists, and the German proletariat. Mein-
hof metaphorically associated victimhood under fascism with whomever
she currently identified with: in her earlier career with West Germany’s
peace activists, later with anti–Vietnam War protesters, finally with the
Red Army Faction.
As she sought to demonstrate with her Berlin Editors’ Collective
and argued in “Columnism,” group activity trumps individual effort.
Columnism, insisted Meinhof, is a cult of the individual (Personenkult),
and for that reason always already opposed to the socialist ideal, but it is
also politically ineffective because the columnist is isolated: “the left-wing
position . . . is reduced in columnism to the position of isolated individu-
als” (“Die linke Position . . . wird im Kolumnismus wieder zur Position
Einzelner, Vereinzelter”). What is needed is solidarity in the group. The
twin notions of action over words and group solidarity were at the heart
of her last journalistic project: her script for a television drama, called
Bambule (Riot).
Notes
The citations for the two epigraphs in this chapter are as follows: Meinhof, “Der
Friede macht Geschichte,” in konkret 19–20 (1959), reprinted in Meinhof, Die
Würde des Menschen ist antastbar: Aufsätze und Polemiken (Berlin: Wagenbach,
1995 [1980]), 7–13; and Berliner Redaktionskollektiv, “Gewalt,” in konkret 6
(1968): 24–28 and 35; here 24.
1 Former owner-editor Röhl tells his version of its story in his autobiography Fünf
Finger sind keine Faust: Eine Abrechnung, 3rd edn. (Munich: Universitas, 1998
[1974]); here 59.
2 See Ditfurth, Ulrike Meinhof: Die Biografie (Berlin: Ullstein, 2007), 129–30;
K. Röhl, Fünf Finger, 59–85. It was Hübotter who bought the title back when
konkret went bankrupt under Röhl in 1973.
3K. Röhl, Fünf Finger, 206. Bettina Röhl confirms this: B. Röhl, So macht Kom-
munismus Spaß! Ulrike Meinhof, Klaus Rainer Röhl und die Akte konkret (Ham-
burg: EVA, 2006).
4 K. Röhl, Fünf Finger, 101; “kostbare Beute” is the term Röhl uses.
5 Jürgen Manthey, cited in B. Röhl, So macht Kommunismus Spaß!, 216.
6 Meinhof, “Der Friede macht Geschichte.”
7 “sittengefährdend,” “krasses Beispiel der Abwertung christlicher Moralbe-
griffe,” cited in K. Röhl, Fünf Finger, 159.
8 “Wie wir unsere Eltern nach Hitler fragen, so werden wir eines Tages nach
Herrn Strauß gefragt werden.” Meinhof, “Hitler in euch,” in konkret 10 (1961),
reprinted in Meinhof, Deutschland Deutschland unter anderm: Aufsätze und Pole-
miken (Berlin: Wagenbach, 1995), 38–42. Translated as “Hitler Within You,” in
Meinhof, Everybody Talks about the Weather . . . We Don’t: The Writings of Ulrike
Meinhof, ed. Karin Bauer (New York: Seven Stories, 2008), 138–43.
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46 FIGHTING TALK (1959–69)
(1960): 3.
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FIGHTING TALK (1959–69) 47
28 Dieter Großherr, “ . . . und höret nimmer auf? Der Antisemitismus in der Bun-
desrepublik seit 1945,” in konkret 2 (1960): 2–5.
29 Ditfurth, Ulrike Meinhof, 96.
30 V. H. [sic], “Glatt glätter Globke,” in konkret 14 (1961), reprinted in 30 Jahre
KONKRET, ed. Hermann L. Gremliza (Hamburg: konkret, 1987), 47–48. See
also Moritz Pfeil, “Globke und andere Deutsche,” Spiegel 13 (1961): 18; Der
schwarze Kanal (10 April 1961); transcript at http://sk.dra.de/kanal_pdf/E065–
02–04_0001054.pdf.
31 See, e.g., Meinhof, “Demokratie spielen,” in Meinhof, Die Würde, 134–37.
32Meinhof, “Neue deutsche Ghettoschau,” in konkret 10 (1960), reprinted in
Meinhof, Deutschland Deutschland, 14–21; here 14. Translated as “New German
Ghetto Show,” in Meinhof, Everybody Talks, 110–20.
33 Meinhof, “Hitler in Euch,” 41.
34 Meinhof, “Joachim Fest oder die Gleichschaltung,” in konkret 8 (1966): 2–3;
here 2.
35 Meinhof, “Notstand? Notstand!” 17.
36 Meinhof, “Demokratie spielen,” 134.
37Bernhard Gierds attributes the “handy formula” (“griffige Formel”) to André
Glucksmann in Glucksmann et al., Neuer Faschismus, Neue Demokratie: Über die
Legalität des Faschismus im Rechtsstaat (1972); see Gierds, “Das ‘Konzept Stadt-
guerilla’: Meinhof, Mahler und ihre strategischen Differenzen,” in Die RAF, ed.
Kraushaar, 1:248–61; here 252. In fact, as we see, Meinhof was using the idea
some years earlier.
38 See, e.g., Gierds, “Das ‘Konzept Stadtguerilla,’” 251–52; Iring Fetscher,
Herfried Münkler, and Hannelore Ludwig, “Ideologien der Terroristen in der
Bundesrepublik Deutschland,” in Fetscher und Günter Rohrmoser, Ideologien
und Strategien (Analysen zum Terrorismus, ed. Bundesministerium des Innern,
vol. 1) (Opladen: Westdeutscher Verlag, 1981), 165–66 and 187–88.
39“inflationärer Gebrauch” is Gierds’s term; see Gierds, “Das ‘Konzept Stadt-
guerilla,’” 252.
40 Andreas Musolff has described the use of the word “terrorism” in Germany
since the nineteenth century. See Musolff, Krieg gegen die Öffentlichkeit: Terroris-
mus und politischer Sprachgebrauch (Opladen: Westdeutscher Verlag, 1996), 143.
41 “Die Proteste gegen einen Polizeistaatschef entlarvten unseren Staat selbst als
Polizeistaat. Polizei- und Presseterror erreichten am 2. Juni in Berlin ihren Höhe-
punkt.” Meinhof, Kommentar zum Schah-Besuch in Berlin, Stiftung Deutsches
Rundfunkarchiv Wiesbaden, Potsdam-Babelsberg (SFB), 1967; cited in B. Röhl,
So macht Kommunismus Spaß, 560.
42 “Wenn aber dreihundert einen einzelnen ‘fertigmachen’ — das ist, zu welchen
erhabenen Zwecken es auch immer dienen mag, Terror.” R. W. Leonhardt, cited in
Meinhof, “Gegen-Gewalt,” in konkret 2 (1968), reprinted in Meinhof, Deutschland
Deutschland, 126–29; here 126. Translated as “Counter-Violence,” in Meinhof,
Everybody Talks, 234–39. Leonhardt was writing in Die Zeit (29 December 1967).
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48 FIGHTING TALK (1959–69)
The list of names on the article includes additionally Michael Schneider, Jürgen
Horlemann, and Eckhard Siepmann, but does not mention Meinhof.
57 Klaus Röhl, Fünf Finger, 244. Dutschke is unlikely to have actively contributed
to this piece, given that he had been badly hurt by the shooting in April 1968.
58 Berliner Redaktionskollektiv, “Gewalt,” in konkret 6 (1968): 24–28 and 35;
here 25. Further references appear in text.
59 “Um die Diskussion über Möglichkeit und Notwendigkeit der Anwendung
von Gewalt aus dem Dunstkreis von bürgerlichem Humanismus, moralischen
Vorurteilen und einem besinnungslosen Pazifismus herauszuholen, müssen wir
einige grundsätzliche Differenzierungen im Begriff der Gewalt machen.”
60 Jean-Paul Sartre, “Preface,” in Frantz Fanon, The Wretched of the Earth,
trans. Constance Farrington (London: Penguin 2001 [1965; first French edition
1961]), 18–19. The German edition has the title Die Verdammten dieser Erde.
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FIGHTING TALK (1959–69) 49
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