onTHECD ee Percussion, savage and ‘of South-American musi, the clave. The Brazil importa Yaeep Were enePandGranan —Shecraeatigehon natn Weeder characterised ion sve ade Aticer gant tNicconcepts tops apeloealy 3 cave =the stall mde et bY coon MGRNNGNM Sera Sesh pele aca CSch Panetta ea tinetneornthecontent Geuhepuse payed ha nb one . ‘S02 bar count in Sige , $b IH (hi ue The clave also appears starting onthe second barto create 22-3 clave, gut part, These two measures the Ind We'llinterpretthisan the guitarinsimia fashion to what we digin the rameworkot many ose guitar port Exercise 1, butin thiscasewelladda chord atthe beginning ofthe terminology fr these patterns, but well bora ‘Psde’ ofthe lve, asis common tothe style Addanice extended __batida (grovel forthe st ba and othe na ‘chord ike m9 and the crotchet pulse, andwehavea very convincing describes a sil Affo-Cuban ¢Rythm 1250 2eercountin OME je of Bossa Nova guitar, end a favourite of Jo40 ‘the first chord ofthe bars frac “handle inaewarevaisionsndcibieywhowthstoure at Sank le ahay ot MeesatypalgitarpantomthelseSbersNaishow tenon hetior eee maa pi7gaah C8igiG Been” ; s elas Tr sty hn etna a