Professional Documents
Culture Documents
1 The term Saiva Siddhanta is commonly used in Indology to refer to the south Indian
tradition which so describes itself. But that tradition with its scriptures and £astras in
Tamil as well as Sanskrit is a development of a more ancient tradition seen in Kashmir
and elsewhere. It would be better to avoid confusion by referring to that as the Tamil
Saiva Siddhanta.
M EA N IN G IN TA N T RIC R ITUAL 17
Also in this middle ground between the Siddhànta and the Trika was
the cult of Siva Conqueror of Death (Mrtyunjaya) — also called
Netranâtha (the Eye-Lord) and Amrteévarabhairava (Bhairava, Lord of
the Nectar [of Immortality]) — and his female consort AmrtalaksmL
Particularly associated with rites to avert danger and disease (sàntih), it
appears in the recent manuals to have been closely linked with that of
Svacchandabhairava6. Here too dualistic exegesis prevailed before giv
ing way to the ascendant nondualism of the Trika. And once again it was
a commentary by Ksemarâja on its scriptural authority known variously
as the Netratantra, the Mrtyujittantra and the Amrtesvaratantra, that in
itiated the transformation7. These two commentaries by Ksemarâja, his
Elucidations (-uddyota) of the Svacchandatantra (,Svacchandatantrod-
dyotd) and the Netratantra (,Netratantroddyota), are evidently of special
importance to us, since they give us access at an early date to the middle
ground of Kashmirian Saiva practice preserved in the manuals.
In the perspective of the left these various cults form a strict hierarchy,
its authorities speaking of Saivas ascending from level to level through a
series of initiation ceremonies (<diksà)8. The status which is assigned to a
cult in this classification corresponds to the degree to which the feminine
cosmic power (saktih) which is the inseparable attribute of Siva in the
theologies of both the right and the left is personified within the con
figuration of deities invoked in its daily, obligatory (nirya-) worship. At
the bottom of the hierarchy, in the Siddhânta’s form of that ritual, Siva
is worshipped as the ten-armed, five-faced and consortless Sadâéiva9.
His Power is personified only in the throne (àsanam) on which he is
installed10; and other female deities are either entirely absent from his
encircling retinues (âvaranam) or are present only as the fourth circuit in
a series of seven which form the outer retinue (bahirdvaranam) of the
deity11. On the next level the eighteen-armed and five-faced Svacchan
dabhairava is worshipped with his female consort AghoreSvari in the
centre of a retinue of ferocious male deities enclosed, in the fullest form
6 KK 4, 260.
7 NeTU 2 (22) 34321'2.
8 TA 13.300c-302 and commentary.
9 Mrg KP 3.49c-54b; NeT 9.19c-25b (the standard form of SadaSiva in Kashmir).
10 S$P 1, 167-75.
11 The goddesses are present as the fourth circuit of seven in the system of the Nan-
diSvaravatdra recension of the Nihsvasagama, which was followed in Kashmir; see
NASAP folio 6 3 rll-v l3 .
20 A. SANDERSON
only by the initiate for whose purpose it has been consecrated. The for
mula of installation invokes the mantras to be present in the idol only
until the initiate achieves the fruit of their worship, whether this be during
his life or when he dies. At this moment they will depart and the inert
image must either be disposed of or reconsecrated for a successor. The
mantras of the Siddhanta, however, may move out from this private
sphere to be installed permanently in fixed idols where they will remain
so long as the appropriate Saiddhantika worship and purity are maintained.
The left maintains that its own mantra-deities are simply too powerful,
indeed too dangerous, to be placed in this way beyond the immediate
control of the individual worshipper. Fixed images of certain of the esoteric
deities are not unknown; but where such installations are prescribed it is
to be the exoteric mantras of the Siddhanta which animate them. So the
boundary between the exoteric right and the esoteric left was breached in
appearance rather than fact; for it is the mantras rather than the iconic
forms which may be associated with them that are the essential
embodiments of the deities in Tantric worship. There are cults of aniconic
mantras but not of icons which are not mantras16.
Naturally the Siddhanta itself recognized no hierarchy within the
Saiva traditions but one in which it assigned itself the highest position17.
It criticized the nondualism of the left in both its metaphysical and its
socio-ritual aspects18. However, it did not go so far as to deny the
authority of the non-Saiddhantika scriptures themselves. We have seen
that it sought to colonize the middle ground of Saiva practice by pro
pagating dualistic exegesis of the Svacchandatantra and the Netratantra.
It might have been expected to have stopped short of the scriptures of
the Trika itself. But it entered even here; for both Bhatta Narayanakantha
and Bhatta Ramakantha frequently quote the Malimvijayottara in their
commentaries on Saiddhantika scripture; and it was this Tantra of the
Trika which was the professed basis of Abhinavagupta’s exposition of
that cult in his Tantraloka.
This overlap is best understood if we assume that even the worship of
the goddesses of the Trika was being practised in some circles in accor
dance with the ‘pure’ procedures of the Siddhanta, as was certainly the
case in the cult of Svacchandabhairava. Indeed it is probable that the
Malimvijayottara itself was the product of such circles; for it contains
16 TA 27.1-13.
17 MPV VP 2 ,4-,s.
18 Sanderson 1985a, 215, n. 127.
22 A. SA NDERSON
TABLE 1.
The two perspectives on the principal Saiva cults. The right (the Siddhanta)
accepts only 1 , 2 , 3A and 4A. The left (the Trika etc.) rejects 3A and 4a and
teaches the ascending order 7. 2, 3B, 4B, 4 C and 5. Cults in A conform to ortho
dox (Vedic) criteria o f purity. For the degrees o f departure from purity in B and
C see below, pp. 79-83.
C 5
B 4
A 3 2 1
Worshippers in all these Saiva cults were of one of two kinds. This was
a matter of individual choice and it determined both the form of initiation
received and the form of the subsequent ritual discipline. On the one
hand were those whose chosen goal was nothing but liberation (moksah)
from the bondage of transmigration (samsarah). On the other hand were
those who elected to pursue supernatural powers and effects (siddhih)
while they lived and — or at least — to experience fulfilment in the
enjoyment of rewards (bhogah) in a paradisal world of their choice,
either in this life through mastery of Yoga, or after death. So worshippers
were either seekers of liberation (mumuksuh) or seekers of rewards
(bubhuksuh)23.
I shall consider only the ritual of the former here; for it was in their
case that the problems of purpose and meaning arose. The seekers of
rewards, more precisely titled sadhakas (“masterers [of powers]”), in
flected the basic rituals of the cults for the attainment of specific and
concrete objectives such as the quelling of dangerous powers (santih),
the subjugation of desired women (vasikaranam), or the liquidation of
enemies (maranam). In such cases the purpose of the ritual is self-
evident; and the meanings of the adaptations of the basic ritual form —
such as those which affect the colour and mood of the deity — are
equally so, whether they have an obvious symbolic value, as they do in
the case of the predominance of the colours white, red and black in rites of
quelling, subjugation and liquidation, or are fixed by otherwise meaning
less conventions in this or that text24. It is only when the ritual is un
inflected, in the obligatory worship of those who seek liberation alone
and have therefore abjured all concrete objectives, that the problem
arises. It is only here that it was felt necessary to formulate explanations
of the far from obvious process by which ritual as the manipulation of
finite forms and quantities could achieve the infinite and absolute state
of liberation. The ritual of the liberation-seeker will be found to be
meaningful in a weak sense if he is offered some explanation of how it
achieves this purpose. It will be found meaningful in a strong sense if he
is required to perceive the actions it compromises not only as something
25 BraSi 22-228; Bra SuBh on 1.1.4; Prapanc 239-52 (sadhyamlkaryam and siddham
in Vedic exegesis).
26 TA 26.1 lbc (for dhruve read bruve)\ 32.6-9b and commentary.
27 MPV VP 614; NlPP 2567.
2R NIPP 2566; NIP 2.144c-50; TA 13.122-25b.
26 A. SANDERSON
Tantric ritual duties and their relation with their smarta counterparts
Daily rites
In briefest outline these Tantric rituals were as follows. Everyday the
initiate was obliged to worship the deity of his initiation, making offerings
to a private, transportable idol, or to the deity and its retinue installed
invisibly upon a low platform of earth (sthandilam)38. Where an idol was
employed it was either Siva’s abstract emblem (the lihgam as generally
understood [=avyaktalingam]) or an anthropomorphic representation
(yyaktalihgam), principally an image (pratima) cast in metal, a painting
All this was closely parallel to the smarta programme of daily worship.
There too the main presentation of offerings to the gods (devapuja) took
place after the midday Juncture, following almost identical preliminaries.
Furthermore, both the Tan trie and the smarta worship are followed by the
same sequence of concluding rites, namely those of the Vaišvadeva sacri
fice, in which part of the food prepared for the family meal is sacrificed
in the domestic fire to the All Gods (višvedeváh) and other deities, after
which other portions are presented as offerings (balih) to the various
house-deities (vdstubalih) and spirits (bhutabalih), to the ancestors (pin-
danirvápah), to dogs, untouchables, outcastes, and birds. The Tantric
initiate performs a Šaiva elaboration of this Vedic prototype46. The
Tantric preliminaries are also such an elaboration, in the sense that while
the main worship is merely parallel to the smárta, these preliminaries are
the smarta prototypes with certain Šaiva modifications and additions
which inflate and inflect the whole. Modifications are such as the use of
Tantric versions of the Vedic gáyatňmantra and the presentation of
water not simply to the Sun but to Siva as the Sun. Additions are such as
the inclusion of the cult’s mantra-deities in the series of recipients in the
pouring of libations (tarpanam)41.
This suggests the hypothesis that the Tantric ritual evolved through
the substitution of a sectarian (Tantric) act of worship for the non-
sectarian (smarta), and that this substitute within the prototype then
spilled over to affect the rites before and after it.
Incidental rites
These were the obligatory rituals (nitya- in the sense of niyatakaramya-)
whose occasion (nimittam) was fixed in time {nitya- in the sense of ni-
yatakdla-). In addition there were actions and rituals which were obligatory
if the occasion for them arose. These incidental (naimittika-) duties were
(i) acts and rites of reparation or penance (prayascittam), to be carried
out when a rule of the discipline had been infringed (,samayalopah,
Šaiva cremation the individual’s body and ritual implements were in
cinerated in the consecrated fire, just as they were in the smárta case, but
only after his soul (jlvah) had been caught, drawn in, reinstalled in his
corpse by means of the ritual of the Great Net (mahájálam), and liberated
by undergoing the ritual of initiation in this substrate. The same applied
in the Tantric Šaiva equivalent of the smárta Náráyanabali (/Suryabali).
Here too the promised outcome was final liberation, not mere incorporation
into the ancestral patrilineage (sapindlkaranam). The burning of the
surrogate body was similarly upgraded. While in the smárta rite it was
simply the ritual processing (samskárah) and disposal (pratipattih) of
the sacrificer’s body and implements (áyudham), here it was part of the
initiatory destruction of the bonds (pášah) which hold the omniscient
and omnipotent soul in the ignorance and impotence of the cycle of
births and deaths (samsárah)6*.
68 TÁ 21.39-40.
69 MP CP 4 .6 c -ll; TÁ 25.27-29b and commentary.
70 TÁ 14.22; 21.9c-l lb and commentary; 19.5ab and commentary. To suggest that it was
the size of the fee {daksina) promised for the performance of the ritual that was the pre
ferred means of measuring this fervour might be thought unfair by some, though probably
not by those whose expectations have been formed by observing the behaviour of the
funerary priests of Benares.
34 A. SANDERSON
confess to seeing the matter in these terms would too flagrantly contradict
the model Saivism of the theorists. Evidently this argument that the
descent of grace may be inferred is a learned device designed to reconcile
what is indistinguishable from the function of a mere priest, and of a
priest for the dead at that, with the ideal image of the officiant as spiritual
guide.
Sraddha
If the Saiva tradition promised that the initiate would attain the com
plete and final liberation of his soul at the time of death or, at the latest,
through these initiations after death, then surely they would have had no
reason to prescribe that he receive offerings thereafter? So, of the three
constituents of smdrta ritual, namely (i) the rites of passage (samska-
rah), (ii) the worship of the gods (<devapuja), and (iii) sraddha, the
presentation of food and other necessities to the departed (pretah) and
the ancestors (pita), the third at least should have found no Saiva parallel.
But to imagine that this would be the case is to make the mistake of ex
pecting the ritual of a system to be entirely explicable in terms of its
theology and soteriology. For in spite of their professed doctrines the
Saiva officiants practised an exactly parallel and synonymous series of
post-funerary rituals: (i) the presentation of offerings to the departed
(pretah) during the first ten days after death ([dasahnika]siva[preta]-
kriya)1], (ii) the eighteen sraddhas performed for the departed during the
year after death (ekoddistasivasraddham) commencing on the eleventh
day at the end of the period of post-mortem impurity72, (iii) the sakta
Lamp sraddha (sivadipasraddham, saktasraddham)11 offered on the new
moon day of Kartika (October-November) or at an auspicious conjunction
during the months of Magha (January-February) or Phalguna (February-
March) in the year after the death74, (iv) the ritual for the incorporation
of the departed among the ancestors (saivasapindikaranam)75, and (v)
the annual sraddha (sdrnvatsarikasivasrdddham) offered thereafter to
this ancestor, his father, his father’s father and the wife of each76. These
71 KK 4, 299-312.
72 KK 4, 377-91.
73 KK 4, 410-52.
74 Mrt folio 22v2-6.
75 KK 4, 391-409.
76 KK 4, 313-377.
M EA N IN G IN TA N T RIC R ITUAL 35
TABLE II.
The status o f the deceased and the a ncestors in Saiva p o st-funerary ritual
[Màyàtattva (31st)]
pretah T Rudra
(deceased Fa)
prêta T Rudrânî
(deceased Mo)
Even so, the translation preserves the hierarchical structure of the Vedic
paradigm; and to this extent it is obviously artificial. For there is no
theological justification for the implications (i) that a Saiva is liberated
by gradually ascending after death through these four levels, from the
status of a Rudra to that of a 6iva, (ii) that the speed of his ascent
depends on the lifespan of his descendants, (iii) that a wife’s liberation
is tied to that of her husband, and (iv) that it is tied to it in such a way
that she always lags behind him, maintaining even here the respectful
dependence which was hers in life. On the contrary, these implications
contradict the professed doctrine that all individuals who have received
initiation for liberation attain their goal as soon as they die.
We have seen that the shared base of the right and the left of Saivism
was a doctrine of salvation through rites. To be a Saiva (and therefore
M EA N IN G IN TA N TRJC R ITUAL 37
It might be thought that this attitude was limited to recent times. But
Bhatta Ramakantha is already aware of it c. AD 975, when Saiva learning
was at its height. He claims to have written his commentary on the Ma-
tafigapdramesvardgama partly to defend that scripture from the mis
interpretations to which it had been subjected by those who wished to
dilute the teachings of the Siddhanta by reconciling them with the
Veda81; and it would seem to be these reconcilers that he has in mind
later in that work when he attacks unidentified opponents for adopting
the view of the theorists of Vedic ritual when claiming that a Saiva per
forms his various obligatory rituals for no other purpose than to obey the
texts which command their performance82. This is indeed the theory of
the purpose of Vedic ritual current among the anti-Tantric exegetes of
the Veda. More specifically it is that of the Prabhakara school of Ml-
mamsa. For while the rival Kaumarila or Bhatta school held that the per
formance of obligatory ritual was at least motivated by a desire to avoid
the negative karmic consequences of omission83, the Prabhakaras re
fused to allow even this consideration to intervene between the cognition
of a Vedic prescription in its text and its realization in action, holding
that the correct perception of these texts was that they conveyed duty per
se {svatahkdryata)u .
The problem for Bhatta Ramakantha was that those Saivas who looked
upon their ritual in this light were bringing it down to the level of the rest
of inherited brahminical obligation. But they could do this only because
Saivism had penetrated to this level in practice. Their error, it might be
said, was simply that they did not adorn this fact with one or other of the
traditional theories of Tantric ritual which claimed that it activated and
expressed a higher, esoteric selfhood which exists behind or within the
social personhood which the lifelong practice of this or that system of
obligatory ritual and observance establishes and maintains.
81 MPV VP 1 (v.4a).
82 MPV KP 6 6 ^ (reading nisprayojanam eva coditarx'dt with the Kashmirian MSS).
83 SloVa Sambandhdksepaparihdra llOcd.
84 NayaR 10'-3*,4"18; PraPranc 445MI; Manubh 1, 56^7.
M EA N IN G IN TANTR1C R ITUAL 39
85 NÍPP 20912-21414.
86 MPV VP 618-8n , 1016"19, 94M.
87 BraSQBh on 3.4.16 and 3.4.25-26.
88 BraSQBh on 3.4.26; BháCint 44'4' 18.
40 A. SANDERSON
89 MoKa 47c-68; MPV KP 2 I(M9; VP 27,9-288; N1PP 254n -2552; MoKa 25c-32b;
SvTU 3 (5) 8410-862; TA 13.41c-52.
M EA N IN G IN TA N T R IC R ITUAL 41
90 MPV KP 663"14; MrgV KP 202' 10 (for bhogatah [207] read bhogah with MS C); MPV
KP 220-232; MPV VP 567'*-5685; STrifKV 126,0-".T he subtle body: STriSKV 126*7
42 A. SANDERSON
characterize his liberation91. It follows from this that the initiate was
required to believe that his obligatory ritual would achieve its effect only
if it were the conscious enactment of that effect.
I said above that a tradition would be looking on its ritual as meaningful
in a strong sense if it saw the actions it comprises as achieving their
purpose by expressing and evoking in the performer a salvatory awareness
of reality. Since it would be sound £aiva theology to say that the performer
really is the Siva whose manifestation he enacts, whether this be in terms
of identity (sivaikatmyam) or equality (sivatulyata), it would appear that
the theorists of the Siddhanta did consider their ritual to be meaningful
in this strong sense. However, this conclusion will be valid only if they
held that the enactment of Sivaness is effective as knowledge, as the
communication of the fact of this Sivaness to the worshipper’s mind. I
suggest that the Siddhanta did not go this far, but remained true to the
ritualistic orientation evident in most areas of its theorizing by seeing
this cognitive process as a variety of action {karma) rather than knowl
edge (jnanam). The thinking which the theorists of the Siddhanta had in
mind was not the cognition of a fact but a kind of mental work which
produces a result through effort. It is seen as imagination with the power
to cross from the imaginary {kalpanikam) to the real (satyam), so tran
scending the dichotomy between these domains which marks the world
on which ritual works92. It is certainly the case that the effect, namely
Sivaness, is made present in the mind of the ritual agent; but this is not
because his ritual has become cognition of fact (siddham) — in this
instance, recognition of self — but rather because it is the nature of
Tantric ritual to realize in this way what is desired and not yet existent
(sadhyam). In this respect the obligatory ritual of the liberation seeker is
no different from the appetitive rituals of the sadhaka. In the logic of
ritual action Sivaness is just as much something to be achieved {sadhyam)
as are the lower accomplishments {siddhih) such as appeasement (santih),
subjugation {vasikaranam) and liquidation {maranam). The sadhaka
transforms himself into the deity. He assumes the ego {ahahkarah) of
the deity and inflects it in this way or that depending on the result he
desires. His ritual activates a specific aspect of divine agency, which he
takes on and directs as the agent of the ritual. The seeker of liberation
91 MPV VP 511y9\ STriSKV 289*'0; cf. SvTU 1 (2) 2413-252; 1 (3) 168M 698. Detailed
accounts of mental worship: Mrg KP 3.4-11; SvT 2.33-55b; MVUT 8.18-49; TA 15.233-
288b.
92 Cf. MrgV KP 20219.
MEANING IN TANTR1C RITUAL 43
uses the same ritual form. But because he has renounced all the goals of
action his ritual lacks that form's intentionality. While becoming Siva is
instrumental for the sadhaka, it must be the end itself for the seeker of
liberation. In other words, the effect enacted by ritual for liberation is
being Siva or being Siva-like, rather than being Siva or Siva-like as the
agent of this or that desired object.
This purpose is an integral part of the text of Tantric ritual. It has not
been superimposed by theory. This does not mean, of course, that it is
impossible to perform the ritual without internalizing this purpose. Even
the meditation that one is Siva may be experienced simply as the perfor
mance of an enjoined action. Indeed once such spiritual elements are
parts of obligatory ritual it is only by a more or less supererogatory
effort that they are kept alive. The Siddhanta proceeds to this end by
arguing that such an effort is essential to the purpose of the ritual. It
attempts to keep the ritual on the level of effective imagination leading
to a liberation which is positively desired, and thereby keeps in focus the
belief that Saiva ritual is essentially superior to the smarta tradition.
This, we may suspect, was for the benefit of a community in which
this original spirit of Tantric ritual had been largely ritualized by family
tradition.
The theories of the left were also concerned to resist the drift towards
parity with the ritual of the smarta tradition. But just as the left departed
further from the behavioural norms of that tradition, so these theories
were of a more radical nature and more firmly backed by prescription.
As might be expected in a theology which maintained a form of non-
dualistic idealism the left admitted no cause of liberation other than
knowledge (jhanam). Knowledge destroys the ignorance which alone is
the cause of bondage (bandhah). As in the Siddhanta, this ignorance is
of two kinds. Firstly there is the conceptual ignorance proper to the mind
(bauddham ajhdnam). This takes the form of not knowing what one
really is and of believing that one is something which one is not. But there
is also the deeper ignorance which is the soul’s state (paurusam ajha-
nam). In the Siddhanta it is because of this that the individual {anuh, pasuh)
transmigrates from incarnation to incarnation subject to the conse
quences of his past actions {karma). In the doctrine of the left, however,
44 A. SANDERSON
relevant set of mantras poured over him, this too is accomplished, we are
told, within the mystic himself “by the goddesses embodied as his own
internal awareness”98. The goddesses take the place of the young girls
(kumari) who pour the empowering water on to the candidate’s head in
the cults of the left99. The action, though attributed to the goddesses, is
really Siva’s — just as the girls are directed by the officiant — since
they are the personification of his Powers.
Those who are not favoured with a Descent of Power of such intensity
will achieve liberation only by taking refuge in a guru, coming to him
through their own inspiration (p r a t i b h a ) or under the influence of a
spiritual friend (k a ly a n a m itra m )100. But even among these there are those
whom the resulting initiation liberates immediately and definitively. Nor
is it necessary that this sudden transformation of consciousness should
come about through initiation in its conventional ritual form. Initiation
here may be the guru’s oral teaching (k a th a n a m ), a silent transmission
(s a m k r a m a n a m ), his glance or touch, the unflinching acceptance and
consumption of a sacramental impurity, and other direct and powerful
stimuli of this order101.
So the first consequence of the left’s soteriological model is that
liberation can be attained without ritual. The second is that if ritual is to
be a means to liberation at all its purpose can no longer be discovered in
the fact that it is concrete action as opposed to mere knowledge. Since
Impurity has been dematerialized, ritual must work on ignorance itself;
and to do this it must be a kind of knowing.
We have already seen that it is a fundamental principle of the left’s
soteriology that discursive (savikalpaka-) formulation of the self’s true
nature can lead eventually to its nondiscursive (nirvikalpaka-) realization
(saksdtkarah). It is believed that the thought (vikalpah) of the nondual
reality of consciouness can be so intensified through constant reiteration
that it obliterates all other awareness and finally throws off its dualizing
nature to become the enlightened nondual consciouness which until then
has been its object102.
103 TÁ 5.3-4.
104 TÁ 1.231-40.
105 TÁ 15.267c-71b.
48 A. SANDERSON
1,1 TA 4.114c-212; TaSa 256-31n (for tatha ubhayatmaka- [267] read laxhyahrdayai-
maka-).
112 TA 4.115c-22.
MEANING IN TA N TRIC RITUAL 51
M5 TÂ 4.125-180b.
1.6 SvTU 1 (2) 891'3, 905.
1.7 SvTU 1 (2) 99,3-10017.
1.8 SvTU 1 (2) 1013; KK 4, 2472: om kriyàsakryàtmane kundàya namah.
M EANING IN TA N TRIC RITUAL 53
We have seen how the left handled the ritual structures common to the
various Saiva Tantric cults. It gave purpose and meaning to the whole
through the theory of the nondualization of the factors, making awareness
in ritual the paradigm of enlightenment; and it reinforced this theory by
122 The eye here is the mantra om jum sah which is among the six limb-mantras
known as the vidyahgas which are pan of the intimate retinue of the principal mantra in,
e.g., the Trika and the cult of Svacchandabhairava: see TA 30.40c-41b (om jum sah) and
SvT 1.63 ( om jum sah jyotirupaya netraya vasat); In the Netratantra this mantra of the
[third] eye is the object of an independent cult, so that it has limb-mantras of its own,
including an eye-mantra: see NeT 2.21-33.
123 NeTU 2 (22) 34338" .
124 TA 4.127-130 and commentary (quoting Yogasamcaratantra).
56 A. SANDERSON
TABLE III.
The parts ofthe eye and the Krama in Ksemaràja (Ks), Yogasamcdra (YS) and
Jayaratha (J)
125 For this peniadic Krama system see, e.g., MNP (K) 9.4-11.3 and MM 39-40.
MEANING IN TA N TRIC R ITU A L 57
vanam) and Dissolution (vilapanam)1**. These are the Krama’s four phases
of cognition, the same as the first four of the five that are mentioned in
Ksemaraja’s verse on the inner nature of the Eye (Netranatha), such dif
ference as there is between the two sets being a matter of names and not
substance. The summoning of the Impartible (niskala-) into the Partite
(,sakala-) Svacchandabhairava is thus translated into the liberating practice
of the Krama, in which one is to perceive the process of the emergence and
disappearance of content (=samsarah) in consciousness as the pulsation
of the absolute Light (-nirvanam) through this cycle.
This correspondence between the sequence of worship and the Krama
is deftly sealed into Ksemaraja’s verse by the interpretive device known
as nirvacana. The purpose of a nirvacana is to explain the aptness of a
thing’s name by analysing it into a description of the thing’s real nature.
Where the name to be analysed is that of a cultural fact whose nature is
open to debate, such as a deity or some other revealed entity, the nirva
cana is a powerful means of passing off new interpretation as faithful
exegesis. Now, in the cult of Svacchandabhairava, as we have already
seen, there are two forms of the mantra-deity, the Partite (Sakalabhat-
taraka) and the Impartible (Niskalabhattaraka). The first is the thirty-two
syllabled [OM (...)] AGHOREBHYO ‘THA GHOREBHYO GHORA-
GHORATAREBHYA CA SARVATAH SARVA SARVEBHYO NA-
MAS TE RUDRA RUPEBHYO [(...) N AM AH/S V AH A]135. The latter
is the monosyllabic [OM] HUM [NISKALASVACCHANDABHAIRA-
VAYA NAMAHU'SVAHA]136. The two mantras are also called Bahurupa
and Catuskala respectively137. In the explicit sense of Ksemaraja’s verse,
which states the hidden meaning of the ritual, these words bahurupa-
and catuskala- are used in metaphysical senses, referring (i) to the univer
sal Qiterally "manifold’ [bahurupa-]) form of consciousness, and (ii) to the
fourfold (catuskala-) nature of the Light. Yet, since these metaphysical
134 SpN 6 7; MNP 3.1; MNP (K) 42. For the order in the verse on the eye of the
Netratantra cf. PraHr 11.
135 SvT 1.41-143; KK 4, 2621'3 (... -rupebhyo hum sakalasvacchanda Cbhattaraka)
bhairavaya svaha); 327l4-328‘; AKP folio 487'9 (om hum aghorebhyo ... -rupebhyah
hum namah svahd). See SvTU 1 (1) 365-3818 in which Ksemaraja reveals the “ secret
meaning” (rahasyarthah) of the mantra by interpreting it in the terms of his nondualism.
For semantic analyses of the seed-syllables SAUH and KHPHREM which are the core of
the mantra-systems of the Trika and Krama see TA 4.186c-191. 5.54c-78; Padoux 1990.
416-426; Sanderson 1990, 56-58.
136 SvT 1.69; KK 4, 237^7; 32815.
137 SvTU 3 (6 ) 10 1 3, 1 2 1 3, 1 2 1 ,iM9.
60 A. SAN D ERSO N
138 SvTU 1 ( 1 ) 573-17 (for sakarena [576] read makarena)\ 5S4*7; 3 (6 ) 12816"17.
M EANING IN TA N TRIC RITUAL 61
TABLE IV.
There are certainly occasions in the ritual, most notably at its conclusion,
when one is required to be aware of these four elements of the impartible
mantra as an ascending series. In the concluding rite in which one
‘dismisses’ the mantra-deities (visarjanavidhih) one is to show the gesture
of retraction (samharamudrd), folding the fingers of one’s right hand one
after another into the palm of that hand, beginning from the little finger,
and finally closing the fist with one’s thumb. As one does this one is to
visualize the lesser mantras of the cult dissolving into the Bahurupa
mantra and the Bahurupa into the Catuskala. Finally one is to meditate
62 A. SANDERSON
on the Catuskala dissolving part by pan into the Absolute in the limit of
its final resonance139.
It is evident, then, that Ksemaraja attempted to work the Krama into
the very core of the Tan trie cults.
Svacchanda-
Ksemaraja also applies the method of nirvacana to Svacchanda- in the
name Svacchandabhairava. The Svacchandatantra, which teaches the cult
of that deity, does not tell us what it intends by the first part of the name;
but certain text-places suggest that the meaning intended is ‘spontaneous’,
‘unrestrained’, even ‘wild’145. It happens, however, that svacchanda- is
also synonymous with svatantra-, and Ksemaraja takes advantage of this
fact to discover a proof that the scripture of the cult and therefore the
belief required of those who wish to practise it properly is the nondualism
Kali
The nirvacana method also upgrades Kali. The nondualists derive the
name as a feminine agent noun formed from the verb >Ikal in the various
senses assigned to it by the List o f Roots {Dhàtupâtha). These meanings,
namely ‘to throw’ {kala ksepe), ‘to go’ (kala gatau), ‘to know’ (id.), ‘to
enumerate’ {kala samkhyâne) and ‘to sound’ {kala sabde), have only to be
interpreted to fit the exegetes’ nondualism of consciousness. So, as Abhi-
navagupta tells us in his Tantrâloka, the autonomous consciousness which
is the Absolute is called Kail (i) because it throws, in the sense that it pro
jects the universe, causing to appear as though beyond it {'Ikal ‘to throw’
[ksepe]); (ii) because through it the projection returns to (‘goes to’) its
identity as cognition (>Ikal ‘to go’ [gatau]); (iii) because it knows the
projected, in the sense that it represents it as identical with its own
identity {^kal ‘to know’ [gatau]); (iv) because it enumerates the projection,
in the sense that it distinguishes each element from all the others within
its own unity {ylkal ‘to count’ [samkhyàne]), and (v) because it sounds,
in the sense that when it has dissolved the projection it continues as the
resonance of internal self-awareness {'Ikal ‘to utter a sound’ [sabde])141.
consort AghoreSvari, who sits in his lap on his left thigh, is visualized
with the same characteristics151. Ksemaraja’s comments are as follows
on the verses of the Svacchandatantra which give this visualization152:
By virtue of his autonomy the Lord has manifested this form within Un-
mana, the [highest] level of Power (saktih). He has done so in order to provide
aspirants with a means of penetrating the light of the Impartible [mantra-
deity (niskala-)]\ for there is no god with this appearance anywhere in the
[series (adhva)) of worlds [below that level]. It is because he personifies
the effulgence of [feminine] Power that he has eighteen arms, that being
the characteristic of the goddess Durga.
Furthermore, Bhairava [in his essential nature] as Consciousness
(Cidbhairava) pervades every detail of this description of his form, the
icon being, as it were, the imprint [of that nature]. The correspondences are
as follows:
[1] tripancanayanam ‘having thrice (tri-) five (panca-) eyes (nayana-)’
[is also intended to mean] ‘who leads the five with the three’, for the five
[...?] that pervade everything up to the level of Maya are controlled by
[Cidbhairava] by means of his three Powers — the Higher, the Intermediate
and the Lower — through their division into gross, subtle and supersubtie.
[2] ‘adorned with matted locks...’ [means] ‘adorned with VameSvari and
the other [four] Powers who reside at the summit [of his being, just as the
matted locks which represent them are the upper limit of the visualization].
[3] ‘and [adorned with] a crown’ [means] ‘[adorned with] the spreading
effulgence of [his] freedom’.
[4] ‘radiant as ten million moons' [means] ‘filled with Light and Bliss’.
This is what the Laksmlkaularnava means when it says:
“O Empress of the gods, he is called Bhairava in the world not because
his mouth is open exposing his fangs but because he is nondual (advaitah).
And because he is nondual one should contemplate him as benevolent
(,saumya
[5] ‘wearing the crescent moon in his hair’ [means] ‘possessing the element
of nectar (amrtakala), also called amdkala, [the pure, creative consciousness]
which gives life to the universe’153.
[6] pancavaktram [which means ‘with five faces (vaktram)' in reference
to the concrete icon, means] ‘with the five manifestors-and-rescuers [vaktra-
ol\*yaj ‘to manifest’ + ^Itra ‘to rescue’] — which manifest the [self s] ultimate
nature and rescue from transmigration (samsarah) — namely his con
sciousness, bliss, will, knowledge and action.
154 This is the first line of a verse defining bhairavi mudra quoted by Ksemaraja on
VijhBhT 26. A variant version is quoted at MMP 90,11. 25-26 which is almost identical
with KulamT 8.85.
155 IPK 3.15-16.
156 For kapdlamaldtmandvayavaprapancarupam read kapalatma ndnavayavaprapan-
carupam.
157 SvTU 1 (2) 5411819. I translate emending pdsena visvabandhanena svatantryam to
pasena vi£vabandhane svatantryam.
158 Cf. BhairAnukSt 19.
68 A. SANDERSON
[18] His holding a skull-topped staff suggests that the whole universe
[from Earth] up to Anafrita159 — symbolized by the skull — is fused with
consciousness, the ‘screen’ (bhittih) on which it appears.
[19] His lute (vina), his rattle drum (damaruh) and his bell suggest that
his power is concentrated in awareness of the resonance which is the
ground of the diversity of low-pitched, high-pitched and middle-pitched
sounds.
[20] His trident suggests his destruction of the three bonds, because its
staff is [symbolic of] his power of freedom (svatantryasaktih) united with
[the three prongs] of will, knowledge and action.
[21] His thunderbolt (vajram) suggests that his power is the entire universe,
because its three prongs pointing upwards are will, knowledge and action,
and its three prongs pointing downwards are [all] the objects of these, the
willed, the known and that which is acted upon.
[22] His club is [symbolic of] his power of karmic law (niyatih) and
suggests his universal control.
[23] His axe, being [curved] like a ploughshare represents the power of
Resonance (nadasaktih)160; and his hammer [with its spherical head] re
presents the power of the Point (bindusaktih). The first suggests the rending
of all duality and the second its pulverization.
[24] [The line simhacarmapandhanam gajacarmottanyakam (‘with a
lion skin as his garment and an elephant’s hide as his upper garment’)
means the following.] The ‘lion’ is [symbolic of] the effulgence of con
sciousness. This is because it [too] is ‘five-faced’ [pahcananah, a synonym
for ‘lion’], consisting as it does of [the five levels of the Pure Universe,
namely] Suddhavidya (‘Pure Knowledge’), Kvara, SadaSiva, Sakti and Siva.
The word carma [literally ‘hide’] means operation (caritam) [here, derived
from ^Icar ‘to do’]. [This operation of the fivefold effulgence of consciousness
is described as] his ‘garment’ because it is the intimate attribute of the
self s real nature. The ‘elephant’ in its vastness is [symbolic] of Maya [the
source of the Impure Universe]; and it is this ‘elephant’ that the ‘lion’ [of
the effulgence of consciousness] must tear apart. [The elephant’s] ‘hide’
{carma) [too] is [to be understood as] its operation (caritam), which is to
say, [Maya’s] seductive play [as the manifestation of plural reality]. He
wears this as his ‘upper garment’ in the sense that this play is superimposed
on to the nondual consciousness which is the self s real nature.
[25] He is called ‘god’ (devam) because play and all the other [actions
denoted by the root 'idiv from which the word is derived] are natural to
him161.
[26] He is ‘black-throated’ (mlakantham) because he has removed (/swal
lowed) the great poison [which was churned from the ocean of milk]162. This
poison is [symbolic of] the non-manifestation (akhyatih) [of nonduality].
The translation of the Trika’s deities into the structure of Krama enlight
enment
What Ksemaraja’s commentaries on the Netratantra and the Svacchan-
datantra did for the cults of Netranatha and Svacchandabhairava the Mali-
nivijayavdrtika, Tantraloka and Tantrasara of his teacher Abhinavagupta
had already accomplished for the cult of the Malinivijayottara, and in
greater depth, this difference stemming from the fact that in the terms of
Table I the cult of this Tantra was directly below the sources of the in
trusive exegesis (4BC [+5]). I have shown elsewhere that these sources had
already been permeated by the cult of Kail in general and by the Krama the
in particular. Abhinavagupta assimilated the Tantra into a Krama-based
system of exegesis by expounding it as though the absence of explicit re
ferences to the Kail cult and its esoteric doctrine were the result of no more
than the brevity of the exposition169. He used the more esoteric texts of the
Trika to illuminate its meaning and showed how its triad of goddesses
(Para, Parapara and Apara) was a synonymous expression of the structure
of enlightened consciousness which he identified as the true meaning of the
twelve Kalis which make up the cycle of the Nameless (<anakhyacakram,
andkhyakramah) in the inner core of the Krama’s pantheon. The process by
which he raised the Trika of the Malinivijayottara into the Kali-based Trika
and then translated it into his version of the Krama proper is visible in the
following passage of his Tantrasara™:
The supreme Lord (ParameSvara) is all-inclusive consciousness. His Power is
simply this plenitude {purnata). It is given various names in our scriptures:
Totality (kulam)ll[, Capacity (sdmarthyam)m , the Wave (urmih)m , the Heart
(hrdayam)]1A, the Core (sdrah)175, the Subtle Movement (spandah)]76, the
All-pervading Power (vib hu tih )111, the Empress of the Three [Powers]
(Trisika)178, Kali, KarsanT [= Kalasamkarsanl, ‘The Destroyer of Time’]179,
Candl180, the Word (vanJ)m , Experience (b h o g a h )m , Cognition (d rk )m ,
the Eternal (Nitya)184, etc. Each of these names serves to express some
aspect of its essence, so that one may meditate upon it under some form
and so hold it in one’s awareness.
Now this consciousness which is plenitude becomes manifest through
the realization that it contains all powers. The latter are infinite in number.
In short, they comprise the universe. How [then] could the scriptures teach
them [all]? However, there are three in which the universe is summarized
[: the goddesses Para, Parapara and Apara]. [The first,] the Higher Power
(srip arasaktih ), is that by virtue of which the supreme Lord sustains, per
ceives and illuminates this [totality of the thirty-six levels of reality
(tattvam)] from Siva down to Earth [in the mode of non-separation
(abhedah), i.e.] as nonconceptualized, pure sentience (sa m vin m a tra m ).
[The second,] the Intermediate Power (sripardparasaktih), is that through
which [he performs these same cosmic functions] in the mode of separation
coexisting with non-separation (b h e da b h ed ah ), in the way that the surface
of a mirror reflects objects without their mass185. [The third], the Lower
Power (srim a d ap a rdsa ktih ), is that through which [the same is accom
plished] in the mode of simple separation (b h e d a h ), in which [subjects and
objects] are outside each other.
He also internalizes this cosmic action in all three of its modes at once,
incorporating them within himself in a [higher] synthesis. The power of
this synthesis is [the same as the first of the three, namely] the goddess
Para. But in order to express this aspect of her identity she is distinguished
[in this role] by such names as Matrsadbhava (’the Essence of [All] Sub
jects’186) and KalakarsinT (‘the Destroyer of Time’).
mandala — above the three prongs of a trident which, like the lotus-stalk
of the throne of Svacchandabhairava, pervades the universe which these
deities transcend. Para occupies the central lotus. Above her one worships
Kalasamkarsinl (/Kali)187.
There is no such fourth level in the ritual of the Maliriivijayottara. But
there is a distinction between two mantras of Para on the central lotus:
she is first installed as the mantra SAUH and then worshipped with the
mantra HSHRPHREM188. Abhinavagupta recognizes the logic of the ritual
in that he distinguishes the two as aspects of one goddess. Nonetheless,
he identifies the second with the fourth goddess Kalasamkarsinl, so trans
posing the cult into the territory of Kali189. Furthermore, he empowers
this set of four goddesses with meaning derived from the Krama (see
Table V). For, as the sequel of this passage and other pronouncements in
the parallel Tantraloka show, the triad of separation (bhedah), separation
coexisting with non-separation (bhedabhedah) and non-separation (ab-
hedah) is equivalent in Abhinavagupta’s mind to two other sets of three.
These are (i) emission (srstih), persistence (sthitih) and retraction (sam-
harah), and (ii) the three modes of consciousness, in which the object
(prameyam), the medium (pramdnam) and the agent of cognition {pra-
mdta) respectively predominate. The fourth element in these two triads,
corresponding to the higher nonduality of synthesis (paramadvayam), is the
Nameless (anakhyam) and Pure Sentience (pramd, pramitih) respectively.
table v.
TÀ 31.96-97.
187
TÀ 15.331c-32; MVUT 8.42cd. The form of the mantra-seed: MVUT 8.39-40b;
188
TÄ 30.47-48a.
189 TÄ 15.33lc-52b.
M EANING IN TA N T R IC RITU A L 73
The account of the twelve Kalis which follows this remark substitutes
semantic derivations (nirvacanam) for their names in order to translate
them into the stages of an expanded version of the same model of the
cycle of consciousness191. They become (i) the emission of the object
(prameyasrstih [= Srstikali]), (ii) persistence of the object (prameyasthitih
[= RaktakaH]), (iii) retraction of the object (prameyasamharah [= Sthiti-
nasakall]), (iv) the nameless state of the object (prameyanakhyam [= Ya-
makall]), (v) the emission of [consciousness in] the faculties [alone] (pra-
manasrstih [= SamharakaH]), [which is the first stage of the involution of
awareness deprived of the support of an external object], (vi) the per
sistence of this state (pramanasthitih [= Mrtyukall]), (vii) its retraction
(pramanasamharah [= Rudrakall/Bhadrakall]), (viii) its nameless phase
(pramanandkhyam [= Martandakall]), in which the five faculties of action,
the five faculties of cognition and the two internal faculties of attention
(manah) and judgement (buddhih) dissolve into the ego-faculty (ahum-
kdrah), (ix) the emission of the subject (pramdtrsrstih [= ParamarkakaU])
in which this ego-faculty, which had been projected as the controller of the
twelve faculties, is dissolved into the individual agent-self, (x) the persis
tence of subjectivity (pramatrsthitih [= Kalagnirudrakall]), in which this
lower self dissolves into the transcendental subject (Mahakala), (xi) the
retraction of the subject (pramdtrsamharah [= MahakalakalT]), in which
the transcendental subject is dissolved into absolute introversion, and
finally (xii) the nameless state of the subject (pramdtrandkhyam [= Ma-
habhairavacandograghorakall]), the pure sentience (samvinmdtram) which
contains all these aspects as its innate power of self-expression192.
This account of the twelve Kails is to be reconciled with the introduc
tory formula (concerning the triplication of the four Powers in emission,
TABLE VI.
The fourth The three The four Trika The twelve Kalis of the
goddess of the goddesses of goddesses sub circle of the Nameless
esoteric Trika the common dividing each (anakhyam) in the Krama
Trika of those three system of Abhinavagupta
Aparâ
, Emission = Srstikall
/ o f the object
■ Parapara
/ Persistence = RaktakäJT
Aparâ o f the object
Object.
Emission
Para
Retraction = SthitinasakalT
o f the object
Matrsadbhava
The Nameless = Yamakall
in the object
Apara
Emission = SamharakalT
o f the faculties
Parapara
Persistence = MrtyukälT
Matrsadbhava/ Parapara o f the faculties
KalasamkarsinI Faculties,
Pure sentience. Persistence Para
The Nameless Retraction = RudrakalT
o f the faculties
Matrsadbhava
The Nameless
in the faculties
Apara
Emission = Paramârkakâlî
o f the subject
Parapara
Persistence = Kâlâgnirudrak§11
Para o f the subject
1 Subject,
Retraction Para
Retraction = MahàkâlakaîT
o f the subject
Matrsadbhava
The Nameless = Mahabhairava-
in the subject candograghorakälT
76 A. SANDERSON
If this were truly so one would be surprised at the fact that the left
proved able to compete successfully with the right for authority over the
routinized cults of the Kashmirian tradition. Cults of self-realization
which used ritual as a possible if lower form of contemplation might
appeal to religious enthusiasts; but they would surely have had difficulty
in encompassing the mentality of obedience to duty which is the prime
mover of routine religion.
Abhinavagupta is aware of this problem and shows a way out, allowing
the left to accept the effectiveness of initiation without abandoning its
gnostic soteriology. He does this by appealing to his doctrine of nondual
consciousness. He points out that the problem exists only for those who
accept the Siddhanta’s position that selves are really and ultimately
different from each other. In the system of the left the problem simply
does not arise, since it holds that this distinction is imaginary (kalpana-
matram). There is only consciousness. This absolute manifests itself as
our representations of self and other(s); but it does not thereby surrender
its unity. So when the officiant initiates he represents both himself and
the initiand as this undifferentiated ground; and as long as he sustains
this realization the initiand’s identity is truly fused with his202.
So the ritual of initiation can liberate the initiand because it is the
officiant’s self-knowledge, not in spite of that fact. Indeed that Siva has
taught initiation as a means of release is itself a proof of nondualism: if
souls were truly distinct initiation would be ineffectual and therefore
would not have been taught in the Tantras.
This position enables the left to encompass the whole range of Saiva
religiosity, from the routinized to the most intensely meaningful. One may
shift the onus of self-knowledge entirely on to the officiant, aspiring to
achieve liberation only at death, either by virtue of initiation alone (the
case of those who are spared the bond of discipline) or by virtue of that
ritual followed by the observance of the post-initiatory discipline (the
case of the rest). But one may also aspire to liberation in life (jivan-
muktih), reinforcing the effect of initiation by developing conceptual
self-knowledge (vikalpasamskarah) to the point of direct revelation
{saksdtkdrah). Ritual, as we have seen, can function to this end.
As for the self-knowledge required of the initiating officiant, this too
must have been understood to encompass the whole range of intensities
from the ideal to the nominal. At first sight it might appear that the left
allowed the greatest latitude to the ordinary initiate but compensated for
this tolerance by insisting that its officiants be believed to be enlightened
through liberation in life. But that this was not so is proved by our texts.
For they distinguish between gnostic (jnanl) officiants, who do achieve
liberation before death, and ritualists (karml) who remain unenlightened
during their tenure of office and lose their capacity to accomplish liberating
initiations as soon as they consecrate their successors203.
Heteropraxy
The left’s doctrine of ritual, then, for all its emphasis on meaning, also
accommodated the ritualism of the common base; since even here the
cultivation of knowledge was supererogatory for the majority. It might
be thought, therefore, that the initiates in these cults were just as liable as
those in the Siddhanta to lose awareness of what made their path different
from that of the uninitiated orthodox. However, there was an additional
line of defence to prevent their drifting into parity with the exoteric religion.
This was the prescription of ‘nondual practice’ (<advaitacarah).
The Kashmirian Siddhanta confined its cult (kriya) and conduct (carya)
to what was pure and permissible in the eyes of the non-Tantric orthodox.
It stressed the absoluteness of caste distinctions204, and had what amounted
to a brahmin priesthood, since only men of that caste were qualified to
become officiants205. The left, however, insisted that in the cult of Svac-
chandabhairava and in all the cults which are to its left in Table I the
theoretical transcendence of orthodoxy was to be backed up by the actual
transcendence of its rules of conduct. Conformity to orthodox criteria of
purity was to be relegated to the domain of social interactions: it was to
be seen as an outward show which surrounded and concealed the Tantric
domain206. Only the cult of Netranatha/Amrtesvarabhairava stood out
side this rule. The execution of its rituals entailed no more impurity than
did those of the Siddhanta; and its mantras, like the Siddhanta’s, could
and the lamps themselves were to be made from the flour of red rice
kneaded with fermented liquor and mixed with ginger and pepper234.
Both red rice and ginger are substitutes for flesh235.
No one was qualified to practice the Kaula traditions unless he had a
female partner (dutl, saktih)236. For it was through sexual intercourse
with her that he was to obtain the semen and menstrual blood which
were the principal impurities to be added to the chalice of wine237. Her
genitalia were one of the possible substrates of the worship which fol
lowed238; and copulation with her after ritual worship with meat and
wine could take the place of the conventional external cult239.
Routinization and domestication may have favoured a man’s choosing
his wife for this role. But Abhinavagupta strictly forbids that choice,
condemning it as a gross secularization of the tradition. He rules that the
initiate’s partner should be his mother, sister, daughter, granddaughter,
grandmother, or sister’s daughter240; and his commentator Jayaratha ex
plains that a wife is entirely unsuitable because the initiate would be
distracted by carnal lust from the state of mind required for the ritual241.
No less abhorrent to the orthodox than incest were relations with
women of pollutant castes242. Abhinavagupta’s Kaula Trika includes the
practice of celebrating the parva days by summoning a group of such
untouchable women and worshipping them as the goddesses of the
cult243. They were to be gratified with liquor, fed and given sacrificial
fees (daksina). Texts of the Krama describe the same rite; but merely as
the prelude to an orgy of ritual dancing, copulation and possession by
the deities244.
fermented liquor refused this internal hierarchy and were therefore indis
tinguishable from the uninitiated (pasuh)254.
By insisting that the elements of nonconformity be preserved in the
Tantric cults Abhinavagupta and Ksemarâja backed up the effect of their
semanticization of ritual. By injecting nondualistic meaning and pre
scribing nondualistic practice (advaitàcàrah) they directed the initiate to
look to the Kaula Trika and the Krama rather than the Siddhânta for the
Saivism of the élite. These Kaula systems certainly were the preserve of
the exceptional few. Abhinavagupta reserves them for those officiants
and initiates who have already reached the point at which they are firmly
established in the spontaneity of nondual awareness255, and says that a
disciple (sisyah) fit to be initiated into this form of Saivism is one in a
hundred thousand256.
Aesthetic intensity
Kaula worship has been explained above purely in terms of the value
of transcending the ‘psychosis’ of conformity to the exoteric religion. But
there is another aspect of this method of transcendence : its sensuality or
aesthetic intensity. It is argued that when the objects of the senses are
seen as things outside consciousness, to be appropriated and manipulated
by the subject, then the senses are no more than the instruments of the
state of bondage {bandhah)\ but when the subject abandons this appetitive
style of perception he experiences the objects of his senses within con
sciousness, as the content of the cognitions that perceive them rather
than as their cause. This shift from the appetitive to the aesthetic mode of
awareness is seen by Abhinavagupta as the divinization of the senses them
selves, or rather as the recognition of their divine nature as projections or
avenues of the blissful but egoless consciousness which is the underlying
identity of all awareness. Gratified by this reintegration of objectivity —
where before they were starved by brahminical restraint and fastidiousness
— they liberate consciousness into the realization of its all-containing
radiance and transparency257:
All the processes [of his cognition, from the emission of the object to its
retraction] suddenly and violently (hathatah) throw off their outwardness.
They are cast into the visceral fire of self-awareness, causing it to bum
more brightly with this fuel of their power. When the otherness of these
phenomena has been dissolved by this process of instant ‘digestion’
(hathapakah) [his senses, now revealed as the goddesses of cognition
(samvittidevata [= karane&ari))] devour the nectar of this universe trans
formed, and gratified thereby they fuse in turn with the all-containing radiant
Bhairava of the void of pure consciousness (cidvyomabhairavah) who lies
in the heart of awareness.
So wine imadyam), meat (mamsah) and sexual intercourse (maithunam)
— the three Afs258 — are enjoined in Kaula rituals not simply as means of
transcending the inhibitions of orthodoxy but also because the first two
stimulate the vigour of the worshipper so that he may achieve the greatest
possible degree of sensual bliss in the third259. The greater the intensity of
this bliss the greater the self-realization in one who experiences it aesthet
ically, centred in consciousness uncontaminated by desire. If he can adjust
the mode of his perception in this way, being, as Abhinavagupta says
when defining qualification for Kaula initiation, “firmly established in the
spontaneity of nondual awareness”, then the complete excitation of his
senses becomes the fullest expansion of liberated consciousness260.
Possession
This prescription of intensity is also seen in Abhinavagupta’s treatment
of the Kaula ritual of initiation. In the Tantric initiations of levels A and
B the initiand could be the passive beneficiary of the officiant’s action
and awareness; and the left’s presentation of these more broadly based
cults was therefore compatible with routinized religion. But in the Kaula
case the initiand’s transformation had to be seen. Where he was required
to do anything during the ritual he was to act in a trance, impelled not by
his own will but by the power of the deity (rudrasaktih) possessing his
limbs261; and when the officiant united the initiand’s soul with the deity
(yojanikd) this state of possession (avesah) was to manifest itself in
ecstasy, convulsions, swooning and the like, the officiant reading these
as evidence of how intense a Descent of Power (saktipaiah) was taking
place262. If the normal Kaula procedure did not have the desired effect
then there were mantras and visualizations of special power kept in
reserve. If an individual were unaffected even when these were used he
was to be cast aside as unfit for the Kaula path263. From this point of
view the Tan trie cults exist for the benefit of those who are incapable of
progress through the more intense Kaula methods.
Compression
Just as all ritual is seen as the descent of knowledge into the less
demanding medium of meaningful action, so within the latter there are
thought to be degrees of this descent. The left sees a hierarchy of means
of liberation (upayah), from a pure, non-sequential and nonconceptual
intuition through sequential meditation in thought alone to sequential
meditation supported by the substrate of ritual action264. And it is a
corollary of this view that ritual itself is ranked according to the degree
of its elaboration: the more prolix the support the lower the status. So
Kaula ritual is not only more intense than the Tantric; it must also tend
towards brevity and compression. Thus Abhinavagupta tells us that even
when the Kaula worship of the deities takes its lowest form, that is to
say, when the offerings are presented to the deities upon some inert sub-
strate265, there is no need for such preliminaries as ritual ablution (snanam)
or the complex impositions of mantras (mantranyasah) prescribed in the
Tantric system. The same principle explains the absence of the sacrifice to
the deities in fire (homah) and the fact that the preparation of a mandala
for the deities, so important in Tantric initiation, may be omitted266.
Even greater compression is seen in the higher forms of worship known
as the Cult in Internal Sensation (prdnayagah) and the Cult in Awareness
[alone] (samvidydgah). In the first the goddesses are visualized within
the internal sensation which underlies the vital breaths267, and then grat
ified with the ‘nectar’ of the ingoing breath (apanah). This he visualizes
pouring into him through the orifices of his head and filling his body268.
In the second the initiate contemplates the goddesses in their real nature
262 TA 29.207-208.
263 TA 29.210-211.
264 Sanderson 1986, 209, n.9.
265 TA 29.7 and commentary: 29.25-27b and commentary.
266 TA 29.8 (MVUT 11.2); cf. TA 15.190c-191b and commentary.
267 Pranah: Sanderson 1986, 177-78.
268 TA 29.178-180.
90 A. SANDERSON
The Krama
This soteriological model prompted the processes of overcoding which
we saw above in the exegesis of the Maliriivijayottaratantra, the Svacchan-
datantra and the Netratantra. If Saiva ritual was the projection of the
non-sequential experience of the Absolute into liturgical sequence then it
should have been possible to recognize the structure of that Absolute all
the way down through the hierarchy of the cults; for that structure would
be unchanged, just as it is when it contracts into the various levels which
269 TA 29.181-185.
270 TaSa 198,M5.
271 TA 29.220-223 and commentary.
272 p t v 266s (for sadodito yogah read sadodito yagah); 2691"6.
M EANING IN TA N TRIC RITUAL 91
Secondary sources