Professional Documents
Culture Documents
1. Introduce the text stating reasons for the choice- why the “Tell Tale Heart” over
the “The Black Cat”, What dramatic potential did you see in it?
2. Aims—what impact/effect did you want to have on their audience? What ideas did
you want to get across? What atmosphere/mood did you want to create?
Identify Edgar Allan Poe’s intentions
3. Start to look at the literary and structural devices in the text and make
connections with the way you chose to stage/perform it.
- What is the genre of the piece (Gothic) and how did this contribute to your performance?
- How does the tell Tell Heart start (in media res) does this link with your performance?
- It is a first person narrative- how did this change in your performance. Which characters
didn’t have a voice so you brought them to life. Which characters did you create and
where did they come from in the story?
- The voice is an unreliable narrator- how did that form your performance?
- Did you show the two sides of the narrator in your performance? Was there narration in
your performance?
- https://www.cliffsnotes.com/literature/p/poes-short-stories/summary-and-analysis/the-te
lltale-heart
- https://paulechoislandchang.wordpress.com/2013/05/24/literary-analysis-the-tell-tale-he
art/
The heart beat under the floor becomes a dramatic symbol in Poe’s short story. It not only shows
the conflict in the narrator’s mind- he expresses clearly in a short sentence so there is no doubt of
his feelings when the narrator says, “I loved the old man”. This love then morphs into guilt once
the cruel deed is done. The heart beating, it seems, is only in his mind as the men are unaware of
the sound that gets louder towards the end of the story. The unreliable narrator states “And still
the men chatted pleasantly, and smiled. Was it possible they heard not?” This rhetorical
question then starts his demise; he questions himself, repeats himself and slowly reveals
his actions. The sensory imagery of the heart beat and the repetitive imagery of the heart
beating recurs and therefore it was necessary for us to include the sound of it repetitively
in our performance.
A soundscape was created with the other senses from the text including laughter, groans
and the ticking of a watch at the start of the performance. To continue the gothic genre
and using the elements of Artaud’s “Theatre of Cruelty”, where the style encourages the
audience’s discomfort, we started the piece in darkness so that the audience’s sense of
hearing was as “acute” like the narrator’s.