BRAN D—— peirisNCRS So s1¢ PUBLISHERS CONCERTO FOR TIM CONCERT BAND SERIES Catalogue No: Full Score See (inel seore)- 10005 Score only: 11008GORDON JACOB b. 1895 d 1984 During his time as a prisoner of was in 1917 Gordon Jacob had no thought of chamber pieces. His arrangements for the 1937 Coronation were used again, with additions, in 1953. He wrote several Concert Band pieces for the USA, including his William Byrd Sutte and Festal March. During the 1960s he became fascinated with wind instruments and he wrote many works for Concert Band, ‘These included. for Euphonium and Concert Band and Ceremofiial Music. In 1975 Alexandra Palace (Ally Pally) w8'ommissioned to mark the centenary of the famous building and was first played’in May 1975. In 1978 he was commissioned by Arthur Doyis certo for'Symphonic Band, Fantasy for another work and this resulted in his Symphony AD 78, which was prémiigred in Birmingham in December 1978. Even in his 80s Gordon Jacob contittued writing for orchestra and Concert Band. ith the Smoothing Iron and Blow the Man Down were followed by his last major work, Goncerto for Timpani and Wind Band, which was first performed after his déath inJune 1984. His vwo fantasies, Dashing AwayCONCERTO FOR TIMPANI AND BAND Gordon Jacob wrote his "Concerto for Timpani" in 1984 and it was,to be the last major work that he wrote before he died. It was written for:a ‘professional wind group in Konstanz (West Germany) and the first performance was given there in June 1984 with the soloist Klaus Huber (to whom it is dedicated) gonducted by Douglas Bostock. S In the first movement, a broad theme is announced by the’ timpani themsetves based on a rising succession of thirds, and immediately“échi the full wind band. Aftcr a bridge, when the material is cmbroidered by woodwinds, the theme is presented in an inverted,anthyariedform by the soloist before being developed. Unlike a Classical development in which tonality provides the tension, the nature of the timpani means that the development is rhythmic rather than tonal. To modulate extensively would obviously present problems even with pedal timpani. A re-capitulation follows and’ quasi cadenza leads to a strong close. ia. ‘he timpani carry the melody sby small groups of instruments ator allows only four bars of full left with an expressive mood conjured The sccond movement (Adagio) is virtual throughout, embellished and then embroide: presented in choirs. Jacob the masterful band. By the end of only 47 bars, we a from the timpani themselves. The last movement is a romp - displaying Jacob’s English roots: his characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the Gmpani are:highlighted:CONCERTO FOR TIMPANI AND BAND GorDon Jacon Allegro mogereto [4 wut Eb Alo Cla Bease Cl, os | Esto Sos © Copyright 1988 G. & M. Brand Publications Tet, Wingtave, Bucks, England,ESA Gia, BsBas6 GarEbAo Clac Bbaes Clr boos Fata Sans! | ‘toner Sax, Sold to,Eb its Cla: Boss Cac5 Mena mosso 4s) @ . 4Ese Gas 258009 sera! wos! stor fou soto tino 2 ' BbcartanBons. Esato sas. Beer Sax sete the JEEvAto Csr rss Car owe sates! Bitonar Sac Sate ire BEEBroke. bao Cl Bb Biss Cat ene = fo Sas [Tenor San soto tne.bate Cla Bh Bass Cia Base! | kena Sax foto tho ffEb Ato Cine Bhs Coe sve! J arose! | Botoner Sa ‘solo tire.Esato Ss | brener Sax Sato two PE PaceBao Ca, bass Gi: oon ato Son | aEsto Char Bors Gas wo) YE bao Six | oTonar Sax | Bremen | 2 om lf || 7 eenEsato Cher Base Cat Bas. Sale Soe!Tempo 1 12-1001 G0) Ebao Cla, BsBacs Cx a eos! Bene SaxAdagio t= 631 I iA Oh, eras Cae esra.| eo Sus.! Bien Sex soto tie JEEb Allo Cla: Bias Giarbat Cia hess Gar oo Alo ns | eeome Sax,éEbAto lar BeBe Cas tna Bsa sa |EbAto Char Base ac om Besos. Solo tine BicontsEbaito Cha. EhBass Car owen, PE EPA Saxe. | Eo Sx Allegro molto (4-461 = =Eb Alto Glac BeBogs CaeEb Atle Cla Brass Cl Bor | ware sox | ts So soto ten IEbao lar BeBaes Cat BAI Ses | senor Sax, soto top EE Browseeo soe cir vers | Buoson Tenor Sox Solo tm ff Booton ”Esato Cher Bess Cas fe Boa! oer se Salo ts. foo Erato Soe, ‘Tenor Sax etmolto rit Pee. J Bnei oo Eb Ato Cat bees Can sins! states | Betener Sax Solo Trp ff cartsome ito S| BbTenor Sex, solo mobate Clar aBass Cae we | ent Sor |Freep yep ds = = ~ fers ieee — Eb Ato Siar EhGaes Car tens! ff Fito Sas |EAs Cla, Bo Baes CaeTempo primo (Allegro molto) tt z - Sosa! BiTenor Sax soto tio IE BhcortssEbARo Clar 8 Boss ar Bene et Sa! Botenor Sax acorn soto te [PE Te TTTESA Char Bass Glaroo! ft Bio Sue? sre Se, so ww ffowe Bato! Biteree SaxEbAto Glan hiase Car see! Sate Sa, ane sa | RIES soto Tre Ist10002 40002 10179 10004 10005 10177 10006 10194 10008 10193 19156 0009 10010 10175 10011 10013 10214 10014 1001S 10016 10017 10018 10021 10158 10022 10024 10025 10176 10173 125 10026 10027 10028 10174 10039 10052 10084 10185 OTHER TITLES AVAILABLE AT ADVANCED LEVEL BARN DANCE AND COWBOY HYMN: BB. & C.F. (March) CANONS AND CADENZAS COMEDY OVERTURE. CONCERTO FOR TIMPANI AND BAND. DANCES FROM MORNING OF THE YEAR DOWNLAND SUITE (A) DREAMS AND FANCIES FANTASIA ON AN ENGLISH FOLK SONG (Dashing Away with a Smoothing Iron) FANTASY TRIPTYCH FLIGAT. CONCERTO (A) (Flute, Oboe and small Wind Band) GALLOPING MAJOR (The) JOURNEY AND CELEBRATION LAND OF THE LONG WHITE CLOUD MARITIME OVERTURE (A) MOORSIDE SUITE (A) NORTHERN LAMENT OXFORD SCHERZO RESURGAM SINFONIETTA, SINFONIETTA SONGS OF THE WEST SUITE IN Bb SYMPHONY AD 78 SYMPHONY OF WINDS TROMBONE CONCERTO CARTOON CIRCUS RING DAWN FLIGHT DEFENDERS, THE FETE GALANTE NBW HORIZONS (rumipeti ROYAL TOURNAMENT SIR GODFREY KNELL (Chosen Gems for Winds No.1) PRELUDE IN THE DORIAN MODE. (Chosen'Gems for Winds No.2) TUSCAN SERENADE (Euphonium Feature} Philip Sparke Ord Hume. arr. B, Walker David Bedford John Ireland, Hols, art Geofftey Brand John ireland, 'Geoffrey Brand :Bastow, atr, Gordon Jacob trans. Ray Steadman-Allen Holst, arr. D. Wright Derek Bourgeois Bryan Kelly Efic Ball, arr. Geoftvey Brand Derek Boutgeois Holst, arr. James Curnow Gordon Jacob Gordon Jacob Deck Bourgevis Derek Bourgeois Paul Hart Paul Hart Philip Wilby ‘Rodney Newton Joseph Horovitz Gordon Langford Derek Bourgeois Gordon Jacob César Franck, arr. Grainger Bach/Grainger, ed. Brion/Brand de Cabezon. arr. Grainger Fauré, arr, Perey GraingerCONCERTO FOR TIMPANI AND BAND FULL SCORE PICCOLO 4ST FLUTE 2ND FLUTE 1ST OBOE 1ST F HORN 2ND F HORN 3RD F HORN 4TH F HORN®: 1ST Bb CORNE? BRR Re 2ND OBOE Eb CLARINET* 1ST BL CLARINET 2ND Bb CLARINET 3RD Bb CLARINET Eb ALTO CLARINET* Bb BASS CLARINET 1ST BASSOON 2ND BASSOON* 1ST Eb ALTO SAXOPHONE RR Ny Be RR Re eR Rw DE A vn MN NN WNW a -ERCUSSION 2 ‘MALLET PERCUSSION 2ND Eb ALTO SAXOPHONE newer = Bb TENOR SAXOPHONE continent of Europe also include transposed parts for Bh ‘Trombones ?),Bb Basses (Iubas) > and E> Basses () and (”) Parts marked with an‘Asterisk (*) are NOT ESSENTIAL, although their presence will obviously enable a fuller realisation of the composer's intentions to be achieved. Catalogue No. 10005