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  • Seresteiro-Saxofone Alto 1

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    Ricardo
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    This document contains sheet music for an alto saxophone piece titled "Seresteiro" by Benedito Lacerda. The sheet music is presented through musical notation symbols across 51 measures. It indicates the song structure, melodic lines, rhythms, dynamics, articulations, and other expressive markings for performing the piece on alto saxophone.

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    This document contains sheet music for an alto saxophone piece titled "Seresteiro" by Benedito Lacerda. The sheet music is presented through musical notation symbols across 51 measures. It indicates the song structure, melodic lines, rhythms, dynamics, articulations, and other expressive markings for performing the piece on alto saxophone.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    7 views1 page

    Seresteiro-Saxofone Alto 1

    Uploaded by

    Ricardo
    This document contains sheet music for an alto saxophone piece titled "Seresteiro" by Benedito Lacerda. The sheet music is presented through musical notation symbols across 51 measures. It indicates the song structure, melodic lines, rhythms, dynamics, articulations, and other expressive markings for performing the piece on alto saxophone.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Saxofone

    Alto 1 Seresteiro
    Choro
          
                                    
    Benedito Lacerda

         = 80
       

              
                          
         
    6

                      


              
    To Coda1 e 2


    12

                                      
              
    17
    1. 2.

       
                                    
        
    23

       
                                 1.        
      
    29

      1 
                     
                   
    2. D.S. al Coda1

      
    35

                                            
       
     
    40

                                   
            
     
    46

     
                             
    1. 2.
    2
     
      
    D.S. al Coda2
    51

    ricardofreejazz@hotmail.com

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