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  • Seresteiro-Saxofone Tenor 1

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    Ricardo
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    The document contains musical notation for a tenor saxophone piece. It includes various musical passages and indications for tempo, dynamics, and other musical markings. The piece is titled "Seresteiro Choro" and is written for tenor saxophone in the style of choro, a Brazilian musical genre.

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    The document contains musical notation for a tenor saxophone piece. It includes various musical passages and indications for tempo, dynamics, and other musical markings. The piece is titled "Seresteiro Choro" and is written for tenor saxophone in the style of choro, a Brazilian musical genre.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    10 views1 page

    Seresteiro-Saxofone Tenor 1

    Uploaded by

    Ricardo
    The document contains musical notation for a tenor saxophone piece. It includes various musical passages and indications for tempo, dynamics, and other musical markings. The piece is titled "Seresteiro Choro" and is written for tenor saxophone in the style of choro, a Brazilian musical genre.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Saxofone

    Tenor 1 Seresteiro
    Choro

     
                                          
    Benedito Lacerda

         = 80
      

              
                          
     
    6

         
                                 
    To Coda1 e 2


    12

     
                                         

         
    17 1. 2.

            
                              

    23

     
                       
        
    28

          
    1   
           
    1. 2.

     
                      
    D.S. al Coda1

     
    34

                            
          

    39

     
                                
           

    44

                           D.S. al Coda2


       
    1. 2.
    2

               

    50

    ricardofreejazz@hotmail.com

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