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  • In Walked Bud Transcription

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    ליה רומנו
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    The document is a musical transcription of a drum solo by Roy Haynes. It uses symbols to represent drum sounds played at different tempos and intensities over the course of the solo. The solo progresses from slower to faster tempos with increasing complexity in the drum patterns.

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    In Walked Bud transcription

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    The document is a musical transcription of a drum solo by Roy Haynes. It uses symbols to represent drum sounds played at different tempos and intensities over the course of the solo. The solo progresses from slower to faster tempos with increasing complexity in the drum patterns.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    47 views2 pages

    In Walked Bud Transcription

    Uploaded by

    ליה רומנו
    The document is a musical transcription of a drum solo by Roy Haynes. It uses symbols to represent drum sounds played at different tempos and intensities over the course of the solo. The solo progresses from slower to faster tempos with increasing complexity in the drum patterns.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    In

    Walked Bud

    Roy Haynes Transcription



            
                 
    Medium up swing

       
                               
    5

      

        
                            
    9

           
                    
           
    13

       
                         
      
    17

        
                        
        
    21

         
                            
    25

            
          
                      
    29
       
       
    2

                                    
    33 3 3 3 3

     3  3 3   3 3   3

          
    37 3 3 3 3 3

     3 3 3     
         
                 

    3

       
    40

     3   3   3 

                           
     
    44

        
                   
                
    3 3

              
    49 3 3
    3

          
      
                              

    54


                       
    58

         3  3  3  3
                
    62 3 3 3

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