BIBLIOGR APHY
C A R L N I E L S E N B I B L I O G R A P H Y
1985–1995
By Kirsten Flensborg Petersen
This bibliography is a supplement to Mina
F. Miller: Carl Nielsen A guide to research
(New York 1987) covering the period 1985
to 1995, together with a few additions to
Miller’s bibliography.
The biblography includes mono-
graphs and articles, plus dissertations
from Denmark and the rest of the world.
Important book reviews from specialist
journals are included, but not reviews of
recordings or concerts, CD booklets or
magazine articles. As in Miller’s biblio-
graphy the list encompasses both scho-
larly research and more journalistic arti-
cles written for a general readership.
The next instalment of the biblio-
graphy in Carl Nielsen Studies will cover
the period from 1996 to the present, after
which each volume will contain updates,
together with supplements to previous
lists.
Titles are given in the original
language, and for languages other than
English, French and German an English
translation is added in parentheses.
Alster, Bendt: ‘Carl Nielsen Museet’ [The
Carl Nielsen Museum], Danske museer 1/1
(1988) pp. 24-25.
169
CN Studies 2003/1 indmad 169
Arnold, Cecil B.: ‘Tradition and Growth
in the Concertos of Nielsen’ in Mina F.
Miller: The Carl Nielsen Companion, London
1994, pp. 350-376.
Bingham, Ann Marie: Carl Nielsen’s koncert
for Klarinet og Orkester, opus 57 (1928): A per-
formance guide, D.M.A. diss., University of
Kentucky 1990, 220 p.
Bjørnkjær, Kristen: ‘To sjæle – to tanker’
[Two souls – two thoughts], Samvirke 67/
1-2 (1994) pp. 72-74.
Bjørnum, Birgit and Klaus Møllerhøj: Carl
Nielsens Samling: Katalog over komponistens
musikhåndskrifter i Det Kongelige Bibliotek /
The Carl Nielsen Collection: A Catalogue of the
Composer’s Musical Manuscripts in the Royal
Library, København 1992, 301 p. (Danish
Humanist Texts and Studies 4).
Blaabjerg, Vibeke: Carl Nielsen og Højskole-
sangbogens digtere [Carl Nielsen and the
Folk High School Songbook poets], diss.,
Århus Universitet 1985.
Borum, Poul: ‘Den mindre komma kend-
te Nielsen’ [The less comma known Niel-
sen], Dansk Musiktidsskrift 66/1 (1991/92)
pp. 20-27.
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 BIBLIOGR APHY
Bredal, Bjørn: ‘Forunderligt at sige: små
tanker om musikken og forelskelsen fra
Carl Nielsen til Marcel Proust’ [Strange to
say: Small thoughts on music and love
from Carl Nielsen to Marcel Proust], Spring:
Tidsskrift for moderne dansk litteratur 6
(1994) pp. 72-78.
Bruun, Georg: Kolding højere Almenskoles
Majfest [The May celebrations at Kolding
Secondary School], Kolding 1924.
Brøgger, Suzanne: ‘Carl Nielsens Symfoni-
er’, Espansiva 2 (1995) pp. 4-9.
Buhl, Claus: ‘Den uudslukkelige utopi:
om det sociale og filosofiske engage-
ment i Carl Nielsens arbejde med den
folkelige sang’ [The Inextinguishable
Utopia: about the social and philan-
thropic engagement in Carl Nielsen’s
work with popular song], Modspil 7/28
(1985) pp. 42-45.
Carl Nielsen 9.6.1865 Nørre Lyndelse – 3.10.1931
Copenhagen, Werkverzeichnis, Snekker-
sten [s.a.].
‘Carl Nielsen’s Letters: A Selection’ in
Mina F. Miller: The Carl Nielsen Companion,
London 1994, pp. 599-640. [tr. Alan
Swanson].
Caron, Jean-Luc: ‘Autour de la troisième
symphonie de Carl Nielsen’, Bulletin de
l’Association Française Carl Nielsen 2 (1986)
pp. 9-78.
170
CN Studies 2003/1 indmad 170
Caron, Jean-Luc: ‘Carl Nielsen à Paris:
Octobre 1926’, Bulletin de l’Association
Française Carl Nielsen 10 (1993) pp. 1-22.
Caron, Jean-Luc: ‘Carl Nielsen: disco-
graphie’, Bulletin de l’Association Française
Carl Nielsen 7 (1990) 49 p.
Caron, Jean-Luc: ‘Carl Nielsen en CD’, Bul-
letin de l’Association Française Carl Nielsen 3
(1987) pp. 5-25.
Caron, Jean-Luc: ‘Carl Nielsen i Paris 1926’,
Espansiva 3 (1995) pp. 10-15. Translated
from ‘Carl Nielsen à Paris: Octobre 1926’,
Bulletin de l’Association Française Carl Niel-
sen 10 (1993) pp. 1-22.
Caron, Jean-Luc: Carl Nielsen: Vie et oeuvre
1865-1931, Lausanne 1990, 500 p.
Caron, Jean-Luc: ‘Discographie critique
des symphonies de Carl Nielsen’, Bulletin
de l’Association Française Carl Nielsen 1
(1985) pp. 14-21.
Caron, Jean-Luc: ‘Le quintette a vent F. S.
100 de Carl Nielsen’, Bulletin de l’Associa-
tion Française Carl Nielsen 4 (1988) pp. 6-57.
Christensen, Mogens: ‘Betrachtungen über
den Tonikalitätsbegriff bei Edvard Grieg
und Carl Nielsen’, Die Gratulanten kommen:
Edvard Grieg zum 150. Geburtstag, Frankfurt
(Main) 1993, pp. 24-40.
Christensen, Mogens: Tonalitetsbegrebet hos
Carl Nielsen til og med 3. symfoni [Tonality
27/10/03, 23:24
 BIBLIOGR APHY
in Carl Nielsen’s music up to and includ-
ing Symphony No. 3], diss., Århus Univer-
sitet 1993.
Clegg, R. N.: The writing of Carl Nielsen’s
‘Saul og David’, M. Phil. diss., Leeds Univer-
sity 1989.
Colding-Jørgensen, Gunnar: Carl Nielsens
operaer. Carl Nielsens særpræg som drama-
tisk komponist dokumenteret gennem en an-
alyse af ‘Saul og David’ og ‘Maskarade’ [Carl
Nielsen’s operas. Characteristics of Carl
Nielsen as a dramatic composer, shown
by an analysis of ‘Saul og David’ and
‘Maskarade’], diss., Københavns Univer-
sitet 1966.
Colding-Jørgensen, Gunnar: Dansk opera
ca. 1890-1910 og dens europæiske baggrund
[Danish opera c. 1890-1910 and its Euro-
pean background], [diss.], Københavns
Universitet 1967.
Dalaker, Ingrid Loe: Carl Nielsens
klavermusikk: en stilistisk og strukturell ana-
lyse [Carl Nielsen’s piano music: a stylistic
and structural analysis], diss., Trondheim
Universitet 1995, 268 p.
Damberg, Erik: Carl Nielsens kantater og
deres forhold til den tidligere danske kantate-
tradition [Carl Nielsen’s cantatas and their
relation to the earlier Danish cantata tra-
dition], diss., Århus Universitet 1974.
Danving, Kirsten Elise: Schulz-traditionen i
dansk folkelig sang til omkring 1930 [The
171
CN Studies 2003/1 indmad 171
Schulz Tradition in Danish Popular Song
until about 1930], diss., Københavns
Universitet 1982.
Davenport, David: ‘Carl Nielsen, Sym-
phony No. 4: The Timpani Parts’, Percus-
sive Notes 33/2 (1995) p. 53.
Davenport, David: The virtuoso percussion
writing of Carl Nielsen, D.M.A. diss., Indi-
ana University 1993, 230 p.
Davidson, Rolf: ‘Danmarks störste tonsät-
tere: Carl Nielsen’ [Denmark’s greatest
composer: Carl Nielsen], Mixturen, Frikyr-
kaliga studie förbundet 4 (1993) pp. 6-8.
Devoto, Mark: ‘Non-Classical Diatonicism
and Polyfocal Tonality: The Case of
Nielsen’s Fifth Symphony, First Move-
ment’ in Mina F. Miller: The Carl Nielsen
Companion, London 1994, pp. 257-288.
Dollerup, Kirsten: Carl Nielsens operaer og
deres forhold til nummeroperaen [Carl
Nielsen’s operas and their relation to the
number opera], diss., Århus Universitet
1974.
Emil: ‘Carl Nielsen som bilist: Komponis-
ten (1865-1931) og hans mæcen Carl Jo-
han Michaelsen (d. 1963)’ [Carl Nielsen as
a car driver: the composer (1865-1931)
and his maecenas Carl Johan Michaelsen
(d. 1963)], Bilhistorisk tidsskrift 177 (1994)
pp. 1-11, 32.
27/10/03, 23:24
 BIBLIOGR APHY
Eriksen, Birgitte: J. P. Jacobsen i musikken
[J. P. Jacobsen in music], diss., Københavns
Universitet 1977.
Falkencrone, Jan: Musikforeningen i Køben-
havn 1886-1937 [The Music Society in Copen-
hagen 1886-1937], diss., København 1992.
Fanning, David: ‘Nielsen’ in Robert
Layton (ed.), A Companion to the Symphony,
London 1993, pp. 351-362.
Fanning, David: ‘Progressive Themati-
cism in Nielsen’s Symphonies’ in Mina F.
Miller: The Carl Nielsen Companion, London
1994, pp. 167-203.
Fanning, David: ‘The Gramophone collec-
tion: Carl Nielsen. Discography’, Gramo-
phone: The Rewiew of Classical Recordings 68
(1990) pp. 37-39.
Fanning, David: [Review of] Birgit Bjørnum
og Klaus Møllerhøj: Carl Nielsens sam-
ling, Music & Letters 74 (1993) pp. 608-609.
Fanning, David: [Review of] Jørgen I.
Jensen: Carl Nielsen – Danskeren, Music &
Letters 74 (1993) pp. 113-115.
Fellow Larsen, John: ‘Carl Nielsen i
pressen’ [Carl Nielsen in the press], Espan-
siva 1 (1994) p. 24.
Fellow Larsen, John: ‘Carl Nielsen som
skribent’ [Carl Nielsen as a writer], Espan-
siva 1 (1994) pp. 14-15.
172
CN Studies 2003/1 indmad 172
Fellow Larsen, John: ‘Modbilledet Carl
Nielsen’ [Carl Nielsen the ‘counter-pic-
ture’], Espansiva 2 (1995) p. 3.
Fellow Larsen, John: ‘Sinfonia Espansiva.
Kraften og dens retning’ [Sinfonia Espan-
siva. The power and its direction], Espan-
siva 1 (1994) pp. 4-12.
Gad, Ole: Den tematiske udformning og forma-
le opbygning i Carl Nielsens koncerter med sær-
ligt henblik på en klarlæggelse af hans ændrede
opfattelse og udnyttelse af koncertformen [The-
matic presentation and formal organiza-
tion in Carl Nielsen’s concertos with spe-
cial emphasis on the new way in which he
understands and exploits the concerto
form], diss., Københavns Universitet 1963.
Gervink, Manuel: ‘Exotismus oder Popu-
lismus? Carl Nielsens Aladdin-Suite’, Be-
gegnungen der Kulturen in der Musikfor-
schung – Festschrift Robert Günther zum 65.
Geburtstag, Kassel 1995, pp. 253-270.
Getler, Annie: Det københavnske musikliv i
årene omkring 1930. [Musical life in Copen-
hagen in the years around 1930], diss.,
Københavns Universitet 1974.
Halken, Mogens: Carl Nielsen som drama-
tisk komponist. Karaktertegning og situations-
beskrivelse i Carl Nielsens operaer ‘Saul og
David’ og ‘Maskarade’ [Carl Nielsen as a dra-
matic composer. Characterisation and
scene-Setting in Carl Nielsen’s operas
‘Saul og David’ and ‘Maskarade’], diss.,
Københavns Universitet 1990.
27/10/03, 23:24
 BIBLIOGR APHY
Hamburger, Povl: ‘The Problem of Form
in the Music of Our Time with an Analy-
sis of Nielsen’s ‘Sinfonia espansiva’ (First
Movement)’ in Mina F. Miller: The Carl
Nielsen Companion, London 1994, pp. 379-
98. Translated from ‘Formproblemet i vor
tids musik med analyse af Carl Nielsens
‘Sinfonia espansiva’ (1. sats)’, Dansk Musik-
tidsskrift 6/5 (1931) pp. 89-100.
Hansen, Morten Gudmund: ‘Carl Nielsens
FUHU-Kantate’ [Carl Nielsen’s cantata for
the Society for the Education of Young
Businessmen], Kommers 1 (1988) p. 12.
Hansen, Tove Skovbo: Sonateformens skæbne i
Carl Nielsens symfonier med særligt henblik på
1.-4. symfoni [The fate of sonata form in Carl
Nielsen’s symphonies, especially sympho-
nies 1-4], diss., Århus Universitet 1994.
Hesse, Lutz-Werner: ‘Die Metamorphose
und Durchführung: Anmerkungen zu
Carl Nielsens 4. Symphonie op. 29 ‘Das
Unauslöschliche’’, Das Orchester: Zeitschrift
für Orchesterkultur 38/1 (1990) pp. 14-18.
Hiatt, James Smith: Form and tonal organiza-
tion in the late instrumental works of Carl Niel-
sen, Ph.D. diss., Indiana University 1986, 118p.
Holmen, Grethe: ‘Anne Marie Carl Niel-
sen and Anne Marie Telmanyi’, Woman’s
Art Journal 5/2 (1984-1985) pp. 28-33.
Isaacson, Lanae H.: ‘Carl Nielsen’s ‘Min fyn-
ske Barndom’. The Childhood as Literary
Art’, Scandinavica 30/2 (1991) pp. 161-204.
173
CN Studies 2003/1 indmad 173
Jacobsson, Stig: Carl Nielsen, Borås 1987,
191 p.
Jensen, Anne Ørbæk: ‘Two great Danish
editions in progress: Niels W. Gade and
Carl Nielsen’, Fontes Artis Musicae 42/1
(1995) pp. 85-90.
Jensen, Jørgen I.: ‘At the Boundary be-
tween Music and Science: From Per Nør-
gård to Carl Nielsen’, Fontes Artis Musicae
42/1 (January – March 1995) pp. 55-61.
Jensen, Jørgen I.: ‘Carl Nielsen: Artistic
Milieu and Tradition: Cultural-Historical
Perspectives’ in Mina F. Miller, The Carl
Nielsen Companion, London 1994, pp. 58-77.
Jensen, Jørgen I.: Carl Nielsen – danskeren:
musikbiografi [Carl Nielsen – The Dane, a
music biography], København 1991, 507 p.
Jensen, Jørgen I.: ‘Carl Nielsen og livsan-
skuelserne’ [Carl Nielsen and philoso-
phies of life], Musik og Forskning 16 (1990-
91) pp. 7-14.
Jensen, Niels Martin: ‘Carl Nielsens
Musik i ny skikkelse – en samlet udgave
af hans værker’ [Carl Nielsen’s music in a
new guise: a complete edition of his
works], Espansiva 1 (1994) p. 13.
Jensen, Niels Martin: ‘Carl Nielsen und
Rued Langgaard: Gegensätze in der däni-
schen Musikgeschichte’, Festival Ljubljana,
Ljubljana 1995, pp. 268-276.
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 BIBLIOGR APHY
Joseph, Charles M.: ‘Structural Pacing in
the Nielsen String Quartets’ in Mina F.
Miller: The Carl Nielsen Companion, London
1994, pp. 460-488.
Jürgens, Berenike: ‘Verweisende Musikre-
zeption in Hans Henny Jahnns Fluß ohne
Ufer’ in Uwe Schweikert (ed.): ‘Orgelbauer
bin ich auch’: Hans Henny Jahnn und die
Musik – mit der Erstveröffentlichung des
Briefwechsels Hans Henny Jahnn-Carl Nielsen,
Paderborn 1994, pp. 144-159.
Klemm, Eberhardt: ‘ “– und ihre Wirkung
ist gefährlich”: Anmerkung zum ‘nordi-
schen Klang’ in den Orchesterwerken
von Nielsen, Sibelius und Petterssons 7.
Sinfonie’ in Nico Schüler und Lutz
Winkler [ed.], Zu interregionalen musikkul-
turellen Beziehungen im Ostseeraum, Greifs-
wald: Institut fur Musikwissenschaft und
Musikpädagogik 1993, pp. 44-62.
Koppel, Herman D.: ‘A Personal Tribute to
Carl Nielsen’, Nordic Sounds 2 (1990) p. 3.
Kovar, Vladimir: Carl Nielsens Estetik [Carl
Nielsen’s Aesthetics], diss., Göteborg Uni-
versitet 1986, 104 p.
Krabbe, Niels: ‘Omkring et Carl Nielsen
symposium på Musikvidenskabeligt In-
stitut i København’ [About a Carl Nielsen
symposium at the Music Department at
Copenhagen University], Dansk Musiktids-
skrift 64/7 (1989-1990), pp. 278-281.
174
CN Studies 2003/1 indmad 174
Kramer, Jonathan D.: ‘Unity and Disunity
in Nielsen’s Sixth Symphony’ in Mina F.
Miller: The Carl Nielsen Companion, London
1994, pp. 293-344.
Krebs, Harald: ‘Tonal Structure in Niel-
sen’s Symphonies: Some Addenda to
Robert Simpson’s Analyses’ in Mina F.
Miller: The Carl Nielsen Companion, London
1994, pp. 208-49.
Krenek, Thomas B.: An examination and
analysis of the choral music af Carl Nielsen
(1865-1931), D.M.A. diss., University of
Cincinnati 1985, 96 p.
Kristensen, Tom: ‘Carl Nielsen as a Writer’
in Mina F. Miller: The Carl Nielsen Compan-
ion, London 1994, pp. 151-159. Translated
from ‘Carl Nielsen som prosaist’, Dansk
Musiktidsskrift 7/1 (1932) pp. 15-21, reprint:
Dansk Musiktidsskrift 40/4 (1965) pp. 105-
109, reprint: Espansva 2 (1995) pp. 16-19.
Krummacher, Friedhelm: ‘Mozart in
skandinavischer Sicht: Carl Nielsen als
Vermittler’, Mozart in der Musik des 20.
Jahrhunderts: Formen ästhetischer und kom-
positionstechnischer Rezeption, Laaber 1992,
pp. 71-90.
Krummacher, Friedhelm: ‘Nationaler
Ton und Gattungstradition: Über Steich-
quartette von Nielsen und Stenhammar’
in Robert Bohn und Michael Engelbrecht
[ed.]: Weltgeltung und Regionalität, Nord-
europa um 1900, Frankfurt am Main 1992,
pp. 213-239, (Studia septemtrionalia 1).
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 BIBLIOGR APHY
Kurzbauer, Heather: ‘A sense of responsi-
bility’, The Strad. 103/1229 (September
1992) pp. 800-802, 804.
Langevin, Paul-Gilbert [et al.]: ‘Musiciens
d’Europe: figures du renouveau ethnoro-
mantique: essais en forme de ‘prélude,
variations et fugue’’, Revue Musicale 388-
390 (1986) 213 p.
Lanz, Christopher Charles: The concerti of
Carl Nielsen, D.M.A. diss., Stanford Univer-
sity 1989, 132 p.
Lanzendörfer, Heidrun: Carl Nielsen, ein
Komponist zwischen Tradition und Fortschritt,
Analyse der 4. Symphonie – ‘Das Unauslösch-
liche’, Wien, Hochschule für Musik und
Darstellende Kunst, Dipl.-Arb., 1993, 73 p.
Larsen, Jørgen: ‘Carl Nielsen og H. C. An-
dersen – ‘Amor og Digteren’, 1930", Fyn-
ske minder (1988) pp. 49-79.
Larsen, Kirsten: Carl Nielsens romancer, deres
egenart og deres stilling i den danske sangs
historie [Characteristics of Carl Nielsen’s
romances and their place in the history
of the song in Denmark], diss., Århus
Universitet 1963.
Larson, Julia Ann: Flute without accompani-
ment: Works from Debussy: ‘Syrinx’ (1913) to Va-
rèse: ‘Density 21.5’ (1936), D.M.A. diss., Univer-
sity of Maryland College Park 1990, 327 p.
Lawson, Jack: A Carl Nielsen Discography,
Glasgow 1990.
175
CN Studies 2003/1 indmad 175
Lawson, Jack: ‘Carl Nielsen as seen from
Great Britain’, Musical Denmark 42, pp. 2-7.
Layton, Robert: ‘After Sibelius and Nielsen’,
A Companion to the Symphony, London
1993, pp. 363-381.
Layton, Robert: ‘Nielsen and the Gramo-
phone’ in Mina F. Miller: The Carl Nielsen
Companion, London 1994, pp. 116-147.
Leighton Thomas, A. F.: [Review of] Mina
F. Miller, Carl Nielsen – a Guide to Re-
search, Music Review 50 (1989) pp. 304-306.
Lesle, Lutz: ‘Sonnenwahn, Himmelriss und
Donnerwohnung: Die Zeit des dänischen
Symphonikers Rued Langgaard ist gekom-
men’, Das Orchester 43/9 (1995) pp. 2-9.
Lester, Joel: ‘Continuity and Form in the
Sonatas for Violin and Piano’ in Mina F.
Miller: The Carl Nielsen Companion, London
1994, pp. 495-533.
Lunte, Sandra K.: A pedagogical analysis of se-
lected chamber works for the flute by Carl Niel-
sen, diss., Ball State University 1993, 93 p.
Maegaard, Jan: ‘1923 – The Critical Year
of Modern Music’ in Mina F. Miller: The
Carl Nielsen Companion, London 1994, pp.
96-115.
Maegaard, Jan: ‘Ung komponist i Carl
Nielsens skygge’ [A young composer in
Carl Nielsen’s shadow], Musik og Forskning
16 (1990-91) pp. 18-24.
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 BIBLIOGR APHY
Marcussen, Henrik: ‘Carl Nielsen og hans
forlæggere’ [Carl Nielsen and his publish-
ers], Espansiva 2 (1995) pp. 17-19.
Mathiassen, Ejnar: Den enstemmige folkelige
sang hos Carl Nielsen i dens forhold til det 19.
århundredes folkelige danske sang, med særligt
hensyn til det formale [Carl Nielsen’s mono-
phonic popular songs and their relation
to popular song in Denmark in the 19th
century, especially in relation to form],
diss., Københavns Universitet 1942.
Mathiassen, Finn: ‘Carl Nielsens forord
til ‘Det uudslukkelige’. Et korrigerende
og supplerende notat’ [Carl Nielsen’s
Preface to ‘The Inextinguishable’. A cor-
rective supplementary note], Dansk Musik-
tidsskrift 62/1 (1987-88) pp. 17-19.
Mathiassen, Finn: ‘Carl Nielsens sidste
symfonisats’ [Carl Nielsen’s last sympho-
nic movement] in Kirsten Sass Bak (ed.):
Otte ekkoer af musikforskning i Århus, Århus
1988, pp. 158-172.
Mathiassen, Finn: Livet, musikken og sam-
fundet: en bog om Carl Nielsen [Life, Music,
and Society: a book about Carl Nielsen],
Århus 1986, 80 p.
Mercader, Jaime: ‘Carl Nielsen’, Ritmo 621
(1991).
Mikkelsen, Bente: Carl Nielsens ‘Salmer og
aandelige Sange’ [Carl Nielsen’s ‘Hymns
and Spiritual Songs’], diss., Århus Univer-
sitet 1993.
176
CN Studies 2003/1 indmad 176
Miller, Mina F.: Carl Nielsen: A Guide to Re-
search, New York 1987 (Garland Composer
Resource Manuals 6).
Miller, Mina F.: ‘Carl Nielsen Today: An
American Assessment’, Musiikki 19/1-4
(1989) pp. 150-160.
Miller, Mina F. [ed. and joint author]: The
Carl Nielsen Companion, London 1994, 666 p.
[‘Interlude 1: Motivic Consistency in the
Third Symphony’, pp. 204-207; ‘Interlude
2: Recapitulation and Tonality’, pp. 250-
256; ‘Interlude 3: Tonality, Tempo Rela-
tions and Performance’, pp. 289-292; ‘In-
terlude 4: Interpreting Nielsen: Nielsen’s
Interpreters’, pp. 345-349; ‘Interlude 5:
Nielsen’s Compositional Procedures’, pp.
454-459; ‘Interlude 6: Ink v. Pencil: Impli-
cations for the Performer’, pp. 489-494;
‘Interlude 7: Rhythm, Metre and Accent’,
pp. 534-540; ‘Postlude’, pp. 597-598].
Mizener, Robert Gary: The four chamber/
solo works of Carl Nielsen which utilize the
clarinet, D.M.A. diss., The University of
Texas at Austin 1990, 150 p.
Mokhov, Nikolay: ‘O tvorchestve Karla
Nilsena’ [The creative output of Carl Niel-
sen], Sovetskaya muzïka (June 1981) pp.
121-128.
Mokhov, Nikolay: Simfonicheskoe tvorchest-
vo Karla Nilsena i ego znachenie dlya skandi-
navskoy muzïki XX stoletiya [Carl Nielsen’s
Symphonies and their Significance for
20th Century Scandinavian Music], Ph.D.
27/10/03, 23:24
 BIBLIOGR APHY
diss., Gosudarstvennaya Konservatoriya,
Leningrad 1984, 22 p.
Morrison, Linda Sue: Commotio: Carl Niel-
sen’s symphony for organ, a lecture recital, to-
gether with three recitals, D.M.A. diss., Uni-
versity of North Texas 1984, 54 p.
Mortensen, Tage: Den folkelige danske sang
efter ca. 1920. Form- og stilelementer i Folke-
højskolens Melodibog fra 1922 og senere udga-
ver [The popular Danish song after about
1920. Elements of form and style in the
‘Folk High School Song Book’ of 1922 and
later editions], M.A. diss., Århus Universi-
tet 1959.
Neill, Edward D. R.: ‘Carl Nielsen’, Musi-
calia 1/3 (1970) pp. 4-13.
Nelson, E.: ‘The Danish performance tra-
dition in Carl Nielsen’s Koncert for
klarinet og orkester, Op.57 (1928)’, The
Clarinet 14/2 (1987) pp. 30-33.
Nielsen, Carl: La musique et la vie, Paris
1988, 156 p. [tr. Eva Berg Gravenstein and
Alain Artaud].
Nielsen, Carl: Lebendige Musik, Arbon am
Bodensee 1992, 164 p. [tr. Mogens Rafn
Mogensen].
Nielsen, Carl: Levande musik, Göteborg
1991, 80 p. [tr. Bengt Pleijel].
Nielsen, Carl: Levende Musik, Frederiks-
berg 1991, 90 p.
177
CN Studies 2003/1 indmad 177
Nielsen, Carl: Meine fünische Kindheit,
Arbon am Bodensee 1992, 288 p. [tr.
Mogens Rafn Mogensen].
Nielsen, Carl: Min fynske barndom, Frede-
riksberg 1994, 181 p.
Nielsen, Carl: My childhood, København
1972, 152 p. [tr. Reginald Spink].
Nielsen, Jens: Carl Nielsens tre første symfo-
nier. En redegørelse for tonalitet og tematik i
Carl Nielsens tre første symfonier [Carl Niel-
sen’s first three symphonies. Tonality
and thematicism in Carl Nielsen’s sym-
phonies 1-3], diss., Københavns Universi-
tet 1962.
Nielsen, Kaj Juel: Carl Nielsen, København
1956, 52 p. (Musikken og dens mænd 4).
Oxenvad, Niels: ‘Carl Nielsen Museet: til-
blivelse og udformning’ [The founding
and organization of The Carl Nielsen Mu-
seum], Fynske minder (1989) pp. 151-168.
Pade, Sten: ‘Carl Nielsen og den ny
danske musik’ [Carl Nielsen and contem-
porary Danish music], Musik og Forskning
16 (1990-91) pp. 14-18.
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